What if baby Kal-El's rocket landed, not in Kansas, but in the Soviet Union? That is the premise of this Elseworld's tale from DC Comics.
Teen superstar Miley Cyrus takes her hugely popular Disney Channel alter ego back to her roots when Hannah Montana The Movie comes to Disney Blu-ray Hi-Def and DVD on 7th September 2009.
A children's ghost story comes to terrifying life in this gut-wrenching thriller about a graduate student whose research into modern folklore summons the spirit of the dead. Helen Lyle (Virginia Madsen) laughs when she interviews college freshmen about their superstitions. But when she hears about Candyman a slave spirit with a hook hand who is said to haunt Chicago's notorious Cabrini-Green housing project she thinks she has a new twist for her thesis. Braving the gang-ridden ter
The complete first season of Murder One in which a single but multi-faceted case is explored from opening trial arguments to final judgment over the course of 23 enthralling episodes.
Jack Black, two-time Academy Award winner Cate Blanchett and Kyle MacLachlan star in The House with a Clock in its Walls. Based on the beloved children's classic written by John Bellairs, this magical adventure tells the story of 10-year-old Lewis, who goes to live with his uncle in a creepy old house. But this town's sleepy façade jolts to life when Lewis discovers that the house has a mysterious tick-tocking sound coming from its walls. Determined to find the ticking, Lewis uncovers a secret world of warlocks and witches and accidentally awakens the dead - forcing Lewis, his Uncle Jonathan and their neighbour, Mrs Zimmerman into a race against time to save the world.
Audiences are cheering for a vibrant overachiever with the spirit and smarts to live her dream. America Ferrera stars as go-getter Betty Suarez a true beauty in the skin-deep world of high fashion. Two very different cultures collide in this sexy and stylish series about believing in yourself regardless of the odds
What if baby Kal-El's rocket landed, not in Kansas, but in the Soviet Union? That is the premise of this Elseworld's tale from DC Comics.
Betty Suarez (America Ferrera) has always had one goal in life: to make it into the publishing business. Despite being smart hard-working and productive her dream has always been shadowed by the fact that she isn't the best looking young woman. However she is now determined to do whatever it takes to fulfil that ultimate dream.
Jack Black, two-time Academy Award winner Cate Blanchett and Kyle MacLachlan star in The House with a Clock in its Walls. Based on the beloved children's classic written by John Bellairs, this magical adventure tells the story of 10-year-old Lewis, who goes to live with his uncle in a creepy old house. But this town's sleepy façade jolts to life when Lewis discovers that the house has a mysterious tick-tocking sound coming from its walls. Determined to find the ticking, Lewis uncovers a secret world of warlocks and witches and accidentally awakens the dead - forcing Lewis, his Uncle Jonathan and their neighbour, Mrs Zimmerman into a race against time to save the world.
Samuel Jackson stars as "the cat who wont cop out whens theres danger all about" in this new take on the blaxploitation classic.
Ugly is the new beautiful America Ferrera (Real Women Have Curves) stars as Betty Suarez a quirky latino girl thrown into the hectic superficial world of the American fashion industry. Episodes Comprise: 1. Pilot 2. The Box and the Bunny 3. Queens for a Day 4. Fey's Sleigh Ride 5. The Lyin' the Watch and the Wardrobe 6. Trust Lust and Must 7. After Hours 8. Four Thanksgivings and a Funeral 9. Lose the Boss? 10. Fake Plastic Snow 11. Swag 12. Sofia's Choice
An artist unwittingly unleashes a wave of violence after learning the true history behind the urban legend of Candyman in this chilling film from Nia DaCosta and Jordan Peele. Note: Blu-ray Disc is Region B.
An artist unwittingly unleashes a wave of violence after learning the true history behind the urban legend of Candyman in this chilling film from Nia DaCosta and Jordan Peele.
