Barbershop - Get ready for a fresh, feel-good tale about a Chicago barbershop where razor-sharp comedy never goes out of style! Featuring today's hottest stars, including rap artists Ice Cube and Eve and packed with special features, Barbershop is both a feel-good, life-affirming movie and a hilarious, outrageous comedy!Calvin (Ice Cube) is a would-be entrepreneur with big plans...and running his family's barbershop isn't one of them. But when he impulsively sells the shop to a shady loan shark, he soon realizes just how important the neighbourhood salon is to him... and just how far he'll go to get it back!Barbershop 2 Back in Business - The number one U.S. smash hit reunites the hilarious cast of characters from the first film including Ice Cube and Cedric The Entertainer. This time Queen Latifah also joins the fun as Gina, a stylist at the beauty shop next door in this excellently written (The Sun) comedy with a funky soundtrack from Mary J Blige and Outkast.Calvin's barbershop is threatened by a chain salon opening across the road. The crew has to band together to save the place where they cut hair, create a sense of community, and have their signature Barbershop discussions - outrageous, explosive, and hilarious. The world changes, but some things never go out of style - you can still say anything you want at the Barbershop.
On the trail of a deranged serial rapist and killer Detective Anna Manni (Asia Argento) hides her own secret: she suffers from the Stendhal Syndrome a mental condition which makes her retreat into frightening hallucinations when confronted with works of art. Her quarry the sadistic Alfredo Grossi (Thomas Kretschmann) discovers her condition and uses it against Anna to reduce her to a helpless victim. Subjected to these savage relentless attacks Anna is a powerless witness as his murder spree continues. Now alone she has to face her own fears her own terrors and the terrible legacy of the Stendhal Syndrome...
The second film in the St Trinians series takes the anarchic schoolgirls to Rome having won a UNESCO prize trip. There they become involved with a jewel thief...
Ken Loach does for the railways in The Navigators what he did for the construction industry in Riff-Raff (1990). As ever, his sympathies lie firmly with the ordinary working blokes, not above of bit of banter and skiving, but essentially trying to do a decent job and stay loyal to their mates in the face of managerial double-talk and corporate devotion to the bottom line. It's 1995, and the Tories have just carried out their disastrous, pea-brained scheme to break up the railways. We follow the fortunes of a gang of track workers in South Yorkshire as they find themselves confronted with all the fallout of privatisation--redundancies, cost-cutting, corner-cutting and the wholesale junking of any concern with safety or quality of work. Accidental deaths, one hapless time-server explains, "have got to be kept to an acceptable level". Two scenes encapsulate the tragic-comic tone of the film. At one point the disbelieving workers are ordered by managers to smash up a load of new equipment; it's surplus to requirements, but can't possibly be sold to "the competition", their former British Rail workmates at the depot down the line. Later, called to a derailment, the track workers pass a whole series of hard-hat wearing managers, each paying no attention to what needs doing but muttering fiercely into a mobile phone trying to pass the buck for the accident to another company. Loach cast the film using local actors and comics, and there's a strong sense of authenticity in the flat accents and dry Yorkshire humour. But ultimately this is a lament for the destruction, not only of what was once a great rail network, but of the pride and camaraderie of those who worked on it. The film's ending is fittingly bleak. --Philip Kemp
Limited to 2000 Units & includes exclusive content. Period romance. War epic. Family saga. Popular fiction adapted with crowd-pleasing brilliance. Star acting aglow with charisma and passion. Moviemaking craft at its height. These are sublimely joined in the words Gone with the Wind. This dynamic and durable screen entertainment of the Civil War-era South comes home with the renewed splendor of a New 70th-Anniversary Digital Transfer capturing a higher-resolution image from Restored Picture Elements than ever before possible. David O. Selznick's monumental production of Margaret Mitchell's Pulitzer Prize-winning book can now enthrall new generations of home viewers with a majestic vibrance that befits one of Hollywood's greatest achievements. Disc 1 Gone with the Wind: UCE 70th Anniversary Feature Commentary by Rudy Behlmer Original Mono Track Disc 2 - Exclusive to this Anniversary Release Old South/New South Gone with the Wind: Hollywood Comes to Atlanta
The true story of two LA serial killers.
