In space there is no daylight... A salvage ship on a routine mission discovers a transporter vessel that had been reported missing 100 years earlier. When the salvage crew boards the vessel they discover 50 long black coffins. In the blackness of space where the sun never rises the ancient curse that this mysterious cargo carries begins to eliminate the crew one by one...
The unquiet twin spirits of Fritz Lang and Franz Kafka preside over Europa, Lars von Trier's sardonic, saturnine vision of just-post-WWII Germany. In 1945 Leo Kessler, a young American of German descent, returns to the shattered land of his forebears to help in its reconstruction. Through his uncle, who works for the huge railway network Zentropa, he gets a job as a trainee sleeping-car conductor and also meets the seductive Katharina Hartmann, daughter of Zentropa's owner Max. But acts of sabotage and murder are being planned by unregenerate young Nazis calling themselves Werewolves, and very soon Leo's hapless innocent abroad starts finding out that, in this time and place of shifting loyalties, nothing and no one are what they seem. As if to accentuate this mood of nervous ambiguity, von Trier constantly switches from black and white to colour, and from English to (subtitled) German dialogue, often right in the middle of a scene. The cast boasts several iconic figures of European cinema, including Barbara Sukowa (a Fassbinder favourite) as femme fatale Katharina, and Eddie Constantine (from Godard's Alphaville) as a manipulative American colonel, while a literally hypnotic voice-over is spoken by the great Bergman actor Max von Sydow. There's more than a hint that von Trier intends a mischievous side-glance at today's Europe, and today's European film industry, in resentful thrall to the might of Hollywood. And while Europa is gripping and richly atmospheric, it's never without humour. The long, final episode is a tour de force of tragicomedy, with poor Leo juggling the competing demands of love and loyalty, life and death, while being harassed by his uncle who, horrified that Leo has lost his official peaked cap, forces him to wear a knotted handkerchief on his head, as well as by a pair of punctilious railroad inspectors demanding to know how long it takes him to make up a sleeping-car bunk. Lang and Kafka, sure, but maybe a touch of the Marx Brothers, too. --Philip Kemp
A relic has been fought over by the forces of light and darkness for two thousand years. Missing for centuries, the sacred artefact turns up in the back of a camper van in 2001. A powerful secret society is slaughtering innocents to get hold of it. M
Remember the old days, when Pamela Anderson was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon
Blade: A blood chilling action-packed thriller about modern day vampires unlike any previously encountered. Wesley Snipes is Blade the ultimate vampire hunter and immortal warrior who possesses the superhuman strength and cunning of a vampire but shares none of their weakness. Able to walk by day and stalk by night Blade must confront his ultimate adversary the omnipotent vampire overlord Deacon Frost Stephen Dorff who is intent on leading an underground legion of va
The New Adventures of Pinocchio is the charming sequel to the 1996 live-action movie. With a largely brand-new cast, the most important returning actor is Martin Landau as Geppetto. His role is pared down, however, by a neat twist in the tale. Udo Kier is the other returning actor, this time in the new bad guy/girl role of Madame Flambeau, whose carnival sets itself up in Pinocchio's town and offers everyone a miracle elixir to change their lives. Pinocchio (now played as a real boy by Gabriel Thomson) hopes the elixir will make his papa feel better from a nasty cold, but it turns out Flambeau tricked him with puppet-making juice. So now it's Geppetto who's the wooden star of the show! Lots of surprises keep the story happily moving along, with secret identities waiting to spring from the likes of Warwick Davis as the ringleader Dwarf. The Jim Henson Studio puppets are first class as always, with some flawless computer graphics coming to the rescue every so often. There's a beautiful backdrop of Luxembourg countryside too for this pantomime where everyone looks as if they had great fun putting it together. --Paul Tonks
Box Set complete with DVD and Novel STORY OF 'O' is based on the hugely successful S&M novel that has been read by millions of people worldwide. The author Pauline Reage tells the story of a beautiful young woman known only as 'O' who is taken by her boyfriend Rene to a chateau just outside Paris. There 'O' is trained in bondage and sexual perversion. 'O' is deeply in love with Rene and in order to prove her love she allows herself to be subjected to all kinds of degradation and abuse. Finally, Rene discharges a personal debt by transferring possession of 'O' to his stepbrother Sir Stephen. In the film which produced in 1975, Just Jaeckin the director explores the cruel world in which 'O' finds herself. A world of sado-masochism and kinky and bizarre sexual practices. The film was refused certification when it was originally submitted, has now been passed uncut by the BBFC.Also Available as a DVD only version.
