Timothy Dalton makes his debut as secret agent 007 in this action-packed Cold War thriller.James Bond is given an assignment to guard the life of a high-ranking Russian defector. The trouble is, the defection is nothing but a scam to enable the pesky Russkie to perpetrate a perfidious arms deal. Along the way Bond hooks up with the delectable cellist Kara Malovy (Maryam D'Abo), who is not all that she seems to be...
The Living Daylights, new boy Timothy Dalton's first Bond outing, gets off to a rocking start with a pre-credits sequence on Gibraltar, and culminates in a witty final showdown with Joe Don Baker's arms dealer, set on a model battlefield full of toy soldiers. While the Aston Martin model whizzing through the car chase has been updated for the late 1980s--including lethal lasers and other deadly gizmos--the plot is pretty standard issue, maybe a little more cluttered and unfocused than usual, involving arms, drugs and diamond smuggling. Nevertheless, the action-formula firmly in place, this one rehearses the moves with ease and throws in some fine acting. Maryam d'Abo, playing a cellist-cum-spy, is the classy main squeeze for 007 (uncharacteristically chaste for once). Dalton, with his wolfish, intelligent features, was a perfectly serviceable secret agent, but never caught on with the viewers, perhaps because everyone was hoping for a presence as charismatic as Sean Connery's in the franchise's glory days.--Leslie Felperin On the DVD: Casting the new Bond takes up much of the "making-of" documentary: first Sam Neill was in the running, but vetoed by Cubby Broccoli, who wanted Timothy Dalton and had considered him as far back as On Her Majesty's Secret Service (but Dalton felt he was just too young at the time). When Dalton proved unavailable, Pierce Brosnan was hired. Then, at the last minute, Brosnan's Remington Steele contract was renewed and he had to drop out. Dalton came back in, on the proviso that he could give Bond a harder, more realistic edge after the action-lite of the Roger Moore years. The second documentary attempts to profile the enigmatic Ian Fleming, who was apparently as mysterious and chameleon-like as his alter ego. The commentary is a miscellaneous selection of edited interviews from various members of the cast and crew. There's also Ah-Ha's "Living Daylights" video, and a "making-of" featurette about it. A brief deleted scene (comic relief--wisely dropped) and trailers complete another strong package. --Mark Walker
Timothy Dalton makes his debut as secret agent 007 in this action-packed Cold War thriller. James Bond is given an assignment to guard the life of a high-ranking Russian defector. The trouble is the defection is nothing but a scam to enable the pesky Russkie to perpetrate a perfidious arms deal. Along the way Bond hooks up with the delectable cellist Kara Malovy (Maryam D'Abo) who is not all that she seems to be...
The Flipside Of Dominic Hide: Peter Firth is the eponymous hero of this double BANFF winner an entertaining tale of time travel romance comedy and suspense flipping between 2130 and 1980 with an ingenious twist in the tail. Another Flip For Dominic: A sequel to the outstandingly successful Flipside of Dominick Hide. Peter Firth is a time-traveller from the year 2132 visiting London 1982 and coming face to face with his past.
Written by the successful team of John Esmonde and Bob Larbey 'Ever Decreasing Circles' was first broadcast by the BBC in February 1984. Richard Briers Penelope Wilton and Peter Egan star in this popular suburban-set comedy. Episode 1: Martin lives in a cul-de-sac and is a pillar of the community. He is chairman of just about every club committee. The equilibrium of the Close where he lives is disturbed when new neighbour Paul moves in next door... Episode 2: Paul masterminds a take-over at the general meeting of the Motor Club and Martin is relieved of his chairmanship. Ann is hopeful of a renewed social life but their new freedom is short lived... Episode 3: Martin is beginning to find his new neighbour's unconventional behaviour a potential danger to the harmony of the Close. 'Goings-on' of this kind have never happened before and something has to be done... Episode 4: Martin Ann Howard and Hilda spend their holidays together at the same resort at the same and even book it on the same day every year; a ritual that has remained for seven years but one that is unsettled when Paul offers them all the chance of a villa in Spain... Episode 5: In Martin's absence Paul is voted onto the committee to organise a Vicars and Tarts Dance for the RSPCA. When Martin's role is diminished he resorts to blackmail to take credit for the success of the event...
Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry. On the DVD: The Complete History of Britain extras are generously packaged on a separate disc and include the original score and a Simon Schama biography. There's an interesting "promotional message" to camera in which Schama explains the role of a cab driver, Wally, in inspiring the series, along with an interview with Mark Lawson in which Schama stresses the deliberate subjectivity of these programmes and an inaugural BBC History lecture in which he defends TV's ability to transpose history to camera. --David Stubbs
Written by the successful team of John Esmonde and Bob Larbey 'Ever Decreasing Circles' was first broadcast by the BBC in February 1984. Richard Briers Penelope Wilton and Peter Egan star in the second series of the popular suburban-set comedy. Episode 1: When Martin goes to collect Mrs Beardsmore for afternoon tea at the Bryce household Ann is horrified when he returns with a minibus full of her friends. Episode 2: The cricket season begins and Martin finds it increasingly difficult to avoid picking Paul for the team. Episode 3: In an attempt to vary the guests at their dinner party Ann suggests inviting Paul and his girlfriend. During the course of the evening however Paul's wife turns up unexpectedly. Episode 4: Ann is in hospital and Martin decides to spring-clean the entire house stubbornly refusing help from anyone in the Close least of all Paul. Episode 5: Martin is desperate to win the local snooker tournament. When the tournament favourite moves away he thinks he is in with a chance until Paul decides to enter. Episode 6: Ann decides there is more to life than being a suburban housewife. Episode 7: Martin is captivated by a psychiatrist he meets at Paul's party but dumfounded when Ann suggests he goes to see him professionally. Christmas Special: Martin's Christmas is ruined when Ann volunteers use of the Bryce home to house Paul's guests.
Written by the successful team of John Esmonde and Bob Larbey 'Ever Decreasing Circles' was first broadcast by the BBC in February 1984. Richard Briers Penelope Wilton and Peter Egan star in this popular suburban-set comedy. Episodes comprise: Relaxation Goodbye Paul? Stuck In A Loft Neighbourhood Watch The Footpath Jumping To Conclusions Half An Office.
Kevin Doherty (Tom Walsh) the orphaned son of a jockey dreams of racing horses like his father but instead finds himself in the middle of a terrorist plot to kidnap Shergar Ireland's greatest racehorse. Terrorist Gavin O'Rourke (Mickey Rourke) and his second-in-command Dermot Concannon steal Shergar away to a remote farm owned by Eamonn Garrity (David Warner). Unknown to the kidnappers teenage runaway Kevin lies in the hayloft of the Garrity farm and is aware of Shergar's identity. Though initially elated at being charged with the horse's keep Kevin is horrified when he hears of Shergar's impending execution and resolved to ride the horse to freedom. Staying only steps ahead of the kidnappers and the authorities Kevin alters the appearance of the instantly recognisable horse...
The Living Daylights, new boy Timothy Dalton's first Bond outing, gets off to a rocking start with a pre-credits sequence on Gibraltar, and culminates in a witty final showdown with Joe Don Baker's arms dealer, set on a model battlefield full of toy soldiers. While the Aston Martin model whizzing through the car chase has been updated for the late 1980s--including lethal lasers and other deadly gizmos--the plot is pretty standard issue, maybe a little more cluttered and unfocused than usual, involving arms, drugs and diamond smuggling. Nevertheless, the action-formula firmly in place, this one rehearses the moves with ease and throws in some fine acting. Maryam d'Abo, playing a cellist-cum-spy, is the classy main squeeze for 007 (uncharacteristically chaste for once). Dalton, with his wolfish, intelligent features, was a perfectly serviceable secret agent, but never caught on with the viewers, perhaps because everyone was hoping for a presence as charismatic as Sean Connery's in the franchise's glory days.--Leslie Felperin On the DVD: Casting the new Bond takes up much of the "making-of" documentary: first Sam Neill was in the running, but vetoed by Cubby Broccoli, who wanted Timothy Dalton and had considered him as far back as On Her Majesty's Secret Service (but Dalton felt he was just too young at the time). When Dalton proved unavailable, Pierce Brosnan was hired. Then, at the last minute, Brosnan's Remington Steele contract was renewed and he had to drop out. Dalton came back in, on the proviso that he could give Bond a harder, more realistic edge after the action-lite of the Roger Moore years. The second documentary attempts to profile the enigmatic Ian Fleming, who was apparently as mysterious and chameleon-like as his alter ego. The commentary is a miscellaneous selection of edited interviews from various members of the cast and crew. There's also Ah-Ha's "Living Daylights" video, and a "making-of" featurette about it. A brief deleted scene (comic relief--wisely dropped) and trailers complete another strong package. --Mark Walker
Written by the successful team of John Esmonde and Bob Larbey 'Ever Decreasing Circles' was first broadcast by the BBC in February 1984. Richard Briers Penelope Wilton and Peter Egan star in this popular suburban-set comedy. This box set contains every episode from all four series of the TV sitcom.
The secrets of ancient Egypt are revealed in this IMAX production, which explores the region's mysterious monuments and forbidding but beautiful terrain. Hosts Omar Sharif and Kate Maberly present the history of Egypt's remarkable civilization and visit wonders like the Great Pyramids and King Tut's tomb.
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