A lusty and rousing adventure, this calls to mind those glorious costume dramas produced so capably by the old Hollywood studio system--hardly surprising, in that its title character, a de facto Robin Hood in Old California, provided starring vehicles for Douglas Fairbanks and Tyrone Power, the 50s TV hit, and dozens of serials and features. Zorro, a pop-fiction creation invented by Johnston McCulley in 1918, is given new blood in this fast-moving and engaging version, which actually works as a sequel to the story line in the Fairbanks-Power saga, The Mark of Zorro. A self-assured Anthony Hopkins is Don Diego de la Vega, a Mexican freedom fighter captured and imprisoned just as Spain concedes California to Santa Ana. Twenty years later, he escapes from prison to face down his mortal enemy, a land grabbing governor played with slimy spitefulness by Stuart Wilson. Too old to save the local peasants on his own, he trains bandito Antonio Banderas to take his place. Much swashbuckling ensues as Banderas woos Catherine Zeta-Jones, becomes a better human being and saves the disenfranchised rabble. Director Martin Campbell wisely instils a measure of frivolity into the deftly choreographed action sequences, while letting a serious tone creep in when appropriate. This covers much ground under the banner of romantic-action-adventure and it does so most excellently. --Rochelle O'Gorman
Western directed by Sergio Corbucci and starring Franco Nero and Tony Musante. A Polish mercenary named Sergei Kowalski (Nero) lends a hand to a ragtag group of revolutionaries in their fight against the Mexican government and their military. But he is himself being pursued by an American rival driven by revenge. But will Kowalski's mercenary ways sway the leader of the revolution from his righteous path and into sheer banditry?
A CCTV operator has to confront a man she thought she would never see again.
Till the Clouds Roll By was the big MGM extravaganza of 1946, purporting to be a life of the first giant of the stage musical, Jerome Kern. Great chunks of Show Boat, Sweet Adeline and Sunny dominate while, in between excerpts, reliable Robert Walker does valiant work as Kern, lending a gentle credibility to even the most extravagant licenses taken by the writers. The liberties taken with Kern's story beggar belief, but what a fine excuse this is to sit back and enjoy a procession of gems from the great American songbook, performed by genuine legends. Judy Garland has two numbers as Marilyn Miller, both directed by husband Vincente Minnelli at the peak of their creative and personal relationships. Singing "Who?", she has to float down the proverbial staircase, obviously pregnant (Liza was born a short time later). Others to shine include Kathryn Grayson, June Allyson, Dinah Shore and, more bizarrely, a skinny young Sinatra drafted in at the last for a rousing "Old Man River". Most poignant of all is the presence of Lena Horne who, but for the racist values of Hollywood at the time, would have been a great film star. Ever confined to guest appearances, she here sings the songs of Show Boat's tragic half-caste Julie. When MGM filmed the musical in 1951, the same part went to Ava Gardner. On the DVD: Till the Clouds Roll By may boast digital remastering, but it could have done with a deal of restoration, too. Presented in 4:3 format, the picture quality is often pixellated and the soundtrack in "HiFi Stereo" is muffled and occasionally cracked. Considering its value as an archive of great performers, some rarely seen on film, this film deserves better DVD treatment. --Piers Ford
Thrill! As Skippy rescues Sonny from an out of control speedboat.... Gasp! As Ranger Hammond comes face to face with his evil cigarette smoking twin.... Cheer! As Skippy escapes from the clutches of evil zoo keeper Frank Thring.... Hiss! As swinging honeymooners plot to steal Skippy's fur.... Applaud! As Skippy tinkles the ivories and plays drums in a rock band Much loved and fondly remembered by everybody who grew up during the 60s and 70s Skippy was no mere marsupial. Not only cou
This double-disc includes all 6 episodes of the first series. Set in the Mackintosh Textiles factory each episode of Clocking Off focuses on different members of the workforce from Mack (Philip Glenister) the charismatic owner and his indispensable secretary Trudy (Lesley Sharp) to KT (Andrew Sheridan) the lowliest worker on the shop floor and Mack's stunning young wife Katherine (Christine Tremarco) who holds the key to both his happiness and his downfall. Full of the la
A group of teens win a contest to spend a night in Michael Myers' childhood home to be broadcast live on the internet. But things go frightfully wrong and the game turns into a struggle to make it out of the house alive.
More outback adventures for Skippy the kangaroo and the Hammond family. Episode titles: The Marine Biologist The Swagman Summer Storm Surf King Mayday Where There's Smoke The Empty Chair The Long Night
Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart!
