In A World Of Lies Nothing Is More Dangerous Than The Truth. When the daughter of a billionaire philanthropist is murdered in a rough sex romp gone bad District Attorney Jack Campioni (Tom Berenger) is quick to indict an up-and-coming rap artist. Fresh off the acquittal of Councilman Steven Mayer (John Ritter) high-profile defense attorney Kitt Devereaux (Melanie Griffith) comes to the aid of the young rapper. Teaming with investigator Al Gordon (Huey Lewis) Devereaux finds herself up against unexpected dangerous forces including one of the city's most politically ambitious families. Blindsided at every turn Devereaux offers herself up as bait - and in the end discovers that behind every conspiracy theory lies a grain of truth.
Buster Keaton's 1926 masterpiece The General shows the great stone-faced comedian at the height of his powers. Buster is a train driver from the South who's caught up in the American Civil War. The film is basically an extended chase, with trains pursuing each other up the track. The level of stuntwork (including a huge train wreck) has to be seen to be believed, but it's the deftness and elegance of Keaton's comedy that is ultimately most memorable. For many, Buster Keaton is the greatest comedian of the silent era rated even above Chaplin, and College (1927) is one of his finest films. A poor student who has to work his way through college, Buster is desperate to win the attention of a pretty girl so takes up sports. Through every disaster, the great "stone face" as he was nicknamed betrays not a flicker of emotion, enduring all humiliations with aplomb. College shows Keaton at the top of his form. Steamboat Bill Jr dates from 1928 and is the last great film Buster Keaton made before he gave up his independence. Buster is the rather fey son of an elderly steamboat owner who is being driven out of business by a wealthy competitor. More by accident than intention Buster turns things around and gets the girl as well. The last 15 minutes are truly astonishing: a storm sequence in which a whole town is blown apart, with Buster experiencing a series of amazing escapes as buildings fall down around his ears. Tragically, the following year he lost his independence when he signed for MGM. His career collapsed, his marriage broke up and he became an alcoholic, never to regain former glories. On the DVD: The organ music accompanying this silent feature is pleasantly unobtrusive, and apart from a short section in the middle where it deteriorates, the print quality is a reasonable 4.3. In addition there are five excellent Keaton shorts, One Week (1920), The Boat (1921) Cops (1922), The Blacksmith (1922) and The Balloonatic (1923). --Ed Buscombe
Steamboat Bill Jr dates from 1928 and is the last great film Buster Keaton made before he gave up his independence and signed for MGM. Buster is the rather fey son of an elderly steamboat owner who is being driven out of business by a wealthy competitor. More by accident than intention Buster turns things around and gets the girl as well. The last 15 minutes are truly astonishing: a storm sequence in which a whole town is blown apart, with Buster experiencing a series of amazing escapes as buildings fall down around his ears. On the DVD: The print is a good one, best seen in the 4:3 ration, with unobtrusive organ music added. As a nautical extra there's The Boat, a 1921 short (the print not in such a good state as the feature), in which in the course of launching his newly built craft Buster manages to wreck his house, tip his car into the river and sink the boat. And that's only the beginning. --Ed Buscombe
Friends since they were small boys Adam and Paul - who is who we do not know - have withered into two hapless desperate Dublin junkies tied together by habit and necessity. The difference today is that Adam and Paul - already near rock bottom - have finally run out of luck credit and friends. A stylized downbeat comedy the film follows the pair through a single day which like every other is entirely devoted to the business of scrounging and robbing money for drugs.
The world of insurance hasn't exactly inspired a wealth of memorable cinema, but Australian film Risk is a feisty, funny, clever and, yes, insurance-related movie. Drawing on a range of cinematic themes (good cop/bad cop, the young newcomer and his guiding light, a love triangle) the film offers a fresh insight by virtue of its unusual setting. Ben Madigen (Tom Long) finds himself working in the business by default and is soon taken under the wing of the charismatic John Kreisky (Brown). While trying to undertake his job without compromising his principles, Madigen is unwittingly lured into a scam by Kreisky and his girlfriend, lawyer Louise Roncaldi (Claudia Karvan). The burgeoning and later unravelling relationship between the three is the film's key story, as Long finds himself torn between the other two. Brown is excellent as the scheming Kreisky, once again proving that his failure to move into a more major acting league is little short of baffling--but then, this type of imaginative film offers him more scope than Cocktail or FX ever could and serves as a welcome advertisement for the growing Australian movie industry. This is a highly intelligent film that keeps its plot-cards closely to its chest, keeping the viewer guessing throughout. On the DVD: the usual scene selection is coupled with the trailer, which presents the film (slightly misleadingly) in pulsating, high-action tones. The "making of" featurette offers the viewer an insight into not very much happening (look, there's a man pushing something) and gives the cast an opportunity to take themselves a little too seriously. --Phil Udell
Steamboat Bill is excited that his son (Steamboat Bill Jr.) is coming to visit him. When he does he tries to turn him into a proper person for working on the boats while his son resists. Meanwhile Kitty a girl that he knows from school in Boston spots him and introduces him to her father a rival of Steamboat Bill. He tries to be alone with her but gets caught several times and is given a ticket back to Boston. Steamboat Bill gets arrested for unruly conduct (on a condemnation notice of his boat) and it's up to Bill Jr. to rescue his dad - in the middle of a cyclone storm.
