After more than a decade of false starts and several potential directors, the popular Andrew Lloyd Webber-Tim Rice musical finally made it to the big screen with Alan Parker (The Commitments) at the helm and Madonna in the coveted title role of Argentina's first lady, Eva Perón. A triumph of production design, costuming, cinematography, and epic-scale pageantry, the film follows the rise of Eva Perón to the level of supreme social and political celebrity in the 1940s. Like Madonna, Perón was a material girl (she was only 33 when she died); she was instrumental in the political success of her husband, Juan Perón (Jonathan Pryce). But Eva was also a supremely tragic figure whose life was essentially hollow at its core despite the lavish benefits of her nearly goddess-like status. The film Evita has a similar quality--it's visually astonishing but emotionally distant, and benefits greatly from the singing commentary of Ché (Antonia Banderas), who serves as a passionate chorus to guide the viewer through the elaborate parade of history. --Jeff Shannon
Dallas: The Complete First and Second Seasons is an American equivalent to those British mini-series about historical chapters in that country's royal monarchy. Full of family in-fighting, political intrigue crossed with personal triumph or disappointment, and plenty of sensational infidelities and betrayals, Dallas is a captivating story of a wealthy oil family's power and travails. It is also uniquely fun and daringly absurd, albeit with a straight face; this hugely successful, primetime soap opera began in the late 1970s and ran 14 seasons in all, built on a handful of primary relationships that stretch credulity but never descend into self-parody. Not unexpectedly, Dallas begins with a Romeo and Juliet tale that instantly exposes an old feud between two families and strips the civilized veneer from several major characters. Bobby Ewing (Patrick Duffy), youngest of three sons of independent oilman Jock Ewing (Jim Davis), arrives at the Ewing clan's Southfork ranch just outside Dallas, Texas, with a new wife, Pam Barnes Ewing (Victoria Principal). Pam is the daughter of Digger Barnes (David Wayne), an old business rival of Jock's and one-time suitor of the Ewing matriarch, Eleanor (or "Miss Ellie", played by Barbara Bel Geddes). Pam's also the sister of a state senator, Cliff Barnes (Ken Kercheval), whose vendetta against the Ewings is played out in the legislature, imposing costly regulations on their business and holding committee investigations into questionable practices of company president J.R. Ewing (Larry Hagman). Pam's status as the newest Ewing causes an uproar in the family (besides being a Barnes, she also dated the Ewings' genial but lonely foreman, Ray Krebbs, played by Steve Kanaly) and prompts Dallas' charming villain, J.R., to make many Iago-like attempts, over the first two seasons, to drive her from Bobby's arms. Pam has a different set of problems with the other, jealous Ewing women, including J.R.'s possibly barren and alcoholic wife, Sue Ellen (Linda Gray), and teenage Lucy (Charlene Tilton), daughter of exiled Ewing son Gary (Ted Shackleford). With new and old resentments flying and everyone deeply suspicious of everyone else's motives (even the ailing Jock doesn't trust J.R.), there's plenty of drama to chew on. Still, storylines are often larger than the sum of these parts, with lots of kidnappings, marital affairs, plane crashes, and shootings ratcheting up suspense. Dallas is pure pleasure, a little guilty, perhaps, but not a sin. --Tom Keogh
Victoria Wood Live at the Albert Hall provides proof, if any were needed, that after two decades at the top of her profession, Wood is one of a small handful of British comedians of either sex capable of filling the country's largest venues. For the consistently high quality of her penetrating observations of the mundane she has no equal. Recorded in 2001, this performance has all the hallmarks of her microscopic examinations of life's perplexing minutiae and trivia. From her recent hysterectomy to Paul Daniels, from the NHS help line to wheelie bin covers, from Americans in Disneyworld to the ageism of catalogue mailing lists, nothing escapes Wood's attention. Not even in-vogue authors: she refuses to read "Captain Corelli's friggin' Mandolin" as it sits reproachfully at her bedside. Wood even provides her own interval act: a devastatingly accurate parody of a vulgar, second-rate cabaret singer shot to stardom on the wings of a cruise ship docu-soap. Jane McDonald's sense of humour will never face a harder test. More poignant are Wood's observations on parenthood and marriage, with all the physical ailments of middle age ("We've only got one fully operating leg between us"). She has since separated from her husband, the magician Geoffrey Durham. Fans will await the impact of that on her stand-up material with some interest. --Piers Ford
Harking back to the wilderness days of British cinema, The Wedding Tackle is an unsophisticated comedy of manners and relationships. Dealing with the impending matrimony of Hal and Vinny, a union that neither are particularly keen to enter into, the story intertwines a number of characters during the events of Hal's stag night. As the title suggests, much of the humour is aimed below the waist, and although it does wend its way to some sort of romantic conclusion, subtlety is not the film's strong point. Victoria Smurfit's Clodegh is by far the best character, an urban Tank Girl whose morals are as erratic as her driving skills. Bold, brash and noisy, The Wedding Tackle isn't the worst film around, but we can do so much better. --Phil Udell
