Widely recognised as Bergman's most extraordinary and influential film Persona is a rich and poetic study of womanhood and identity featuring two of the Swedish master's greatest leading ladies Liv Ullmann and Bibi Andersson. Elizabeth (Liv Ullmann) is a famous actress who is suddenly taken ill and left without speech. While convalescing on the coast she is cared for by Nurse Alma (Bibi Andersson) and silenced by the effect of her possibly psychosomatic illness finds that her nurse does the talking for both of them. Gradually the two women's identities begin to merge and their personalities become one. Almost impossible to describe in words this landmark film is a visual tour-de-force which remains as innovative and startling today as it was in 1966. This version is fully uncut and features newly created uncensored subtitles.
On a remote island far removed from a raging civil war Jan and Eva retreat to their apolitical fortress: a small vegetable farm. But their serene existence is shattered when soldiers violently invade their home. Now caught in the crosshairs of a brutal and inhuman conflict Jan and Eva become survivors with only one concern - to endure.
Ingmar Bergman's slow-burning story of a concert pianist who mourning the loss of her lover is invited to stay with her daughter. Their relationship is strained but the encounter is crucial for the future of both women...
Ingmar Bergmans Cries and Whispers is a brilliant and at times shockingly traumatic piece of chamber cinema. It also represented a renaissance for Bergman, whose previous few films had flopped commercially. Set in a large house with interiors done out entirely in a disquieting red and against a soundtrack of ticking and barely audible chatter, the film features three of Bergmans female stalwarts. Harriet Andersson plays Agnes--a thirtysomething woman dying of cancer--Ingrid Thulin plays her sister Karin--non-tactile and caught in a marriage with a man she finds physically repulsive--and Liv Ulmann is the almost childishly sensual second sister Maria. Kari Sylwan, meanwhile, stars as the earth-motherly maid Anna, whose cradling of the dying Agnes against her naked bosom is one of the centrepieces of the movie. Much of what transpires here can be construed as fantasy sequence, including one extraordinary incident in which Thulin cuts her vagina with broken glass and smears the blood over herself, in order to avoid sex with her husband. Agnes unbearable cries of anguish in her death throes, however, are all too real. Many familiar Bergman themes are explored in Cries And Whispers--mortality, the existence of God (here doubted by a Pastor) and the space between people. However, they are set against a singular, blood-red, dreamlike ambience that is irresistible. This is Bergman at his finest. On the DVD: the dominant red backdrops of the movie are richly enhanced in this edition. Text-only extras include notes from Bergmans own memoirs. In a lengthy extract here, he reveals that he had considered Mix Farrow for the part of one of the sisters. Philip Stricks additional notes add further context and background--it seems that the films success in America was due to its distribution by, of all people, Roger Corman. --David Stubbs
On a windswept barren island Andreas lives simply and quietly until he becomes entangled with Anna a beautiful mysterious widow and a neighbouring couple harbouring their own sorrows and illusions. But soon secrets from Andreas and Anna's pasts threaten to destroy everything...
Ingmar Bergman's Scenes from a Marriage opens with a couple--Marianne (Liv Ullmann) and Johann (Erland Josephson)--being interviewed for a magazine. Every moment seems to teeter on the brink of some rupture; just as they start to get comfortable, the interviewer has them freeze for a photograph. After making some bland, general statements, they both start admitting intimate details, confessing that they were brought together by mutual misery, then cheerfully claiming that theirs is a model marriage. The entirety of Scenes from a Marriage--which chronicles their emotional relationship even after a divorce and marriages to other people--continues to have these contradictions, moments of honesty and self-deception, of cruelty and kindness, concern and self-obsession, all laid bare by the skilful actors and the subtle, constantly shifting screenplay. Every scene is a small movie unto itself; in fact, Scenes from a Marriage was originally a six-episode TV show, carefully edited down into a unified film. This is one of Bergman's most immediate and accessible works, concerned more with the facts of human behaviour than symbolism or abstract themes. Bergman understands how to balance what could be horrible pain and despair with the characters' earnest efforts to improve their lives. His imitators reduce everything to sheer suffering and alienation; Bergman sees the best in his characters, even when their actions are terrible. This 1973 film won numerous awards, including several acting honours for Ullmann. --Bret Fetzer
