This paranoia-fuelled thriller, more intelligent and imaginative than you would have reason to believe, owes a huge debt to The Stepford Wives with its premise of a goody-good high school clique programmed by an evil doctor to be wholesome, academically driven and shining examples of clean living. Unlike its predecessor, though, David Nutter's film opts to open up its premise for everyone to see, diluting the scares but amplifying the creepy atmosphere. There's never any question of what's happening to the students of Cradle Bay High, who go from being druggies and sex fiends to the academically excellent Blue Ribbons, but it's a lot of fun to see these programmed teens run amok--and start killing people--when their hormones kick in. And considering they're all horny teenagers, this happens, oh, at least a few times a day. Model-perfect James Marsden, with stunning cheekbones and piercing blue eyes, is the new kid in town who stumbles on the plot with a little help from metalhead Nick Stahl. Moody Marsden stirs up trouble when he refuses to join up with the Blue Ribbons, prompting his concerned parents to consider signing him up for the program, especially after it turns Stahl into a vest-wearing, pep-rallying brainiac. The satire isn't entirely fulfilled (the evil kids hang out at the yoghurt shop and spout inspirational platitudes), but once the action kicks in it's quite an enjoyable ride, thanks primarily to Bruce Greenwood (The Sweet Hereafter) as the mad scientist behind it all and Katie Holmes (Go) as Marsden's love interest. Refusing the advances of the star football player and fighting gamely alongside Marsden, Holmes manages to deck a few bad guys with a fervour that squarely puts her in Linda Hamilton and Jamie Lee Curtis territory. Steve Railsback stars as the colluding chief of police and Dan Zudovic as a janitor with a penchant for getting rid of "rats," rodent and otherwise. --Mark Englehart, Amazon.com
It's 1948 and Los Angeles is booming but Easy Rawlins (Denzel Washington) has seen better days. He has just been fired and his house payments are due so when DeWitt Albright (Tom Sizemore) offers him a seemingly harmless job he jumps at the chance. All he has to do is track down the elusive Daphne Monet (Jennifer Beals) a mysterious beauty known to keep company on the wrong side of town. Soon he finds himself implicated in two murders and is forced to call upon an old friend Mouse (Don Cheadle) who is all too familiar with the violent world Easy has landed himself in. Slowly drawn deeper and deeper into a web of blackmail dirty cops and even dirtier politicians the ways out for Easy become harder and harder to find.
A rare specimen from the more deranged end of the Grindhouse spectrum, Miss Leslie's Dolls is a memorably demented tale of possession and transvestitism from director Joseph G. Prieto (who, under the name Joseph P. Mawra, directed the outrageous 1965 lesbian sexploitation documentary Chained Girls). Believed lost for decades, it has been remastered from original film elements especially for this release. Stranded in the backwoods during a thunderstorm, a beautiful teacher and her three promiscuous students take refuge at a lonely house owned by the middle-aged Miss Leslie. Miss Leslie, however, is less a mild-mannered spinster and more an axe-wielding, homicidal cross-dresser intent on transferring his spirit into the nubile body of any girl foolish enough to come visiting...
An adaptation of Thomas Hardy's classic novel set in the 19th century of Bathsheba Everdene and the three very different men who come to love her...
