Joachim Jo Saint-Clair, Jean Reno (Leon Ronin) is a veteran detective in Paris elite Criminal Brigade tackling the city's most challenging murder cases. Jo takes the audience behind the scenes of Paris' most iconic locations the Eiffel Tower, Notre Dame, the Catacombs, Place Vendome as we follow St-Clair in his relentless pursuit of justice. Brilliant and brutal, St-Clair matches wits with pathological killers to solve a series of shocking murders. Fighting crime alongside Reno are Tom Aust...
Based on the best-selling book series by highly-acclaimed author Stephen King. The last Gunslinger, Roland (Idris Elba), has been locked in an eternal battle with the Man in Black (Matthew McConaughey), determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the epic battle as only Roland can defend the Tower from the Man in Black. Blu-ray Disc Special Features: Deleted Scenes Blooper Reel Last Time Around Filmmakers and the Author Pay Tribute to the Novels The World Has Moved On... The Sets and Locations Stephen King: Inspirations Discover the Journey From Book Series To Screen A Look Through The Keyhole Vignettes Narrated By Roland & The Man In Black The Man In Black The Gunslinger In Action
The Sandlot (Dir. David Mickey Evans 1993): It's the early 1960's and 5th grader Scotty Smalls has just moved into town with his folks. Kids call him a dork because he can't even throw a baseball. But that changes when the leader of the neighborhood gang recruits him to play on the nearby sandlot field. It's the beginning of a magical summer of baseball wild adventures first kisses and fearsome confrontations with the dreaded beast and its owner who live behind the left field fence... The Sandlot 2 (Dir. David M. Evans 2005): Ten years after the original story the local dirt field is now 'home' to a new group of neighbourhood kids who get together to share laughs show off...and play baseball! Yet the gang faces their toughest challenge yet as they try to retrieve an irreplaceable model rocket that has landed in the junkyard behind left field; a forbidden territory guarded by the legendary slobbering beast known as 'The Great Fear'. The Sandlot 3 (Dir. William Dear 2007): Major league baseball superstar Tommy Santorelli (Perry) racks up great numbers at the plate but his me-first attitude drags his team down. But Tommy gets a second chance when he's knocked unconscious by a pitch and wakes up as a 12-year-old on his childhood playing field...the sandlot! Now with a greedy developer Earl Needman threatening to bulldoze the sandlot unless Tommy's ragtag friends can beat Needman's much-better team Tommy must decide whether to put his own interests first by switching teams...or stay true to his friends by leading them to their greatest victory yet!
An action-comedy centered on a fugitive couple on a glamorous and sometimes deadly adventure where nothing and no one - even themselves - are what they seem. Amid shifting alliances and unexpected betrayals they race across the globe with their survival ultimately hinging on the battle of truth vs. trust.
When the American government launches a covert operation to depose an opposition leader in Panama they team a veteran army marksman with a greenhorn sniper who is unproven on the battlefield to do the dirty work. The kid is arrogant at first and virtually ignored by the jaded older soldier who's seen-it-all-before. But the stark reality of murder even at a distance is too much for the young man to bear. His fear and uncertainty end up putting the entire mission in jeopardy - and h
""Used to be nobody gave two nickels about me "" ex-Confederate cavalryman Paul Cable observes. Cable liked it that way. Now the would-be homesteader is drawing too much notice. And far too many bullets. Tom Selleck rides into Western adventure in grand gritty style as Cableiin Last Stand At Saber River from the novel by Elmore Leonard (Get Shorty Out Of Sight). With his strong-willed pioneer wife (Suzy Amis) anditwo children (Haley Joel Osment andiRachel Duncan) Cable returns to
Director John Sturges turns the west upside down in this rip-roaring Western comedy about the year Denver was nearly devastated by a drought (of whiskey) and had to have forty wagonloads imported through very harsh (and very thirsty) territory!