Attention all Audrey Hepburn fans! Now you can buy this delightful box set featuring 5 of her most famous and celebrated celluloid entries. Enjoy! Breakfast at Tiffany's (Dir. Blake Edwards 1961): The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. Roman Holiday (Dir. William Wyler 1953): Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love... Paris When It Sizzles (Dir. Richard Quine 1964): A veteran Hollywood screenwriter goes to Paris to write the screenplay of his career--in three days. Lacking fresh ideas he turns to his gamine secretary to provide fuel for his imagination and they come up with various scenarios for his screenplay called 'The Girl Who Stole The Eiffel Tower'. William Holden and Audrey Hepburn heat up the main characters with terrific supporting help from the likes of Frank Sinatra Noel Coward Tony Curtis Fred Astaire Marlene Dietrich and the glorious city of Paris. Sabrina (Dir. Billy Wilder 1954): Humphrey Bogart William Holden and Audrey Hepburn star in a Cinderella story directed by renowned filmmaker Billy Wilder. Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie's all work Holden's all playboy. But when Sabrina daughter of the family's chauffeur returns from Paris all grown up and glamorous the stage is set for some family fireworks as the brothers fall under the spell of Hepburn's delightful charms. Funny Face (Dir. Stanley Donen 1957): Paris the City of Light shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp -- filmed on location in Paris -- garnered four Academy Award nominations. In the role of bookstore clerk transformed into a modeling sensation Hepburn showcases singing and dancing skills she had honed on the London stage performing How Long Has This Been Going On? a Basal Metabolism dance in a cool-cat bistro and more. Astaire as the fashion photographer who discovers her conjures up his inimitable magic for sequences that include his Let's Kiss And Make Up matador diversion a heavenly dance with Hepburn to He Loves And She Loves and again with Hepburn the title-tune enchantment I Love Your Funny Face. Now and forever so do we.
Feature length fun with the polychromatic equine quadrupeds. Trouble is brewing in the Volcano Of Doom where the evil Hilda and her daughters are cooking up a purple ooze called 'Smooze'. The ponies with Megan's help go in search of the Flutter Ponies their last and only hope....
John Carpenter's Assault On Precinct 13 is a riveting low-budget thriller from 1976, in which a nearly abandoned police station is held under siege by a heavily armed gang called Street Thunder. Inside the station, cut off from contact and isolated, convicts heading for death row and the cops must now join forces or die. That's the basic plot, but what Carpenter does with it is remarkable. Drawing specific inspiration from the classic Howard Hawks Western Rio Bravo (which included a similar siege on disadvantaged heroes), Carpenter used his simple setting for a tense, tightly constructed series of action sequences, emphasising low-key character development and escalating tension. Few who've seen the film can forget the "ice cream cone" scene in which a young girl is caught up in the action by patronising a seemingly harmless ice cream van. It's here, and in other equally memorable scenes, that Carpenter demonstrates his knack for injecting terror into the mundane details of daily life, propelling this potent thriller to cult favourite status and long-standing critical acclaim. From this Carpenter went on to make the original Halloween, one of the most profitable independent films of all time. --Jeff Shannon, Amazon.com
Digitally Remastered in Stunning HD.Throughout human history, we have reached for the heavens- and dreamed of touching the stars. With the Apollo program, America turned that dream into reality. These are the never-before-told stories of the men, the women, and the machines that led us on our greatest adventure: From the Earth to the Moon.
