In the third century of the second calendar after the chaos of the intergalactic wars a powerful dictatorship has risen to dynamic proportions and engulfed most of the populated worlds. Liberty has become a crime punishable by death and the majority of the population lives in a drug-induced state of docility. This tyrannical authority fulfils George Orwell's prophecy of 1984 to its most terrifying extremes. This government is known as the Federation. Each world has its share of rebe
Colonel William Ludlow (Sir Anthony Hopkins) built a ranch in the remote foothills of the Montana Rockies where he brought up his three sons away from the carnage of the Indian wars. Alfred (Aidan Quinn) the eldest is dutiful and reserved Samuel (Henry Thomas) the beloved youngest is compassionate and idealistic while the middle brother Tristan (Brad Pitt) has a wild untameable spirit. Into this masculine world enters Susannah Finncannon (Julia Ormond) a beautiful intelligent woman who stirs a passion and rivalry in all three brothers that will change the course of their lives and shape their destinies forever. From the rugged prairie lands of 19th Century America to the trenches of World War I and the changing world beyond 'Legends of the Fall' is a sweeping star-studded epic - a passionate journey into the darkest secrets of love betrayal and the unbreakable bonds of blood.
Bryn Cartwright a wealthy roofing contractor Rugby Club Chairman and local kingpin rules the roost until Fatty Lewis a local handyman falls off a ladder on a Cartwright job. Bryn refuses to pay compensation. The twins Fatty's wayward sons devise a wickedly comic way of getting even and Bryn ends up paying dearly...
Taken from the novel by Erich Maria Remarque, All Quiet on the Western Front is a devastating portrait of a small group of German soldiers during World War I. In this 1979 made-for-TV version the star-studded cast is lead by Richard Thomas (The Waltons) as Paul Baumer, strongly supported by screen veterans Ernest Borgnine, Ian Holm and Patricia Neal. As both narrator and star, Thomas occasionally seems to reincarnate his familiar John-Boy persona, but does at least succeed in creating a character that has more levels than his television alter ego. After watching all of his high school buddies loose their lives, Paul returns home a changed man, conflicted in his feelings about the Army and war, and altered from an idealistic schoolboy into a fearful and humble veteran. Although Lewis Milestone's 1930 films remains the cinema's definitive version, director Delbert Mann (Desire Under the Elms, Marty) has done a workmanlike job bringing the novel to the screen. The scenery and costuming in this period piece are well done, and surely contributed to its winning the Golden Globe for Best Motion Picture Made for TV. Also exceptional are the cinematography and special effects that, while realistically gruesome, truly emphasise the horrors of war. --Zachary Lively, Amazon.com
Random Hearts, starring Harrison Ford and Kristen Scott Thomas, is a compelling love story about two people who never would have met in a perfect world.
As a producer, Roger Corman has always loved to make low-budget rip-offs of hit movies, and Piranha is his typically cheeky take on Jaws--and, as so often with Corman, in many ways it's funnier and more entertaining than the original. Directed with gusto by schlock-horror specialist Joe Dante and sharply scripted by John Sayles, it replaces one huge underwater toothy monster with dozens of little ones and ups the body count by a factor of 10 or so. Two hapless teenagers, hiking in a remote mountain region, stumble on a secret US military research lab. They don't last long, but their intrusion leads to the release into the local river system of a huge shoal of super-intelligent piranha, originally specially bred for use in Vietnam. Downstream from the virulent little munchers lie a kiddies' holiday camp and a tacky new waterfront theme park. Lunch time, fellas! Sayles, with his staunch left-wing credentials, slips in some mordant political satire at the expense of the military-industrial complex, and authority figures of any kind come off pretty badly, but the satire never gets in the way of the gleeful black humour. The two leads, Bradford Dillman and Heather Menzies, are fairly pallid, but there are ripe cameos from such cult horror-movie icons as Kevin McCarthy, Dick Miller and Barbara Steele. Pino Donaggio's score impudently borrows aspects of John Williams' famous Jaws theme while never quite infringing copyright. The movie was successful enough to spawn a much-inferior sequel, Piranha II: The Spawning (1982), which marked the inauspicious directing debut of one James Cameron. On the DVD: Piranha on disc comes with just the theatrical trailer as an extra. The transfer is a respectable job, reproducing the original's full-screen ratio. --Philip Kemp
During the Nazi occupation of Paris in the 1940's a group of men are dragged off the street by soldiers. The twenty nine Frenchman are all quite innocent but the Germans have ordered that one out of every ten men must be executed. One such man a French lawyer named Chavel trades his material possessions for his life with a dying man when condemned to the firing squad. At the end of the war Chavel posing as one of the other prisoners returns to his home which is now occupied by t
Spike Lee's latest is a biting comedy about a black US TV writer whose plans to get sacked by creating a TV show reviving old time minstrel shows doesn't go at all as planned!