A box set containing the best of Andrew Lloyd Webber on DVD each production featuring a dedicated 'Making Of' featurette! Shows include: Cats Joseph And The Amazing Technicolor Dreamcoat Jesus Christ Super Star Evita By Jeeves
Victoria Wood with All the Trimmings contains exactly what it says on the box. Harking back to the classic BBC Christmas comedy specials of yesteryear, the show features a star-studded cast: Alan Rickman, Richard E Grant, Michael Parkinson, Bob Monkhouse, Hugh Laurie, Angela Rippon, Roger Moore, Caroline Aherne, the list goes on. The show takes a typically idiosyncratic canter through a dream set of telly programmes for Christmas Day. Thus we get expertly played skits of A Christmas Carol (with Delia Smith as the cook); Brassed Off (in which Tony Blair solves the North/South divide by declaring everything The South); Brief Encounter (Parky as the station master, with a side order of drugs and lesbianism); a regency romantic drama (with the line "could you not stick your hand in your muff?") and lots more. What makes the production a true cut above, however, is the linking theme that takes a blatant pot shot at the modern BBC--or as Wood sees it--BBC Upmarket, BBC Downmarket, BBC Newmarket (for racing), BBC Makeover, BBC Takeover, etc. This is funny, cutting and achingly on the ball about the state of modern television.--Ian Watson
Something funny is happening in L.A.... Steve Martin is Harris Telemacher a wacky television weatherman who thinks his life is perfect except for an erratic relationship with a style-conscious girlfriend (Marilu Henner). Then one bright and smoggy L.A. day an electronic freeway sign changes his life when its advice leads him into a frivolous romance with a young and beautiful blonde (Sarah Jessica Parker) and ultimately to true love with the woman of his dreams (Victor
As Victoria Wood once said, "There's nothing you can't say if you say it in the right way". And she goes on to prove that triumphantly in An Audience with Victoria Wood, recorded in front of fellow celebs (whom she sends up effortlessly, describing her long-time collaborator Julie Walters as "the lady with the split ends"). Victoria Wood may be the queen of suburbia but her endless takes on the finer details of banality have an acuity of which Alan Bennett would be proud. Most people cannot do monologue without lapsing into self-consciousness. But she's just brilliant. Her depiction of a nervy woman attempting to conduct a survey in the street, for instance, is priceless: "Here's my ID. Yes, I do look rather startled. It was taken in a photo booth and someone had just poked an éclair through the curtain". She's like Joyce Grenfell on speed. And it's that surreal juxtaposition of the commonplace and the wacky that makes her routines anything but. Even when she takes up residence at the piano, belting out home-made ballads (and this video includes the famous "Let's Do It"), she's both touching and amusing. At one point, she suggests that the British are no good at having fun. Get this video and prove her wrong. --Harriet Smith
The multi-award winning 'Drop the Dead Donkey' ran for six series on Channel 4 from 1990 to 1998 becoming one of Channel 4’s best and most successful comedies. Centred on a bustling newsroom relive the staff of Globelink News’ antics in this fantastic DVD featuring six of the very best episodes chosen by the writers of the show Andy Hamilton and Guy Jenkins. Features 'Sally's Viking' 'Baseball' 'Gus And The Grim Reaper' 'Helen's Fake Boyfriend' 'Damien's Virus' and 'The Final Chapter' plus fifty classic moments from the series.
Broomfield pursues famed Hollywood Madam Heidi Fleiss for an elusive interview. In the process he uncovers her previous existence and a wild lifestyle. Along the way he meets a bizarre group of associates including Ivan Nagy a producer and supposedly former boyfriend who has a Svengali- like hold over Heidi. We also meet Madam Alex her money guzzling mentor and Victoria Sellers daughter of Peter Sellars.
The Withcing: A strange and sinister man Mr Cato (Orson Welles) wields extraordinary power in the small town of Lilith. Almost supernatural power. The townsfolk indulge in weird ritual in their pursuit of necromancy... bringing the dead back to life. Against this disturbing background it is a young beautiful girl Lori (Pamela Franklin) who becomes the human catalyst between life and death... After Darkness: Lawrence Hunningford (Julian Sands) becomes insane when as a child he witnesses the tragic drowning of his twin brother in the sands. He becomes gradually schizophrenic and is committed to the clinic. His elder brother Peter (John Hurt) accepts an invitation to teach at the University near the clinic. After Lawrence attempts to end his life Peter discharges his brother from the clinic and moves with him into a huge run down apartment and commits to take care of his brother. But the strain begins to show as more and more he neglects his family and work. Pascale (Victoria Abril) Peter's young assistant at the University worries about the strange changes she noticed in him. She follows him to his apartment and encounters Lawrence. Not suspecting anything and in spite of Peter's violent jealousy she interferes in the brother's relationship by answering Lawrence's desires. But more and more Lawrence's illness spreads to Peter whose jealousy and eventual madness end in tragedy and Lawrence is freed from his darkness. Blood Sabbath: When travelling through the woods young David is captured by a members of a witches' coven. Soon he is involved in a bizarre power struggle with a beautiful witch and the coven's evil queen...
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