It's been 4 000 since the crew of living spaceship the Lexx fled the destruction of a universe. Now undead asassin Kai cluster-lizard sex bomb Xev anti-hero Stanley Tweedle and robot head 790 are involved in a war - and their involvement has far reaching consequences. This complete four disc box set containd all 13 episodes of the strangest and most imaginative Sci-Fi show ever. A must have for ANY fan! Episode titles: Fire And Water May Gametown Boomtown Gondola K-Town Tunnels The Key Garden Battle Girltown The Beach Heaven And Hell.
For almost 20 years Audrey Hepburn's pixie-like features lit up Hollywood's silver screens with hit after hit and she became not only a screen icon, but also a style icon (with a little help from Givenchy), and still features high in polls of the world's most beautiful women. It's perhaps no surprise, then, that Paramount have chosen to honour her with a box set of some of her best-known films. However, this is only "some of", with the absence of her dazzling performances in Roman Holiday and My Fair Lady, leaving three out of the four films included here lacking in comparison. Breakfast at Tiffany's is the strongest and certainly the best-loved Hepburn film in this collection, offering beautifully comic performances by both Hepburn and her leading man, George Peppard. Funny Face also makes a welcome entry, if only for the wonderful performance by Fred Astaire; Hepburn, though, was not a strong enough dancer to hold her own against Astaire's brilliance. Sabrina holds its own as the Cinderella story of a chauffeur's daughter who turns into a beautiful society girl, but it was clearly a quick and easy vehicle for Paramount to produce in the wake of Hepburn's success in Roman Holiday. The mysterious entry of the collection is Paris When It Sizzles, probably one of Hepburn's least-known and most quirky films, with two parallel love stories played out on the screen. Although not an obvious hit and hard work in places it offers an interesting screwball performance by Hepburn, even if the sparks did not fly with her screen partner William Holden. On the DVD: The Audrey Hepburn Collection offers a nice clean widescreen transfer for three of its movies, but Sabrina is a full-frame transfer that lacks something in comparison. All but Breakfast at Tiffany's (which has a 5.1 Dolby Digital soundtrack) are mono sound transfers, which is only a real disappointment in Funny Face because of George and Ira Gershwin's score. The special features are also lacking, with only a trailer offered on two of the films and a mildly interesting documentary on Sabrina. The best is the featurette on Funny Face, which charts the success of Paramount in the 1950s, but offers nothing a film fan would not have known already. All in all this is an attractive box set, but perhaps one for the die-hard Hepburn fan only. --Nikki Disney
Set in the future world of Neurovoid where no-one is safe and there is no escape. Eve Black a stranger is shocked to discover her sister's body in her apartment. Despite all the hallmarks of a drug overdose she senses that something far more sinister has happened.
This film is a must-have for fans of Sun Ra and cult film lovers. Sci-Fi blaxploitation cosmic free-jazz and radical race politics combine when Sun Ra returns to Earth (Oakland circa 1972) in his yellow music-powered spaceship to battle for the future of the black race and offer an 'alter-destiny' to those who will join him... Intentionally created as an homage to the low budget sci-fi films of the 50's the special effects outrageous plotline and apocalyptic message harmonize with the improvised score and the climactic live performance by one of the most innovative prolific and profound groups in Jazz history... Sun Ra and his Intergalactic Solar Arkestra!
