Directed by William Friedkin this cult classic stars William Petersen as Chance the risk-seeking maverick Secret Service agent and Willem Dafoe as the slick and stylish yet truly psychopathic Rick Masters. Chance's partner Jack who is near to retirement is close to completing a case against Rick Masters a ruthless ex-con and expert counterfeiter who has been selling millions worth of almost undetectable fake currency to support his weird fetishes. Unfortunately Jack gets a l
A FEDERAL AGENT IS DEAD. A KILLER IS LOOSE. AND THE CITY OF ANGELS IS ABOUT TO EXPLODE. In the seventies William Friedkin made The French Connection, The Exorcist and Sorcerer. In the eighties he equalled them with To Live and Die in L.A., one of the most stylish thrillers the decade had to offer. When his partner is murdered just days before retirement, Secret Service Agent Richard Chance (William Petersen, Manhunter) begins an obsessive hunt for his killer counterfeiter and all-round psychopath Eric Masters, played by Willem Dafoe at his villainous prime. Beautifully shot by Robby Muller (Repo Man, Paris, Texas) and with a driving score with British new wave act Wang Chung, To Live and Die in L.A. looks and sounds exceptional in this brand-new 4K restoration from the original 35mm negative. SPECIAL EDITION CONTENTS: Brand new 4K restoration from the original 35mm negative supervised and approved by director William Friedkin High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original Uncompressed Mono PCM audio Optional English subtitles for the deaf and hard of hearing Audio commentary by director and co-writer William Friedkin Counterfeit World: The Making of To Live and Die in L.A. archive featurette containing interviews with Friedkin, actors William Petersen and Willem Dafoe, and others Alternative ending Deleted scene Stills gallery Trailers MORE SPECIAL FEATURES TO BE ANNOUNCED! Reversible sleeve featuring original and newly commissioned artwork by the Twins of Evil FIRST PRESSING ONLY: Collector's booklet featuring new writing on the film by Anne Billson
George Clooney stars in the latest film from the Coen brothers, a musical about a con on the run in the Deep South of the 1930s.
Only Joel and Ethan Coen, masters of quirky and ultra-stylish genre subversion, would dare nick the plotline of Homer's Odyssey for O Brother, Where Art Thou?, their comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing for hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) to light out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges' classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American 30s folk-styles: blues, gospel, bluegrass, jazz and more. And just to prove that the brothers haven't lost their knack for bad-taste humour, we get a Ku Klux Klan rally choreographed like something between a Nuremberg rally and a Busby Berkeley musical. --Philip KempOn the DVD: This two-disc set duplicates the original single-disc release of the film which included a handful of cast and crew interviews, and adds an additional disc with more interviews, two brief behind-the-scenes featurettes about the production design and the post-production digital colouring of the film, a couple of storyboard-to-scene comparisons and a music video of "Man of Constant Sorrow". There's also a 16-minute documentary to promote the companion Down from the Mountain concert. Frankly there's not a lot here to justify spreading it across two discs: a more pleasing not to say generous offering would have been to cram all these extras onto Disc 1 and give us Down from the Mountain as the second disc. --Mark Walker
Paul Hogan returns as Mick Dundee, an adventurer in the truest sense. He is an ace crocodile hunter who leaves his home in the wilds of the Australian Outback to take on the dangers of the concrete jungle of Los Angeles!
Spike Lee's incendiary look at race relations in America, circa 1989, is so colourful and exuberant for its first three-quarters that you can almost forget the terrible confrontation that the movie inexorably builds toward. Do the Right Thing is a joyful, tumultuous masterpiece--maybe the best film ever made about race in America, revealing racial prejudices and stereotypes in all their guises and demonstrating how a deadly riot can erupt out of a series of small misunderstandings. Set on one block in Bedford-Stuyvesant on the hottest day of the summer, the movie shows the whole spectrum of life in this neighbourhood and then leaves it up to us to decide if, in the end, anybody actually does the "right thing." Featuring Danny Aiello as Sal, the pizza parlour owner; Lee himself as Mookie, the lazy pizza-delivery guy; John Turturro and Richard Edson as Sal's sons; Lee's sister Joie as Mookie's sister Jade; Rosie Perez as Mookie's girlfriend Tina; Ossie Davis and Ruby Dee as the block elders, Da Mayor and Mother Sister; Giancarlo Esposito as Mookie's hot-headed friend Buggin' Out; Bill Nunn as the boom-box toting Radio Raheem; and Samuel L Jackson as DJ Mister Señor Love Daddy. This is a rich and nuanced film to watch, treasure and learn from--over and over again. --Jim Emerson
George Clooney stars in the latest film from the Coen brothers, a musical about a con on the run in the Deep South of the 1930s.
