This is classic British comedy at it's best! This DVD box set contains all 30 hilarious Carry On movies plus a host of DVD extras! Starring: Kenneth Williams Charles Hawtrey Jim Dale Joan Sims Barbara Windsor Hattie Jacques Windsor Davies Valerie Leon Peter Butterworth Bernard Bresslaw Terry Scott Bill Maynard Phil Silvers Patsy Rowlands and Frankie Howerd. Episodes Comprise: Carry On Sergeant Carry On Nurse Carry On Teacher Carry On Constable Carry On Regardless Carry On Cruising Carry On Cabby Carry On Jack Carry On Spying Carry On Cleo Carry On Cowboy Carry On Screaming! Carry On Don't Lose Your Head Carry On Follow That Camel Carry On Doctor Carry On Up the Khyber Carry On Camping Carry On Again Doctor Carry On Up the Jungle Carry On Loving Carry On Henry Carry On at Your Convenience Carry On Matron Carry On Abroad Carry On Girls Carry On Dick Carry On Behind Carry On England That's Carry On!' and 'Carry On Emmanuelle Special Features: 30 feature-length audio commentaries Trailers All 13 Episodes of the ATV situation comedy series: 'Carry On Laughing' Archive interviews with Sid James Terry Scott and Phil Silvers On location featurette hosted by June Whitfield The official 40th anniversary documentary: 'What's A Carry On?' Textless footage from 'Carry On Jack' and 'Carry On Spying' An alternative Director's cut presentation of 'Carry On England' Extensive production notes for all 30 films Stills Gallery
Prepare for an onslaught of robust breezy humour when the Carry On team take to the great Outdoors.
The title of 1969's Carry On Again Doctor says it all; almost the same cast playing similar characters to their previous year's outing in Carry On Doctor. This one rejoices in the alternative title "Bowels are Ringing". But the enduring popularity of these films owes almost everything to their basic formula and if it occasionally seems a bit cobbled together, all the old favourites are still here. This time, the setting moves from the National Health Service to the private sector and even stretches as far as the "Beatific Islands" when Jim Dale is exiled to a missionary clinic for his overzealous attention to the female patients--who include Barbara Windsor of course. There, orderly Sid James rules the roost of the clinic with his harem of local women. Trivia addicts can spot Mrs Michael Caine in a brief role as a token dusky maiden. The second half of the Talbot Rothwell script picks up nicely as the characters converge on the private hospital back in England where Dale rakes in the money with a bogus weight loss treatment. Hattie Jacques is in fine form as Matron, Kenneth Williams fascinates with his usual mass of mannerisms and Joan Sims is stately as the Lady Bountiful figure financing most of the shenanigans. It's a tribute to their professionalism that we can still lose ourselves in some of the creakiest old jokes around. --Piers Ford
The 1956 screen adaptation of Carousel, like its immediate predecessor Oklahoma!, boasted then state-of-the-art widescreen cinematography, stereophonic sound, a starring romantic duo with on-screen chemistry, and the Rodgers & Hammerstein imprimatur. Adding to its promise was a source (the venerable Ferenc Molnar play Liliom) that had already been filmed three times. Contributing to the lustre are the coastal Maine locations where 20th Century Fox filmed principal photography. Yet unlike the original Broadway production, and despite evident craft, Carousel proved a box-office disappointment. Why? Hindsight argues that movie-goers of the 1950s may have been unprepared for its tragic narrative, the sometimes unsympathetic protagonist, and a spiritual subtext addressing life after death. Whatever the obstacle, Carousel may well be a revelation to first-time viewers. The score is among the composers' most affecting, from the glorious instrumental "Carousel Waltz" to a succession of exquisite love songs ("If I Loved You"), a heart-rending secular hymn ("You'll Never Walk Alone"), and the expectant father's poignant reverie, "Soliloquy". Top-line stars Shirley Jones (as factory worker Julie Jordan) and Gordon MacRae (as Billy Bigelow, the carnival barker who woos and weds her) achieve greater dramatic urgency here than in the more successful Oklahoma!. MacRae in particular attains a personal best as the conflicted Billy, whose anxiety and wounded pride after losing his job are crucial to the plot. It's Billy's impatience to support his new family that drives him to an ill-fated decision, which transforms the fable into a ghost story. --Sam Sutherland, Amazon.com