Director Oliver Stone is celebrated in this four-film, six-disc box set collection that includes two-disc "director's cut" versions JFK and Any Given Sunday respectively, plus Heaven and Earth and the documentary Oliver Stone's America. JFK is that rarest of things, a modern Hollywood drama which credits the audience with intelligence. Epic in length--this 198-minute director's cut runs 17 minutes longer than the cinema version--Oliver Stone's film has the archetypal story, visual scale and substance to match; not just a gripping real-life conspiracy thriller, but a fable for the fall of the American dream. Stone's DVD commentary is thoughtful, eloquent and considered. The Dolby Digital 5.1 soundtrack and the anamorphically enhanced 2.35:1 picture are both first-class. The second disc contains 53 minutes of deleted and extended versions of scenes, all of which are available with or without commentary by Stone, a 10-minute video interview with the real "X", and a half-hour examination of documents only declassified in the wake of the film's release. Any Given Sunday is a massive 150-minute American football drama which, for all its ferocity and cynicism, is as soft-centred and clichéd as any Rocky-style underdogs-make-good crowd-pleaser. This is the director's cut with Stone's commentary ranging far and wide: he is far more interesting and thought-provoking to listen to than his film is to watch. The anamorphically enhanced 2.35:1 image and Dolby Digital 5.1 soundtrack are both flawless. The loaded second DVD includes Jamie Foxx's audition video, a routine 27-minute making-of documentary, music videos, outtakes set to music, and 33 minutes of deleted/alternative scenes with optional commentary from Stone. DVD-ROM and other features complete an exceptional package. Heaven and Earth follows Platoon (1986) and Born of the Fourth of July (1989) to conclude Stone's Vietnam War trilogy. Where Stone won Best Director Oscars for both previous films, Heaven and Earth proved a box-office disaster and went unrecognised by the Academy. It's hard not to think that racism underlay the commercial failure, for where the hit movies addressed the sufferings of white American soldiers played by Hollywood stars, Heaven and Earth focused on the fundamental victims, adapting the true story of a young Vietnamese woman, Le Ly, who goes from village girl to freedom fighter to wife of a US marine struggling to adjust to life in America to reconciliation in Vietnam. Superbly made, with a stunning performance by Hiep Thi Le as Le Ly, and powerful support from Tommy Lee Jones, this is intelligent, harrowing filmmaking which attempts to understand and bridge the divide between nations traumatised by war. Unfortunately heavily cut to bring it down to a multiplex-friendly running time, the often brilliant 135 minutes on show suggest a longer modern classic ended-up on the cutting room floor. The DVD features an incisive commentary by Stone, who alone of major Hollywood directors fought in Vietnam. Confirming that Heaven and Earth was heavily cut is the inclusion of 48 minutes of deleted/extended scenes, including a vastly extended 22-minute opening, Dolby Digital 5.1 sound and anamorphically enhanced 2.35:1 picture are excellent. Oliver Stone's America is a 53-minute interview in which Stone talks candidly about his films, concentrating on the trio included in the Oliver Stone Collection, firing off considered opinions at a rapid rate. Also included is Stone's student film, Last Year in VietNam, clearly influenced by the French New Wave in general and L'Année dernière à Marienbad (1961) in particular. --Gary S Dalkin
Bitten by the 'Moonbug', photographer Steve Pyke sets out on a journey across America in his search to meet and photograph the Apollo space pioneers. A journey in which he was to meet the adventurers, risk takers and dreamers who were behind one of the most historic endeavours of our time. Moonbug explores the experiences of the science-fiction dream come true with the astronauts who made the bold step. From living rooms and moonscape deserts, to Cape Canaveral, Steve captures these pioneers in frank, revealing portraits, while unravelling their very personal and divergent memories. Pyke shares intimate moments with his subjects and their frank accounts of the risk-taking, monumental journey. Moonbug is as much an exploration of memory and perception and the documentation of time as it is space. The engaging, articulate astronauts offer philosophical insights into the motivations behind their participation and the bigger picture: how we understand and perceive the universe, where we fit in among these 'signposts of history' and the vulnerability of our lonely planet. With rare archive footage and an original score by Matt Johnson and The Moon bug is both a photographic road trip and an exploration of how photographs become signposts for history. Winner of the Special Jury Prize at the Houston International Film Festival. 'It is a rare and wonderful experience to visit with the men who went to the moon. Steve Pyke has done it and thanks to Nichola Bruce's compelling film Moonbug everyone else can come along.' -Andrew Chaikin, author of 'A Man on the Moon'
Jim Carrey and Tea Leoni star in this remake of the 1977 comedy.
Orson Welles stars as Long John Silver in this extensively remastered 1972 adaptation of Robert Louis Stevenson’s classic tale of pirates and buried treasure! Join Jim Hawkins and his shipmates for an adventure of a lifetime in a swashbuckling spectacular that’s fun for all the family!
Nothing Sacred (1937) in which Carole Lombard co-stars with Frederic March is one of her most delightful movie outings and her only feature in colour. The hilarious screenplay by Ben Hecht and James H. Street has her cast as Hazel Flagg a small town girl who mistakenly believes that she is dying of radium poisoning. March plays a newspaper reporter who in the best tradition of yellow journalism talks his editor into bringing her to New York for one last fling. The faultless direc
Adapted from Nigel Balchin's famous novel about a military bomb disposal expert 'The Small Back Room' traces the struggles of Sammy Rice a crippled neurotic scientist. Sammy plagued by feelings of inferiority because of his lameness labours to solve the problem of a new type enemy bomb that is causing many casualties. When a close friend and collegue is killed attempting to dismantle one of the bombs Sammy is forced to face his demons take his life in his hands and prove his worth; to the military and himself...
