The War is Over. For These Child Holocaust Survivors It Is A New beginning. The powerful BBC film starring Thomas Kretschmann, Romola Garai, Tim McInnerny & Iain Glen. A powerful and uplifting drama based on an extraordinary, untold true story of hope in the aftermath of the Holocaust, brought to us by award winning producers Wall to Wall (The Girl, The Scandalous Lady) and written by BAFTA nominated screenwriter Simon Block (The Eichmann Show, Home Fires). One summer's night in 1945, 300 children are in transit from Prague to the Lake District, a remote and picturesque corner of the English countryside. They are child survivors of the Nazi Holocaust that has all but wiped out Europe's Jews and for these particular children, their entire families too. They are some of the 1000 children the British government has granted refuge to, giving them a place where they can rehabilitate and grow strong after the devastation of the war. They carry only the clothes they wear and a few meagre possessions, along with the physical and psychological scars of all they have suffered. They do not know what awaits them in Britain and naturally they are fearful: they don t speak English, and having spent many years living in death camps, have missed out on a proper education. But the children are also excited, for the war is over, and there is always hope that the future will be kinder to them than the past. This moving and ultimately redemptive story follows the children and the remarkable team who were responsible for helping these children rebuild their lives as they forge friendships that will become a lifeline to a better future.
Given that Resident Evil is a Paul Anderson movie based on a computer game which was itself highly derivative (especially of George A Romero and James Cameron films), it's probably unfair to complain that it hasn't got an original idea or moment in its entire running time. In the early 1980s, Italian schlock films such as Zombie Flesh Eaters and Zombie Creeping Flesh tried to cram in as many moments restaged from American originals as possible, strung together by silly characters wandering between monster attacks. This is a much-improved, edited, photographed and directed version of the same gambit. As amnesiac Milla Jovovich remembers amazing kung fu skills and anti-globalist Eric Mabius mutters about evil corporations, a gang of clichéd soldiers with nary a distinguishing feature between them (except for Michelle Rodriguez as a secondary tough chick) are trapped in an underground scientific compound at the mercy of a tyrannical computer--which manifests as a smug little-girl-o-gram--fending off flesh-eating zombies (though gore fans will be disappointed by the film's need to stay within the limits of the 15 certificate) and CGI mutants, not to mention the ever-popular zombie dogs. It's tolerably action-packed, but zips past its borrowings (Aliens, Cube, Deep Blue Sea) without adding anything that future schlock pictures will want to imitate. On the DVD: Resident Evil on disc has the expected trailers, both teaser and theatrical; a half-hour making-of; zombie make-up tests; featurettes on music (with Marilyn Manson), production design and costume. A lively commentary track features Anderson, Jovovich, Rodriguez and producer/zombie Jeremy Bolt--Jovovich upbraids Anderson for talking about different gradings of film stock over her nude scene and everyone else talks about how much she hurt them by punching them out during action sequences. Anderson mentions an alternate commentary track with visual effects designer Richard Yuricich, but it isn't included. --Kim Newman
HITMAN: AGENT 47 centers on an elite assassin who was genetically engineered from conception to be the perfect killing machine, and is known only by the last two digits on the barcode tattooed on the back of his neck. He is the culmination of decades of research – and forty-six earlier Agent clones – endowing him with unprecedented strength, speed, stamina and intelligence. His latest target is a mega-corporation that plans to unlock the secret of Agent 47’s past to create an army of killers whose powers surpass even his own. Teaming up with a young woman who may hold the secret to overcoming their powerful and clandestine enemies, 47 confronts stunning revelations about his own origins and squares off in an epic battle with his deadliest foe.
A talented musician struggles to survive the destruction of the Warsaw ghetto and the concentration camps of World War II.
A talented musician struggles to survive the destruction of the Warsaw ghetto and the concentration camps of World War II.
HITMAN: AGENT 47 centers on an elite assassin who was genetically engineered from conception to be the perfect killing machine, and is known only by the last two digits on the barcode tattooed on the back of his neck. He is the culmination of decades of research – and forty-six earlier Agent clones – endowing him with unprecedented strength, speed, stamina and intelligence. His latest target is a mega-corporation that plans to unlock the secret of Agent 47’s past to create an army of killers whose powers surpass even his own. Teaming up with a young woman who may hold the secret to overcoming their powerful and clandestine enemies, 47 confronts stunning revelations about his own origins and squares off in an epic battle with his deadliest foe.
Based on a novel by Alexandre Dumas, La Reine Margot concerns the events behind infamous Massacre of St Bartholomew in sixth-century France. Isabelle Adjani plays Margot, betrothed for political reasons to one man (Daniel Auteuil) by her mother (Virna Lisi), while she is, in fact, in love with another (Vincent Pérez). Despite the bond that grows between the reluctant couple, plots are hatching all over the castle against the royals. Adventurous, exciting, erotic and given strong artistic credibility through its outstanding cast, the film is enthralling and visually sumptuous. Directed by Patrice Chereau, less known outside of France than is the film's producer, Claude Berri (director of Jean de Florette and Manon des Sources). --Tom Keogh
A talented musician struggles to survive the destruction of the Warsaw ghetto and the concentration camps of World War II.
