The title says it all--the abominable Dr Phibes Rises Again and he's as ruthless as ever. No longer content with merely avenging his wife's death, Phibes is now bent on her resurrection. With his mute assistant, Vulnavia, he sets off for Egypt, meting out bizarrely elaborate deaths--everything from clockwork snakes to a particularly severe exfoliation treatment--to all who stand in his way. This time Phibes has two competitors to race against: the trusty Inspector Trout and the renowned archaeologist Biederbeck, who has his own reasons for chasing Phibes. Like its predecessor, Dr Phibes Rises Again adds dark wit and imaginative art direction to the mix. Vincent Price is once again in high form, playing his organ with swooping arms and adding dry comic touches with a delicately cocked eyebrow. Watch out for cameos from a host of familiar faces, including Peter Cushing, Terry Thomas and Beryl Reid. --Ali Davis
One of the most sublimely silly products to emanate from Roger Corman's studio, The Raven has the very loosest of connections with the Edgar Allen Poe poem that gives it its title and which Vincent Price intones sepulchrally at the beginning. A retiring magician, Craven (Price) has opted out of the power struggles of peers such as Dr Scarabus (Boris Karloff) to brood on his dead wife and bring up his daughter. The arrival of Bledlo (Peter Lorre), an incompetent drunk whom Scarabus has turned into the raven of the title, involves him in everything he had renounced--life is complicated further by the arrival of Bledlo's son Rexford, played by a staggeringly young Jack Nicholson. The special effects are almost perfunctory, yet the culminating magical duel between Price and Karloff is inventive and charming; this is one of those films that looks as if the actors enjoyed making it; while the script by Richard Matheson has a blithe awareness of its own shortcomings that makes it hard to dislike. On the DVD: The Raven comes to DVD with very boxy remastered mono sound, but is presented in its original widescreen 2.35:1 ratio, formatted for 16:9 TVs. The only extra is the original theatrical trailer. --Roz Kaveney
What in Hell is going on at Headstone Manor? In this hilarious spoof of every horror fan's favourite films a sinister Man (Vincent Price) and his bumbling cohorts combat a team of mad scientists who are investigating paranormal phenomenon in the mysterious manor. You'll scream with laughter when bloodcurdling cliches from the likes of THE AMITYVILLE HORROR THE SHINING POLTERGEIST JAWS and INVASION OF THE BODY SNATCHERS take our demented doctors to the brink of hysteria - and beyond!
Limited Edition in Slipcase.
With his uniquely chaotic blend of fluffed magic and lame jokes, Tommy Cooper was a constant and instantly recognisable presence on television for four decades. A firm favourite with the public, his variety shows were always eagerly awaited Eric Sykes hailed Tommy Cooper as the funniest man in the world , so it's hardly surprising that it was noted he only had to walk on stage to cause hysterics ! First transmitted fifty years ago, Cooper's series for London Weekend followed hot on the heels of his phenomenally successful three-year-run of Life With Cooper and set him firmly on the path to television superstardom through the 1970s and beyond. This classic sketch series features a veritable galaxy of guest stars: Ted Ray, Stubby Kaye, Richard Briers, Arthur Lowe, Joan Greenwood, Bernard Cribbins, Patrick Cargill, Tricia Noble, Vincent Price, Michael Bentine, Ronnie Barker, Thora Hird, Diana Dors, Ronnie Corbett, Liz Fraser and Eric Sykes! This release contains all thirteen episodes, complete and uncut.
Although recognised as part of Roger Corman’s Edgar Allan Poe cycle (its title comes from a Poe poem) The Haunted Palace has a much more significant place in film history for being the first high-profile adaptation of the work of H.P. Lovecraft in this case his novella The Case of Charles Dexter Ward. Ward is one of two characters played by Vincent Price the other being Ward’s great-great-grandfather Joseph Curwen burned as a warlock 110 years before. When Ward returns to the village of Arkham to reclaim the family mansion his striking resemblance to his ancestor is just the first of many macabre events that proceed to unfold including the screen debut of Lovecraft’s legendary Necronomicon. As before Corman and his team worked wonders with their modest budget with Daniel Haller’s sets amongst the most elaborate in all the Poe cycle enhanced by genuinely creepy moments such as the crowd of deformed villagers still living under Curwen’s curse.
This three-part selection of horror stories by Nathaniel Hawthorne explores the psyches of convention-bound characters and the bizarre means they use to elude the restrictions of society. “Dr Heidegger’s Experiment tells the tale of an elderly physician who develops an elixir of life and uses it to resurrect the woman he was to have married. He also rejuvenates himself and his best friend only to discover with tragic consequences that he is the odd man out in a lover’s triangle. “Rappacini’s Daughter” is also about love and jealousy. Rappacini is a disillusioned botanist who rears his daughter in a garden of poisonous plants and goes so far as to innoculate her with their juices until anyone who touches her dies. “The House of the Seven Gables” concerns a rumour of treasure hidden within a haunted house and the effect of an ancient curse on the young man who tries to find the fortune.