In 1971 when Carry On at Your Convenience hit our screens, the series had long since become part of the fabric of British popular entertainment. Never mind the situation, the characters were essentially the same, film after film. The jokes were all as old as the hills, but nobody cared, they were still funny. But it's just too easy to treat them as a job lot of postcard humour and music hall innuendo. This tale of revolt at a sanitary ware factory--Boggs and Son, what else?--certainly chimed in with the state of the nation in the early 1970s when strikes were called at the drop of a hat. Here, tea urns, demarcation and the company's decision to branch out into bidets all wreak havoc. Kenneth Williams as the company's besieged managing director, Sidney James and Joan Sims give their all as usual, but it's the lesser roles that really add some lustre. Hattie Jacques as Sid's budgerigar-obsessed, sluggish put-upon wife and Renee Houston as a superbly domineering battleaxe with a penchant for strip poker remind us that in the hands of fine actors, even the laziest of caricatures become real human beings. --Piers Ford
Bedpan humour rules in Carry On Doctor, the vintage 1968 offering from gang, assisted by guest star Frankie Howerd as bogus faith healer Francis Bigger. Hospitals, of course, always provided the Carry On producers with plenty of material. Today, these comedies induce a twinge of serious nostalgia for the great days of the National Health Service when Matron (Hattie Jacques, naturally) ran the hospital as if it was a house of correction, medical professionals were idolised as if they were all Doctor Kildare and Accident and Emergency Departments were deserted oases of calm. But even if you aren't interested in a history lesson, Talbot Rothwell's script contains some immortal dialogue, particularly when Matron loosens her stays. "You may not realise it but I was once a weak man", says Kenneth Williams' terrified Doctor Tinkle to Hattie Jacques. "Once a week's enough for any man", she purrs back. Other highlights include Joan Sims, excellent as Frankie Howerd's deaf, bespectacled sidekick, Charles Hawtrey suffering from a phantom pregnancy, 1960s singer Anita Harris in a rare film role, and Barbara Windsor at her most irrepressible as nurse Sandra May. --Piers Ford
Hattie Jacques finally got to the play the title role in 1972 when Carry On Matron immortalised the character she had developed during several previous outings, most notably in Carry On Doctor. And she seized it with gusto. This is no one-dimensional performance, but a very human portrait of a woman doing her best to retain her authority in the face of mounting chaos--a raid planned by Sid James to steal the hospital's supply of contraceptive pills. Certainly, she's obsessed with regular bowel movements--this wouldn't be a Carry On film otherwise--but she remains a majestic figure of dignity with a touch of human warmth. Occasionally, too, a real hint of irony peeks through the slapstick and the innuendo. Surely scriptwriter Talbot Rothwell had his tongue lodged firmly in his cheek when he gave Barbara Windsor--then married to Ronnie Knight--the line, "I don't fancy being a gangster's moll!" Terry Scott makes a guest appearance and Sid James is at his most conniving and lecherous. Theatre impresario Bill Kenwright has a cameo role and there's an early appearance from Wendy Richard as a prototype Pauline Fowler. But it's the female stalwarts who shine. Joan Sims and Hattie Jacques were truly comic actresses of the highest order. --Piers Ford
One of the last decent Carry On movies, Carry On Abroad is a 1972 venture into the world of package holidays. After this, the series descended into unfunny coarseness as opposed to camply laboured double entendre, culminating in the dreadful Carry On Emanuelle. Here, publican Sid James and dutiful mother's son turned sex maniac Charles Hawtrey are among a brace of Brits heading for the "paradise island" of Elsbels. Kenneth Williams is the out-of-his-depth tour operator, reverting to the sort of effete types he played in the 1950s, Peter Butterworth a pre-Manuel-style manager of a half-built hotel. A series of disasters ensue, with the entire gang landing up in jail following a fracas in a brothel at one point, but everyone finds romantic and sexual fulfilment in a quaint disco finale. This includes a gay character who is "dissuaded" from his homosexuality in a typical example of the thoroughly reactionary subtext that constitutes the really naughty bit of most Carry On films. Nonetheless, this throwback to an imaginary time when the lewdest innuendo of a dirty old man was greeted by young females with a flirty "Ooh, saucy!" is enjoyable on condition that you enter into its seaside-postcard spirit. June Whitfield is fine as a sexually uptight wife, Kenneth Connor a model of red-faced frustration as her wimpish husband. On the DVD: Sadly, no extra features except scene selection. The picture is a 4:3 ratio full-screen presentation. --David Stubbs