From the director of Wolf Creek and staring Daniel Radcliffe, JUNGLE is the true story of one man s fight for survival as he ventures in to the Amazon rainforest. What starts as a dream adventure quickly descends in to a harrowing and desperate nightmare.
After narrowly escaping the horrors of the underground Hive facility, Alice (Milla Jovovich) is quickly thrust back into a war raging above ground between the living and the Undead. As the city is located down under quarantine, Alice joins a small band of elite soldiers, led by Valentine (Sienna Guillory, Love Actually) and Carlos (Oded Fehr, The Mummy Returns), enlisted to rescue the missing daughter of Dr. Ashford, the creator of the mutating T-virus. It's a heart-pounding race against time as the group faces off against hordes of blood-thirsty zombies, stealthy Lickers, mutant canines and the most sinister foe yet. Written and produced by the visionary director of Resident Evil, Paul W.S. Anderson (AVP: Alien vs. Predator) and directed by Alexander Witt, RESIDENT EVIL: Apocalypse is a superior sci-fi suspense sequel.
A band of determined Russian soldiers fight to hold a strategic building in their devastated city against a ruthless German army, and in the process become deeply connected to two Russian women who have been living there.
Thomas Kretschmann and Rutger Hauer star in Dario Argento's take on the famous vampire story. When Tania (Asia Argento), a young woman, is attacked and killed by a mysterious dark shadow in the woods on her way home from meeting her lover, she emerges days later having been turned into a vampire. As she tries to seduce and bite anyone who gets in her way, vampire hunter Van Helsing (Hauer) traces her every move, plotting a way to kill her once and for all.
Funeral in Berlin (1967) is the sequel to 1965's The Ipcress File, again featuring Michael Caine as reluctant spy Harry Palmer. It was clearly the filmmakers' intention to make Palmer a harder-nosed James Bond, and director Guy Hamilton was brought to this project in between Goldfinger and Diamonds Are Forever for that purpose. There's espionage intrigue, easy women (Eva Renzi as Samantha Steel), and gunplay. But without the gadgetry, one-liners, or even the John Barry score of the first movie, the Bond comparison runs dry. Against the backdrop of a bombed-out industrial wasteland that was Berlin in the mid-Sixties, Palmer is sent to facilitate the defection of Col. Stock (Oscar Homolka). Numerous sub-plots weave together involving indifferent chief Ross (Guy Doleman from IPCRESS), mission aide Johnnie Volkon (Paul Hubschmid), and the untrustworthy Kreutzman (Günter Meisner, who was more memorable as Slugworth in Willy Wonka and The Chocolate Factory). It all comes down to revealing who's working for whom and who's really defecting in the set-piece funeral of the title. The main reason the series continued (Ken Russell's OTT Billion Dollar Brain came next) was the commanding presence of Caine. It's fun to hear him try German, and he manages a few subtle comic gems, such as when a waiter asks "Bitte mein heir?" and he replies, "No. Lager please", but the best moment of characterisation recalling the womanising Palmer of Len Deighton's novels is the put down guaranteed to win any woman: "You're useless in the kitchen. Why don't you go back to bed?" --Paul Tonks
Based upon the final confession of Adolf Eichmann, made before he was tried and hanged in Israel in 1962, this powerful film stars Thomas Kretschmann (King Kong, Resident Evil: The Apocalypse) as the SS Officer who orchestrated the mass murder and destruction of millions of innocent people. Captured by intelligence operatives in Argentina, 15 years after World War II, Eichmann must be broken down by Captain Avner Less, (Troy Garity) a young Israeli Police Officer. Gradually Avner uncovers the harrowing truth about Eichmann's role as the architect of Hitler's plan for the “final solution, - which killed 6 million Jews including Avner's own father. As the world watches, the two men confront each other in a battle of wills - the result of which will change a nation forever.
15 years after their traumatic gingerbread-house incident, siblings Hansel and Gretel have become a formidable team of bounty hunters who track and kill witches all over the world.
After an accident triggers the deadly "Blood Tide," human/vampire warrior Blade must find a way to reverse the process and save the world which has been completely overrun by vampires.
Impoverished Broadway peddler ""Apple Annie"" (Bette Davis) has a problem. Her daughter Louise (Ann-Margret) educated abroad since infancy is coming for a visit and bringing her wealthy fianc with her. The problem is that Louise has believed all her life that Annie's a wealthy dowager and the poor old woman doesn't know what to do! Enter ""Dave The Dude"" (Glenn Ford) - a big-hearted racketeer - who enlists aid to pass Annie off as a high-society grande dame so Louise can marry her fa
A powerful story of love passion and religious conflict! Esther a young and beautiful Hebrew woman cousin to the cunning Mordecai charms Xerxes and the royal court to become queen. But Esther has hidden her religious and tribal background; when the king's chief treasurer devises a plan to persecute and kill the Jews Esther has to make some tragic life-altering decisions...
High stakes gambling takes on a sinister new meaning in this third chapter of the terrifying Hostel series. While attending a bachelor party in Las Vegas, four friends are enticed by two sexy escorts to join them at a private party way off the Strip. Once there, they are horrified to find themselves the subjects of a perverse game of torture, where members of the Elite Hunting Club are hosting the most sadistic show in town.
A band of determined Russian soldiers fight to hold a strategic building in their devastated city against a ruthless German army, and in the process become deeply connected to two Russian women who have been living there.
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