London, 1974. As Britain prepares for electrical blackouts to sweep across the country, trainee nurse Val arrives for her first day at the crumbling East London Royal Infirmary. With most of the patients and staff evacuated to another hospital, Val is forced to work the night shift in the empty building. Within these walls lies a deadly secret, forcing Val to face her own traumatic past in order to confront the malevolent force that's intent on destroying everything around her.
An explosives manufacturer suspects a young man is out to kill him. He calls in Nick and Nora (with new baby) to sort things out.
In The Foreign Legion: Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion after which they discover Axmann's collaboration with the nasty Sheik Hamud El Khalid. Meet The Keystone Cops: Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman a confidence man. They follow Gorman to Hollywood where as stunt men they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Based on an unpublished novella by John Steinbeck (written on commission expressly to provide treatment material for Hitchcock's screen scenario), Lifeboat found the Master of Suspense navigating a course of maximal tension – in the most minimal of settings – with a consistently inventive, beautifully paced drama that would foreshadow the single-set experiments of Rope and Dial M for Murder.After a Nazi torpedo reduces an ocean liner to wooden splinters and scorched personal effects, the survivors of the attack pull themselves aboard a drifting lifeboat in the hope of eventual rescue. But the motivations of the German submarine captain (played by Walter Slezak) on the eponymous craft might extend beyond mere survival...With a cast including Shadow of a Doubt veteran Hume Cronyn and the extraordinary, irrepressible Tallulah Bankhead, this 'picture of characters', as Franois Truffaut aptly termed the film, oscillates dazzlingly between comic reparte and white-knuckle suspense – a perfect example of 'the Hitchcock touch'.
The family-slaughtering serial killer known as Jerry Blake has survived the stabbing by his stepdaughter and has been committed to a psychiatric hospital in Puget Sound. By playing on the new psychiatrist's naive desire to help he makes an escape. He then sets up a new identity as Gene Clifford whose death he reads in the newspaper and moves into the new Palm Meadows suburb which is being touted as the perfect family environment. There he pursues divorced realtor Carol Grayland and
The Terry Thomas of children's television returns to the screen in Boom, Boom! The Best Of The Original Basil Brush Show. The raffish star, with his distinctive laugh, trademark tweeds and enduring catchphrase, was created in 1963, diligently learning his trade before hitting the big time in the 1970s in his own show. The cheeky vulpine host went on to vex a succession of "Mr"s with his continual interrupting, ad-libbing and appalling jokes:Mr Roy: "Do you know about ethics?"Basil, lisping: "Yes, it's somewhere near Sussex, isn't it?"The show's guest list boasted the best of 1970s celebrity: Alvin Stardust, Cilla Black, John Inman and Demis Roussos to mention just a few--all treated to Basil's unique blend of charm and brusque wit in a series of excruciating sketches.The show was dropped in the 1980s but Boom, Boom! The Best Of The Original Basil Brush Show proves that Basil, now a pop-culture icon, is a truly 21st-century fox. --Helen Baker
The trus story of a family who suddenly realise that their young daughter is dying from anorexia. They must risk their relationship and their daughter's love in order to try to save her life...
A pre-code film that sneaked onto screens just as the censorious Hays Office began cracking down on Hollywood's racier propositions, Cleopatra is a libertine paean to decadence and depravity that can still send a viewer's mind reeling and pulse thumping – all courtesy of the Golden Age's swampiest psychosexual auteur, Cecil B. DeMille (The Ten Commandments; The Greatest Show on Earth; The King of Kings). Claudette Colbert (It Happened One Night; The Palm Beach Story; Drums Along the Mohawk) presides over the most outrageous spectacle this side of The Scarlet Empress as the eponymous pharaoh queen who speeds from Julius Caesar (Warren William) to Marc Antony (Henry Wilcoxon), from Egypt to Rome, from war-room to bedroom… The whiff of incense permeates every scene, with each connected to the next in a veritable matrix of whips, blindfolds, and bindings – the crazed arrangement laying bare all the fetish inklings of the moving-picture dream.
Edmund O'Brian - DOA
The sparkling series featured the irresistible William Powell and Myrna Loy chemistry as husband and wife sleuths who solved murders with the aid of their wire-haired terrier Asta. Set in the glamorous world of 1930s upper-class Manhattan The Thin Man and its sequels established the standard for witty comedy clever dialogue and urbane one upmanship. This fantastic collection includes 'The Thin Man' 'After the Thin Man' 'Another Thin Man' 'Shadow of the Thin Man' 'The Thin Man Goes Home' and the 'Thin Man Bonus Disc' which includes two insightful documentaries William Powell: A True Gentleman and Myrna Loy: So Nice To Come Home To. Digitally remastered the DVDs are further enhanced with classic comedy mystery and musical shorts two radio dramas and a 1957 episode from the hit TV series based on the original characters with Peter Lawford and Phyllis Kirk taking on the roles of Nick and Nora Charles.