Two years of stalking the streets as the Batman, striking fear into the hearts of criminals, has led Bruce Wayne deep into the shadows of Gotham City. With only a few trusted allies amongst the city's corrupt network of officials and highprofile figures, the lone vigilante has established himself as the sole embodiment of vengeance amongst his fellow citizens. When a killer targets Gotham's elite with a series of sadistic machinations, a trail of cryptic clues sends the World's Greatest Detective on an investigation into the underworld, where he encounters Selina Kyle/aka Catwoman, Oswald Cobblepot/aka the Penguin, Carmine Falcone, and Edward Nashton/aka the Riddler. As the evidence begins to lead closer to home and the scale of the perpetrator's plans becomes clear, Batman must forge new relationships, unmask the culprit, and bring justice to the abuse of power and corruption that has long plagued Gotham City.
Arnold Schwarzenegger as a pregnant man? The Terminator with cramps and morning sickness? That was all the teasing audiences needed to flock to this 1994 farce, which reunited Arnold with his director and co-star from Twins, Ivan Reitman and Danny De Vito. Reitman had also directed the Austrian muscleman in Kindergarten Cop, and they brought the same breezy quality of those earlier films to this enjoyable fluff, in which Arnold plays a scientist who uses his own body to test a revolutionary new fertility drug. His colleague De Vito talks him into the experiment, which succeeds beyond their wildest expectations when Arnold begins a full-term pregnancy. Emma Thompson offers a wealth of comedic support as the biologist who moves into Schwarzenegger's lab while he's coping with his "maternal" condition, and Pamela Reed (who was also in Kindergarten Cop) adds to the fun as De Vito's pregnant ex-wife. What's surprising about this mainstream hit is not that it makes the most of its absurd premise, but that it's also sweetly heart-warming in its treatment of role reversal and the joys and pains of pregnancy. It's a good-natured vehicle for a different side of Schwarzenegger's star appeal, and the fact that it works at all is a tribute to Reitman and his cleverly talented cast. --Jeff Shannon, Amazon.com
Alicia Silverstone was so hot after the success of Clueless that she formed her own production company at the age of 19, and Excess Baggage was the first movie she chose as a starring vehicle. Silverstone plays Emily, a spoiled rich girl who has everything but her father's affection, so she decides to stage her own kidnapping to see if dad will come to his senses and appreciate the daughter he so blindly disregards. But when Emily locks herself in the trunk of her own car, she's surprised when the car is stolen by Vincent (Benicio Del Toro, from Fear and Loathing in Las Vegas), a professional car thief whose partner (Harry Connick Jr.) has misplaced 200,000 dollars of the Mob's money. Christopher Walken stars as Emily's "Uncle Ray," who's hot on her trail as she goes on the lam with Vincent. It's not the meandering plot that matters so much as the funny dialogue between Silverstone and Del Toro, who steals his scenes with a smoky mumble and easygoing charm. Excess Baggage is mostly for Alicia fans, but the film has got enough good laughs and low-key appeal to make it a home-video sleeper. --Jeff Shannon
Eight-part crime drama starring John Turturro and Riz Ahmed. New York student Naz (Ahmed) embarks on a wild night out with a mysterious woman after picking her up in his dad's cab. The next morning he finds her stabbed to death in his bed. With no recollection of the previous night's events, Naz flees the scene but is quickly brought in by the city's police and identified as the main suspect for the victim's murder. After he is denied a legal representative, defence lawyer John Stone (Turturro) steps in to help Naz prove his innocence. As he awaits prosecution on Rikers Island, Naz adapts to the politics of life on the inside while his legal team try to piece together what happened on the night of the crime. The episodes are: 'The Beach', 'Subtle Beast', 'A Dark Crate', 'The Art of War', 'The Season of the Witch', 'Samson and Delilah', 'Ordinary Death' and 'The Call of the Wild'.
Brendan Fraser stars as Stu Milely,a mild-mannered cartoonist whose most famous creation is the anarchic Monkeybone. After an accident Stu wakes up in the fictional world he created, and soon realises Monkeybone has taken over his body in the real world,
Transformers Dueling alien races, the Autobots and the Decepticons, bring their battle to Earth, leaving the future of humankind hanging in the balance. Transformers: Revenge of The Fallen When college-bound Sam Witwicky (Shia LaBeouf) learns the truth about the ancient origins of the Transformers, he must join Optimus Prime and Bumblebee in their epic battle against the Decepticons, who have returned with a plan to destroy our world. Transformers: Dark of The Moon The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets, which could turn the tide in the Transformers' final battle. Transformers: Age of Extinction With humanity facing extinction from a terrifying new threat, it's up to the Autobots to save Earth. They'll need new allies, including inventor Cade (Mark Wahlberg) and the Dinobots! Transformers: The Last Knight The Last Knight shatters the core myths of the Transformers franchise, and redefines what it means to be a hero. Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Saving our world falls upon the shoulders of an unlikely alliance: Cade Yeager (Mark Wahlberg); Bumblebee; an English Lord (Sir Anthony Hopkins); and an Oxford Professor (Laura Haddock). There comes a moment in everyone's life when we are called upon to make a difference. In Transformers: The Last Knight, the hunted will become heroes. Heroes will become villains. Only one world will survive: theirs, or ours. Includes Bonus Disc with over 90 minutes of Special Features!
