Bodybuilders Daniel Lugo (Mark Wahlberg) and Adrian Doorbal (Anthony Mackie) concoct a plan to kidnap rich spoiled business man Victor Kershaw (Tony Shalhoub), a regular at the gym where they work, and extort him by means of torture.
Once Upon a Time in America has a chequered history, having been chopped from its original 229-minute director's cut to 139 minutes for its theatrical release. The longer edition presented here benefits from having the complete story (the short version has huge gaps) about turn-of-the-century Jewish immigrants in America finding their way into lives of crime, as told in flashback by an ageing Jewish gangster named Noodles (Robert De Niro). On the other hand, it's almost four hours long, and this sometimes-indulgent Sergio Leone film is no Godfather. Still, it is notable for the contrast between Leone's elegiac take on the gangster film and his occasional explosive action, as well as for the mix of the stoic, inexpressive De Niro and the hyperactive James Woods as his lifelong friend and rival. --Marshall Fine
Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has since developed a large and loyal following. It's the story of "Ed" (for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Nathan Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fuelled by the Coens' lyrical, redneck dialogue, the manic camerawork of future director Barry Sonnenfeld and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy and homespun family values. One thing's for sure--this is a Coen movie from start to finish, and that makes it undeniably unique. --Jeff Shannon
When her son disappears and is believed dead, a single mother blames an African-American man from the projects for the kidnapping.
Director Rob Zombie's horrific creations return for more blood-soaked mayhem.
Joe Huff (Brian Bosworth) is a cop who's angry at the system for handling criminals with kid gloves. He's on suspension but the FBI gives him an opportunity to go undercover in Mississippi and infiltrate The Brotherhood, a white supremacist biker gang that runs drugs. In the Brotherhood, each member legally changes his name to his Brotherhood nickname. They're led by a violent psychopath named Chains Cooper. (Lance Henriksen). Joe - renamed John Stone begrudgingly accepts the job. As a member of the gang, Joe learns that they're plotting a paramilitary assault on the state capitol to rescue a gang member sentenced to execution and it's up to Joe to stop them.
Sexy Andy Garcia heads an outstanding all-star cast in this riveting and highly original thriller! When a powerful mob boss (Christopher Walken) gives ex-gangster Jimmy the Saint (Garcia) one last job it's an offer he can't refuse! But when someone gets killed Jimmy and his partners are marked for death leaving Jimmy just 48 hours to put things right for his buddies and the woman of his dreams (Gabrielle Anwar)!
Exit Wounds: Sometimes you have to go undercover to bring justice to the law: sometimes you have to walk in the darkness to bring the truth to light. From the acclaimed producer of 'The Matrix' Joel Silver brings you action hit 'Exit Wounds'. Fifty kilos of heroin disappear from the property vaults of the toughest precinct in Detroit and no one knows how. Itll make someone $5 million richer - maybe someone in uniform - as long as no one talks. Stolen drugs crooked cops. T
Yorkshire writer Kate finds out her biological clock is ticking down the same day that her husband leaves her.
A flawed but stylish adaptation of the Chester Gould comic strip by director Warren Beatty, who also stars in the title role. The minimalist plot involves a battalion of baddies who confront the intrepid detective in a series of strung-together vignettes. Al Pacino is a comedic if overblown standout as Big Boy Caprice and Madonna simply smoulders as aggressive blonde bombshell Breathless Mahoney. It matters not that the plot is Spartan, as this dazzling eye candy is much enhanced by Stephen Sondheim's songs, including the Academy Award-winning ditty, "Sooner or Later (I Always Get My Man)". Beatty took his cue from the source material and concentrated on the relationships between these people, whether strained, romantic or hateful. The performances are subtle and more amusing than you would expect from such a visually bold picture. Shot in bright, primary colours, this also won Oscars for Best Art/Set Direction and Makeup (for those inventively hideous criminals). Watch for well-known names, such as Dustin Hoffman and Dick Van Dyke, in cameo appearances and supporting roles. --Rochelle O'Gorman
He's a composite of some 200 personalities each and every one a notorious killer. He's Sid 6.7 a virtual reality creation designed to put L.A. police officers to the test. But Sid isn't playing games anymore. He's escaped the bounds of cyberspace. And if you think he's unconquerable in the world of bits and bytes wait till you see what Sid has in store for a world of flesh and blood. Denzel Washington and Russell Crowe square off on opposite sides of the law and on both sides of
It's about Deuce, a fish tank cleaner guy, who house sits for a high class male gigolo when he's out of town.