Kenneth is socially insecure. But when he buys 'Nikki' a silicone sex doll over the internet. Because of his experience with his new toy Kenneth's life takes a turn for the better when he attracts the attention of a real girl Lisa. But when the doll's jealous personality invades his consciousness Kenneth becomes trapped in a perverse triangle torn between the silicone Nikki and the flesh and blood Lisa.
Inspired by Thomas De Quincey's 'Suspiria de Profundis' and co-written by Argento and his long-term partner Daria Nicolodi SUSPIRIA is Argento's undisputed masterpiece of Grand Guignol horror hitting new peaks of terror through its stunning photography (courtesy of Luciano Tovoli) eye-popping production design and terrifying atmosphere of dread - thanks in no small part to the great score from Goblin! Susy Banyon (Jessica Harper) is an American ballet student travelling to Germany to study at an exclusive dance academy in the Black Forest. After one of the students and her friend are hideously murdered in the first of Argento's breath-catching set-piece killings Susy discovers that the academy has a bizarre history and as the body count rises she gets involved in a hideous labyrinth of murder black magic and madness...
When high-flying stockbroker Sterling Brooks encounters a little divine intervention on the golf course he is given a second shot at redeeming his selfish existence. The problem is he has to prove his worth to his beautiful ex Annie Campbell (Erika Eleniak) and the feisty young daughter Marissa he never knew he had... Mystery based on the novel by Mary Higgins Clark.
Superstition and witchcraft torment the people in the 17th century. A witch hunter terrorises a provincial town. He rapes the women tortures them on the rack and burns them at the stake. A charming young girl and the young assistant to the Chief Inquisitor conspire to put an end to the foul deeds of this libertine. However they fall into great danger when the Inquisitor arrives in the town to commence his dreaded trials. He accuses the young girl of witchcraft and subjects her to terrifying cross-examoination. The young assistant who has so far been loyal to his master is concious-stricken. Should he really believe that his beloved is a witch? Under dramatic circumstances he learns the true nature of his master - his sexual hysteria and the perverse background of his bloodthirsty punishments. As soon as he openly turns against the Inquisitor the young man falls into a fatal trap.He loses his life during a revolt from which the Chief Inquisitor only just escapes the fury of the frenzied crowd. His beloved finds his body. Unable to comprehend outraged without hope and filled with grief she is lost in the holocaust of the middle ages.
The recipe for Blade is quite simple; you take one part Batman, one part horror flick, and two parts kung fu and frost it all over with some truly campy acting. What do you get? An action flick that will reaffirm your belief that the superhero action genre did not die in the fluorescent hands of Joel Schumacher. Blade is the story of a ruthless and supreme vampire slayer (Wesley Snipes) who makes other contemporary slayers (Buffy et al.) look like amateurs. Armed with a samurai sword made of silver and guns that shoot silver bullets, he lives to hunt and kill "Sucker Heads". Pitted against our hero is a cast of villains led by Deacon Frost (Stephen Dorff), a crafty and charismatic vampire who believes that his people should be ruling the world, and that the human race is merely the food source they prey on. Born half-human and half-vampire after his mother had been attacked by a blood-sucker, Blade is brought to life by a very buff-looking Snipes in his best action performance to date. Apparent throughout the film is the fluid grace and admirable skill that Snipes brings to the many breathtaking action sequences that lift this movie into a league of its own. The influence of Hong Kong action cinema is clear, and you may even notice vague impressions of Japanese anime sprinkled innovatively throughout. Dorff holds his own against Snipes as the menacing nemesis Frost, and the grizzly Kris Kristofferson brings a tough, cynical edge to his role as Whistler, Blade's mentor and friend. Ample credit should also go to director Stephen Norrington and screenwriter David S. Goyer, who prove it is possible to adapt comic book characters to the big screen without making them look absurd. Indeed, quite the reverse happens here: Blade comes vividly to life from the moment you first see him, in an outstanding opening sequence that sets the tone for the action-packed film that follows. From that moment onward you are pulled into the world of Blade and his perpetual battle against the vampire race. --Jeremy Storey
Manderlay is a plantation in 1933 Alabama whose residents live as though slavery hadn't been abolished 70 years earlier.