This monumental mid-nineteenth-century epic from JAN TROELL (Here Is Your Life) charts, over the course of two films, a poor Swedish farming family's voyage to America and their efforts to put down roots in this beautiful but forbidding new world. Movie legends MAX VON SYDOW (The Seventh Seal) and LIV ULLMANN (Persona) give remarkably authentic performances as Karl-Oskar and Kristina, a couple who meet with one physical and emotional trial after another on their arduous journey. The precise, minute detail with which Troell depicts the couple's storywhich is also the story of countless other people who sought better lives across the Atlanticis a wonder to behold. Engrossing every step of the way, the duo of The Emigrants and The New Land makes for perhaps the greatest screen drama about the settling of America. Bonus Features: New high-definition digital restorations of both films, with uncompressed monaural soundtracks New introduction by critic and Swedish-film expert John Simon New conversation between film scholar Peter Cowie and director Jan Troell New interview with actor Liv Ullmann To Paint with Pictures, a 2005 documentary on the making of the films, featuring archival footage as well as interviews with Troell, Ullmann, producer and co-screenwriter Bengt Forslund, and actor Eddie Axberg Trailers New English subtitle translations PLUS: An essay by critic Terrence Rafferty Click Images to Enlarge
For more than 50 years, Ingmar Bergman produced groundbreaking works of cinema that established him as one of the world's most acclaimed, enduring and influential filmmakers. Firmly established as one of cinema's most original and artistic talents by the 1960s, Bergman continued his explorations of the human psyche with a series of increasingly provocative and stylised productions. Including the Oscar-winning rape-and-revenge drama The Virgin Spring (1960), his assessment on the purpose and promise of religion in the Faith Trilogy (Through a Glass Darkly, The Silence, Winter Light), and the landmark psychological drama Persona (1966), through these films Bergman challenged audiences to confront and consider topics seldom explored with such depth. The films: The Virgin Spring (1960) The Devil's Eye (1960) Through a Glass Darkly (1961) The Silence (1963) Winter Light (1963) All These Women (1964) Persona (1966) The Rite (1969) Product Features Newly commissioned audio commentary on The Virgin Spring by Alexandra Heller-Nicholas and Josh Nelson The Men and Bergman (2007, 52 mins): Eva Beling's documentary featuring Erland Josephson, Thommy Berggren, Börje Ahlstedt and Thorsten Flinck 100-page perfect bound book featuring new essays by Catherine Wheatley, Claire Marie Healy, Jannike à hlund, Philip Kemp, Ellen Cheshire, Geoff Andrew, Andrew Graves and Kat Ellinger Other extras TBC Newly commissioned artwork by Andrew Bannister Limited edition of 5,000
! For more than 50 years, Ingmar Bergman produced ground breaking works of cinema that established him as one of the world's most acclaimed, enduring and influential filmmakers. By the 1970s and 80s, Bergman was recognised as the doyen of directors but continued to produce trailblazing films throughout the latter period of his career. This final volume includes Cries and Whispers (1972), his examination of suffering and the female psyche, Autumn Sonata (1978), his heralded collaboration with Ingrid Bergman, and his epic, Oscar-winning and deeply personal Fanny and Alexander (1982) (presented in both its theatrical and television versions). The Films: Cries and Whispers (1972), Scenes from a Marriage (1973), Autumn Sonata (1978), Faro Document (1979), From the Life of the Marrionettes (1980), Fanny and Alexander (1982), Fanny and Alexander (TV Series), (1983), After the Rehearsal (1984) Extras: Extras TBC Newly commissioned artwork by Andrew Bannister Limited edition of 5,000
A sequel to 1973's award-winning Scenes From A Marriage Bergman again follows the relationship between Marianne (Liv Ullmann) and Johan (Erland Josephson). Marianne and Johan meet again after thirty years without contact when Marianne suddenly feels a need to see her ex-husband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so one beautiful autumn day there she is beside his reclining chair waking him with a light kiss.
Jane Magnusson directs and narrates this passionate tribute to the hugely influential cinema and personality of film icon Ingmar Bergman. Journeying through 1957 - the year Bergman released The Seventh Seal and Wild Strawberries, made a TV film and directed four plays for theatre - a wealth of archive and contemporary interviews reveals previously untold stories and insight into Bergman's life and character. Featuring extensive clips from his vast body of work, Bergman: A Year in A Life explores the existential themes and personal dilemmas at the core of the director's artistic legacy and offers a deeper understanding of what makes his work so powerful and enduring. Included in this limited edition Blu-ray set is director Jane Magnusson's 4-part 2018 TV series on Ingmar Bergman Special Features: Trailer Other extras TBC Fully illustrated booklet
The Passion Of Anna: On a windswept barren island Andreas lives simply and quietly until he becomes entangled with Anna a beautiful mysterious widow and a neighbouring couple harbouring their own sorrows and illusions. But soon secrets from Andreas and Anna's pasts threaten to destroy everything... The Serpent's Egg: Abel Rosenberg (Carradine) is a circus acrobat out of work and living in a defeated Germany after the First World War. He takes a job at the Veregus Clinic and there he finds the truth behind the work of the Professor Veregus (Bennett) work that led to his own brother committing suicide... Hour Of The Wolf: Haunted by demons past and present artist Johan Borg fights a losing battle to retain his sanity and maintain his artistic prowess. His wife Alma desperate to help him finds herself starting to share his hallucinations. But as Johan's mind continues to unravel Alma is forced to choose bewteen her love and her life... Shame: On a remote island far removed from a raging civil war Jan and Eva retreat to their apolitical fortress: a small vegetable farm. But their serene existence is shattered when soldiers violently invade their home. Now caught in the crosshairs of a brutal and inhuman conflict Jan and Eva become survivors with only one concern - to endure.
