In Disney's Mulan, a fearless young woman risks everything out of love for her family and her country to become one of the greatest warriors China has ever known.
When mysterious spacecraft touch down across the globe, an elite team led by expert linguist Louise Banks (Amy Adams) are brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers and to find them, she will take a chance that could threaten her life, and quite possibly humanity's very existence.
The first of 1997's volcano disaster movies (the second being Volcano) was arguably the better of the two but both of them made for passable entertainment with some spectacular special effects to serve as icing on the stale cake. After all, Dante's Peak doesn't pretend to be anything more than an updated variation on a whole catalogue of disaster movie clichés. Despite all that, it's reasonably enjoyable. It's an added bonus that the script is just smart enough to allow Pierce Brosnan and Linda Hamilton to play their roles with straight faces, never condescending to the audience of the formulaic story. He's a volcano expert from the US Geological Survey, and she's the mayor of a cosy Washington State town perched beneath a volcano that's about to blow. Tell-tale signs are everywhere, so evacuation must be carried out immediately. Of course, not everybody's eager to leave and even some of Brosnan's colleagues think his alarm is premature. This sets the stage for massive ash clouds, rivers of raging mud and molten rock, flattened forests and death-defying escapes by Brosnan, Hamilton and some (but not all) of her family, friends and townsfolk. So what if it's all pretty flaky ... and can a four-wheel-drive vehicle travel over fire and molten lava without bursting its tires? Don't ask too many questions and you'll find Dante's Peak to be (if you'll pardon the pun) a total blast. --Jeff Shannon
When mysterious spacecraft touch down across the globe, an elite team led by expert linguist Louise Banks (Amy Adams) are brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers and to find them, she will take a chance that could threaten her life, and quite possibly humanity's very existence.
In Disney's Mulan, a fearless young woman risks everything out of love for her family and her country to become one of the greatest warriors China has ever known. Special Features: Updating a Classic Mulan By Another Name Being Bad Reflections of Mulan The Original Mulan Deleted Scenes And More!
Tom Hanks teams up with the Coen brothers for a remake of the classic 1955 Ealing comedy about a group of thieves trying to bump off their landlady.
A student machinist (Keanu Reeves) finds himself caught in a maze of secret government cover-ups high tech espionage and murders after working on a groundbreaking scientific experiment. Eddie Kasalivich (Reeves) and Lily Sinclair (Rachel Weisz) are part of a team of scientists who have developed a revolutionary new source of energy. But no sooner have they finishes celebrating their triumph than their lab is destroyed and the head of their team killed. Named as the main suspects Ed
Nothing, and no one, is as it seems, in this adaptation of Graham Greene's classic and prophetic story of love, betrayal, murder and the origin of the American war in Southeast Asia.
Rapid Fire was the penultimate film starring Brandon Lee before his untimely death on the set of The Crow. It's a standard martial arts thriller in which Lee plays Jake Lo, a young arts student who witnesses a gangland execution and is unwittingly drawn into a pitched standoff between the mafia, a Chinese drug syndicate and Ryan, a downbeat but resolute Chicago cop (Powers Boothe) determined to nail his prey. With a plot that careens through every genre cliché, Lee's smouldering looks and showy fighting skills carry the film. The martial arts sequences (which Lee co-choreographed) are nicely staged, but given the unusual settings--the penultimate fight takes place in a Chinese laundry--could have been even more inventive. The workmanlike direction by Dwight H Little (Marked for Death, Free Willy 2) fails to inject much into the material. In particular, traumatised by seeing his Special Agent father die in the Tiananmen Square massacre, Jake Lo's attraction to both a corrupt FBI agent and Ryan as surrogate father figures could have been given more resonance given the loss of Brandon Lee's own father at an early age. With hundreds of bloodless deaths, cringe-worthy dialogue and a dated power rock soundtrack, Rapid Fire looks and feels like a TV film. And on that level, at least, it's entertaining. On the DVD: The main feature is presented in letterboxed widescreen. Sound and picture quality are very good. Subtitles are provided for ten languages (Czech, Danish, Finnish, Hebrew, Hungarian, Icelandic, Norweigian, Polish, Portuguese, Swedish) and in English for the hard of hearing. Extra features are limited to chapter selection and a theatrical trailer. --Chris Campion
Amy Adams, Jeremy Renner and Forest Whitaker star in this sci-fi drama directed by Denis Villeneuve. After mysterious alien spacecraft land on Earth, American linguistics professor Dr Louise Banks (Adams) finds herself working with the army to decode the aliens' communications. Under the command of Colonel Weber (Whitaker), Louise and military scientist Ian Donnelly (Renner) try to learn more about the aliens' language so they can communicate with them and discover why they have come to Earth, before someone else across the globe decides to attack first. But with the CIA and global leaders monitoring their interactions, will they be able to make their breakthrough without any unwanted interference? The film was nominated for nine BAFTAs, including Best Film, Best Adapted Screenplay and Best Leading Actress (Adams), two Golden Globe Awards for Best Performance By an Actress in a Motion Picture - Drama (Adams) and Best Original Score - Motion Picture (Jóhann Jóhannsson), and eight Academy Awards including Best Picture, Best Director (Villeneuve) and Best Adapted Screenplay.
