Many lesbian movies are long on charm and short on production values; Better Than Chocolate has a solid dose of both and steamy sex scenes to boot. Our heroine Maggie (Karyn Dwyer), a clerk at a lesbian bookshop, meets footloose butch Kim (Christina Cox) and, after Kim's van is towed away, they move in together. Unfortunately for their romantic bliss, Maggie's mother, Lila (Wendy Crewson), and teenage brother move in that very evening thanks to Lila's impending divorce. But what really complicates matters is that Maggie can't bring herself to come out to her mother. Even when she tries, Lila steamrollers through the conversation, as if she knows what's coming and doesn't want to hear it. Interwoven with this is the struggle of Judy (Peter Outerbridge), a male-to-female transsexual who's in love with the bookshop's owner, Frances (Ann-Marie MacDonald), who's freaking out because customs officers are holding a list of books at the border that they claim are obscene. The overlapping plots are deftly juggled, the personal and political are compellingly interwoven, and, most satisfying of all, the characters have problems that aren't going to be easily resolved. A handful of candy-coloured lip-synching musical numbers give the movie some flash and the sex scenes give it some heat, but it's the elements of sorrow and ambiguity that really make the joy in Better Than Chocolate something to savour. --Bret Fetzer, Amazon.com
Three months ago the unthinkable happened. The buttons had been pushed and missiles filled the skies. Within moments it was over - the entire population of the world could only wait. Then it happened. The nuclear missiles simply vanished along with 187 million people. The world had changed. The reign of the Messiah had begun. Or so it seemed... Is this new supreme leader of the Earth the true Messiah or is he the Antichrist?
The zombies are back and they're still hungry in this horror from maestro George A. Romero.
Land Of The Dead: In Romero's harrowing newest vision the world (as humankind has known it) is merely a memory. In its place is the never-ending nightmare existence of us-the living-versus them-the ""walkers."" What's left of mankind is cordoned off behind the walls of a fortified city while the walking dead roam the vast wasteland beyond. The few wealthy and powerful try to maintain an illusion of life as it was dwelling high above the city in the exclusive towers of Fiddler's Green the last bastion of the ruling class. On the streets below however the remaining less fortunate of the city's inhabitants eke out a hard-scrabble life seeking what little solace they can in the vices available-gambling flesh trade drugs-anything that offers even a fleeting respite from the hell their lives have become. Both the lofty heights of Fiddler's Green and the demoralizing lows of the city below are lorded over by a handful of ruthless opportunists led by Kaufman (Dennis Hopper) who keeps his hands in everything from real estate to less above-board pursuits. To bring food and other essential supplies to the occupants of the city and to allow the Green's well-to-do to acquire the scarce luxury items to which they were once accustomed a hardened group of mercenaries-headed by Riley (Simon Baker) and his second-in-command Cholo (John Leguizamo)-run retrieval missions outside the city protected by their massive armored vehicle Dead Reckoning. Riley and Cholo like Kaufman are in it for the money which they hope to use for their own escapes- Riley to the North with promises of ""a world without fences"" and freedom and Cholo to the luxury of Fiddler's Green far away from the violent life he has known. Texas Chainsaw Massacre: First released to a shocked public in 1974 The Texas Chainsaw Massacre has a deserved reputation as a compelling part of a new wave of American horror films. Terrifyingly dark and based on factual events Tobe Hooper's controversial and chillingly atmospheric film involves the tragedy that befell a group of five teenagers one summer afternoon. by time this disturbing film deserves its unique status as a true cult classic.
The book has been opened... Revelation the sequel to Apocalypse begins three months after the troubles described therein. Counter-terrorism expert Stone (Fahey) is still disquieted by the inexplicable disappearance of his wife and family but is preoccupied with his investigations into the resistance activities of the anti-Messiah group The Haters. Soon the false Messiah will be dazzling the masses on the Day of Wonders which is actually a deadly trap unless Stone and his team can warn the world in time.
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