The story takes place deep within the Welsh countryside where there stands a deserted mansion that seems to cast a long shadow over the land. Outside the rain comes down in violent torrents while inside, the musty air hangs undisturbed. Dust on the decrepit furniture is testament to decades of abandonment. Lightning filters through the boarded windows, illuminating the dark shroud that envelops everything, turning each room into an abyss.Years of quiet vigil are broken by an intruder, a young writer spurred on by a wager, has come seeking solitude and the atmosphere in which he will compose a novel within 24 hours. The house seems a propitious setting for his needs---or is it? He has arrived on the eve of a strange reunion that unites an ancient family with its cursed existence. He is forewarned of possible danger by a woman who mysteriously enters the strange surroundings.Soon they are both embroiled in the family's secret as one by one the members of the family are murdered and the mystery draws menacingly closer.
Directed by Oscar-winning animator Richard Williams (Who Framed Roger Rabbit), The Thief and the Cobbler began production in 1968, so it actually predates 1992's Aladdin. Also known as The Princess and the Cobbler and Arabian Knight, Fred Calvert completed the film after Williams lost the rights to his dream project. Narrated by Matthew Broderick as Tack the Cobbler, the CinemaScope-shot story takes place in ancient Baghdad. When Tack upsets Zigzag the Vizier (Vincent Price), the wizard drags him off to the royal castle, where Princess Yum Yum (Jennifer Beals) falls for the bashful boy and saves him from execution. Unfortunately, Zigzag plans to marry the princess in order to succeed her father, King Nod (Clive Revill). The Thief (Jonathan Winters), meanwhile, is more interested in gold than love and takes off with the protective orbs topping the palace. Together Tack and Yum Yum attempt to retrieve them in order to prevent Zigzag and the One-Eye army from conquering the city. Featuring fanciful hand-drawn animation, which borders on Yellow Submarine-style surrealism.
The house of Seven Gables has a bloody history, dating back to when Colonel Pyncheon falsely accused a poor carpenter, Matthew Maule, of witchcraft. After Maule is hanged, Colonel Pycnheon usurps his land and builds the luxurious Pyncheon home on it. But with his dying breath Maule has laid a curse on all who live at Seven Gables, and when the Colonel dies shortly afterwards, the Pyncheon family is condemned to live in the shadow of the Maule Curse'. Stars Vincent Price, George Sanders and Margaret Lindsay.
Car troubles and a spooky waxworks museum spell trouble for a gang of US teens in this horror re-make.
Cat or woman or a thing too evil to mention? Roger Corman and Vincent Price hook up for yet more horror in Edgar Allan Poe's most terrifying tale of passion possession and PURR-fect evil! When a dead wife sinks her claws into immortality - and comes back as a ferocious feline - she leads her husband's (Price) new bride on a deadly game of cat and mouse. And when the fur starts flying she soon learns that even in death... she can land on her feet!
We defy you to stare into this face! Roger Corman's 1960's horror classic features Vincent Price as the evil Prince Prospero who finds himself taken with a wistful young girl. He kidnaps her and makes her chose between saving the life of her father or her young lover. The Plague however is slowly sweeping through Prospero's country side killing off all of his peasants. Then a mysterious creature in a masque finally intrudes upon Prospero's Masquerade Ball killing all of
Vincent Price and Nancy Kovack star in this horror directed by Reginald Le Borg. After the funeral of French magistrate Simon Cordier (Price), his secret diary is read out to a select few people including his servants and the local police captain. The diary contains descriptions of a malevolent entity Cordier refers to as an horla that is capable of complete mind control. As the story develops Cordier's acquaintances learn of his horrific final days and begin to wonder how he actually died...
