Selene and Michael continue the saga of war between the Death Dealers and the Lycans.
Exclusive To This 30th Anniversary Edition Patrick Swayze Uncut: Never before seen interview with Patrick Swayze 4 Kellerman's postcards Foldout Dirty Dancing Poster Kellerman's resort brochure and map Patrick Swayze In His Own Words featurette Happy 30th Dirty Dancing featurette Eleanor Bergstein Thoughts On A Lifetime Of Dirty Dancing Also Includes: Commentary with Writer/ Co- Producer Eleanor Bergstein Commentary with Kenny Ortega, Miranda Garrison, Jeff Jur, Hilary Rosenfeld and David Chapman Music Videos for Hungry Eyes, She's Like The Wind and (I've Had) The Time Of My Life Original Screen Tests Outtakes Music Videos Cast & Crew Interviews Deleted Scenes Alternate Scenes This timeless, Oscar winning classic is a phenomenally popular coming-of-age tale, beloved by generations. Teenager Baby (Jennifer Grey), goes with her family on vacation to Kellerman's holiday resort in the Catskill Mountains. Things are pretty tame until she meets Johnny (Patrick Swayze), a dance teacher at the resort who mesmerises Baby with his dance moves, his passion and his misunderstood bad boy' image. During the summer of 1963, Johnny teaches Baby how to dance. And, more importantly, how to love.
Teenager Tim Dawson's comedy takes a frank look into the outrageous world of a group of sixth form students living in Abingdon as they enjoy a final adolescent romp. DK fancies fat girl Sky but will his unusual seduction techniques - a mix of chocolate rap and breakdancing - succeed in getting her into bed or will he have to resort to wooing her with pies? Meanwhile it's essay time. When Matt steals Chloe's essay to make sure he gets a good grade he seriously annoys her. Jas tries to get her grade improved by flirting with teacher Simon but her boyfriend Ollie becomes madly jealous. He decides to teach Jas a lesson by getting off with another girl. Furious and hurt Jas and Chloe take revenge on the boys for their bad behaviour by giving them a swimming lesson they'll never forget.
All four series of the classic BBC comedy starring Robert Lindsay as revolutionary leader Wolfie Smith of the Tooting Popular Front. Hoping to emulate his icons, Wolfie forms the TPF with a small group of his friends. However, he soon finds himself struggling to get his ambitious plans off the ground due to his laid back attitude and lack of organisation. Series 1 episodes are: 'Pilot', 'Crocodile Tears', 'Guess Who's Coming to Dinner', 'Abide With Me', 'The Weekend', 'The Hostage', 'The Path of True Love', 'But Is It Art?' and 'A Story for Christmas'. Series 2 episodes are: 'Speed's Return', 'Rebel Without a Pause', 'The Tooting Connection', 'Working Class Hero' and 'Rock Bottom'. Series 3 episodes are: 'Spanish Fly', 'Don't Look Down', 'Only Fool and Horses...', 'The Big Job', 'Tofkin's Revenge', 'We Shall Not Be Moved', 'The Party's Over' and 'The Glorious Day'. Series 4 episodes are: 'Bigger Than Guy Fawkes', 'Changes', 'The Final Try', 'The Letter of the Law', 'Prisoners', 'Casablanca Was Never Like This', 'Sweet Sorrow' and 'Buon Natale'.
The unexpected casting of Tony Curtis as the presumed Boston Strangler, Albert DeSalvo, is only the first of the attractions of this hard-nosed suspense picture. Although the style of The Boston Strangler looks dated today, with its split-screen experiments and post-Bonnie and Clyde permissiveness, the film still has the clean, strong lines of a methodical policier. For the first hour, we don't focus on the Strangler, instead following the Beantown cops (led by Henry Fonda) as they track down leads; the best sequence is the near-accidental connection made between burglary suspect DeSalvo and the killings. Director Richard Fleischer had a forceful hand with true-crime material (Compulsion, 10 Rillington Place) and he takes an unblinking look into the then-taboo subject of sexual pathology. Curtis's physical transformation into a dumpy, dull-eyed brute is the best aspect of his performance; it's a role he lobbied hard for, but it did not lead to more challenging work. --Robert Horton
True Believer is an effective mystery by thrillmeister director Joseph Ruben (Sleeping with the Enemy), that allows star James Woods to do some real acting as he conveys his character's denial and sense of disappointment in himself. Eddie Dodd (Woods) is a former '60s radical lawyer who now spends his time cynically defending drug dealers for the big bucks. But an idealistic young protégé (Robert Downey Jr.) convinces him to take one case from the heart: a young Chinese immigrant unjustly accused in a gang slaying. Woods (complete with add-on ponytail) fairly hums with energy once he gets cooking here. Playing the been-there-done-that mentor--not to mention legal gadfly--gives him plenty of opportunity to run off at the mouth with spicy one-liners and zingers. --Marshall Fine, Amazon.com
The story's setting is 1947 England where hard-hit Brits won't let mandatory food rationing keep them from celebrating the wedding of the future queen to Lt. Phillip Mountbatten. But there may be no public banquet for citizens in a Yorkshire town. The contraband guest of honour they've pampered and fattened has been pignapped!