Of all the tales from Weimar Germany there is none stranger than that of Zishe Breitbart (Jouko Ahola). He was a Jewish blacksmith’s son who became a sensation in Berlin in the 1930s performing as a mythical Nordic-style strongman. His employer was con-man, cabaret show promoter and self-proclaimed mystic Hannussen (Tim Roth) who dreamed of forming a Ministry of the Occult in Hitler’s government. As anti-Semitism took hold, Hannussen’s star act decides he has been chosen by God to warn his people. Werner Herzog’s fundamental and quite brilliant allegorical fable boasts an original score by legendary composers Hans Zimmer and Klaus Badelt. Special Features: Trailer Image bank
An apprentice witch hunter (Kier) believes strongly in his mentor (Lom) and the ways of the church but loses faith when begins to see that the witch trials are nothing but a scam for the clergy to rob people of their land and money...
Billy Byrne (Max Beesley) wants to be famous. He thinks he'll get eveything he wants when he's famous. He has a talent for selling himself for making people think he should be famous and he gets an agent who promises him the world. And then it all goes wrong. The world is indifferent to his talent. Billy's world is shattered and and he descends into a hostile 21st century version of a Victorian underworld squirming with all manner of thieves beggars and low lifes rejected by society...
Evil Eyes is about a screenwriter working on a horror film and devising unique deaths for its characters. Unfortunately for him these begin coming true for his friends! Plenty of bloody effects by Rocky Faulkner.
Holly
Los Angeles has a discreet community of glamorous sophisticated and hip vampires. Bacchanals of blood and sex are confined to private underground clubs. Anonymity is compromised by Nico a bloodsucking seductress gaining notoriety as the 'Hollywood Slasher'. Dallas valiantly tries to reform and save her. When crusty old Frederick Van Helsing unwittingly hires inner city gangbangers as his vampire hunting assistants an outrageous juxtaposition of characters and cultures is set in
Red Letters has all the makings of a classic Hitchcock thriller: a hapless hero who thinks he's smarter than he is, an unpredictable femme fatale, snaky plot twists, and an all-around excellent cast. Professor Dennis Burke (Peter Coyote) wrote a sizzling erotic novel called Red Letters 20 years ago--but since then his wife has died from a protracted illness and he's been fired from a job because of an affair with a student. So he's grateful to be given a second chance at a small California college where he lectures on Hawthorne--only all his students are more interested in Burke's own writing than Hawthorne's. Burke starts receiving letters for the former resident of his apartment that are from a woman in prison named Lydia (Nastassja Kinski) with a 30-year sentence for murder. Burke writes back and their correspondence takes a turn for the intimate when she asks him to visit her. Burke isn't sure what he's getting into, and his life is further complicated when the daughter of the college Dean (Fairuza Balk) starts making advances. Suddenly Lydia has escaped, his best friend (Jeremy Piven) is arrested for hacking into the prison computer system, and the Dean suspects Burke of trifling with his daughter. The movie loses focus at the very end, but until then it's a smart, well-written, subtle, and unpredictable film that actually gives its characters some depth and grit. Even the more implausible moments are fun and engaging, making this well worth checking out. --Bret Fetzer
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