Steven Seagal has always been an awkward action hero. Initially, he had a certain amount of credibility thanks to his nebulous association with secret government agencies and mastery of Aikido, which helped to excuse his bad acting. But as a self-righteous action hero in the vein of Schwarzenegger and Stallone, Seagal fell into unintentional self-parody faster and more dramatically than either of his two predecessors. In Out for Justice, Seagal plays Gino Felino, a Brooklyn-born cop known and respected by everyone--both good and bad--in his neighbourhood. The worst of the baddies is Richie Madano (William Forsythe), a crack-smoking killer who murders his partner and terrorises all. Technically, Felino is a terrible cop--touching evidence at murder scenes, stealing evidence, intimidating witnesses--but only by breaking those rules can he bring in this horrible criminal. As his soon-to-be-ex-wife discovers, he does everything because he cares too much. Julianna Margulies (ER) has a small but thankless role as Richie's hooker girlfriend, and Gina Gershon (Bound, Showgirls) has an equally thankless role as his foul-mouthed, bar-owning sister. --Andy Spletzer, Amazon.com
After a foolproof scam turns sour, Jimmy the Saint (a soulful but miscast Andy Garcia, who mainly acts with his hair) and his hard-bitten crew must put their various sordid affairs in order before facing their final bloody curtain call. It's not nearly as clever as it thinks it is, but Things To Do In Denver When You're Dead is a terminally wise-ass (and extremely violent) caper flick, and is still one of the better post-Tarantino crime opuses, with some sharp dialogue, a scenery-chewing Christopher Walken (as a paraplegic archcriminal) and unhinged performances by Treat Williams and the obsequious Steve Buscemi that must be seen to be (dis)believed. Neophyte scripter Scott Rosenberg would later pen hipper-than-thou scripts for Beautiful Girls, Con Air and Armageddon, while director Gary Fleder moved on to the somewhat more reputable Kiss the Girls. The tongue-twisting title is from a Warren Zevon song. --Andrew Wright
They grew up in the violent immigrant ghetto of New York's Lower East Side: Max and Noodles Cockeye and Patsy Deborah and Fat Moe. They grew up on the streets and they grew up fast. Fighting their way to the top of the heap they took a vow to stick together but that's not how things worked out. Leone's commanding epic traces the destinies of four men from childhood on the streets through their violent rise to power and maturity during Prohibition as fully fledged hoods. De Niro is magnificent as ""Noodles"" Aaronson one of the four forced by murder and betrayal to flee New York in 1933. When he is mysteriously summoned back in 1968 he discovers that the tragic and bloody events surrounding his betrayal are not as they once seemed... 'Once Upon A Time In America' is director Sergio Leone's astonishing gangster melodrama an epic exploration of the dark side of the American dream. Ten years in the planning Leone's film is the work of a master storyteller - grandly conceived rich in detail and thrilling in the depth and originality of its vision.
Between his high-octane debut, Bad Boys, and 1998's wannabe blockbuster Armageddon, hotshot director Michael Bay forged his dubious reputation with this crowd-pleasing action extravaganza. In Rock, a psychotically disgruntled war hero (Ed Harris) seizes the island prison of Alcatraz and threatens to wage chemical warfare against nearby San Francisco unless the government publicly recognises the men who were killed under Harris's top-secret command. Nicolas Cage plays the biochemist who teams up with the only man ever to have escaped from Alcatraz (Sean Connery) in an attempt to foil Harris's terrorist scheme. As one might expect, what follows is an action-packed barrage of bullets, bodies, and climactic confrontations, replete with enough plot contrivances to give even the most jaded action fan cause for alarm. It's a load of hooey, but the cast is obviously having a grand old time, and there's enough wit to make the recycled action sequences tolerable. --Jeff Shannon
This box set contains the following four titles: Primal Species: Terrorists thought they had stolen a cargo of uranium but find it's a man-eating species presumed extinct. Only a special Forces team have any hope of stopping the vicious animals. The Evil Beneath Loch Ness: Scientists exploring the depths of Loch Ness encounter an earthquake which re-opens a passageway to the sea giving new life to the legendary beast. The Lost World: Sir Arthur Conan Doyle's classic tale. Explorers find an island that time forgot populated by dinosaurs and an ancient human race. Paradise Lost: A company sprays a chemical onto a forest to make space for a holiday village. When a local doctor discovers a child is born with defects she fights to close the project down.
On a quiet evening, a shabby beige sedan speeds down a country highway. Dust and gravel fly through the air when suddenly the car slides out of control into a ravine Later a man wakes up in a hospital bed with no recollection of who he is or how he got there. His nurse Diana (Eastwood) is unable to find any identification and refers to him as John Doe (Rhys Meyers). The police barge into the hospital, accusing John of being a serial killer responsible for the murder of several young women in the area. As the Sergeant ushers John into a private room for questioning, he manages to escape with the help of Diana, who is convinced of his innocence. The fugitives then set off for the last crime scene in search of clues and answers to clear John's name but the benevolent nurse will soon uncover the shocking truth behind the amnesiac's identity and the web of deceit that will lead him to a final fight for his survival
Director Rob Zombie's horrific creations return for more blood-soaked mayhem.
Nicolas Cage, Holly Hunter and John Goodman lead an all-star cast in Ethan and Joel Coen's celebrated comedy. Once he decides to give up crime, a small-time robber (Cage) proposes to a pretty cop (Hunter). But when the newlyweds learn they can't conceive a baby, they decide to steal one from a couple who seem to have one to spare - since they just had quintuplets! With its outrageous plot, fast-paced action and even some wild pyrotechnics, Raising Arizona will forever have a place in the hearts of lovers - and film lovers - everywhere.
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