The three films in this Terry Thomas Collection--The Naked Truth, Too Many Crooks and Make Mine Mink--are each an unalloyed delight from beginning to end. Though produced on slim budgets they possess witty scripts by Michael Pertwee, deft direction in two instances by Mario Zampi, inventive music scores and marvellous casts featuring two generations of British actors, from Athene Seyler to a young Kenneth Williams. Individually and as an ensemble these players are a pleasure to watch. But of course Terry Thomas, the catalyst of the collection, runs the gamut with a plethora of facial expressions, body language and verbal repartee that contribute so much to the unbuttoned joy of each film. In the earliest of them, The Naked Truth (1957), TT plays a dodgy peer of the realm being blackmailed in the company of Peter Sellers, Peggy Mount and Shirley Eaton by a gutter press journalist, Dennis Price ("Don't try to appeal to my better nature, because I haven't one"). The moments of slapstick are brought off to a tee as when the larger-than-life Peggy Mount attempts a suicide drop from her window to be saved by an awning on a shop front. Too Many Crooks (1959) has TT being blackmailed once again, this time for the hoards he's stashed away as a renowned tax dodger. Look out for the very funny court scene, where TT makes three appearances on separate charges, before a bemused magistrate, John Le Mesurier. Make Mine Mink (1960), the odd one out in this collection, was adapted from a West End stage farce, Breath of Spring. TT leads a gang of middle-aged biddies who decide to brighten up "the dullness of the tea time of life", by staging a series of robberies on furriers, then donating the proceeds to charitable concerns. The splendid cast includes Hattie Jacques and Kenneth Williams. On the DVD: The Terry Thomas Collection comes in an attractive box containing the three discs. All are 4:3 ratio and with mono sound. The only extras are a trailer for each film which, in the instance of Make Mine Mink, is introduced by Terry Thomas himself, who presents us to his gang of fur thieves as the voice on the soundtrack announces him as "fur, fur funnier than you've seen him before". --Adrian Edwards
Ian Carmichael is feckless British Soldier Stanley Windrush. Windrush abandons his college education to serve his country but after flunking out of officer's candidate school he is demoted to private. Hilarity ensues as he befriends rough-hewn fellow private Cox (Richard Attenborough). Major Hitchcock (Terry-Thomas) offers a brilliant parody of the 'Mad Dogs and Englishmen' school of military service while Dennis Price is equally amusing as a nonplussed commanding officer.
Muhammad Ali's 1974 knockout of George Foreman to regain the heavyweight championship of the world at the age of 32 was probably the greatest sporting moment of the 20th century. Leon Gast's documentary on the "Rumble In The Jungle", When We Were Kings, eventually released in 1996, is probably the finest ever boxing film. The background to the contest was almost as dramatic as the fight itself. It was the first major coup for promoter Don King, a character described in this film as "very clever but completely amoral"--yet this was his finest hour. President Mobutu, unsavoury dictator of Zaire and a more frightening figure than either boxer, had spent millions of his country's money to host the event. George Foreman, like Sonny Liston before him and Mike Tyson after him, was considered unbeatable, expected to slaughter Ali. Seeing him pounding a dent the size of a grapefruit into a heavy bag during training, you can understand why. Ringside American journalists George Plimpton and in particular Norman Mailer offer exceptionally shrewd insights. As we stare into Ali's face during the minute interval at the end of round one, Mailer talks us through his probable thought processes. "That was the only time I ever saw fear in his eyes." Ali, of course, is the star, besting the sullen Foreman in the build-up with his freewheeling, hilarious braggadocio then outfoxing him in the fight with his "rope-a-dope" technique. Like Ali, the "Rumble In The Jungle" transcended sports in its inspirational significance. --David Stubbs
In School for Scoundrels wimpy Ian Carmichael wants to impress girls and get one over on all-round show-off and cad Terry Thomas (playing gloriously to type). Discovering Alastair Simms' unorthodox school Carmichael happily enrols and learns the quaint tricks of the day for securing the admiration of a fair lady. Ultimately as a star pupil he teaches the Master a thing or two about true love when everything turns out just fine in the end. Appealing to all male sensibilities is the idea of a magical set of simple rules for winning someone's affections. Set in the tweed-rich environment of an English boarding school makes this an even quainter notion. To watch this classic comedy is to cock one's snoot at womanisers everywhere while unavoidably making a mental list of anything that might actually work! The three central performances are brilliantly realised, particularly the role reversal between Carmichael and Thomas. Try playing a tennis match after a viewing without calling "hard cheese". -Paul Tonks
After losing his parents and his childhood sweetheart to tragedy, Francis Chisholm (Gregory Peck) joins the priesthood and devotes himself to a life of service and compassion. But Chisholm's unorthodox beliefs raise eyebrows among his superiors, especially Bishop Angus Mealy (Vincent Price). And when he is sent to the farthest reaches of China to rebuild an abandoned mission, Chisholm faces his greatest challenge of all: to tame a hostile land, win over a superstitious people and save his parish from an invading army. Nominated for four Academy Awards, including Best Actor (Peck), The Keys of the Kingdom is a 'towering film stamped with greatness' (The Independent). Special Features: 'Gregory Peck: His Own Man' Documentary Stills Gallery Theatrical Trailer
Enrol at the wacky College of Lifemanship where a senior host of great British comedians teach a completely uproarious course on how to come out tops in any social situation! Study with Alistair Sim and learn his valuable hints on the art of comic One-upmanship. Follow his expert advice to victimised Ian Carmichael about romance fully equipped to cope with life's hilarious humiliations without really cheating. Based on the books by Stephen Potter.