The L-Shaped Room, adapted by writer-director Bryan Forbes from Lynne Reid Banks' novel, unfolds in a dank, depressing London boarding house. Leslie Caron plays Jane Fosset, a 27-year-old French woman, down on her luck, who takes a room. There are bugs in her mattress. The taps drip. The landlady ("the lovely Doris") is a drunken, malicious busybody. Forbes doesn't paint the English in a flattering light. They're covetous, eccentric and xenophobic. "I never close my door to the nigs," Doris tells Fosset, as if to prove that she is no racist. When Fosset reveals that she's pregnant and unmarried, everybody turns against her. The one real friend Fosset makes is Toby (Tom Bell), an impoverished would-be writer who lives in the room downstairs. She starts an affair with him, but for all his protestations to the contrary, he too turns out to be moralistic and conservative--he can't accept the idea that she is having another man's baby.Forbes' dialogue sometimes grates, the film risks running into a dead end (Fosset is stuck with nowhere to go and no prospects), but this is compelling fare all the same. Cameraman Douglas Slocombe (who went on to shoot Raiders of the Lost Ark) makes the boarding house seem as gloomy and oppressive as a Gothic mansion. Forbes doesn't sentimentalise at all. The London he portrays is nothing like the swinging, hedonistic city shown in later British movies of the 60s. --Geoffrey Macnab
The complete third season of the Emmy award-winning detective drama. Angela Lansbury stars as everyone's favourite super-sleuth Jessica Fletcher a famous mystery writer who has a knack for solving murders on and off the page. Murder seems to follow Jessica Fletcher; a former English teacher and a mystery writer full of charm and a zest for life. She always happens to become ""the investigator"" when traveling around the country to promote her series of novels. Murder always s
History will place an asterisk next to A.I. as the film Stanley Kubrick might have directed. But let the record also show that Kubrick--after developing this project for some 15 years--wanted Steven Spielberg to helm this astonishing sci-fi rendition of Pinocchio, claiming (with good reason) that it veered closer to Spielberg's kinder, gentler sensibilities. Spielberg inherited the project (based on the Brain Aldiss short story "Supertoys Last All Summer Long") after Kubrick's death in 1999, and the result is an astounding directorial hybrid. A flawed masterpiece of sorts, in which Spielberg's gift for wondrous enchantment often clashes (and sometimes melds) with Kubrick's harsher vision of humanity, the film spans near and distant futures with the fairy-tale adventures of an artificial boy named David (Haley Joel Osment), a marvel of cybernetic progress who wants only to be a real boy, loved by his mother in that happy place called home. Echoes of Spielberg's Empire of the Sun are evident as young David, shunned by his trial parents and tossed into an unfriendly world, is joined by fellow "mecha" Gigolo Joe (played with a dancer's agility by Jude Law) in his quest for a mother-and-child reunion. Parallels to Pinocchio intensify as David reaches "the end of the world" (a Manhattan flooded by melted polar ice caps), and a far-future epilogue propels A.I. into even deeper realms of wonder, just as it pulls Spielberg back to his comfort zone of sweetness and soothing sentiment. Some may lament the diffusion of Kubrick's original vision, but this is Spielberg's A.I., a film of astonishing technical wizardry that spans the spectrum of human emotions and offers just enough Kubrick to suggest that humanity's future is anything but guaranteed. --Jeff Shannon, Amazon.com On the DVD: A perfect movie for the digital age, A.I. finds a natural home on DVD. The purity of the picture, its carefully composed colour schemes and the multifarious sound effects are accorded the pin-point sharpness they deserve with the anamorphic 1.85:1 picture and Dolby 5.1 sound, as is John Williams's thoughtful music score. On the first disc there's a short yet revealing documentary, "Creating A.I.", but the meat of the extras appears on disc two. Here there are good, well-made featurettes on acting, set design, costumes, lighting, sound design, music and various aspects of the special effects: Stan Winston's remarkable robots (including Teddy, of course) and ILM's flawless CGI work. In addition there are storyboards, photographs and trailers. Finally, Steven Spielberg provides some rather sententious closing remarks ("I think that we have to be very careful about how we as a species use our genius"), but no director's commentary. --Mark Walker
Tom Hanks is Chuck Noland, a man in a hurry. His job for Federal Express has him traveling the world on a moments notice, exhorting the company's employees to speed things up--never turn your back on the clock. When he's suddenly called away for business on Christmas night, his tolerant longtime girlfriend Kelly (Helen Hunt) drives him to the airport. They have their Christmas in the car--and Chuck plunks an engagement ring into her lap right before he gets on the plane, telling her, I'll be right back. But an unexpected storm cuts the plane's crew off from radio contact and blows them off course. Chuck is the sole survivor of the resulting crash, and washes up on a completely deserted island. Stranded there, he must give up everything that he once took for granted and learn how to survive all alone in the wilderness. From director Robert Zemeckis, CAST AWAY is a story of adventure and discovery surrounding one man's will to stay alive.
Henry is the chilling account of a man whose vocation is murder. Michael Rooker stars as Henry the solitary drifter who leads his dim ex-jailmate friend Otis (Tom Towles) on a senseless killing spree. Picking their victims at random their methods of execution are always different. Otis' sister Becky (Arnold) goes to Chicago to visit and unsuspectingly falls in love with Henry...
