With this unsparing depiction of a couple in turmoil Odoul proves himself once more to be one of the leading French filmmakers of his generation. Set in three different places and times from 1968 to 1973 and casting model-turned-actress Laetitia Casta as the embatted wife of an alcoholic philanderer this chamber-piece has all the intensity the unsettling power of his previous films. Indeed this is at times a discomfitingly truthful study of two people whose love cannot stop them
Top Gun: In the role that made him one of the world's biggest stars, Tom Cruise rides into the Danger Zone in the smash-hit film that defined the modern-day blockbuster! Cruise plays Maverick, a hotshot flyer who is sent to the Navy's prestigious Top Gun program. But in order to become the best of the best, he'll need the help of his wingman (Anthony Edwards) and new-found love (Kelly McGillis). Co-starring Val Kilmer, this high-octane hit will take your breath away! War of the Worlds: An earth-shattering adventure that both rivets and amazes (Michael Wilmington, Chicago Tribune),War of the Worlds reunites superstar Tom Cruise and Academy Award-winning director Steven Spielberg for one of the most awe-inspiring cinematic experiences of all time! A contemporary retelling of H.G. Wells classic, the sci-fi thriller reveals the extraordinary battle for the future of humankind through the eyes of one American family. Fleeing from an extraterrestrial army of killer Tripods that annihilate everything in their path, Ray Ferrier (Cruise) races to keep his family safe. War of the Worlds is an action-packed adventure that explodes with spectacular special effects! Mission: Impossible: Tom Cruise ignites the screen in the hit big-screen blockbuster that launched one of today's biggest, and still-growing, action movie franchises. Ethan Hunt (Cruise), is a top secret agent, framed for the deaths of his espionage team. Fleeing from government assassins, breaking into the CIA's most impenetrable vault, clinging to the roof of a speeding bullet train, Hunt races like a burning fuse to stay one step ahead of his pursuers... and draw one step closer to discovering the shocking truth. Days of Thunder: From the engine roar and fever pitch of professional stock car racing, Days of Thunder explodes with some of the most spectacular racing action ever captured on film. Tom Cruise plays race car driver Cole Trickle, whose talent and ambition are surpassed only by his burning need to win. Discovered by businessman Tim Daland (Randy Quaid), Cole is teamed with legendary crew chief and car-builder Harry Hogge (Academy Award®winner Robert Duvall*) to race for the Winston Cup at the Daytona 500. A fiery crash nearly ends Cole's career and he must turn to a beautiful doctor (Nicole Kidman) to regain his nerve and the true courage needed to race, to win and to live Jack Reacher: Ex-military investigator Jack Reacher (Tom Cruise, Mission: Impossible-Ghost Protocol) leaps off the pages of Lee Child's bestselling novel and onto the big screen in the explosive thriller that critics are calling a superior thriller. When an unspeakable crime is committed, all evidence points to the suspect in custody who offers up a single note in defence: Get Jack Reacher! The law has its limits, but Reacher does not when his fight for the truth pits him against an unexpected enemy with a skill for violence and a secret to keep.
When Tim Burton and Michael Keaton announced that they'd had enough of the Batman franchise, director JoelSchumacher stepped in (with Burton as coproducer) to make this action-packed extravaganza starring Val Kilmer as the capedcrusader. Batman is up against two of Gotham City's most colourful criminals, the Riddler (a role tailor-made for funnyman Jim Carrey) and the diabolical Two-Face (Tommy Lee Jones), who join forces to conquer Gotham's population with a brain-draining device. Nicole Kidman plays the seductive psychologist who wants to know what makes Batman tick. Boasting a redesigned Batmobile and plenty of new Bat hardware, Batman Forever also introduces Robin the Boy Wonder (Chris O'Donnell) whose close alliance with Batman led more than afew critics to ponder the series' homoerotic subtext. No matter how you interpret it, Schumacher's take on the Batman legacy is simultaneously amusing, lavishly epic and prone to chronic sensory overload. --Jeff Shannon
Set among the Italian-American community of Manhattan and adapted by Vincent Patrick from his own novel, 1984's The Pope of Greenwich Village just about gets by on its charm. It stars Mickey Rourke as Charlie, a small-time grafter who is on the point of making his big move and breakaway. Unfortunately, the pull of family ties means that he's hampered by his cousin Paulie (Eric Roberts), an ambitious and excitable idiot who manages to cock up absolutely everything he turns his hand to, bringing down Charlie with him every time. After he gets the pair of them sacked from a restaurant, Paulie helps set up a safecracking deal with older hand Kenneth MacMillan. Trouble is, theyre robbing the local mafia boss. Rourke and Roberts' relationship is modelled closely on that of Harvey Keitel and Robert DeNiro in Scorcese's Mean Streets, only without quite the same harrowing consequences. This being the 1980s there's much De Niro-esque methodology, which generally consists of repeating lines at least twice ("Fix your tie! Fix your tie!"). The element of improv sees the film veer off course occasionally, while Darryl Hannah is her usual oddly semi-detached self in the role of Rourke's girlfriend. However, it's Roberts' performance as the exasperating and energetic Paulie which carries the film, with solid support from numerous Goodfellas and Sopranos regulars. On the DVD: The Pope of Greenwich Village arrives on disc in a decent enough but hardly pristine print. The sole extra is the original trailer, which means the only real benefit of acquiring this on DVD is storage convenience. --David Stubbs