In School for Scoundrels wimpy Ian Carmichael wants to impress girls and get one over on all-round show-off and cad Terry Thomas (playing gloriously to type). Discovering Alastair Simms' unorthodox school Carmichael happily enrols and learns the quaint tricks of the day for securing the admiration of a fair lady. Ultimately as a star pupil he teaches the Master a thing or two about true love when everything turns out just fine in the end. Appealing to all male sensibilities is the idea of a magical set of simple rules for winning someone's affections. Set in the tweed-rich environment of an English boarding school makes this an even quainter notion. To watch this classic comedy is to cock one's snoot at womanisers everywhere while unavoidably making a mental list of anything that might actually work! The three central performances are brilliantly realised, particularly the role reversal between Carmichael and Thomas. Try playing a tennis match after a viewing without calling "hard cheese". -Paul Tonks
THE SHANGHAI JOB is a high-octane heist action film from the team behind Mechanic Resurrection, Welcome To The Punch and Iron Man 3 and starring Orlando Bloom (Pirates of the Caribbean, Lord of the Rings) and Simon Yam (Ip Man). Washed-up private security agent Danny Stratton has been reduced to low level body-guarding operations, after a botched job when a Van Gogh painting in his care was stolen. He gets a chance to restore his reputation when he s given the rare opportunity to escort a valuable Chinese antique out of Shanghai. In the course of the mission he is ambushed, and, with the safety of the woman he loves in jeopardy, Danny has to work with his team of experts to save her, whilst also outsmarting the devious mastermind behind the heist.
In School for Scoundrels wimpy Ian Carmichael wants to impress girls and get one over on all-round show-off and cad Terry Thomas (playing gloriously to type). Discovering Alastair Simms' unorthodox school Carmichael happily enrols and learns the quaint tricks of the day for securing the admiration of a fair lady. Ultimately as a star pupil he teaches the Master a thing or two about true love when everything turns out just fine in the end. Appealing to all male sensibilities is the idea of a magical set of simple rules for winning someone's affections. Set in the tweed-rich environment of an English boarding school makes this an even quainter notion. To watch this classic comedy is to cock one's snoot at womanisers everywhere while unavoidably making a mental list of anything that might actually work! The three central performances are brilliantly realised, particularly the role reversal between Carmichael and Thomas. Try playing a tennis match after a viewing without calling "hard cheese". -Paul Tonks
In 1957's The Naked Truth Terry Thomas plays a dodgy peer of the realm being blackmailed in the company of Peter Sellers, Peggy Mount and Shirley Eaton by a gutter press journalist, Dennis Price ("Don't try to appeal to my better nature, because I haven't one"). One fascinating element in this picture is the portrayal of those relationships that could be only suggested in a period of tighter censorship, such as Peter Sellers' TV personality and Kenneth Griffith as his dresser, whose gay relationship is only faintly etched in here. More overt is the characterisation of a masculine looking authoress, known only by her initials, but sporting Agatha Christie's hairdo. The moments of slapstick are brought off to a tee, as when the larger-than-life Peggy Mount attempts a suicide drop from her window to be saved by an awning on a shop front. On the DVD: The Naked Truth comes to DVD in 4:3 ratio and with a mono soundtrack. The only extra feature is a trailer. More TT tomfoolery can be found in the three-disc Terry Thomas Collection. --Adrian Edwards
Death threats against the daughter of the manor Melissa Townsend bring Barnaby and Sergeant Troy to the affluent village of Midsomer Malham. Melissa is blamed by some for causing the death of a local poacher. District nurse Sally Ricksworth is found in a confused state at the wheel of her crashed car on the same day that a quantity of barbiturates and syringes are discovered stolen from the veterinary surgery. Later that day the detectives find Melissa dead with a syringe in he
After a decade on radio in The Goons, 1959's I'm All Right Jack set Peter Sellers on the road to international stardom. Sellers played both Sir John Kennaway, and unforgettably, the Bolshy trade union leader Fred Kite (he would go on to take three roles in Dr Strangelove and featured endless disguises in The Pink Panther in 1963) series. The result is laugh-out-loud comedy with a satiric edge, lampooning the then burning issue of industrial relations. Bertram Tracepurcel's (Dennis Price) plans to make a fortune from a missile contract, a scheme which involves manipulating his innocent nephew Stanley Windrush (Ian Carmichael) into acting as the catalyst in an escalating labour dispute, from which the socialist Mr Kite is only too keen to make capital. Management and labour both have their self-serving hypocrisy dissected in this ingenious comedy, actually a sequel to the military comedy Private's Progress (1956), but which stands independent of the earlier film. Both films were made by the brothers John and Roy Boulting, director and producer of such British classics as Brighton Rock (1947), Seven Days to Noon (1950), Carlton-Browne of the F.O. (1959) and Heaven's Above (1963). The superb cast of I'm All Right Jack also features Richard Attenborough, John Le Mesurier, Margaret Rutherford and Terry Thomas. --Gary S. Dalkin
A Box Set featuring 3 fabulous Comedy films from the Golden Age of British Cinema
Inspired by the writings of Jules Verne this hugely entertaining comedy boasts an all-star cast headed by Burl Ives Terry-Thomas Lionel Jeffries and Gert Frobe. In 1875 showman extraordinaire Phineas T Barnum (Ives) flees his native America ahead of a hoard of clamouring creditors to set up shop in unsuspecting England. He immediately decides to form a syndicate headed by the wealthy but somewhat stupid Lord Barset (Dennis Price) to finance the first flight to the moon. The
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