Set in modern Rome the only full length feature ever directed by Bruce Lee is a fast-moving Kung Fu story of how a country boy attempts to outsmart big-city gangsters. This digitally re-mastered and restored anamorphic version is now totally uncut after years of censorship with the legendary double nunchaku sequences now re-instated and the full length Colosseum fight between Bruce Lee and karate legend Chuck Norris.
Private detective Adrian Monk has brains instincts a photographic memory and more than a few Obsessive Compulsive Disorders. These traits his-ever present handy wipes and his devoted assistant Natalie Teeger (Traylor Howard) help him as he solves cases involving amnesia betrayal first-loves true loves and of course murder.
Three Extremes: This anthology offers three inventively chilling tales from three masters of Asian terror. Takashi Miike's Box presents us with a troubled writer haunted by the memory of her sisters death. Park Chan-wook's Cut delights in more revenge with a film extra deciding to torture a director and his wife. And the final terror tale is Fruit Chan's bite-size version of Dumplings. Three Extremes 2: Three Extremes took you to the edge; now Three Extremes II pushes you over with three more nightmarish tales of terror from Kim Jee-Woon Nonzee Nimiburr and Peter Ho-Sun Chan. Memories: A woman wakes up on a street without memory and wanders the streets trying to contact the only phone number she has on her while her husband cannot remember why she left him...then discovers a mutilated body hidden in his car. The Wheel: Extravagant cursed puppets cause fires death physical pain and a little girl to be possessed. Going Home: A father in search of his missing son is abducted by a man who keeps his dead wife in his apartment under the impression she will wake up.
Rowan Atkinson's irredeemably wicked Edmund Blackadder has moved forward in time from the court of Queen Elizabeth but a little down the social ladder. He's now butler to Hugh Laurie's congenitally stupid Prince Regent on the cusp of the 18th and 19th centuries, and if that wasn't bad enough he's still accompanied by Tony Robinson's dim-witted Baldrick, whose cunning plans never fail to make an impossible situation worse. Blackadder's desperate scheming and utter contempt for all he surveys hasn't changed, nor have the baroque complexities of the situations in which he becomes embroiled: from an anachronistic war of words with Dr Johnson (Robbie Coltrane relishing every syllable) to taking on the Scarlet Pimpernel at his own game, to fighting a duel with a psychopathic Duke of Wellington, Edmund's luck never seems to change. Richard Curtis and Ben Elton's sharp scripts have more fun with the period setting than ever before, as contemporary literary archetypes from Samuel Johnson to Jane Austen are ripe for lampooning. Howard Goodall's theme tune is updated to a glorious classical pastiche, while the extravagant costumes of the times hardly need altering to achieve the desired effect. The comedy is so good it seemed this could never be bettered, until Blackadder Goes Forth that is. --Mark Walker
On Saturday 14th February 1900 a party of schoolgirls from Appleyard College took a trip to Hanging Rock near Mt. Macedon in the state of Victoria. During the idyllic sun-drenched afternoon some of the party left the rest of the group and having climbed higher stopped to rest and fell asleep. They awoke as though still in a dream and silently ventured further through a passage in the imposing rock face. Some of the girls were never seen again. The film that established Peter Weir as a major filmmaker is a critically acclaimed classic of Australian cinema. With BAFTA-winning photography and a memorably haunting score Picnic at Hanging Rock remains one of the most chillingly atmospheric and beautifully enigmatic films ever made.