Wild Strawberries (1957): The film that catapulted Ingmar Bergman to the forefront of world cinema is the director's richest most humane movie. Traveling to receive an honorary degree professor Isak Borg (masterfully played by the veteran Swedish director Victor Sjostrom) is forced to face his past come to terms with his faults and accept his approaching death. Through flashbacks and fantasies dreams and nightmares Wild Strawberries captures a startling voyage of self-dis
Tobi and Achim have been best friends for years. As cox and oarsman they have helped their rowing team win several trophies in the past and are now looking forward to the big regatta in the countryside. But this trip is no summer camp and the problems soon arise. As Achim's relationship with his girlfriend grows more serious Tobi starts to realize that his feelings for Achim run deeper than he's willing to admit. He feels confused unsure of himself and increasingly isolated. When
Haunted by demons past and present artist Johan Borg fights a losing battle to retain his sanity and maintain his artistic prowess. His wife Alma desperate to help him finds herself starting to share his hallucinations. But as Johan's mind continues to unravel Alma is forced to choose bewteen her love and her life...
Mark Cahill is a professional assassin with a real problem. He's so strung up about a job that went wrong he can't figure out whether he's going nuts or if he really is being tormented by forces from beyond the grave.
Abel Rosenberg (Carradine) is a circus acrobat out of work and living in a defeated Germany after the First World War. He takes a job at the Veregus Clinic and there he finds the truth behind the work of the Professor Veregus (Bennett) work that led to his own brother committing suicide...
The relationship between three sisters is masterfully explored by Bergman in Cries and Whispers. In rural Sweden around the turn of the century three sisters reside in a vast manor house with their housekeeper. Agnes lives out the last days of her life in pain hoping for companionship and affection. Surrounded by her sisters Agnes takes comfort in the fact that her remaining time can be spent with those close to her. However dissatisfaction in their day-to-day lives and the estrangement that they feel from one another causes the sisters to become increasingly self-absorbed. Special Features: An extraordinarily rich visual experience Cries and Whispers is that rarest of things - a true masterpiece Star and director filmographies Scene selection Philip Strick film notes Extract from Bergman’s book Images - My Life in Film The Bergman collection trailer Region 0
Made in 1966, Persona is among Ingmar Bergman's greatest, most vital movies, made during a difficult period in his life (Bergman's life is one short on easy times), having been hospitalised following a viral infection. It was while laid up that he conceived the notion of Persona, in which a famous actress, Elisabet (Liv Ullmann) suddenly lapses into a muteness from which, though mentally and physically healthy, she refuses to emerge. She is attended to by a young, naive nurse, Alma (Bibi Andersson) who develops an obsession, bordering on infatuation with her silent charge. She finds herself jabbering all of her innermost secrets to her and, little by little, through dream sequences, repeated dialogue and trick photography, it's as if the consciousnesses of the two women have actually merged. With its opening sequence of cryptic projected reel images (allusions to Bergman's previous work), jarringly atonal soundtrack and devices such as the audible chatter of camera crew, Persona contains an unusual share of avant-garde trimmings, which haven't necessarily stood the test of time. However, the relationship between Alma and Elisabet dominates the movie. Some confounded critics wondered if theirs was a lesbian relationship. Actually, Persona is an occasionally cryptic but overwhelmingly powerful meditation on the parasitic interaction between Art and Life, the way the former feeds off the latter (Alma is distraught to discover a letter at one point which suggests Elisabet has been coolly observing her, as if for material). However, as an early scene featuring TV footage of a Vietnamese Buddhist monk torching himself as a protest against the war, it's also about the helpless incapacity of art to "say" anything in the face of grim reality. A small film budget-wise, but a colossal event in world cinema. --David Stubbs
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