In 1960 producer-director George Pal's The Time Machine reshaped HG Wells' thoughtful, ironic novel into a two-fisted action movie, but one that still appeals to children and adults immensely and deserves its classic status. Wells' themes of biological and social evolution are played down, but there is a surprisingly melancholy thread as Rod Taylor's Time Traveller keeps stopping off at future wars to find that human stupidity still persists. In the first week of 1900 a group of fussy Victorians gather in Taylor's chintzy, overstuffed parlour to hear him tell of his expedition to the future, where the world is divided between the surface-dwelling, childish, beautiful Eloi and the hideous, underground, cannibal Morlocks. Wells intended both factions to seem degenerate, the logical final evolution of the class system, but Pal has Taylor pull a Captain Kirk and side with the Eloi and teach them to fight against their oppressors. The time travel sequence remains a tour de force, with a shop window mannequin demonstrating a parade of fashions as the years fly by in seconds and charming but still-effective stop-motion effects. The future is a wonderfully coloured landscape with properly gruesome cave-dwelling monsters and a winning Eloi heroine in Yvette Mimieux. It may not be totally Wells, but it's a treat. On the DVD: The Time Machine arrives on disc in a lovely widescreen print which makes the film seem new all over again. The featurette "Time Machine: The Journey Back" combines some mild behind-the-scenes stuff about the film (and its star prop) with a moving mini-sequel reuniting stars Rod Taylor and Alan Young in a scene that actually addresses a plot point skipped over in the original. --Kim Newman
Director John Sturges turns the west upside down in this rip-roaring Western comedy about the year Denver was nearly devastated by a drought (of whiskey) and had to have forty wagonloads imported through very harsh (and very thirsty) territory!
Men Make History. We Make The Men. As Hitler launches the first major military aggressions of World War II the strongest and smartest German young men enter exclusive schools known as ""Napolas"" to train as future leaders of the Third Reich. In 1942 a recruiter from one such Napola sets his sights on Friedrich a talented adolescent boxer who sees the training and prestige offered by the Napola as his ticket out of an impoverished family unit run by his anti-Nazi father. In
There are three unforgettable characters in John Sayles's contemporary adventure-drama set in Alaska. They are never seen but live only in a frontier diary found by teenager Noelle De Angelo (Vanessa Martinez). The life of the diary's narrator is much like everything in this movie: hanging in limbo. The first half of the film focuses on why men and woman turn to Alaska, a land still ripe with opportunity. A small town is at a crossroads, with its pulp mill and canning factory closed and new investors seeing different directions in which to take the area (one even boasts the state is the ultimate theme park). A local (Sayles regular David Strathairn) is just escaping his past, taking up commercial fishing again. He attracts a travelling nightclub singer (Mary Elizabeth Mastrantonio in her best role in years) who struggles daily with her daughter Noelle. Like any good theme park, Limbo presents the threesome with an unexpected adventure. In the wilderness, the three relative strangers learn more about themselves than was ever possible in town. Sayles's usual craftsmanship creates a singular blend of drama and suspense with an ending designed to ruffle feathers. Not as accessible as his breakthrough hit Lone Star, Limbo is nevertheless a hearty film from one of America's best storytellers. --Doug Thomas
A scientist predicts the complete depletion of the ozone layer leading to hell on earth. No one believes him until very strange things begin to happen then everyone turns to him for help. But is it too late ?
In 1960 producer-director George Pal's The Time Machine reshaped HG Wells' thoughtful, ironic novel into a two-fisted action movie, but one that still appeals to children and adults immensely and deserves its classic status. Wells' themes of biological and social evolution are played down, but there is a surprisingly melancholy thread as Rod Taylor's Time Traveller keeps stopping off at future wars to find that human stupidity still persists. In the first week of 1900 a group of fussy Victorians gather in Taylor's chintzy, overstuffed parlour to hear him tell of his expedition to the future, where the world is divided between the surface-dwelling, childish, beautiful Eloi and the hideous, underground, cannibal Morlocks. Wells intended both factions to seem degenerate, the logical final evolution of the class system, but Pal has Taylor pull a Captain Kirk and side with the Eloi and teach them to fight against their oppressors. The time travel sequence remains a tour de force, with a shop window mannequin demonstrating a parade of fashions as the years fly by in seconds and charming but still-effective stop-motion effects. The future is a wonderfully coloured landscape with properly gruesome cave-dwelling monsters and a winning Eloi heroine in Yvette Mimieux. It may not be totally Wells, but it's a treat. On the DVD: The Time Machine arrives on disc in a lovely widescreen print which makes the film seem new all over again. The featurette "Time Machine: The Journey Back" combines some mild behind-the-scenes stuff about the film (and its star prop) with a moving mini-sequel reuniting stars Rod Taylor and Alan Young in a scene that actually addresses a plot point skipped over in the original. --Kim Newman
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