'Le Chignon d'Olga' is the charming first film from writer-director Jerome Bonnell. A tender romantic comedy-drama set in a provincial town it tells the story of brother and sister Julien and Emma who are grieving after the recent loss of their mother. As the summer draws to a close Julien aimlessly wanders the streets until one day he encounters Olga a beautiful young woman who works in a bookshop. Secretly without confiding even in his close childhood friend Alice he tries eve
A bloody, gruesome and relentless thriller, The Traveller stars Val Kilmer as a mysterious stranger whose past threatens to haunt the lives of six unsuspecting sheriff’s deputies. The moment he arrives in their small town police station confessing to multiple murders, their lives are forever changed. From the first scene to the shocking conclusion, horror fans will get more than their fair share of torture and bloodshed.
The largest lake in California becomes a symbol of a lost idyll in DJ Caruso's excellent noir-ish thriller The Salton Sea. Val Kilmer is superb as lowlife Danny Parker, or perhaps trumpeter Thomas Van Allen; a man so far over the edge in tragedy, duplicity and drugs he no longer knows or cares who he is. A warped revenge drama occupying similar territory to Memento, The Salton Sea is not as ingenious as that instant classic, but is more elegantly stylised, boasting superb production design, cinematography and music, the latter by Thomas Newman. Along for the ride is Deborah Kara Unger, and those who remember her from The Game will do well to take Kilmer's narration to heart when he says nothing is as it seems. Distinguishing what could have been simply a good thriller are elements not just of humour, but of laugh-out-loud hilarity funnier than most recent comedies; indeed, The Salton Sea is the most striking fusion of laughter and darkness since the admittedly very different An American Werewolf in London (1981). In this respect, Vincent D'Onofrio delivers a side-splitting and audacious performance as drug baron Pooh Bear. Watch out for the rabid badger. On the DVD: The Salton Sea is presented anamorphically enhanced at 1.77:1, with a flawless picture that captures the rich tones and extreme visual contrasts to perfection. The Dolby Digital 5.1 soundtrack is crystal clear and deeply atmospheric. Extras are the theatrical trailer, plus features on the production design (eight minutes) and cast and crew (nine minutes). More intelligent than the expected Electronic Press Kit material, the running length means they are still fairly perfunctory. --Gary S Dalkin
John Dahl, the director behind Red Rock West and The Last Seduction, is the director and co-writer of Kill Me Again, and it shows. Dahl's love of modern noir, ruthless women, Western landscapes, and double-crosses shines through. Joanne Whalley-Kilmer plays Fay, a spitfire who has somehow gotten herself mixed up with a psychotic thug (Michael Madsen, of course) named Vince. Fay runs off with a whole lot of Vince's stolen money and hires loser private eye Jack Andrews (Val Kilmer) to help her fake her own death. To say any more would spoil a terrific, intricate plot that keeps heating up as interested parties close in on Jack, Fay, and the money. The then-married Kilmer and Whalley-Kilmer clearly have a great time playing off each other, and Madsen adds another brilliantly played lunatic to his oeuvre. Enjoy it, and don't trust anybody. --Ali Davis, Amazon.com
A pair of society women dressed in all their finery stand in the middle of an abattoir, animal carcasses hanging behind them and blood splashed across the floor. Giggling and fidgeting, they drink their prescribed glass of ox blood. The startling, unreal image of high-society manners in the midst of gore and death pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease and seduce him into staying for their night-time soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death", mutters one of them as they await the cabal where he is the guest of honour. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerising fantasy. --Sean Axmaker, Amazon.com
Starring Val Kilmer (Batman, Heat), Luke Goss (Hellboy 2, Blade 2) and Ving Rhames (Pulp Fiction, Mission Impossible), 7 Below is a chilling new supernatural thriller in the vein of The Ring meets The Grudge. After a tour bus accident leaves a group of strangers stranded, they accept shelter from a mysterious loner named Jack (Ving Rhames), who has his own reasons for wanting the group to stay in his home.Trapped by a raging storm outside they encounter an evil presence in the foreboding house linked to a series of brutal murders that occurred more than 100 years ago. As strange and horrifying things begin to happen prepare for a cinematic thrill ride that will keep you on the edge of your seat from the stunning opening to the shocking conclusion.