A hilarious collection of the best of British comedy from the 1940s to the 1960s. Highlighting the classic moments in comedy these DVD's include rare concert footage extended television clips renowed comedy scenes and seldom seen sitcoms. From the days of radio stars and music hall performers such as Arthur Askey and George Formby to the television era and stars such as John Cleese Benny Hill and Peter Cook and Dudley Moore this series has it all. A must for any fan of British c
Owen Wilson (The Grand Budapest Hotel, Zoolander 2) and Ed Helms (The Hangover films, We're the Millers) star in the Alcon Entertainment comedy Father Figures, marking the directorial debut of veteran cinematographer Lawrence Sher (The Hangover films). Wilson and Helms are Kyle and Peter Reynolds, brothers whose eccentric mother raised them to believe their father had died when they were young. When they discover this to be a lie, they set out together to find their real father, and end up learning more about their mother than they probably ever wanted to know. The film also stars Oscar winner J.K. Simmons (Whiplash), comedian Katt Williams, NFL Hall of Fame quarterback-turned-actor Terry Bradshaw, Ving Rhames (the Mission Impossible films), Harry Shearer (The Simpsons), and Oscar nominee June Squibb (Nebraska), with Oscar winner Christopher Walken (The Deer Hunter), and Oscar nominee Glenn Close (Albert Nobbs, Guardians of the Galaxy) as the twins' mother. Sher directed from a screenplay written by Justin Malen (Office Christmas Party). The film was produced by Academy Award nominee Ivan Reitman (Up in the Air), Ali Bell (Draft Day), and Academy Award nominees Broderick Johnson and Andrew A. Kosove (The Blind Side). Serving as executive producers were Tom Pollock, Scott Parish, Chris Cowles, Chris Fenton, and Timothy M. Bourne. Sher's behind-the-scenes team included director of photography John Lindley (St. Vincent), production designer Stephen H. Carter (art director, Birdman), editor Dana E. Glauberman (Draft Day), and two-time Oscar nominated costume designer Julie Weiss
The dark and fantastic Harsh Realm, a science fiction series about a war fought by flesh-and-blood humans trapped inside virtual reality, was launched by The X-Files creator Chris Carter in 1999 and died a regrettable, premature death on the Fox channel after three episodes. The remaining six shows found sanctuary on the FX network, and then Harsh Realm slipped into history, its wild story, based on a comic book, far from resolved. Perhaps Harsh Realm's ratings failure had something to do with its broad similarities to the hugely popular The Matrix, released only a few months before, or, for that matter, David Cronenberg's 1999 eXistenZ, in which characters fight for their lives inside a video game. Whatever the reason, enough time has passed to take an objective look at Harsh Realm, and there is a lot to be admired in its high level of imagination, complex plotting, and cutting-edge production values. Scott Bairstow stars as U.S. Army Lieutenant Tom Hobbes, a decorated hero who risked his life rescuing a buddy, Major Mel Waters (Max Martini), during a peacekeeping mission in the former Yugoslavia. Set to return to civilian life and marry his fiancée, Sophie (Samantha Mathis), Hobbes is summoned by a mysterious superior (Lance Henriksen) and asked to test-run Harsh Realm, a virtual reality war game devised by the Pentagon. Once he begins, however, Hobbes is mentally imprisoned in the dangerous game (his body, along with those of hundreds of other "volunteers," is cared for in a secret military hospital), where he is identified by other, desperate captives as the savior they've been awaiting. D.B. Sweeney is very good as another soldier, Mike Pinocchio, whose sense of mission is re-awakened by Hobbes and who becomes a partner in an endless effort to defeat a madman named Santiago (Terry O'Quinn), who rules Harsh Realm from within. As with The X-Files, the nine episodes in this boxed set are each very striking on their own terms, with post-apocalyptic sets, constant surprises, and that special Chris Carter touch (fans of his Millennium will like Harsh Realm, too) that makes every story look and feel like a collision of a nightmare and a crisis of faith. --Tom Keogh
To celebrate the 50th anniversary of a genuinely iconic series, we present Monty Python's Flying Circus, starring Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin in all its HD glory! This unrivalled restoration has been produced from the best available materials, painstakingly restored... and includes just the right amount of BLOOD, DEATH, WAR, HORROR! Previously edited sketches have been returned to their original length, while filmed sequences and Terry Gilliam's animations have been newly scanned in High Definition, adding unimaginable depth and clarity to classic moments. From the archive come genuine rarities including previously unseen studio outtakes and extended versions of filmed sketch material, making this the ultimate in television restoration and a must-have for every generation of Python fan! Series 3 Features: Limited edition digipak packaging Book by Andrew Pixley featuring an exhaustive episode-by-episode production history of series three Whicker's World: Extended Mrs. Premise & Mrs. Conclusion Travel to Paris sketch Blood, Devastation, Death, War and Horror: Extended The Pantomime Horse is a Secret Agent sketch and Bus Conductor extended scene The All-England Summarize Proust Competition: Reinstated content Salad Days: Reinstated content The Nude Organist: Reinstated content with extended Trees animation, studio outtakes, alternative Terry Gilliam-approved sound mix E Henry Thripshaw's Disease: Extended Gay Boys in Bondage animation and Sir Philip Sidney sketch Dennis Moore: Extended Redistribution of Wealth sketch A Book at Bedtime: Reinstated content, original opening, extended Heath Tango animation Grandstand: Extended Grandstand filmed material, studio outtakes, extended Charwoman animation, unused Betty Blood Donor animation Series 3 Monologue Rushes
Arnold Schwarzenegger stars as a pilot presumed dead who returns home only to find he has been replaced by a clone and his life is in danger.
