Made-for-television film adaptation of Edith Nesbit's classic novel. When their father (Michael Kitchen) is imprisoned after being falsely accused of spying young Bobbie Peter and Phyllis are forced to move to Yorkshire with their mother (Jenny Agutter who played Bobbie in the 1968 film version). The local railway provides a useful focus for them and they strike up a friendship with an elderly gentleman (Richard Attenborough) who vows to help them prove their father's innocence
In the early 1970s, three ambitious friends Peter Crane, Michael Sloan and Nigel Hodgson combined the first letters of each of their names and set up the Pemini Organisation, a young and vital independent British film production company. Active between 1972 and 1974, Pemini produced one mid-length film, Hunted, a high-suspense thriller starring Edward Woodward and June Ritchie, and two feature films: Assassin, a grimly realistic spy film starring Ian Hendry, Edward Judd, Frank Windsor, Ray Brooks and Mike Pratt; and Moments, an enigmatic romantic mystery starring Keith Michell and Angharad Rees. When Pemini disbanded, the films disappeared into the ether... Now, these three lost works, made by one of the most vibrant independent production companies of the era, have been rescued from the archives to be given their first ever home entertainment release in this deluxe, individually numbered Limited Edition Blu-ray set, accompanied by a wealth of newly produced extras, including feature-length director commentaries, cast and crew interviews, and an 80-page book. Product Features New 2K restorations of Hunted, Assassin, and Moments from the only surviving film elements Original mono audio Audio commentaries on Hunted, Assassin, and Moments with director Peter Crane and film historian Sam Dunn (2022) Interview with Peter Crane, director of Hunted, Assassin, and Moments (2022) Interview with Michael Sloan, writer of Hunted, Assassin, and Moments (2022) Interview with Bruce Atkins, production designer Hunted, Assassin, and Moments (2022) Interview with Pemini Organisation co-founder Nigel Hodgson (2022) Interview with June Ritchie, star of Hunted (2022) Interview with Hunted composer Graham Dee (2022) Interview with Martyn Chillmaid, assistant director of Assassin (2022) Interview with Moments actor Valerie Minifie (2022) Interview with Moments composer John Cameron (2022) Interview with Bill Summers, electrician on Moments (2022) Moments' in Cannes (2022): Peter Crane recounts a memorable story from an exhibitor screening Film historian Vic Pratt charts the history of the Pemini Organisation (2022) Ian Hendry biographer Gabriel Hershman looks at the actor's role in Assassin (2022) Moments: deleted sex scene (1974): sequence removed from release prints at the behest of the distributor In Search of Lebanon (1970): student film directed by Peter Crane and Nigel Hodgson exploring present day Lebanon as the living source of the Adonis myth Original theatrical trailers Image galleries: extensive promotional and publicity materials from the Pemini Organisation's archives New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive 80-page book featuring extensive extracts from Peter Crane's Memories of Pemini', detailing the rise and fall of the Pemini Organisation and the production of their three films, extracts from the films' original press materials, archival news articles on Pemini's activities, new writing on In Search of Lebanon, and full film credits World premiere on Blu-ray Limited edition of 6,000 copies for the UK and US All extras subject to change
From humble sitcom beginnings to the smash hit final series get all those hilarious adventures of Gary and Tony behaving badly!
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey's Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 5 includes: "Hair" in which Tony returns from holiday to discover Dorothy has convinced Gary she should move in. And that Tony should move out; "The Good Pub Guide" in which our heroes are dismayed when The Crown gets a new look and new landlord (The Fast Show's John Thomson). Tony rescues the pub's old condom machine as a present for Deborah ("I thought it was something we could enjoy together."); "Cowardice" in which Tony becomes convinced Deborah is going through a lesbian phase; "Your Mate Vs Your Bird" in which increased tension in the household persuades Dorothy to reconsider her living arrangements; "Cardigan" in which Gary, concerned he's becoming middle-aged, suggests they go to a rave; "Rich and Fat" in which Tony goes on a diet after Gary accuses him of being "a bit of a podgemeister"; "Home Made Sauna" in which temptation comes Gary's way when Dorothy and Deborah go away for a sailing weekend. The DVD version also features aquiz.