A shady L.A. detective (Sheffer) finds himself lost in a darkly nightmarish world of evil when he solves the mysterious puzzle box that releases the diabolical demon Pinhead! As those around him begin to meet tragic fates he sets out to conquer the horrifying Pinhead and escape eternal hell!
The third thrilling season of TV uberproducer Steven Bochco's NYPD Blue. Episodes Comprise: 1. E.R. 2. Torah! Torah! Torah! 3. One Big Happy Family 4. Heavin' Can Wait 5. Dirty Laundry 6. Curt Russell 7. Aging Bull 8. Cold Heaters 9. Sorry Wrong Suspect 10. The Blackboard Jungle 11. Burnin' Love 12. These Old Bones 13. A Tushful Of Dollars 14. The Nutty Confessor 15. Head Case 16. Girl Talk 17. Hollie And The Blowfish 18. We Was Robbed 19. Auntie Maimed 20. A Death I
Set on one block of Brooklyn's Bed-Stuy Do or Die neighbourhood, at the height of summer, this 1989 masterpiece by Spike Lee (BlacKkKlansman) confirmed him as a writer and filmmaker of peerless vision and passionate social engagement. Over the course of a single day, the easy-going interactions of a cast of unforgettable characters Da Mayor, Mother Sister, Mister Señor Love Daddy, Tina, Sweet Dick Willie, Buggin Out, Radio Raheem, Sal, Pino, Vito, and Lee's Mookie among them give way to heated confrontations as tensions rise along racial fault lines, ultimately exploding into violence. Punctuated by the anthemic refrain of Public Enemy's Fight the Power, Do the Right Thing is a landmark in American cinema, as politically and emotionally charged and as relevant now as when it first hit the big screen.
A sweet-natured, small-town guy inherits a controlling stake in a media conglomerate and begins to do business his way.
Unlike the previous three, this fourth series of The Sopranos largely eschews an overriding story arc in favour of developing several interrelated plot strands, most of which are then left dangling tantalisingly at the end. This year Tony's many extra-marital affairs finally come home to roost, even as he faces challenges to his leadership from within and without. Paulie Walnuts simmers with resentment over his perceived neglect, a resentment only exacerbated by Christopher's promotion; while Christopher's growing drug habit undermines Tony's trust in him. Paulie makes overtures to Johnny Sack and the New York family; Sack himself bears a deadly grudge against Ralph Cifaretto, and also embroils Tony in a dispute between the two families. Ralph and Tony clash over a shared interest in both a race horse and a goomar--you just know it's going to end in something much worse than tears. The women have as many problems, though: Adriana has reluctantly turned FBI informer, a drug-addled Christopher squashes her dog, and she has to confess that she can't have children; Carmela falls maddeningly, frustratingly in love with one of Tony's closest companions; Janice inveigles herself into Bobby's affections in a display of breathtaking emotional manipulation; while Meadow can no longer conceal the disgust she feels about her father's business, and Dr Melfi is increasingly sidelined, since Tony's behavioural issues have become, to all practical purposes, untreatable. The whole ends on a downbeat note as personal disillusionment overshadows the mob politics. With the imminent arrival of Steve Buscemi to the cast, the fifth series is primed to be an explosive one. --Mark Walker
Martin Scorcese handles directing duties in this 1986 sequel to the classic 1961 film The Hustler, which marks the return of Paul Newman to the role of pool shark Fast Eddie Felson. Anxious to break into the big time again, Eddie finds a talented protégé (Tom Cruise) to groom; but with the addition of the latter's manipulative girlfriend (Mary Elizabeth Mastrantonio) and the wild streak in Cruise's character, the trio make for a fascinating portrait in group psychology. The cast is brilliant, the script by Richard Price (Clockers) is a paragon of tightly controlled character study and drama (at least in the film's first half), and Scorcese and cinematographer Michael Ballhaus make an ornate show of the collision and flight of pool balls through space--something of a metaphor for the dynamics among the three principals. The film is generally regarded as weaker in its second half, and rightly so, as everything that was interesting in the first place disappears. Still, Newman won a deserved Oscar for his performance. --Tom Keogh
Security guard Harry Caine (Turturro) is desperately searching for a reason behind the murder of his wife. He spends his nights watching CCTV footage to find a face that might give him a clue. His walls are plastered with 'suspects' but when he closes in on one who might be the killer his world is turned upside down once again...
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