Barney stars in his first movie which sees Mom and Dad leaving the children at home to be looked after by Grandpa and Grandma. A shooting star delivers a colourful egg and the children go off in search of it...
British sitcom set in the 80s about Gemma a happily un-married woman with a mother who has other ideas about her daughter's future.
With Friends like these, you'll never need to go out again. Picking up from the momentous events of Series 4, this season starts out with Monica and Chandler in some awkward positions as they try to keep their blossoming romance a secret from the others. By the series' end they'll be planning to get married in Las Vegas, where Joey is working as a gladiator at Caesar's Palace casino, his big movie break having fallen through. The embers of Rachel and Ross's relationship continue to send up sparks, especially when Emily causes strife early on by insisting Ross never has contact with Rachel ever again. Phoebe finally meets her father and starts dating a cop named Gary. It all climaxes with everyone in Las Vegas, where Monica and Chandler's impromptu decision to wed is upstaged by a surprising event. --Leslie Felperin
""Fine and brave! Allen's touch for drama has gotten warmer and surer."" -Los Angeles Times. Woody Allen delivers a haunting ""superbly constructed"" (The Hollywood Reporter) film that examines the intricate world of human emotions and the delicate threads that hold them together. Beautifully acted by an all-star cast including Mia Farrow Sam Waterson Dianne West Denholm Elliott Elaine Stritch and Jack Warden September illustrates ""some of Allen's most powerfully ironic dialogue
Kurt & Courtney, despite the title, is not really a film about the late Nirvana singer and his wife. Rather, in the gonzo style familiar from other Broomfield productions (Heidi Fleiss: Hollywood Madam, Biggie & Tupac), it's a film about making a film about the late Nirvana singer and his wife. The approach is initially engaging, as Broomfield's self-conscious haplessness is a refreshing change from the infallible omniscience that documentary presenters usually seek to project. But by the end it's difficult to avoid the conclusion that Broomfield is hamming it up somewhat to distract attention from his failure to produce anything substantial. Broomfield sets out to delve into the persistent rumours that Cobain's death was not suicide, but murder possibly arranged with Love's connivance. By way of investigation, he speaks to people who claim, with wildly varying levels of plausibility, acquaintance with Cobain and Love. Some are interesting, particularly Love's arrestingly unpleasant father, who believes that his daughter killed her husband, and Kurt's charmingly guileless aunt. Too many of the rest are stoned, stupid or palpably insane, and Broomfield ends up little the wiser for speaking to any of them. Between interviews, Broomfield tries to manufacture tension with a series of heavy but never-quite-substantiated hints that Love is pulling strings to hamper his progress. The final confrontation between filmmaker and subject is one of the most colossal anti-climaxes ever caught on tape. --Andrew Mueller
All the episodes from all ten series complete in one box set.
The fourth volume of episodes from the tenth series of the smash hit sitcom. Episode titles: The One Where Joey Speaks French The One With Princess Consuela The One Where Estelle Dies The One With Rachel's Going Away Party.
Carol Lipton is a bored housewife who becomes convinced that her next door neighbour has commited a murder. When her sceptical husband Larry rejects the idea Carol turns to a flirtatious friend to help her search for clues. And as their entusiasm for the case grows so does their interest in each other. Spurred on by jealousy - and by a seductive writer who's also excited by the mystery - Larry reluctantly joins the chase only to learn that much more than his marriage is at stake. A
With the Civil War over Frank and Jesse James (Bill Paxton and Rob Lowe) retreat to the family farm where they witness the murder of their younger brother while Yankee soldiers turn their backs. The James boys feel they have no choice but to seek their own justice. They join the younger brothers to form a gang of rebels that wage a bloody war against its corrupt enemies in robbing their banks stagecoaches and train. In retaliation their adversaries hire famed detective Allan Pinkerton (William Atherton) to stop them. When his nephew is gunned down by the James Gang Pinkerton vows he will not rest until the day the notorious brothers are brought to justice at the end of a rope.
Fletch is a fairly sarcastic and occasionally very funny Chevy Chase vehicle scripted by Andrew Bergman (Blazing Saddles, The Freshman, Honeymoon in Vegas) from Gregory McDonald's lightweight mystery novel about an undercover newspaper reporter cracking a police drug ring. Enjoyment of the film pivots on whether you find Chase's flippant, smart-ass brand of verbal humour funny, or merely egocentric. If you don't like Chase, there's really no one else worth watching (Geena Davis is sadly underused). Chase seems born to play IM "Fletch" Fletcher, a disillusioned investigative reporter whose cynicism and detached view on life mirrors the actor's understated approach to comedy. Fletcher offers Chase the opportunity to adopt numerous personas, as his job requires numerous (bad) physical disguises, and much of film's humour centres on the ridiculous idea that any of these phoney accents or bad hairpieces could fool anyone. These not-so-clever disguises are put to use when Fletch becomes involved in the film's smart but continually self-mocking two-part mystery. As well as trying to gather drug-smuggling evidence against the LAPD for a long-overdue newspaper story, a rich and apparently terminally ill stranger also offers Fletch a large payoff to kill him. While the film does a fairly good job juggling both of these plots, not to mention tossing in a love interest as well, they're subservient, for better or worse, to Chase's memorable one-liners and disguises. Followed by two forgettable sequels that lack both the original's wit and Chase's attention span.--Dave McCoy, Amazon.com
Holly Hunter plays a network news producer who, much to her chagrin, finds herself falling for pretty-boy anchorman William Hurt. He is all glamour without substance and represents a hated shift from hard news toward packaged "infotainment", which Hunter despises. Completing the triangle is Albert Brooks, who provides contrast as the gifted reporter with almost no presence on camera. He carries a torch for Hunter; she sees merely a friend. Written and directed by James L. Brooks, Broadcast News shows remarkable insight into the people who make television. On the surface the film is about that love triangle. If you look a little deeper, however, you will see that this behind-the-scenes comedy is a very revealing look at obsessive behaviour and the heightened emotions that accompany adrenaline addiction. It is for good reason this was nominated for seven Academy Awards (though it did not win any). There are scenes in this movie you cannot shake, such as Hunter's scheduled mini-breakdowns, or Brooks' furious "flop sweat" during his tryout as a national anchor. Watch for an uncredited Jack Nicholson as a senior newscaster. --Rochelle O'Gorman
Men Money And Moonshine: When It Comes To Vice Mama Knows Best. Get ready to rumble as a beautiful young widow breaks up her teen daughter's wedding and hits the road on an outlaw voyage to Waco Texas. Making pit stops for armed robbery and a mother-daughter striptease Angie Dickinson's Big Bad Mama teaches her girls the real facts of life.