If you're going to submit yourself to a dazzling example of mainstream action, this thriller is as good a choice as any. Eraser is a live-action cartoon, the kind of movie in which Arnold Schwarzenegger can survive nail bombs, hails of bullets, an attack by voracious alligators ("You're luggage," he says, after killing one of the beasts), and still emerge from the mayhem relatively intact. Arnold plays an "eraser" from the Federal Witness Protection Program, so named because he can virtually erase the existence of anyone he's been assigned to protect. His latest beneficiary is an FBI employee (Vanessa Williams) who stumbled across a secret government group involved in the sale and export of an advanced weapon capable of shooting rounds at nearly the speed of light. Fantastic action sequences are handled with flair by director Charles Russell (The Mask), so it's easy to forgive the fact that this movie is almost completely ridiculous. --Jeff Shannon
Some TV series end too soon, leaving us panting for more, while others overstay their welcome, leaving a bad taste (and possibly a jumped shark or two) in their wake. Fortunately, ABC's Ugly Betty has done neither, bowing out just right with this fourth and final season (with 20 episodes, plus bonus material, on four discs) chronicling the adventures of young Betty Suarez (America Ferrera) as she navigates the world of high fashion in New York. When the third season concluded, one wondered if the show would continue to spotlight Betty's cutesy, quirky ways, including a fashion sense so extreme it could scare a blind person, and thus risk becoming redundant--or would we see her blossom into some version of grown-up normality? As it turns out, the answer is a bit of both. Betty is still well-meaning but often tactless and klutzy, someone who's adored by her family, pursued by boyfriends old and new, and, because she's honest and agenda-free, resented by her covetous, conniving colleagues at Mode, the magazine that employs her. But the character became steadily more confident and assertive through the years; she's an editor now, and by the end of season 4 she has made some major moves in her personal and professional lives. Other changes, though more superficial, are also more dramatic, including an extreme (and permanent) fashion makeover in the second episode and (warning: spoiler alert) the removal of her braces toward the end of the season. The people responsible for the show knew the end was coming, so while various story lines come and go in the course of this final season (as do guests stars like Shakira and Brooklyn Decker), most of the major characters' fates are resolved by the end, including the power struggle between Claire (Judith Light) and Wilhelmina (Vanessa Williams); the future of Mode and its editor, Daniel (Eric Mabius); the dispositions of Betty's "frenemies" Amanda (Becki Newton) and Marc (Michael Urie); the romantic lives of Betty's family members; and more. As before, virtually every aspect of Ugly Betty--the sets, the props, the lighting, the clothes (of course), even the writing--is almost cartoonishly bright and colourful, sometimes quite beautifully so. --Sam Graham
Based on a story by Clive Barker and skilfully written and directed by Bernard Rose, Candyman rises above most horror films by eerily suggesting that some urban legends--in this case a particularly frightening one--have a spooky basis in reality. The legend of the Candyman is a potent one around the high-rise tenements of Chicago's Cabrini-Green housing complex, where the residents speak of a dark, ominous figure who appears when his victims say his name five times in front of a mirror, then mercilessly slashes them to death. Upon learning that the Candyman is rumoured to live in one of the vacant tenements, a University of Illinois researcher (Virginia Madsen) investigates a recent murder at Cabrini-Green. She learns that the Candyman (played by Tony Todd) is both unreal and chillingly real--a supernatural force of evil empowered by those who believe in his legend. He is a killer made flesh by the belief of others, and the young researcher's investigation is a threat to his existence. What happens next? We wouldn't dare spoil the chills, but rest assured that writer-director Rose has tapped into a wellspring of urban angst and fear, and Candyman serves up its gruesome frights with a refreshing dose of intelligence. --Jeff Shannon
Soul Food is the kind of movie that seems to have been blessed throughout its low-budget production and it has got a quality of warmth and charm that fits perfectly with its authentic drama about a large African-American family in Chicago. Twenty-eight-year-old writer-director George Tillman Jr. drew autobiographical inspiration from his upbringing in Milwaukee, and on a well-spent $6.5 million budget he succeeded where similar films (including Waiting to Exhale and How Stella Got Her Groove Back) fell short: he depicts his many characters with such depth and sympathy that, by the time they have weathered several family crises, we've come to care and feel for them and the powerful ties that bind them together. As seen through the eyes of Tillman's young alter ego Ahmad (Brandon Hammond), the film primarily focuses on the rivalries and affections that rise and fall among Ahmad's mother (Vivica A. Fox) and her two sisters (Vanessa L. Williams and Nia Long). Through them, and through the weekly Sunday dinners cooked with love by their mother, Big Mama (Irma P. Hall), we witness marital bliss and distress, infidelity, success, failure ... in short, the spices of life both bitter and sweet. But when Big Mama falls into a diabetic coma, Ahmad watches as his family begins to fall apart without the stability and love that Big Mama provided with every Sunday meal. Tillman's touch can be overly nostalgic, melodramatic and cloyingly sentimental, but never so much that the movie loses its firm grip on reality. As a universal portrait of family life, Soul Food ranks among the very best films of its kind--believable, funny, emotional and always approaching its characters (well-played by a uniformly excellent cast) with a generous spirit of forgiveness and understanding. As satisfying as one of Big Mama's delicious dinners, Soul Food is the kind of movie that keeps you coming back for more. --Jeff Shannon
Some pundits called it a flawed, exploitative action film that glamorised drug dealing and the luxury of a lucrative criminal lifestyle, spawning a trend of films that attracted youth gangs and provoked violence in cinemas. Others hailed it as a breakthrough movie that depicted drug dealers as ruthless, corrupt, and evil, leading dead-end lives that no rational youth would want to emulate. However you interpret it, New Jack City is still one of the first and best films of the 1990s to crack open the underworld of cocaine and peer inside with its eyes wide open. It's also the film that established Wesley Snipes as an actor to watch, with enough charisma to bring an insidious quality of seduction to his role as coke-lord Nino Brown, and enough intelligence to portray a character deluded by his own sense of indestructible power. Director Mario Van Peebles stretched his otherwise-limited talent to bring vivid authenticity and urgency to this crime story, and subplots involving a pair of tenacious cops (Ice-T, Judd Nelson) and a recovering coke addict (Chris Rock) provide additional dramatic tension. Although some critics may hesitate to admit it, New Jack City deserves mention in any serious discussion about African American filmmakers and influential films. --Jeff Shannon
The Odyssey
The complete two seasons of the thrilling Murder One show in which a single but multi-faceted case is explored from opening trial arguments to final judgment over the course of many enthralling episodes.
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