At first glance, René Clair might seem an odd match for Agatha Christie's mystery thriller And Then There Were None, but his buoyant touch is exactly what is missing from so many overly solemn remakes. Ten strangers gather for a mysterious gathering on a secluded island. It turns out to be a farewell party, for they have all been sentenced to die for crimes in their past by a self-appointed judge, jury and executioner who could be one of them. One by one, the guests are systematically dispatched as described in the lyrics of the children's rhyme "Ten Little Indians", while the survivors nervously eye one another, splintering into tenuous alliances until the next murder throws suspicion on someone new. A terrific cast of character actors have a ball with Dudley Nichols's witty script. The flamboyant sparring of Barry Fitzgerald (whose paternal Irish lilt takes a sinister dimension) and Walter Huston is almost upstaged by Roland Young's deadpan drollery. Romantic leads Louis Hayward and June Duprez come off as arch and stiff in a company that includes a sinisterly detached Judith Anderson, a dotty and distracted C Aubrey Smith, and a hilariously flippant Mischa Auer. The story has been remade numerous times under the title of Christie's novel, Ten Little Indians, but never as well as this 1945 version. Clair's effervescent, lively little gem is a fatal drawing-room comedy with a body count and a surreal mood of doom. --Sean Axmaker, Amazon.com
Barbara Stanwyck and Joel McCrea are Pearl and Ernie, a dewy-eyed young couple in Mississippi. Ernie has lived on the Mississippi River all his life, a member of the proud 'shanty-boat people'. Pearl is a 'land girl,' and unaccustomed to the simple ways of the river folk. But Pearl is determined to be a good wife to Ernie, and her new father-in-law, Newt (Walter Brennan) has high hopes for a grandchild. These sweet, straightforward plans go awry on their wedding day when a local troublemake.
If you were watching TV in the mid-1970s chances are The Sweeney was one of the weekly highlights and these re-mastered collections will have you pining for a time when the only choice was brown or beige, and a monkey would buy you a lot more than a nice whistle. If, however, these episodes are your first taste of Detective Inspector Jack Regan (John Thaw) and Detective Sergeant George Carter (Dennis Waterman) of the Flying Squad, be warned that you will soon be telling friends to "Shut it!" and scouring the pages of Exchange and Mart for a mint-condition Ford Granada in Tawny Metallic (ironically the choice ride for slags in the show was the Jaguar MK2, later to become so closely associated with Thaw's more cerebral take on policework, Inspector Morse).First aired as 1974's pilot Regan, the show was produced by Thames Television subsidiary Euston Films and ran over four series and 53 episodes. Despite being given strict guidelines on speaking parts, locations and structure, writers were expected to produce scripts very quickly and individual episodes were filmed within 10 working days. Based on this frenetic schedule, the result was a choice parade of slags, blags and assorted lowlife, played out across fantastic London locations with a gritty humour that set the agenda for many of the small-screen cop shows to follow. Regan and Carter manage to fit up a few collars between pints, and even occasionally shed their nylon shirts and flares for a distinctly unromantic interlude between the sheets--brown of course.This first volume of Sweeney highlights starts in relatively sedate style with "Contact Breaker", written by Robert-Banks Stewart and featuring Warren Clarke (when he only had one chin) as wire-specialist Danny Keever. When parolee Keever seems bang-to-rights for a bank job Regan smells a rat and decides to have a closer look at other possibilities, including the ex-con's missus, Brenda (Coral Atkins). The second episode, "Night Out", is a much more feisty affair, despite nearly all the action being confined to the pub inhabited by Iris (Mitzi Rogers), an old flame of Regan's under suspicion for aiding and abetting the break-in going on in the bank next door. Troy Kennedy Martin's script throws in an Old West-style saloon fight, backstreet beatings and even one for old time's sake when Regan and Iris are forced play the waiting game together. "Well", as one character observes, "it is Saturday night"! --Steve Napleton
Four vacationing women back-packing in the Sierra Mountains unwittingly stumble upon a hide-out and are terrorized by a ruthless group of Neo-Nazis in a dealy game of cat and mouse. Surrounded and out-armed the women must fight for their lives.
The new owner of a mansion discovers it was once a mental home. When he visits his inheritance he sets about investigating some old crimes that took place at the mansion scaring the local populace in the process.
A Group of holocaust survivors recognise a local restaurant owner as the Nazi doctor who tortured them as girls. To their horror he has already been tried for his crimes and served only a few years. They therefore decide to perform their own execution.
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