He astonished people with his imagination. He shocked people with his genius. He'll mesmerize you with his story....
Low-budget British crime drama. The film follows Mancunian brothers Ryan and Chris Jackson (Lewis Fletcher and Tom Collins) as they become involved in the city's criminal underworld. With Ryan quickly rising through the ranks, Chris is eager to follow in his older brother's successful footsteps but Ryan is not so keen to see this happen. When Ryan encounters difficulties on a job, Chris is finally given the chance to step in and prove himself but, in order to do so, he must first take out his brother...
Tracklist: 1. Elvis Medley: King Creole Need Your Love Tonight (Let Me Be Your) Teddy Bear Don't Be Cruel Good Luck Charm She's Not You Return To Sender Let's Have A Party Hound Dog A Big Hunk Of Love Rock-A-Hola Baby Blue Suede Shoes - All The Kings Men feat. Carl Perkins Scotty Moore Johnny Earle & The Jordanaires. 2. Introduction Of - The Jordanaires 3. Don't - Johnny Earle & The Jordanaires 4. Mean Woman Blues - Roy Orbison 5. Queen Of The Night - Johnny Earle
Far And Away (1992): Tom Cruise and Nicole Kidman star in this critically acclaimed romantic adventure from director Ron Howard. This breathtaking epic opens on the West Coast of Ireland 1892. Joseph Donelly (Cruise) a poor tenant farmer is determined to bring justice to an oppressive landlord. Instead he finds himself accompanying the landlord's daughter Shannon (Kidman) to America in a quest for land. Arriving in Boston Joseph finds a place for them to live while proving a natural at bare-fisted boxing. But his triumph is short-lived as he and Shannon are thrown out into the bitter cold. Joseph sets off for work on the railroad until a passing wagon train reminds him of his original goal to possess his own land. Preparing to stake his claim in the new territory he runs into Shannon who is unhappily reunited with her former fiance. In the excitement of the Oklahoma land rush they realise their dreams of land and life together in this satisfying grand-scale adventure that has been called ""a wondrous epic!"" The Boxer (1997): When Danny Flynn (Daniel Day-Lewis) returns to his Belfast neighbourhood after 14 years in prison all he wants is to find peace resume his career and reclaim the love of the woman who has remained etched in his mind. As they slowly embrace the possibilities of renewed romance they realise cultural taboos stand in the way and fighting for love could cost them their lives. Angela's Ashes (1999): Angela's Ashes the Pulitzer Prize-winning memoir comes to life in this stirring film from acclaimed director Alan Parker starring Academy Award-nominee Emily Watson and Robert Carlyle. Life in impoverished Depression-era Ireland holds little promise for young Frank McCourt the oldest son in a tightly knit family. Living by his wits cheered by his irrepressible spirit and sustained by his mother's fierce love Frank embarks on an inspiring journey to overcome the poverty of his childhood and reach the land of his dreams: America.
Steamboat Bill Jr dates from 1928 and is the last great film Buster Keaton made before he gave up his independence and signed for MGM. Buster is the rather fey son of an elderly steamboat owner who is being driven out of business by a wealthy competitor. More by accident than intention Buster turns things around and gets the girl as well. The last 15 minutes are truly astonishing: a storm sequence in which a whole town is blown apart, with Buster experiencing a series of amazing escapes as buildings fall down around his ears. On the DVD: The print is a good one, best seen in the 4:3 ration, with unobtrusive organ music added. As a nautical extra there's The Boat, a 1921 short (the print not in such a good state as the feature), in which in the course of launching his newly built craft Buster manages to wreck his house, tip his car into the river and sink the boat. And that's only the beginning. --Ed Buscombe
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