A sleeper star vehicle for Denzel Washington Ricochet is a campy revenge thriller in the Brian De Palma style. Director Russell Mulcahy (The Shadow) makes the most of the opportunity to showcase two great actors in an exaggerated story of cops, robbers, and revenge. Washington plays a cop who becomes a rising legal star as a result of arresting master criminal John Lithgow, who escapes prison, fakes his own death, and sets about framing lawyer Washington for various crimes. Lithgow methodically destroys his life, until Washington enlists the help of childhood friend and drug dealer Ice-T to turn the tables and put his tormentor out of business for good. Lurid and violent, the film is also happily over the top, making Ricochet a cheerfully decadent indulgence.--Robert Lane, Amazon.com
Dallas: The Complete First and Second Seasons is an American equivalent to those British mini-series about historical chapters in that country's royal monarchy. Full of family in-fighting, political intrigue crossed with personal triumph or disappointment, and plenty of sensational infidelities and betrayals, Dallas is a captivating story of a wealthy oil family's power and travails. It is also uniquely fun and daringly absurd, albeit with a straight face; this hugely successful, primetime soap opera began in the late 1970s and ran 14 seasons in all, built on a handful of primary relationships that stretch credulity but never descend into self-parody. Not unexpectedly, Dallas begins with a Romeo and Juliet tale that instantly exposes an old feud between two families and strips the civilized veneer from several major characters. Bobby Ewing (Patrick Duffy), youngest of three sons of independent oilman Jock Ewing (Jim Davis), arrives at the Ewing clan's Southfork ranch just outside Dallas, Texas, with a new wife, Pam Barnes Ewing (Victoria Principal). Pam is the daughter of Digger Barnes (David Wayne), an old business rival of Jock's and one-time suitor of the Ewing matriarch, Eleanor (or "Miss Ellie", played by Barbara Bel Geddes). Pam's also the sister of a state senator, Cliff Barnes (Ken Kercheval), whose vendetta against the Ewings is played out in the legislature, imposing costly regulations on their business and holding committee investigations into questionable practices of company president J.R. Ewing (Larry Hagman). Pam's status as the newest Ewing causes an uproar in the family (besides being a Barnes, she also dated the Ewings' genial but lonely foreman, Ray Krebbs, played by Steve Kanaly) and prompts Dallas' charming villain, J.R., to make many Iago-like attempts, over the first two seasons, to drive her from Bobby's arms. Pam has a different set of problems with the other, jealous Ewing women, including J.R.'s possibly barren and alcoholic wife, Sue Ellen (Linda Gray), and teenage Lucy (Charlene Tilton), daughter of exiled Ewing son Gary (Ted Shackleford). With new and old resentments flying and everyone deeply suspicious of everyone else's motives (even the ailing Jock doesn't trust J.R.), there's plenty of drama to chew on. Still, storylines are often larger than the sum of these parts, with lots of kidnappings, marital affairs, plane crashes, and shootings ratcheting up suspense. Dallas is pure pleasure, a little guilty, perhaps, but not a sin. --Tom Keogh
This screen adaptation of Flowers in the Attic, Virginia Andrews' classic teen novel of adolescent torment and forbidden love, shies away from what made the book so hugely popular, namely the incestuous sex between the two older children, Cathy (Kristy Swanson) and Chris (Jeb Stuart Adams). When the father of four beautiful blond children is suddenly killed, their mother (Victoria Tennant) takes them to the family home she fled 17 years earlier. Their fierce and frightening grandmother (Louise Fletcher) locks them in an upstairs room, from which the only escape is into the cluttered and cobwebbed attic. The children's isolation gets more and more extreme as their mother abandons them, finally even slowly poisoning them to gain her father's inheritance. The movie insinuates but does not make explicit incestuous longing in all directions: Cathy's father brings her special presents before he dies, Chris scrubs Cathy's back in the tub, Chris has a noticeably stronger attachment to their mother than Cathy does--not to mention that the grandmother whips the half-naked mother in front of the grandfather. Fletcher brings a bit of bite to her role, and the movie occasionally rises to absurdly lurid zest. --Bret Fetzer, Amazon.com
Richard Burton stars in this exciting film about the courageous men who held off notorious German Field Marshal Erwin Rommel despite being hopelessly outnumbered. The year is 1941 and all that stands between Rommel and the Suez Canal is the fortress of Tobruk which is manned only by a small Australian battalion whom Captain MacRoberts (Burton) must whip into shape - fast! James Mason co-stars in a stunning portrayal as Rommel in this stirring action-packed story of the World War
Seth (Jonathan Jackson) cannot erase the childhood memory of a fire that took the life of his mother and left him psychologically scarred Seth now seventeen has been under various shrinks and has always blamed his father Will (Treat Williams Mulholland Falls) for the death of his mother. The night of Seth's graduation ball a fellow student is found brutally murdered by a river. Because of Seth's psychotic behaviour his father suspects he has something to do with the murder. Seth is questioned by the police but released when another student confesses to the murder. Tina (Linda Hamilton Dante's Peak The Terminator) is a close friend of Seth's father and does not believe Seth is capable of any wrong. More people go missing but there is no trace of their bodies. Are these people a figment of imagination or are there skeletons in the closet?
Three university guys plan on not joining the dole queue. In their last Spring holiday they kidnap a wealthy developer's daughter and demand a ransom of a million dollars. But they haven't realised yet just what a handful their victim is going to be.
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