The hit of the 1969-1970 season, Department S was an attempt on the part of television company ITC to create a "with-it" follow-up to the The Saint and Man in a Suitcase series which were starting to look staid by then. The department of the title is notionally part of Interpol, a group managed by the first of many black TV top cops (here Denis Albana Peters), and assigned all the bizarre cases The Avengers hadn't handled. Often they would come up against modern variations on the classic "locked-room" or "paradox" mysteries so favoured in crime fiction, mysteries which verge on the sort of phenomena The X Files would later specialise in (except no aliens appear in Department S). The supposed leads are Action-Man-type Stewart Sullivan (Joel Fabiani) and English-rose computer whiz Annabelle Hurst (Rosemary Nichols), but the break-out character is the flamboyant Jason King (Peter Wyngarde), a mystery writer and puzzle-solver notable for his Fu Manchu facial hair and an enormous wardrobe of safari suits, ruffled shirts, flared trousers and velvet jackets. King was the only male character on TV to be as fashion-conscious as the Avengers girls, and his preening peacock attitudes--along with the scripts' above-average mysteries--made this essential viewing for the Age of Aquarius. Volume One includes the following episodes: "Six Days", in which a missing airliner turns up but the passengers have no idea that they've lost six days, with Peter Bowles; and "The Trojan Tanker", in which a mystery woman is found in a luxury suite concealed inside an oil tanker, with Simon (Doomwatch) Oates. --Kim Newman
Pittsburgh (Dir. Lewis Seiler 1942): Charles 'Pittsburgh' Markham rides roughshod over his friends his lovers and his ideals in his trek toward financial success in the Pittsburgh steel industry only to find himself deserted and lonely at the top. When his crash comes he finds that fate has dealt him a second chance. Dakota (Dir. Joseph Kane 1945): John Devlin helps Dakota wheat farmers save their land from swindling entrepeneurs who hope to make a fortune selling it to the railroad for its right-of-way.
The bizarre world you met in 'Planet of the Apes' was only the beginning... What lies beneath may be the end! The second installment in the Planet Of The Apes series. Here an earthling sent to find the astronauts of the original film discovers not only a world of intelligent talking apes but an underground cult of grotesque ""humans"" who are the survivors of a nuclear blast years ago. Unfortunately these mutants worship a nuclear bomb a weapon which not only is the
Random Hearts, starring Harrison Ford and Kristen Scott Thomas, is a compelling love story about two people who never would have met in a perfect world.
Imagine experiencing life through the eyes of an innocent child...forever. Beautiful and vibrant Molly McKay might have a mental disability but she's not about to let the world pass her by. Starring Academy Award nominee Elisabeth Shue in an inspired performance Molly is a joyous celebration of the irrepressible human spirit. Autistic since birth 28-year-old Molly (Shue) is a carefree young woman with an incredible zest for life. Her brother Buck (Aaron Eckhart) a 32-year-old
Black Joy is a lightly ironic British culture-clash comedy. Trevor Thomas heads the cast as a Guyanan youth who is under the delusion that life will be easier for him in London. No sooner does Thomas set foot in England than he gets tangled up in one disaster after another. The catalyst for most of Our Hero's travails is ""assimilated"" Caribbean Dave Beaton who delivers an antic performance as a streetwise con artist. Black Joy was adapted from Dar
Sid the Sexist: Sidney Smutt is a smooth talking sex machine a lady killing hard man who can drink anyone under the table... or so he thinks. Meet Sid Baz Bob and Joe on their adventures as they paint Newcastle red and jet off to sunny Spain in search of love excitement and a truly satisfying takeaway. Oh Lordy! It's The Fat Slags - 3 Saucy Adventures: Here it is. Raunchier than a Swedish rabbit and bluer than a baboon's arse. The two and only Fat Slags burst on
