Men Money And Moonshine: When It Comes To Vice Mama Knows Best. Get ready to rumble as a beautiful young widow breaks up her teen daughter's wedding and hits the road on an outlaw voyage to Waco Texas. Making pit stops for armed robbery and a mother-daughter striptease Angie Dickinson's Big Bad Mama teaches her girls the real facts of life.
During a high-stakes east-west karate tournament coach Chuck suspects the match is rigged against him. When looking around the other team's locker room gets him shot he calls in Cal and J his partners from California. After exercising a little persuasion and a lot of brute force they discover who's behind it all. Now the only problem is getting back the money Chuck is owed.
German filmmaker Volker Schlöndorff's 1985 production of Arthur Miller's most famous play Death of a Salesman appeared squarely and quite hauntingly in the middle of the go-go economy of the Reagan-Bush years. Miller's story, set during the post-war boom period of the late 1940s, concerns an ageing travelling salesman named Willy Loman (Dustin Hoffman), who despairs that his life his been lived in vain. Facing dispensability and insignificance in a heated, youthful economy, Willy is not ready to part with his cherished fantasies of an America that loves and admires him for personable triumphs in the marketplace. But the reality is far more pitiable than that, and the measure of Willy's self-delusion and contradictions is found in his two sons, one (Stephen Lang) a ne'er-do-well gliding on inherited hot air and repressed feelings, and the other (John Malkovich) a mousy, retiring sort unable to reconcile--or forgive--the difference between his father's desperate impersonation of success and the truth. Schlöndorff's remarkable cast explores Miller's rich subtext to great effect, though Hoffman--despite giving us a new model of Willy to contrast with Lee J Cobb's definitive portrayal a generation before--is a bit insect-like and shrill in his approach. Malkovich, Lang, and Kate Reid (as Willy's long-suffering wife) are perfect, however, and the production is atmospheric and strong. --Tom Keogh, Amazon.com
James Caan stars as Frank a professional thief specialising in high profile jewel jobs. Desperate for one last glorious high paying job so that he can settle down for good with his girlfriend Frank gets involved with vicious gangland bosses. But his final job turns into a nightmare when he finds that getting away from the mob is harder than he thought...
After the death of her lover Wilma takes over his bootlegging business but without much success. She soon meets up with bank robber Fred who convinces her and her daughters to join him for his next big heist. In the meantime Wilma also kidnaps the daughter of a millionaire in the hopes of getting rich off the ransom. Will Wilma and Fred be able to retire with their ill-gotten gains or will the law eventually catch up with them?
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