" Winner of both the Best Director and the Jury Prizes at the 1969 Cannes Film Festival, VojtÄch Jasný's auto-biographical All My Good Countrymen is one of the wonders of the Czech New Wave - but also one of the least-known films from that miraculous era of Czech filmmaking. Completed barely before the Soviet invasion of Czechoslovakia in 1968 it was immediately banned and never shown. It's deceptively simple narrative weaves a complex tapestry around the interwoven lives and stories of a group of Moravian villagers immediately following the socialization of Czechoslovakia in 1948. Director VojtÄch Jasný, hailed ""the spiritual father of the Czech New Wave"" by Miloš Forman, fled Czecholslovakia following the completion of this film and went into exile rather than recant. A pronounced influence on later films like Edgar Reitz's Heimat and Michael Haneke's The White Ribbon, Jasný's film remains a potent reminder of lives and idealism lost under totalitarianism. ""The film and the milieu it so precisely evokes are not so much nostalgic as they are powerfully remembered and irrevocably lost.... All My Good Countrymen reflects the curdled fury of a former true believer"" J. Hoberman, The Village Voice ""A work of great lyricism, humour and originality"" Gary Tooze, DVD Beaver ""Extraordinary poetic... the masterpiece of VojtÄch Jasný - father of that brilliant flowering of Czechoslovak cinema"" The New York Time s ""Jasný’s lyrical masterpiece"" Radio Praha ""A bitter-sweet, affectionate and pointed picture of a life many Czechs would have recognised. A key ï¬lm from the Prague Spring"" Time Out"
A Blonde In Love
Good and evil do battle in this epic Russian tale of Witches, Vampires and Shape-Shifters.
The future of Moscow is in the balance in this, the second part of Timur Bekmambetov's fantasy thriller trilogy.
If it's high-action thrills and spills or an engaging plot line that you're after, then Hussein Erkenov's bleak art film 100 Days Before the Command may not be your first choice. However, students of the uniquely Russian school of filmmaking should make a point of seeing this stark, unhurried piece of work (the film's actual 67-minutes seems to last a lot longer). Detailing the experiences of a handful of young Russian soldiers, the various narrative strains barely tie together as a whole, leaving the viewer struggling to follow the action. But the plot would seem to be secondary to Erkenov's visuals, understandably low-tech given that the film was shot in 1990, a mere year after the fall of the Iron Curtain. Long, slow tracking shots abound and there are many periods of absolute silence and little action, although the film captures military brutality just as well as the likes of Full Metal Jacket. This is hard work but rewarding viewing. --Phil Udell
A man who serves in the war between the forces of Light and Dark comes into possession of a device that can restore life to Moscow, which was nearly destroyed by an apocalyptic even
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