Notable neither for its director nor its stars, 20 Million Miles to Earth has been given the widescreen spit 'n' polish treatment because of its special-effects man, the legendary Ray Harryhausen. And it's his work here that makes this daft slice of hokum so watchable. When a group of Italian boat fishermen investigate a crash-landed space rocket returned from a trip to Venus, they find one surviving all-American hero and an alien in aspic: the Emere, a tiny homunculus hungry for sulphur and growing faster than a teenager on steroids. Cue man-vs-alien mayhem, screenfuls of avuncular patriarchs and the gratuitous destruction of Rome. A by-numbers B-movie, Harryhausen's sixth feature isn't a patch on his later Technicolor masterpieces, but the unusual Italian setting ("I wanted a trip to Europe") adds an exotic quality and his effects are as solid and convincing as ever. The film only really begins to crackle when his stop-motion creation is onscreen. Like a scaly King Kong, he's as likely to engender sympathy as fear: surely anyone who's been bombed, blasted, burnt, electrocuted, shot at by trigger-happy squaddies and involved in a punch-up with a pachyderm is entitled to lose their rag a little. And fans will enjoy spotting in the Emere the flowerings of Harryhausen's later and greater creations, Sinbad's Cyclops and The Titans' Calibos and Kraken. The denouement, with the creature atop the Colosseum, is as effective as that of Kong's. It wasn't beauty who killed the beast here, however, it was bombs. On the DVD: 20 Million Miles to Earth's black and white picture is clean and crisp in this anamorphic 1.85:1 widescreen transfer, and the Dolby digital mono soundtrack is clear enough. The theatrical trailer will please fans of kitsch, as will the featurette "This Is Dynamation" produced at the same time as the first Sinbad movie. The real corker here, though, is the generously lengthed documentary "The Harryhausen Chronicles". Narrated by Leonard Nimoy, this features a stellar cast of devotees (George Lucas among them) waxing lyrical about the influence of Harryhausen's films, and allows the man himself to ramble fascinatingly over clips of his filmic canon. The claw-slash menu marker is a nice touch, too. If you're a fan, this disc is Harryhausen heaven. --Paul Eisinger
The horrendous true story of a cat-and-mouse game between an FBI agent and a devious kidnapper who targets the children of rich families in Los Angeles.
Also known as Terror Voyage this 1954 crime mystery revisits the setting of director Vernon Sewell’s earlier feature Ghost Ship starring athletic New Yorker (and future Men into Space lead) William Lundigan in an intriguing tale of peril in the English Channel. Shot at Merton Park Studios Dangerous Voyage is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Whilst cruising in their yacht ‘Gelert’ John Drew and his sister Joan encounter a dis-masted vessel drifting helplessly and take it in tow. Darkness falls as they approach the harbour but the two men aboard the stricken yacht can be clearly seen in the rays of a searchlight. On entering the lock however the men are found to be missing and there is no clue on board the vessel as to her port of origin or destination. She has no name and no papers of any kind. In fact the only article of interest is a man’s left shoe... Special Features: Image Gallery
Terrifyingly dark and based (very loosely) on factual events, this controversial, brilliantly atmospheric, occasionally darkly funny film tells of the tragedy that befalls a group fo five teenagers one summer afternoon.
A young man is on trial for a wealthy widow's murder after he suspiciously profits from her will. His only hope for aquital is his wife's testimony but his airtight alibi shatters when she reveals some shocking secrets of her own...
Lady From Louisiana (Dir. Bernard Vorhaus 1941): Northern lawyer John Reynolds travels to New Orleans to try and clean up the local crime syndicate based around a lottery. Although he meets Julie Mirbeau and they are attracted to each other the fact that her father heads the lottery means they end up on opposite sides. When her father is killed Julie becomes more and more involved in the shady activities and in blocking Reynolds' attempts at prosecution. Flame Of Barbary Coast (Dir. Joseph Kane 1945): A cowboy competes with a gambling tycoon on the Barbary Coast for the hand of a beautiful dance-hall queen. However the 1906 San Francisco earthquake provides a climactic twist though...
Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days the beautiful Roberta (Monroe) moves in to further upset Connie...
A pre-code film that sneaked onto screens just as the censorious Hays Office began cracking down on Hollywood's racier propositions, Cleopatra is a libertine paean to decadence and depravity that can still send a viewer's mind reeling and pulse thumping - all courtesy of the Golden Age's swampiest psychosexual auteur, Cecil B. DeMille (The Ten Commandments; The Greatest Show on Earth; The King of Kings).Claudette Colbert (It Happened One Night; The Palm Beach Story; Drums Along the Mohawk) presides over the most outrageous spectacle this side of The Scarlet Empress as the eponymous pharaoh queen who speeds from Julius Caesar (Warren William) to Marc Antony (Henry Wilcoxon), from Egypt to Rome, from war-room to bedroom... The whiff of incense permeates every scene, with each connected to the next in a veritable matrix of whips, blindfolds, and bindings - the crazed arrangement laying bare all the fetish inklings of the moving-picture dream.Lavishly produced with some of the most inspired waxing-moon photography and unwholesome set-design to come out of the studio system, DeMille's film is an erotic tour-de-force that obliges us to re-examine the appeal of this most popular of Hollywood directors. The Masters of Cinema Series is proud to present Cleopatra on DVD.
At first he was nothing more than a voice on the line... just another late night caller on Jennifer Derringer's telephone sex service. But now he's something much more sinister - a psycho out there somewhere.... stalking her watching her waiting to strike. Only one person stands between the madman and the object of his obsession - Jennifer's ex-husband Mack a private detective whose office is a downtown bar and whose beat is the mean streets of Miami's South Beach. But the night
Grapes Of Wrath (1940): John Ford's memorable screen version of John Steinbeck's epic novel of the Great Depression--often regarded as the director's best film--stars Henry Fonda as Tom Joad. After having served a brief prison sentence for manslaughter Joad arrives at his family's Oklahoma farm only to find it abandoned. Muley (John Qualen) a neighbor now nearly mad with grief tells Tom of the drought that has transformed the farmland of Oklahoma into a desert and of the pre
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