Tales of Terror is a trio of Edgar Allen Poe stories, starring three of horror's greats--Vincent Price, Basil Rathbone and Peter Lorre--and produced and directed by the immortal Roger Corman. The first story, "Morella", involves a girl (Debra Paget) who returns to her isolated, spooky family home to see her estranged father (Price) for the first time in 26 years. He's let the housekeeping slide a bit--cobwebs abound and, oh, yes, his dead wife is still upstairs. Peter Lorre joins the fun for "The Black Cat", a piece with comic flavour that allows Price to show his rarely seen silly side, and then it's Basil Rathbone's turn to be creepy in "The Case of M Valdemar", the tale of a mesmerist who decides to experiment with the unknown (bad idea). The movie is well paced, and makes good use of comedy without undercutting its chills. It's a rare treat to see this many masters of the genre working together and so clearly enjoying themselves. --Ali Davis
Vincent Price brings a theatrical flourish to his role in The Fall of the House of Usher. He plays Roderick Usher, a brooding nobleman haunted by the dry rot of madness in his family tree. This being an Edgar Allen Poe story, there's a history of family madness and melancholia, a premature burial and a sense of doom hanging over the gloomy, crumbling mansion. Roger Corman sold stingy AIP pictures on the concept by claiming "The house is the monster"--or so goes the oft-told story. True or not, Corman (with the help of his brilliant art director Daniel Haller and legendary cinematographer Floyd Crosby) creates an exaggerated sense of isolation and claustrophobia with the sunless forest and funereal fog that holds the house and its inhabitants prisoner in a land of the dead. It doesn't quite look real (some of the effects are downright phoney, notably the apocalyptic climax), and none of the costars can hold a candle to Price's elegant, haunted performance (often speaking in no more than a stage whisper), but it's a triumph of expressionism on a budget. Shot in rich, vivid colour and CinemaScope, from a literate script by genre master Richard Matheson, this is stylish Gothic horror in a melancholy key. It was such a success that Corman reunited his core group of collaborators for the follow-up The Pit and the Pendulum the very next year. Thus Corman's "Poe Cycle" was born. --Sean Axmaker
This collection brings you all the nefarious Dr. Goldfoot schemes from both films! Disc One Dr. Goldfoot and the Bikini Machines The dastardly Dr. Goldfoot (Price) and his sidekick, Igor, build a race of bikini-wearing beauties that are designed to win the hearts and fortunes of the most influential men of the world. Before long, the manufactured women begin to succeed, and Robot 11 is sent to coax multimillionaire Todd Armstrong into handing over his wealth. Government spy Craig Gamble tracks down Robot 11, but even he isn't immune to her charms. Disc Two Dr. Goldfoot and the Girl Bombs The devious Dr. Goldfoot (Price) is determined to conquer the world yet again, this time by deploying a legion of explosive robots that happen to look like gorgeous women. Fortunately for the citizens of the globe, suave secret agent Bill Dexter is out to foil Goldfoot's plans, which involve kidnapping a prominent American general (also Price) who bears a striking resemblance to Goldfoot. Also getting in on the antics is inept aspiring spy Franco.
Legendary silent film director Cecil B. DeMille didn't much alter the way he made movies after sound came in, and this 1956 biblical drama is proof of that. While graced with such 1950s niceties as VistaVision and Technicolor, The Ten Commandments (DeMille had already filmed an earlier version in 1923) has an anachronistic, impassioned style that finds lead actors Charlton Heston and Yul Brynner expressively posing while hundreds of extras writhe either in the presence of God's power or from orgiastic heat. DeMille, as always, plays both sides of the fence as far as sin goes, surrounding Heston's Moses with worshipful music and heavenly special effects while also making the sexy action around the cult of the Golden Calf look like fun. You have to see The Ten Commandments to understand its peculiar resonance as an old-new movie, complete with several still-impressive effects such as the parting of the Red Sea. --Tom Keogh, Amazon.com
Two of the greatest motion picture actresses of all time Bette Davis and Lillian Gish unite their legendary talents in this beautifully photographed intensely emotional drama that offers 'unexpected and quite marvellous rewards'. (The New York Times) Libby (Davis) and Sarah (Gish) are widowed siblings who have vacationed since children at the seaside cottage in Maine. Now in their eighties and with their husbands and what children they had behind them they have only each other; Libby blind and resistantly dependent on her sister; Sarah still looking for new ways to see the world. Their relationship with their old friend Tisha and the arrival of a charming Russian gentleman will bring storms to the already turbulent ocean between them - an ocean which nevertheless runs deep. Starring Bette Davis and Lillian Gish in what would be her last appearance on the screen; The Whales of August is a superb film and a lasting tribute two of the finest actresses in the history of cinema. Special Features: Cast Filmographies Picture Gallery Subtitles
The greatest terror tale ever told! A horse-drawn carriage pulls up on a deserted beach. A sombre figure dismounts and gazes up towards his destination - a foreboding cliff-top castle perched high above the crashing waves. Thus the perfect Gothic scene is set for Pit and the Pendulum the second of Roger Corman's celebrated Poe adaptations once again starring the ever-reliable Vincent Price (The Fall of the House of Usher Theatre of Blood) alongside the bewitching Barbara Steele (Black Sunday). Having learned of the sudden death of his sister Elizabeth (Steele) Francis Barnard (John Kerr) sets out to the castle of his brother-in-law Nicholas Medina to uncover the cause of her untimely demise. A distraught grief-stricken Nicholas (Price) can offer only the vaguest explanations as to Elizabeth's death - at first citing 'something in her blood' but later asserting that she quite literally 'died of fright'. What sort of unspeakable horrors are buried within the walls of this castle that could cause one's heart to stop so? With Francis determined to get to the bottom of this mystery the terrible truth will not stay buried for long. Right from its brooding kaleidoscopic opening titles Pit and Pendulum draws you into its world of cobwebs secret passageways and dusty suits of armour. All the necessary elements are present and correct and along with one of Vincent Price's most tortured performances make Pit and the Pendulum every inch the Gothic melodrama. Special Features: Limited Edition Steelbook Packaging High Definition Digital Transfer Newly Created Exclusive Content Collector's Booklet Featuring New Writing on the Film Archive Content and more!
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