Independence Day: One of the biggest box office hits of all time delivers the ultimate encounter when mysterious and powerful aliens launch an all-out invasion against the human race. The spectacle begins when massive spaceships appear in Earth's skies. But wonder turns to terror as the ships blast destructive beams of fire down on cities all over the planet. Now the world's only hope lies with a determined band of survivors uniting for one last strike against the invaders
Kool finds out the dangers of life in the streets where drugs gangs and a corrupt justice system are a distubing way of life. Kool is a young kid trying to do right in this world of chaos through the disciplines of the martial arts. He is befriended by his mentor ""Master Koyangi"" is deeply in love with his girlfriend Lashawana and his dream of becoming a rap star has guided him positively toward his goal. But when Lashawana is wrongfully charged with the murder of a police office
Johann Strauss II's wonderfully convoluted and ingenious Viennese farce Die Fledermaus is a masterpiece of operetta. The tale spins waltz-like around the philandering Von Eisenstein (Thomas Allen), his wife Rosalinde (Pamela Armstrong), who is tempted by singing teacher Alfred (Par Lindskog), and Adele (Lyubov Petrova), Rosalinde's maid. Following Shakespeare's romantic comedy template there is much mistaken identity, confusion of purpose and cross-dressing, with the events unfolding around an increasingly drunken masked ball and the morning after in the local jail. The champagne-fuelled entertainment carries various satiric undertones, but this adaptation by director Stephen Lawless and Daniel Dooner emphasises colour, wit and flamboyance, always ensuring the jokes work well for a modern audience. The production requires acting as strong as the excellent singing, and Thomas Allen delivers a subtly layered interpretation of Eisenstein, while Pamela Armstrong's Rosalinde offers a winning study in smouldering sensuality, well contrasted with Lyubov Petrova's more directly sexual Adele. The revolving set mirrors the swirling Strauss dances and the elegant design is a perfect match for the boldly extrovert costumes. If this Glyndebourne 2003 production doesn't match Dame Joan Sutherland's retirement performance at the Royal Opera House in 1977 for historic value, it is easily as much fun and the production values are second to none. On the DVD: Die Fledermaus is presented on a two-disc edition with Acts 1 and 2 on the first disc and Act 3 and 37 minutes of extras on the second DVD. The 16:9 anamorphically enhanced image is as strong and detailed as BBC live digital video recording can be and the sound is offered in excellent stereo, as well as superb 5.1 DTS, which places the listener in the acoustic equivalent of the best seat in the house. The extras begin with 20 minutes of short but worthwhile interviews with Pamela Armstrong, Thomas Allen, Hakan Hagegard, conductor Vladimir Jurowski and director Stephen Lawless. There is a five-minute feature on the history of the waltz and a four-minute humorous interlude in which Udo Samel explores the pleasures of champagne in his character as the gaoler Frosch. More substantial if less entertaining is Return of the Architect (8 min), a look at the design and construction of the modern Glyndebourne opera house. The set is completed with routine photo and costume galleries and a nicely produced booklet illustrated with good quality colour photographs. Optional subtitles are available in Dutch, English, French, German and Spanish. --Gary S Dalkin
A man celebrates his sixtieth birthday with friends relatives his wife and children but some unpleasant family truths are revealed...
Before Private Ryan was saved the Sullivan Brothers did their part for World War II. This rivetting and tragic drama was the basis for Steven Speilgberg's Saving Private Ryan and follows the true story of the five Sullivan brothers who served together at Guadalcanal in 1942. Their patriotisim and devotion to each other was overwhelming and took precedence over all else with tragic results. One of Hollywood's lost classics it was originally pulled from cinemas after its devastating effect on audiences of the time. The Fighting Sullivans is a story you may never have heard of but it's a movie you will never forget.
All is well at an afternoon barbecue until one of the guests decides to seduce the hosts wife and kill the next door neighbour (for being miserable). Things go from bad to worse as the friends plot against each other to cover up their part of the crime and keep hidden their own skeletons that are rapidly being discovered.
Further action-fuelled adventures with those cool crimefighters Lord Brett Sinclair (Moore) and Danny Wilde (Curtis). Epsisodes include: The Man In The Middle: A double agent is discovered working in British Intelligence... Element of Risk: A known criminal arrives in London and gets mixed up with Danny... A Home of One's Own: Danny buys himself a cottage and gets involved with the illegal activities of the local squire... Nuisance Value: A fake kidnapping threatens to test the sleuthing skills of Brett and Danny...
Mike Figgis (Leaving Las Vegas) directs an incredibly sexy cast (Kevin Anderson Pamela Gidley and Kim Novak) in this tale of lust and murder -- one of the most visually stunning films of the '90s.
American Pie: You'll never look at warm apple pie the same way again! American Pie takes a hysterical look at the goal of four unlucky in love high school friends who make the ultimate pact: lose their virginity by prom night. As they try to manipulate their way into the hearts of some of their classmates their plans often backfire with hilarity. One fails to score with the sexy foreign exchange student and then makes a last ditch effort with a band member who has an interesting way with her flute while another is so desperate he actually hires someone to give him a reputation. Follow the raging hormones of four teenage boys and their girls as they gear up for the most important night of their lives; the prom! American Pie 2: After their first year apart at college the guys (Kevin Jim Oz Finch and Stifler) rent a beach house vowing to celebrate their friendship and make this the best summer ever. But as always whether their dreams come true or not is ultimately up to the girls (Vicky Michelle Nadia Heather and Jessica). Through one boisterous summer of ear-splitting parties side-splitting mishaps - and yes a trip to band camp - the gang discovers that times change and people change but friendship lasts a lifetime. American Wedding: Jim (Jason Biggs) and Michelle (Alyson Hannigan) have finally decided to tie the knot but with their friends (including Stifler) returning from college the chances of their big day going off without a hilarious hitch or two are very small indeed!
Off the coast of Maine an African cargo vessel mysteriously explodes and crashes into the harbour. What no one knows is that the crew have already been dead for days... Dr. Ben Cahill (Thomas Calabro) arrives on Orrs Island to resolve some personal problems and receives a hostile reception. The locals do not like outsiders and in particular Jack Wald (John Savage) does his best to make Ben feel unwelcome. Soon bizarre and frightening deaths start to occur on the island. Each victim
Please wait. Loading...
This site uses cookies.
More details in our privacy policy