Notable neither for its director nor its stars, 20 Million Miles to Earth has been given the widescreen spit 'n' polish treatment because of its special-effects man, the legendary Ray Harryhausen. And it's his work here that makes this daft slice of hokum so watchable. When a group of Italian boat fishermen investigate a crash-landed space rocket returned from a trip to Venus, they find one surviving all-American hero and an alien in aspic: the Emere, a tiny homunculus hungry for sulphur and growing faster than a teenager on steroids. Cue man-vs-alien mayhem, screenfuls of avuncular patriarchs and the gratuitous destruction of Rome. A by-numbers B-movie, Harryhausen's sixth feature isn't a patch on his later Technicolor masterpieces, but the unusual Italian setting ("I wanted a trip to Europe") adds an exotic quality and his effects are as solid and convincing as ever. The film only really begins to crackle when his stop-motion creation is onscreen. Like a scaly King Kong, he's as likely to engender sympathy as fear: surely anyone who's been bombed, blasted, burnt, electrocuted, shot at by trigger-happy squaddies and involved in a punch-up with a pachyderm is entitled to lose their rag a little. And fans will enjoy spotting in the Emere the flowerings of Harryhausen's later and greater creations, Sinbad's Cyclops and The Titans' Calibos and Kraken. The denouement, with the creature atop the Colosseum, is as effective as that of Kong's. It wasn't beauty who killed the beast here, however, it was bombs. On the DVD: 20 Million Miles to Earth's black and white picture is clean and crisp in this anamorphic 1.85:1 widescreen transfer, and the Dolby digital mono soundtrack is clear enough. The theatrical trailer will please fans of kitsch, as will the featurette "This Is Dynamation" produced at the same time as the first Sinbad movie. The real corker here, though, is the generously lengthed documentary "The Harryhausen Chronicles". Narrated by Leonard Nimoy, this features a stellar cast of devotees (George Lucas among them) waxing lyrical about the influence of Harryhausen's films, and allows the man himself to ramble fascinatingly over clips of his filmic canon. The claw-slash menu marker is a nice touch, too. If you're a fan, this disc is Harryhausen heaven. --Paul Eisinger
A 5 disc box set of hazy cult comedies from Cheech and Chong. Includes: Born In East L.A: Rudy is an American of Mexican descent who is caught up in an immigration raid on a factory. Deported to Mexico as an illegal immigrant he has no way of proving that he is in fact an American citizen and is forced to rely on his cunning to sneak his way back home. Sound: Dolby (1.0) Mono Languages: English Duration: 1 hour and 21 minutes Aspect Ratio: 1.85:1 Anamorphic Widescr
Here is the opera event of 2005 the Salzburg Festival's La traviata Rolando Villazon and Thomas Hampson in a dramatic staging by Willy Decker - the thrilling production that prompted riotous ovations not seen since Karajan's heyday.
A box-office hit when released in 1994, this sprawling, frequently overwrought familial melodrama may get sillier as its plot progresses, but it's the kind of lusty, character-based epic that Hollywood should attempt more often. It's also an unabashedly flattering star vehicle for Brad Pitt as Tristan--the rebellious middle son of a fiercely independent Montana rancher and military veteran (Anthony Hopkins)--who is routinely at odds with his more responsible older brother, Alfred (Aidan Quinn), and younger brother, Samuel (Henry Thomas). From the battlefields of World War I to his adventures as an oceangoing sailor, Tristan's life is full of personal torment, especially when he returns to Montana and finds himself competing with Alfred over Samuel's beautiful widow (Julia Ormond), whose passion for Tristan disrupts the already turbulent Ludlow clan. Under the wide-open canopy of Big Sky country, this operatic tale unfolds with all the bloodlust, tragedy, and scenery-chewing performances you'd expect to find in a hokey bestselling novel (in fact, it's based on the acclaimed novella by Jim Harrison), but it's a potent mix that's highly entertaining. Not surprisingly, John Toll won an Academy Award for his breathtaking outdoor cinematography. --Jeff Shannon
Adapted from the award-winning novel by Matt Thorne and featuring an exciting ensemble of rising British talent 8 Minutes Idle is a darkly funny romantic comedy set in and around a dysfunctional Bristol call centre. Dan (Tom Hughes) has always taken the path of least resistance - at work at home even in his love life. But when he's kicked out of the family home he's faced with no option but to start secretly bedding down in the call centre where he works. Suddenly everything that he's previously taken for granted - hot showers clean clothes friends even his beloved cat - is either disappearing or conspiring against him. As Dan's work/life balance spirals hilariously out of control he finds himself fending off the attentions of his predatory boss (Montserrat Lombard) and being increasingly drawn to co-worker Teri (Ophelia Lovibond). But Teri is leading her own double life. One that will challenge Dan to do something he's never had to before - Care about someone other than himself!
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