A drama set centered around the war between Russia and Georgia and focused on an American journalist his cameraman and a Georgian native who become caught in the crossfire.
Hardwired (Fight Factory)
Kirk Douglas and Anthony Quinn headline this suspenseful western which follows U.S. Marshal Matt Morgan (Douglas) on the trail of his wife's killer. Adding a dark twist to the tale-the suspect's father is Morgan's long-time friend, cattle baron Craig Beldon (Quinn). Morgan is determined to capture the killer and take him away by the 9:00 train, against all odds. Directed by John Sturges (Gunfight at the O.K. Corral), one of the greatest filmmakers of the Western genre.
When big city detectives refuse to further investigate his kid brother's gang related murder small town Sheriff Michael Spencer drops the badge and goes undercover to find his brother's killer and avenge his death.
The last of the three great films that VI Pudovkin directed in the 1920s, Storm Over Asia (1928) is an acknowledged classic of Soviet silent cinema. Filmed largely on location in Mongolia, the film has an authentic documentary feel, though the story is a stirring melodrama, about a young fur trapper who is mistreated by the occupying forces in the civil war and becomes a leader of the partisans. Pudovkin enjoys caricaturing the foreign (British) troops and the medieval rituals of a Buddhist temple, but it's out on the steppes that he really comes into his own, with panoramic shots of the vast landscapes. Together with The Mother (1926) and The End of St Petersburg (1927), Storm Over Asia (also known as "The Heir to Genghis Khan") entitles Pudovkin to be ranked with Eisenstein and Dziga Vertov as a master of the Soviet montage style, which he expounded in his book Film Technique (1929). On the DVD: The print, though not perfect, is of fair quality and a new score by Timothy Brock complements the images nicely. However, the so-called "Introduction" turns out to be just a few lines of text scrolling down the screen, telling you less than the information appearing on the sleeve notes. --Ed Buscombe
Almost Married is a hilarious comedy following the hapless Kyle (Philip McGinley - Game of Thrones, Prometheus) as he struggles to keep a potentially life shattering secret from his fianc�e Lydia (Emily Atack - The Inbetweeners, Get Lucky, Outside Bet). Shortly before the wedding, Kyle returns from his stag do with an 'issue' that leaves him unable to fulfil his bedroom obligations until after the wedding takes place. Kyle's about to learn the hard wa...
Titles Comprise:Lonesome DoveReturn to Lonesome DoveStreets of LaredoDead Man's WalkComanche Moon
A pair of society women dressed in all their finery stand in the middle of an abattoir, animal carcasses hanging behind them and blood splashed across the floor. Giggling and fidgeting, they drink their prescribed glass of ox blood. The startling, unreal image of high-society manners in the midst of gore and death pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease and seduce him into staying for their night-time soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death", mutters one of them as they await the cabal where he is the guest of honour. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerising fantasy. --Sean Axmaker, Amazon.com
Poulenc's late pious works for voice share the sprightliness of his early secular orchestral and chamber pieces; this is perhaps especially true of his 1952 work of devotion and martyrdom. Young aristocrat Blanche seeks refuge in the cloister from her fear of death only to find the Carmelites she joins the object of persecution by the Jacobin Revolution; she flees, but then comes back to share her sisters' death--a powerful scene in which a hymn is stripped down a voice at a time, and finally silenced when Blanche joins them on the guillotine. Anne Sophie Schmidt as Blanche is convincing both in her terror and her resignation; Patricia Petibon is delightful as her closest friend, the lively young nun Constance to whom fear is never especially an issue and who has sought death cheerfully from the start, praying that the dying Prioress might be saved and she taken in her place. The older women--the two Prioresses and Mere Marie who persuades the nuns to refuse compromise--are equally fine in their graver music. --Roz Kaveney
A beautiful nursing student starts to investigate when patients start to disappear from their rooms.
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