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey's Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 6 includes: "Stag Night" in which Gary agrees with Dorothy's suggestion they get married ("We've tried everything else.") provoking potentially disastrous stag-night shenanigans; "Wedding" in which Gary and Dorothy's wedding day fails to run smoothly. ("I don't want to get married--I haven't slept with enough women," he complains. "Do you want to squeeze one in?"); "Jealousy" in which the quartet make the grave error of going away for a weekend in the country; "Watching TV" concerns a quiet night in with Captain Kirk & Co ("On the Starship Enterprise, when no one's looking, do you think they all swivel round in their chairs really fast?"); "Ten" in which the communal boat is rocked by the simultaneous arrival of Dorothy's nephew and Deborah's mother; and "Sofa" in which Tony buys a snake. --Clark Collis The DVD version also features a quiz.
The pageant of boorishness and slobbery known as Men Behaving Badly launched itself upon an unsuspecting audience in 1992. Over the course of six episodes, Gary (Martin Clunes), the disgruntled manager of a security alarm company, struggles to break up with his long-suffering girlfriend Dorothy (Caroline Quentin) while competing with his aimless flatmate Dermot (Harry Enfield) for the attentions of their fetching new upstairs neighbour Deborah (Leslie Ash). The plots are built on contrivances like a chess match over opera tickets or an attempt at seduction via a synthesized flamenco guitar, but the humor always springs from the petty, careless, and generally inane behavior of Dermot and Gary. Gary persuades Dorothy to accept an open relationship, then becomes consumed with jealousy when she sees another man; Dermot tries to persuade Deborah to relieve their basic needs while her boyfriend is in Singapore. It could be tiresome squalor--and according to reviews, the American remake of the show (featuring Rob Schneider and Ron Eldard) was just that--but Clunes and Enfield invest this pair of clods with enough humanity to make their mishaps both excruciating and funny. Enfield left after this first sextet of episodes; Clunes and Enfield's replacement Neil Morrissey took the show to five more series, but Enfield's charming dimness makes this first series worth a look. --Bret Fetzer
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey' Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 2 includes: "Gary and Tony", in which Tony moves into the Gary's flat and makes his first disastrous attempt to woo upstairs-neighbour Deborah; "Rent Boy" in which Gary thinks Tony is gay; "How to Bump Your Girlfriend" in which no sooner has Tony got back together with his old girlfriend and filled her in about Gary ("nice bloke, ears like the FA Cup") than he decides to give her the shove; "Troublesome Twelve Inch" in which Gary tries to sell a rare record belonging to Dorothy without her knowing; "Going Nowhere" in which Tony buys a van to impress Deborah who in turn gets stuck in a lift with Gary; and "People Behaving Irritatingly" in which Tony's brother and missus visit the flat much to Gary's annoyance ("It's not enough that they were at it all last night, now they're trying to set up a national sperm bank in my bath.) --Clark Collis
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey's Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 3 includes: "Lovers" in which Gary becomes worried that he hasn't slept with enough women; "Bed" in which Dorothy and Gary experience problems in the boudoir ("What's the matter? We always have sex after I've cooked for us. That's why I do it."); "Casual Ties" in which a depressed Deborah decides to sell her flat and go travelling, while Tony fails to cheer her up by impersonating different types of Cheese; "Weekend" in which Tony gets a job at The Crown; "Cleaning Lady" in which Tony reconsiders his professional options ("I could be an escort." "What, a car?" asks Gary); "Marriage" in which Gary joins Dorothy for a candlelit dinner ("Why she couldn't find a restaurant with proper lighting I don't know"). --Clark Collis
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