An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life.
Van Wilder (Ryan Reynolds) has managed to spend a decade loafing at college by deliberately failing his finals each year. When his dad wakes up and pulls his funding, Van turns to his party-organising skills and big-man-on-campus image to pay his way. Complications arise when an aspiring college-rag journo (Tara Reid--the girlfriend of the wimpy one in American Pie) shows an interest, and Van begins to question his bachelor-boy lifestyle. Though Van Wilder: Party Liaison contains the occasional clever line ("at least Ms Pacman swallows") and a nice self-referential appearance from Tim Matheson--the original college lothario from the archetypal (and still the best) frat-kids movie, Animal House--it's still fundamentally flawed. It's difficult, for one thing, to believe in the appalling central character's great popularity with his peers--the Fonze he ain't. It's also evident that Reynolds has watched one too many Jim Carrey performances, while Reid's role reduces her to being little more than insubstantial eye-candy. The film's makers have been so anxious to get in all the required references (pot-smoking, bodily functions and nudity) that they've forgotten to make it any good. Worse, along the way it takes cheap gratuitous pot shots at the disabled, the ugly, the old and the obese. Though it purports to be a "party-on" parable, then, its predictably corny denouement and the conventional values it ultimately espouses reek of Republican morality. There are probably worse ways to spend an hour-and-a-half, but it would be hard to call them to mind when watching this execrable, formulaic drivel--do yourself a favour and enjoy American Pie again instead. --Paul Eisinger
The story of Mel Gibson's stately anti-hero begins in Mad Max, George Miller's low-budget debut, in which Max is a "Bronze" (cop) in an unspecified post-apocalyptic future with a buddy-partner and family. But, unlike most films set in the devastated future, Mad Max is notable because it is poised between our industrialised world and total regression to medieval conditions. The scale tips towards disintegration when the Glory Riders burn into town on their bikes like an overcharged cadre of Brando's Wild Ones. Representing the active chaos that will eventually overwhelm the dying vestiges of civil society they take everything dear to Max, who then has to exact due revenge. His flight into the same wilds that created the villains artfully sets up the morally ambiguous character of the subsequent films.
A terrorist threat. A captain in panic. And only one man who can end the danger.... Some unknown maniac is threatening a navigation company to blow up one of its luxury transatlantics the 'Britannic' now in high sea with 1200 passengers. He is asking for a 500 000 ransom otherwise 7 bombs aboard will explode. An experienced anti-bomb squad is sent to the 'Britannic' but although all the bombs are located a very high skill level will be necessary to dismantle them. perhap
The cynical yet tender tale of a group of gay friends living in Hollywood, all ultimately in search of one true love.
This classic BBC period drama series follows the fortunes of the aristocratic Lacey family living peacefully in their Arnescote castle until the onset of the English Civil War in 1640. The head of the family Sir Martin Lacey is unswervingly loyal to the King. However the family is torn apart when his eldest daughter Anne weds John Fletcher son of a merchant family who support the forces of Cromwell. Episodes comprise: Outrageous Fortune / A Sea Of Dangers / Ring Of
Aging horror film star Orlok (Karloff) announces his retirement as an apparently average young man (O'Kelly) goes on a shooting spree eventually showing up at a drive-in theater where Orlok is making his final personal appearance...
Mad Max: On a remote stretch of deserted highway a band of violent bikers has taken over attacking anyone unlucky enough to cross their savage path. Racing up and down the seemingly endless miles of asphalt the crazed outlaws blaze through small towns plowing into vehicles and pedestrians alike with reckless abandon. Bringing a sense of law to this lawlessness are the mobile police force led by Max and Goose who are as fast and mean as their adversaries and are willing to
She's The One: Mickey (Burns) a free-spirited New York cabbie and Francis (Mike McGlone) a materialistic Wall Street stockbroker are extremely competitive and confused about women as a result of their father's (John Mahoney) influence. Though they disagree about nearly everything they have one thing in common: Mickey's ex-fianc'' Heather (Cameron Diaz) is Francis' secret lover. Though the brothers have beautiful wives (Maxine Bahns and Jennifer Aniston) Heather triggers their longtime sibling rivalry with uproarious and unexpected results. Picture Perfect: As adorable as she is ambitious Kate is determined to turn her mid-level advertising job into an executive position - and equally determined to snare Sam the agency's ultra-suave Romeo who prefers illicit affairs with attached women. She achieves both goals by pretending she's getting married to Nick a man she met at a wedding and barely knows. But her carefully constructed fictional life comes face to face with reality when her boss wants to meet Nick sending Kate's personal and professional worlds spinning out of control... The Good Girl: Thirty-year-old Justine Last longs for a life more fulfilling than the one she leads with her boring husband and dead-end job at the Retail Rodeo. But when a passionate young co-worker catches her eye and steals her heart Justine's good-girl existence takes a turn for the worse...
The story of Mel Gibson's stately anti-hero begins in Mad Max, George Miller's low-budget debut, in which Max is a "Bronze" (cop) in an unspecified post-apocalyptic future with a buddy-partner and family. But, unlike most films set in the devastated future, Mad Max is notable because it is poised between our industrialised world and total regression to medieval conditions. The scale tips towards disintegration when the Glory Riders burn into town on their bikes like an overcharged cadre of Brando's Wild Ones. Representing the active chaos that will eventually overwhelm the dying vestiges of civil society they take everything dear to Max, who then has to exact due revenge. His flight into the same wilds that created the villains artfully sets up the morally ambiguous character of the subsequent films. --Alan E Rapp, Amazon.com
Includes the following 8 great films: Lethal Weapon Lethal Weapon 2 Mad Max Maverick Payback Tequila Sunrise What Women Want Conspiracy Theory
Please wait. Loading...
This site uses cookies.
More details in our privacy policy