The explosively stylish, gripping saga of two rival moles that jolted the Hong Kong crime drama to new life is now available in one box set.The Hong Kong crime drama was jolted to new life with the release of the Infernal Affairs trilogy, a bracing, explosively stylish critical and commercial triumph that introduced a dazzling level of narrative and thematic complexity to the genre with its gripping saga of two rival moles-played by superstars TONY LEUNG CHIU-WAI (In the Mood for Love) and ANDY LAU TAK-WAH (As Tears Go By)- who navigate slippery moral choices as they move between the intersecting territories of Hong Kong's police force and its criminal underworld.Set during the uncertainty of the city-state's handover from Britain to China and steeped in Buddhist philosophy, these ingeniously crafted tales of self-deception and betrayal mirror Hong Kong's own fractured identity and the psychic schisms of life in a postcolonial purgatory.Infernal AffairsTwo of Hong Kong cinema's most iconic leading men, TONY LEUNG CHIU-WAI and ANDY LAU TAK-WAH, face off in the breath-taking thriller that revitalized the citystate's twenty-first-century film industry, launched a blockbuster franchise, and inspired Martin Scorsese's The Departed.The setup is diabolical in its simplicity: two undercover moles-a police officer (Leung) assigned to infiltrate a ruthless triad by posing as a gangster, and a gangster (Lau) who becomes a police officer in order to serve as a spy for the underworld-find themselves locked in a deadly game of cat and mouse, each racing against time to unmask the other. As the shifting loyalties, murky moral compromises, and deadly betrayals mount, Infernal Affairs raises haunting questions about what it means to live a double life, lost in a labyrinth of conflicting identities and allegiances.Infernal Affairs IIThe first of two sequels to follow in the wake of the massively successful Infernal Affairs softens the original's furious pulp punch in favour of something more sweeping, elegiac, and overtly political. Flashing back in time, Infernal Affairs II traces the tangled parallel histories that bind the trilogy's two pairs of adversaries: the young, duelling moles (here played by EDISON CHEN KOON-HEI and SHAWN YUE MAN-LOK), and the ascendant crime boss (ERIC TSANG CHI-WAI) and police inspector (ANTHONY WONG CHAU-SANG) whose respective rises reveal a shocking hidden connection.Unfolding against the political and psychological upheaval of Hong Kong's handover from Britain to China, this elegant, character-driven crime drama powerfully connects its themes of split loyalties to the city-state's own postcolonial identity crisis.Infernal Affairs IIITONY LEUNG CHIU-WAI and ANDY LAU TAK-WAH return for the cathartic conclusion of the Infernal Affairs trilogy, which layers on even more deep-cover intrigue while steering the series into increasingly complex psychological territory. Dancing back and forth in time to before and after the events of the original film, Infernal Affairs III follows triad gangster turned corrupt cop Lau Kin-ming (Lau) as he goes to dangerous lengths to avoid detection, matches wits with a devious rival in the force (LEON LAI), and finds himself haunted by the fate of his former undercover nemesis (Leung). A swirl of flashbacks, memories, and hallucinations culminates in a dreamlike merging of identities that drives home the trilogy's vision of a world in which traditional distinctions between good and evil have all but collapsed.Product FeaturesNew 4K digital restorations, with 5.1 surround DTS-HD Master Audio soundtracksAudio commentaries for Infernal Affairs and Infernal Affairs II featuring codirectors Andrew Lau Wai-keung and Alan Mak and screenwriter Felix Chong Man-keungAlternate ending for Infernal AffairsNew interview with Lau and MakArchival interviews with Lau, Mak, Chong, and actors Andy Lau Tak-wah, Tony Leung Chiu-wai, Anthony Wong Chau-sang, Kelly Chen Wai-lam, Edison Chen Koon-hei, Eric Tsang Chi-wai, and Chapman To Man-chakMaking-of programmesBehind-the-scenes footage, deleted scenes, and outtakesTrailersNew English subtitle translationsPLUS: An essay by film critic Justin Chang
From the writer and producer behind such comedy heavyweights as The Day Today Knowing Me Knowing You...With Alan Partridge and I'm Alan Partridge as writer / performer comes Armando Ianucci's very own incisive and sometimes downright vicious comedy series. With the inventive and unpredictable Ianucci at the helm each episode loosely follows a theme where he'll comment upon human behaviour through his quirky gaze poking fun at all those who deserve it and probably those who don't as well. Joined by Hugh an old man who talks about the old days and the East End Thug who has a unique way of problem solving there has never been a more entertaining way of looking at the peculiarities of modern existence! Produced and cut with deftness the show initially received little media attention however it has since become a firm cult favourite and deserves its place in the cannon along side the likes of Alan Partridge and Brasseye. Episodes Comprise 1. Episode #1.1 2. Work 3. Mortality 4. Communication 5. Episode #1.5 6. Neighbours 7. Reality 8. Imagination
Selene and Michael continue the saga of war between the Death Dealers and the Lycans.
SEASON ONE Defiance is the story of courage and survival in a place unlike any other you could imagine. Set in the wake of an alien conflict, a completely transformed planet Earth is inhabited by human and alien survivors forced to live and work together in the aftermath of this global catastrophe. Mysterious drifter Joshua Nolan (Grant Bowler; True Blood, Lost), a former military lieutenant and his lone companion, Irisa (Stephanie Leonidas; Whitechapel), settle in the frontier town of Defiance, where they join up with other inhabitants struggling to build a new society in this dangerous new world. Now they must stand together against outside forces that threaten their existence. United they stand. Divided they fall. It's do or die in the town of Defiance. SEASON TWO As Defiance's second action-packed season begins, the lives of the townspeople remain in turmoil as Nolan (Grant Bowler) searches for Irisa (Stephanie Leonidas), Amanda (Julie Benz) deals with a personal loss and Stahma (Jaime Murray) plots to takeover Datak's criminal empire. Meanwhile, Earth Republic's control of Defiance brings changes with far-reaching consequences, including a scheming new mayor (James Murray) whose secret agendas push the town towards its breaking point. Watch every season two episode back-to-back and uninterrupted, and experience the thrilling intrigue and suspense of this Primetime Emmy® Award-nominated series from the producers of Battlestar Galactica, Caprica, and Farscape! SEASON THREE From the producers of Battlestar Galactica, Caprica and Farscape comes the third season of Defiance. Nolan and Irisa return to the ruins of Defance seven months after the complete destruction of New York City. They fnd the town on the verge of war with the Votanis Collective, led by the notorious General Rahm Tak. To beat impossible odds and to save Defiance from the brutality of the Votanis Collective, the town turns to the mysterious Omec, a long-lost race of Votans with a blood-stained past. Watch all 12 episodes with new aliens, new villians and new threatsback-to-back and uninterrupted.