Chris Tucker and Jackie Chan cause chaos in Paris in this, the third instalment of their comedy action franchise.
Using a faulty thriller for his soapbox as an outspoken critic of China, a devout follower of the Dalai Lama, and an influential supporter of Tibetan freedom, Richard Gere resorts to the equivalent of propagandistic drama to deliver a heavy-handed message. In other words, Red Corner relies on a dubious strategy to promote political awareness, but director Jon Avnet appeals to the viewer's outrage with such effective urgency that you're likely to forget you're being shamelessly manipulated. Gere plays a downtrodden TV executive who sells syndicated shows on the global market, and during a business trip to China he finds himself framed for the murder of the sexy daughter of a high Chinese official. Once trapped in a legal system in which his innocence will be all but impossible to prove, Gere must rely on a Chinese-appointed lawyer (played by Bai Ling) who first advises him to plead guilty but gradually grows convinced of foul play. Barely attempting to hide its agenda, Red Corner effectively sets the stage for abundant anti-Chinese sentiment, and to be sure, the movie gains powerful momentum with its tale of justice gone awry. It's a serious-minded, high-intensity courtroom drama with noble intentions, but one wonder if it has to be so conspicuously lacking in subtlety. --Jeff Shannon, Amazon.com
Steven Seagal (Maximum Conviction) is Alexander Coates a Special Forces operator who becomes haunted by his past when a little girl dies in his arms on a mission in Iraq. Looking for redemption Alexander goes off grid. Two years later Alexander is trying to lead a quiet life. But when one of his tenants and her family fall under the thumb of a Russian gangster he is dragged into an all-out war between rival Chinese and Russian gangs; forcing him to not only defend the family but bringing him face to face with an old foe and giving him one more chance to reconcile his past. The body count rises as Alexander returns to what he does best - killing. But will it be enough for Alexander to find redemption?
Rush Hour: Two cops from very different worlds must learn to trust each other before they can win a high-stakes battle against a ruthless enemy who threatens to demolish the fragile peace between their countries. The fastest hands in the east meets the loudest mouth in the west! Rush Hour 2: Chopsocky action star Jackie Chan reteams with motormouth Chris Tucker in this 'Rush Hour' sequel as the mismatched cop duo investigate several bombings in Hong Kong attributed
The plot line may sound familiar: Two mismatched cops are assigned as reluctant partners to solve a crime. Culturally they are complete opposites, and they quickly realize they can't stand each other. One (Jackie Chan) believes in doing things by the book. He is a man with integrity and nerves of steel. The other (Chris Tucker) is an amiable rebel who can't stand authority figures. He's a man who has to do everything on his own, much to the displeasure of his superior officer, who in turn thinks this cop is a loose cannon but tolerates him because he gets the job done. Directed by Brett Ratner, Rush Hour doesn't break any new ground in terms of story, stunts, or direction. It rehashes just about every "buddy" movie ever made--in fact, it makes films such as Tango and Cash seem utterly original and clever by comparison. So, why did this uninspired movie make over $120 million at the box office? Was the whole world suffering from temporary insanity? Hardly. The explanation for the success of Rush Hour is quite simple: chemistry. The casting of veteran action maestro Jackie Chan with the charming and often hilarious Chris Tucker was a serendipitous stroke of genius. Fans of Jackie Chan may be slightly disappointed by the lack of action set pieces that emphasize his kung-fu craft. On the other hand, those who know the history of this seasoned Hong Kong actor will be able to appreciate that Rush Hour was the mainstream breakthrough that Chan had deserved for years. Coupled with the charismatic scene-stealer Tucker, Chan gets to flex his comic muscles to great effect. From their first scenes together to the trademark Chan outtakes during the end credits, their ability to play off of one another is a joy to behold, and this mischievous interaction is what saves the film from slipping into the depths of pitiful mediocrity. --Jeremy Storey
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