Welcome to Emerald City an experimental unit of the Oswald Maximum Security Prison or Oz. As run by Tim McManus and overseen by Warden Leo Glynn Em City is about prisoner rehabilitation over public retribution. No matter how hardened a criminal or killer whether you're in for a few years or in for life you have a role to play. Once inside choose your friends carefully. Every group - Muslims Latinos Italians Aryans - stick close to mutual friends and terrorize mutual enemies. Don't smile. Get yourself a weapon. Stay on everybody's good side... if you can find one.
Monty Python delivers a scathing anarchic satire of both religion and Hollywood's depiction of all things biblical with their second film. The setting is Judea 33 A.D a time of poverty and chaos with no shortage of messiahs followers willing to believe in them and exasperated Romans trying to impose some order. At the centre of it all is Brian Cohen (Graham Chapman) a reluctant would-be messiah who rises to prominence as a result of a series of absurd and truly hilarious circumstances providing ample opportunity for the entire ensemble (John Cleese Eric Idle Terry Gilliam Terry Jones Michael Palin and Chapman) to shine in multiple roles as they mock everyone and everything from ex-lepers Pontius Pilate and the art of haggling to crazy prophets Roman centurions and crucifixion.
Day of the Dead, chapter three of George Romero's mighty zombie trilogy, has big footsteps to follow. Night of the Living Dead was a classic that revitalised a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigour--when a "retrained" zombie responds to the "Ode to Joy", the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini's make-up effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton
Whilst attending the inquest surrounding the death of one his workers property developer Leon Hawthorne meets the deceased man's widow Natalie. Enchanted he sets about tracking her down...
Terry Wogan: Golden Moments
A fascinating documentary that looks back at the 1997 chess match when previously unbeaten champion Garry Kasparov lost against IBM's computer Deep Blue.
Season 1And so it begins. Its hard to pinpoint just when you realise how good Lost actually is. Granted, the opening episode is an astonishingly assured way to start, replete with an almighty plane crash on a seemingly deserted desert island. Yet as those who have followed the hype are well aware, theres far more on offer here, with carefully woven plotlines introducing a series of characters who are slowly and intriguingly fleshed out throughout the 25 episodes in this set.At its best, Lost is a delicately layered adventure, laced with some stand-out moments. Youll find ample instances of them here, as well as umpteen examples of the quality of writing that underpins the show. Far fetched? Yes, occasionally, and you could also argue that it takes a while to recapture the energy of those dramatic opening episodes. But this is still a lavish, compulsive show that benefits heavily from its clearly substantial production budget.Naturally as there are more episodes made and planned, there are plenty of building blocks being put in place for later on, both through the evolving life on the island and the plethora of flashbacks that back it up. Yet its at this point that the quality of Lost really hits home, thanks to lots of short term excitement with plenty still to enjoy as the show progresses. That makes Lost Series One a rewarding purchase, and one that promises even greater things ahead.--Simon Brew Season 2Season two of the television phenomenon that is Lost is where the questions, in many senses, started to be asked. Picking up directly after that first season cliffhanger, it sets off at a belting pace, continuing the adventures of a group of people stranded on a desert island following a place crash. Only, as becomes increasingly clear, the island is a mysterious place, and the survivors appear not to be alone.In true Lost fashion, the second season of the show is far better at firing out fresh questions than resolving previous ones, although again, it delights in throwing out clues that the web-inclines can research across the legion of unofficial fan websites. For the viewer of the second series of Lost though, theres plenty to like, and plenty to tear their hair out over.On the downside, after an intriguing beginning, too much of the second series settles into a comfortable rhythm, conforming too rigidly to a recipe of plenty of backstory, and not too much advancement of the main narrative. Its a