Rowan Atkinson's irredeemably wicked Edmund Blackadder has moved forward in time from the court of Queen Elizabeth but a little down the social ladder. He's now butler to Hugh Laurie's congenitally stupid Prince Regent on the cusp of the 18th and 19th centuries, and if that wasn't bad enough he's still accompanied by Tony Robinson's dim-witted Baldrick, whose cunning plans never fail to make an impossible situation worse. Blackadder's desperate scheming and utter contempt for all he surveys hasn't changed, nor have the baroque complexities of the situations in which he becomes embroiled: from an anachronistic war of words with Dr Johnson (Robbie Coltrane relishing every syllable) to taking on the Scarlet Pimpernel at his own game, to fighting a duel with a psychopathic Duke of Wellington, Edmund's luck never seems to change. Richard Curtis and Ben Elton's sharp scripts have more fun with the period setting than ever before, as contemporary literary archetypes from Samuel Johnson to Jane Austen are ripe for lampooning. Howard Goodall's theme tune is updated to a glorious classical pastiche, while the extravagant costumes of the times hardly need altering to achieve the desired effect. The comedy is so good it seemed this could never be bettered, until Blackadder Goes Forth that is. --Mark Walker
Annie Hall (1977): Starring Allen as New York comedian Alvy Singer and Diane Keaton (in a Best Actress Oscar-winning role) as Annie the film weaves flashbacks flash forwards monologues a parade of classic Allen one-liners and even animation into an alternately uproarious and wistful comedy about a witty and wacky on-again off-again romance. Manhattan (1979): 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen-year-old girlfriend (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake - and the gate to true love... is a revolving door. Everything You Always Wanted To Know About Sex (But Were Afraid To Ask) (1972): Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humor. Giving complete indulgence to the zany eccentricity of his medium Allen revels himself as a filmmaker of wit sophistication and comic insight rising to the occasion with several hysterical vignettes that probe sexuality's stickiest issues! Aphrodisiacs prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart but learns that the key to her chastity belt might be more useful... Sleeper (1973): When cryogenically preserved Miles Monroe (Allen) is awakened 200 years after a hospital mishap he discovers the future's not so bright: all women are frigid all men are impotent and the world is ruled by an evil dictator: a disembodied nose! Pursued by the secret police and recruited by anti-government rebels with a plan to kidnap the dictator's snout before it can be cloned Miles falls for the beautiful - but untalented - poet Luna (Diane Keaton). But when Miles is captured and reprogrammed by the government to believe he's Miss America it's up to Luna to save Miles lead the rebels and cut off the nose just to spite its face. Love And Death (1975): Woody Allen reinvents himself again with the epic historical satire Love and Death. A wonderfully funny and eclectic distillation of the Russian literary soul the film represents a bridge between Allen's early slapstick farces and his darker autobiographical comedies. One of his most visual philosophical and elaborately conceived films 'Love And Death' demonstrates again that Allen is an authentic comic genius. Bananas (1971): When bumbling product-tester Fielding Mellish (Allen) is jilted by his girlfriend Nancy (Louise Lasser) he heads to the tiny republic of San Marcos for a vacation only to become kidnapped by rebels!
On Saturday 14th February 1900 a party of schoolgirls from Appleyard College took a trip to Hanging Rock near Mt. Macedon in the state of Victoria. During the idyllic sun-drenched afternoon some of the party left the rest of the group and having climbed higher stopped to rest and fell asleep. They awoke as though still in a dream and silently ventured further through a passage in the imposing rock face. Some of the girls were never seen again. The film that established Peter Weir as a major filmmaker is a critically acclaimed classic of Australian cinema. With BAFTA-winning photography and a memorably haunting score Picnic at Hanging Rock remains one of the most chillingly atmospheric and beautifully enigmatic films ever made.
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