Crown Court: Vol.6 (4 Disc)
The numbes don't lie but the players just might... After finding a wallet in the street Tepper (Erik Palladino) calls the owner the owner in order to return it. After making the call however he discovers that the lottery ticket inside is a $6 million winner. To add to things his friends are on their way over for their weekly poker night and the group tradition is to bet their lottery tickets. When the wallet's owner shows up and joins the game who will walk out as the wi
Fletch (1985): Meet the only guy who changes his identity more often than his underwear. Chevy Chase is at his hilarious best in this suspense-packed comedy thriller based on Gregory McDonald's novel. Fletch is an investigative reporter who's constantly changing his identity. While working on a drug expose Fletch attracts the attention of a strange business man (Tim Matheson) who wants to be killed so his wife will inherit more insurance. The wily Fletch senses a scam and soon he's up to his byline in frame-ups murder police corruption and forbidden romance. It'll be the story of the year if he can stay alive to meet his deadline! Fletch Lives (1989): Director Michael Ritchie and Chevy Chase team up once again for Fletch Lives with Chase reprising the role of Irwin ""Fletch"" Fletcher newspaper journalist and master of disguise. When his recently deceased aunt bequeaths her decrepit manor to him Fletch travels down south to rural Louisiana. Initially things go well especially when he hooks up with a flirtatious southern belle. But when he wakes up the morning after he's shocked to find that she has been murdered. In order to catch the killers and clear himself the intrepid chameleon-like Fletch must infiltrate the congregation of Jimmy Lee Farnsworth (R. Lee Ermey) a greedy local preacher who wants to gain control of Fletch's land in order to build a Bible-themed amusement park.
In the first eight episodes of Season 10 of Friends we have seen Joey and Rachel get it together and then separate Ross come unstuck at the tanning booth Emma's chaotic first birthday party the time-honoured Friends Thanksgiving meal and Phoebe receive a marriage proposal. But how does it all end ...? Contains the final episode ever of Friends: The Last One (Part 2)
Season 1: When the first series of Friends debuted in September 1994, it was immediately obvious there would be no need for the show to find its feet. "The One Where Monica Gets a Roommate" was a confident introduction to the six lead characters, opening in the middle of an everyday conversation with the soon-to-be uncharacteristic line: "There's nothing to tell". In fact, the soap opera-style plot got complicated pretty quickly, with spoiled brat Rachel (Jennifer Aniston) moving on from her failed wedding to feelings toward nerdy/heartthrob Ross (David Schwimmer). However, no love life was more complicated than Joey's (Matt LeBlanc), with an endless stream of girlfriends that annoyed the hell out of wisecracking roommate Chandler (Matthew Perry), who only seemed to be able to connect with Janice (Maggie Wheeler), the shrillest voice in the city. Bouncing all manner of neuroses around them were Ross' obsessive sister Monica (Courteney Cox) and endearingly ditzy Phoebe (Lisa Kudrow). Premise established, Series 1 matured the characters by providing a monkey and a son for Ross. We met also meet Ross and Monica's parents Jack (Elliott Gould) and Judy (Christina Pickles), Chandler's mother (Morgan Fairchild) and Phoebe's twin sister Ursula (Kudrow, naturally). Fans loved cameos from George Clooney, Jay Leno and show creators Kevin Bright, Marta Kauffman and David Crane. But really the focus was on building to "T.O.W. Rachel Finds Out" that Ross is in love with her. --Paul Tonks
Family drama about a troubled teenage girl's relationship with a horse. After getting caught stealing drugs, rebellious 17-year-old Kacie (Alexandria Deberry) is arrested and sentenced to work at the equine therapy camp Spirit Riders. Reluctant to change her ways, camp owner Rex (Lance Henriksen) encourages Kacie to help him train retired racehorse Blaze. Soon, she forms a strong bond with the horse and slowly decides to start changing her reckless ways.
Timing is everything. Captain Jack Tolliver (Snipes) is an ex-Delta Force commando leading what should have been a clockwork-perfect armored car heist. Instead he ends up with a priceless Van Gogh painting - and one of his crew ends up held hostage by the sadistic Russian gangsters who muscled in on the heist! Tolliver's only option: a suicidal rescue mission where enemies become allies your best friend can be your worst nightmare and survival is the deadliest art of all.
Charles Dickens' immortal tale here revels in a delightful adaptation for dance drama in three acts by Christopher Gable distinguished choreographer actor and former Royal Ballet star who died in 1998. The work is laced with Carl Davis' sparkling Christmas music which also requires the dancers to sing at various points. The featured company is the renowned Northern Ballet Theatre who here dance with infectious ebullience and vivacity.
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