device that worked first time round, but becomes tiring during the saggy middle episodes. Its a fair argument too that things move far too slowly and for little good reason.The upsides? Again, quite a few. Theres little doubt that the premise still holds intrigue, and the top and tail of season two are excellent. The last quarter, for instance, is both meaty and very entertaining, even offering clues to how the whole show may eventually end. So while even the Lost purest will surely conclude that season two is an uneven dish, theres still much to feast on, albeit with the hope that season three gets round to answering a few more question. Please. --Simon BrewSeason 3Theres a steady pattern forming to seasons of Lost, where the narrative by turns manages to enthral and frustrate with equal measure. And the shows makers are clearly wise to this, as while elements of the third season revert to type, theres a clear and genuine effort to energise a programme that continues to stretch its simple premise as far as it can.So while Lost still compromises of a group of plane crash survivors marooned on a mysterious island, theres plenty else being thrown into the pot. Season three finds new characters, greater exposition of the mysterious others, the obligatory background character work, and a pronounced fracturing of relations between many of the survivors.It too also manages to hint at some answers to the many conundrums that it continues to pose, not least a concluding episode that itself should keep fan debates fuelled until well into the next series. And, chief among its accomplishments, Lost still manages to keep us interested, and leaves plenty in the tank for the future as well.In short, theres little danger youll be short-changed by Lost season three thanks to its ideas, its nerve, and the continued clues it teasingly leaves along the way. As fascinating as it always was. --Jon FosterSeason 4Anybody whose faith in Lost was beginning to waiver will surely appreciate the fourth season of the show. For this is Lost firing on all cylinders, showing a willingness to answer a few more questions than usual, while not being afraid to deepen elements of the mystery of Ocean 815.The big new idea for Lost season four, as introduced in the cliffhanger at the end of the previous run, is flash-forwards, where we see some of the characters after they?ve left the island. This freshens the show immensely, and gives the writers some much-needed new meat to chew on. As a result, characters are more convincingly fleshed out, and more fun is had with the narrative in general.There are still a few of the ailments that have hindered Lost in the past. Whenever Matthew Fox's Jack takes centre-stage, for instance, it still tends to be an episode to forget, while one or two sub-plots are allowed to meander a little more than they should. Yet it's a transitionary season, moving the show towards its final two years by beginning to fill in some of the blanks we?ve been lacking. And with a cliffhanger at the end that, once more, has the potential to firmly pull the rug from under your feet, it?s very clear that Lost has plenty more tricks up its sleeve to come. A terrific season of an increasingly bold show. --Simon Brew
Don Henley helped define the 70's as a member of the enormously successful rock band the Eagles before launching an impressive solo career that includes such hits as 'Dirty Laundry' 'The Boys Of Summer' and 'All She Wants To Do Is Dance'. On May 25 2000 he returned to his Texas roots for a remarkable concert recorded before an enthusiastic audience at Fair Park Music Hall in Dallas. This rock legend's live performance captures all the passion satire and originality that fans around the world most treasure in his influential music. Tracklist: 'Dirty Laundry' 'Sunset Grill' 'Workin' It' 'Taking You Home' 'The Boys Of Summer' 'Lilah' 'Everything Is Different Now' 'The End Of Innocence' 'All She Wants To Do Is Dance' 'New York Minute' 'Talking To The Moon' 'They're Not Here They're Not Coming' 'The Heart Of The Matter' 'Desperado' 'The Long Run' 'My Thanksgiving' and 'Hotel California'.
Catharine (Theresa Russell) is a sultry beauty who meticulously sets her traps. Alex (Debra Winger) is a federal sleuth who just as meticulously uncovers what no one else suspects - that this femme fatale tricks wealthy men into marrying her then kills them to inherit their fortunes. Soon Alex's obsession with the mysterious Catharine draws her deeper and deeper into danger...
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