Thackeray's classic novel returns to the screen more vibrant, venal and viciously funny than ever before.In an England on the brink of bankruptcy and war, only the wily may prosper. Becky Sharp is a governess, temptress and social climber supreme, a woman who more than compenstes in brains and beauty for what she conspicuously lacks in breeding. To what lengths will she go in order to secure herself and rich and high-born husband? And how many male hearts will be left broken along the way?We follow Becky's journey from the elegant salons of Georgian London to the battlefields of Waterloo, from her ill-fated attempts to woo the buffonish Joe Sedley, to her equally doomed marriage to the aristocratic cad Rawdon Crawley. The unsinkable Becky's progress is mirrored by that of her best friend Amelia, who is besotted with the raffish George Osborne, but secretly admired by Osborne's staunch ally William Dobbin. Can both women survive the foibles of love and the catastrophic events unfolding in England and abroad?
Roman Polanski adapted Thomas Hardy's novel Tess of the D'Urbervilles and came up with this moody, haunting film starring Nastassia Kinski as the farm girl who is misused by the aristocrat for whom she works and who is then caught in a marriage where her initial happiness soon turns to grief. Fans of the novel may feel unpersuaded by Polanski's effort to marry Hardy's Dorset vision with his own fascination with psychosexual impulses toward survival, but the film is an often stunning thing to see, and Kinski's sensitive, intelligent performance lingers in the memory. --Tom Keogh
This seminal film about the reunion of thirtysomething friends works even better than when first released in 1983. The fine performances of the ensemble cast and a rockin' soundtrack always made this eminently enjoyable. However, the characters' often pompous blather occasionally stalled the action. Baby Boomer introspection has become so common that such navel gazing seems less problematic than it did in the early 1980s. Seven former classmates from the University of Michigan gather for the funeral of Alex, their idealistic and suicidal friend. They use their time together to become reacquainted, all the while discussing lost dreams and current hopes. (This should appeal to anyone who enjoyed that other famous reunion flick of the 1980s, John Sayles' Return of the Secaucus Seven.) Director-cowriter Lawrence Kasdan culled finely textured performances from his cast and filled the screen with memorable details. He may manipulate us with his writing but the actors do an impressive job of pulling at our heartstrings while Aretha Franklin and Marvin Gaye play in the background. --Rochelle O'Gorman
For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange's help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who've ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.
The 20th Anniversary special edition includes a set of five exclusive Gruffalo postcards. The Gruffalo is one of the most loved children's stories of all time and tells the story of a mouse who is forced to rely on his wits for survival when confronted by three hungry animals. To scare them away he invents an imaginary monster with terrible teeth and terrible claws. But what happens when he comes face to face with his own creation? Featuring an all-star voice cast of Helena Bonham Carter, Rob Brydon, Robbie Coltrane, James Corden, John Hurt, and Tom Wilkinson. Also available in the collection of much-loved family films based on the wonderful books written by Julia Donaldson and illustrated by Axel Scheffler, are: The Gruffalo's Child, Room On The Broom, Stick Man, The Highway Rat and Zog.
In this stylish spy thriller a Londoner working in British Intelligence Alexander Eberlin (Laurence Harvey) actually is a Russian counter-espionage agent named Krasnevin. Fraser (Harry Andrews) head of British Intelligence gives his men a special assignment--find and destroy Krasnevin! He discovers there is no one to whom he can turn and even doubts a swinging Londoner with whom he is having an affair.
A troubled young man, who believes himself to be a vampire, goes to live with his elderly and religious cousin in a small Pennsylvania town where he tries to redeem his blood-craving urges after he falls for a lonely housewife, all the while his hostile cousin becomes convinced that the young man is actually Nosferatu. Product Features A new Second Sight 4K restoration supervised and approved by Director of Photography Michael Gornick Audio commentary by George A Romero, John Amplas and Tom Savini Audio commentary by George A Romero, Richard P Rubinstein, Tom Savini, Michael Gornick and Donald Rubinstein A new audio commentary by Kat Ellinger A new audio commentary by Travis Crawford Taste the Blood of Martin: A new feature length documentary including location tour Scoring the Shadows: A new interview with composer Donald Rubinstein 'J Roy - New And Used Furniture': a short film by Tony Buba Making Martin: A Recounting Trailer, TV and radio spots
Set against the romantic desolation of Detroit and Tangier an underground musician deeply depressed by the direction of human activities reunites with his resilient and enigmatic lover. Their love story has already endured several centuries at least but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister. Can these wise but fragile outsiders continue to survive as the modern world collapses around them? With an all-star cast including Oscar winner Tilda Swinton (The Grand Budapest Hotel We Need To Talk About Kevin) Tom Hiddleston (The Avengers Thor) Mia Wasikowska (Stoker Lawless) Anton Yelchin (Star Trek Into Darkness) and John Hurt (Harry Potter Tinker Tailor Soldier Spy) Only Lovers Left Alive is the apotheosis of American Independent film and underground music combined from acclaimed director Jim Jarmusch (Ghost Dog: The Way of the Samurai and Dead Man). Oozing cool and dry wit Only Lovers Left Alive also features an original soundtrack with music by Jozef Van Wissem Sqürl and more.
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