Now a qualified chef Robin from ""Man About the House"" (1973) sets up home with his girlfriend and a business with his girlfriend's father.
Starring John Woodvine as the highly experienced Detective Chief Superintendent Kingdom, New Scotland Yard presents an authentic portrayal of detective work in the increasingly violent London of the 1970s. With ex-Chief Superintendent Frank Williams (former head of the Yard's Murder Squad) acting as adviser, this second series also includes appearances by Dennis Waterman, Don Henderson, Philip Madoc, George Baker and Michael Kitchen. Having faced a disciplinary board on charges of misconduct...
Obsessive. Compulsive. Detective. Tony Shalhoub plays Adrian Monk a police detective who suffers from obsessive compulsive disorder which hilariously gets in the way while trying to solve crimes.
Harking back to the wilderness days of British cinema, The Wedding Tackle is an unsophisticated comedy of manners and relationships. Dealing with the impending matrimony of Hal and Vinny, a union that neither are particularly keen to enter into, the story intertwines a number of characters during the events of Hal's stag night. As the title suggests, much of the humour is aimed below the waist, and although it does wend its way to some sort of romantic conclusion, subtlety is not the film's strong point. Victoria Smurfit's Clodegh is by far the best character, an urban Tank Girl whose morals are as erratic as her driving skills. Bold, brash and noisy, The Wedding Tackle isn't the worst film around, but we can do so much better. --Phil Udell
A man who loves to travel journies to an island and is horrified to discover a mad doctor is creating a race of zombies! A wild frenzy of blood and destruction takes place that equals anything ever seen on the screen. This was billed as the ""first audience participation horror movie"" as audiences viewed the ""green blood prologue"" ahead of the film and had samples of ""green blood"" distributed to them to drink as they took the oath for their own protection.
Released for the first time on DVD to coincide with Duran Duran's 25th anniversary tour, Arena (An Absurd Notion) was the band's first live album and foray into film. Pop idols ranging from Elvis to the Spice Girls have all attempted to make the crossover to the big screen; often such celluloid adventures turn into disasters, with the performers' acting talents rarely matching their vocal proficiencies. Filming is squeezed into a few days between the recording of a new studio album and other duties such as touring, ensuring that the end result is typically dire. Arena manages to avoid many of those pitfalls by giving the band no opportunity to act, instead focusing exclusively on their live concert performance. An additional SF sub plot is included centred on Doctor Duran--the evil dictator from cult film Barbarella, from whom the band got their name. The doctor, played by original actor Milo O'Shea, returns to earth from exile confused by the fans' call for Duran Duran. Crash-landing his ship underneath the stage, he and his three Brummie henchmen are determined to disrupt the show. Despite their attempts to abduct fans, and create anarchy the band continue to perform. Very much a product of its time, the film combines nomadic futuristic imagery with a big budget. Following the critical acclaim of the "Wild Boys" video, Arena seeks to capitalise on its style but also take the promotional video to a new extreme using expensive sets and special effects. The Barbarella sub-plot serves little purpose apart from illustrating the story behind the band's name. The live performance footage is excellent though, not just because of the music but also the guys' authentic mullet hairstyles. On the DVD:The original "Making of Arena" documentary is included on the DVD, along with a vintage interview with Simon Le Bon. The dubbed TV ad for the video and album is also featured along with a trailer, and video mix. Considering the age of the film, the sound and visuals have both transferred well to DVD, with the extended mix of "The Reflex" sounding particularly good. --John Galilee
The second series of Black Books somehow succeeded in being even further off the wall than the first. A larger team of writers no doubt helped, but Dylan Moran's greater input clearly shows. His Bernard Black doesn't get the best lines (that honour is always Bill Bailey's), but he definitely gets the best visual gags: a wine-bottle ice lolly, a dinner jacket made from tax receipts and a talent for the piano that defies logic. Aided by the hapless Fran (Tamsin Greig), the bookshop boys survive plenty of adventures, such as a touch of Dave's Syndrome, transforming into a restaurant, falling in love and even a few molluscs on the walls. Guest actors are all aware that they need to be at their funniest in order to register amid the madness: Johnny Vegas is the perfect slimy landlord, Jessica Stevenson revels in being the ultimate health-fad flake and Rob Brydon is terrific in his office-boss cameo. All this series lacks is any sense of closure for the characters, which, without the prospect of a third series, is a terrible tease. --Paul Tonks
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