Hattie Jacques finally got to the play the title role in 1972 when Carry On Matron immortalised the character she had developed during several previous outings, most notably in Carry On Doctor. And she seized it with gusto. This is no one-dimensional performance, but a very human portrait of a woman doing her best to retain her authority in the face of mounting chaos--a raid planned by Sid James to steal the hospital's supply of contraceptive pills. Certainly, she's obsessed with regular bowel movements--this wouldn't be a Carry On film otherwise--but she remains a majestic figure of dignity with a touch of human warmth. Occasionally, too, a real hint of irony peeks through the slapstick and the innuendo. Surely scriptwriter Talbot Rothwell had his tongue lodged firmly in his cheek when he gave Barbara Windsor--then married to Ronnie Knight--a the line, "I don't fancy being a gangster's moll!" Terry Scott makes a guest appearance and Sid James is at his most conniving and lecherous. Theatre impresario Bill Kenwright has a cameo role and there's an early appearance from Wendy Richard as a prototype Pauline Fowler. But it's the female stalwarts who shine. Joan Sims and Hattie Jacques truly were comic actresses of the highest order. On the DVD: Presented like most of the other Carry On DVD releases in 4:3 picture format and mono soundtrack, this release has all the comfy quality of a lazy Saturday afternoon in front of the television. But where are the extras? It's one thing to launch a highly popular series of films as classic entertainment, but they deserve more than the budget treatment. As always, a cast list, some sort of documentary extra and biographies of at least the key players would really do them justice. --Piers Ford
Made in 1960, Carry On Constable is one of the earliest Carry On comic romps, arriving before they'd carved out their bawdy niche in British cinema. In fact, this Gerald-Thomas-directed effort isn't dissimilar to most of the mainstream Brit-com of its era. A flu epidemic has forced a police station to take on a brace of callow recruits: Kenneth Connor, a superstitious bag of nerves; Leslie Phillips, playing his usual rapscallion self; the ludicrously effete Charles Hawtrey and Kenneth Williams. The "plot" is a sequence of thoroughly creaky gags at the expense of this bumbling quartet. The staple characters hadn't settled into their "classic" personae yet. Here, Sid James is an exasperated sergeant, not the sort of crinkly rogue he played in later years, Kenneth Williams is dry, detached and supercilious, while Hattie Jacques is no matron but a sympathetic sergeant, whose every walk-on is not yet accompanied by the portly strains of tubas and bassoons. The comedy here is, frankly, dismal--banana skins are slipped upon and officers' legs urinated upon bydogs, all to a rueful soundtrack of wah-wah trumpets. The main appeal of this movie is as a period slice of damp, pre-Beatles London in glorious black and white.On the DVD: Although picture and sound are adequate (though poorly dubbed in places), there are no extras at all, a shame for the hardcore Carry On aficionados to whom this release would surely, perhaps exclusively, appeal. --David Stubbs
One of the last decent Carry On movies, Carry On Abroad is a 1972 venture into the world of package holidays. After this, the series descended into unfunny coarseness as opposed to camply laboured double entendre, culminating in the dreadful Carry On Emanuelle. Here, publican Sid James and dutiful mother's son turned sex maniac Charles Hawtrey are among a brace of Brits heading for the "paradise island" of Elsbels. Kenneth Williams is the out-of-his-depth tour operator, reverting to the sort of effete types he played in the 1950s, Peter Butterworth a pre-Manuel-style manager of a half-built hotel. A series of disasters ensue, with the entire gang landing up in jail following a fracas in a brothel at one point, but everyone finds romantic and sexual fulfilment in a quaint disco finale. This includes a gay character who is "dissuaded" from his homosexuality in a typical example of the thoroughly reactionary subtext that constitutes the really naughty bit of most Carry On films. Nonetheless, this throwback to an imaginary time when the lewdest innuendo of a dirty old man was greeted by young females with a flirty "Ooh, saucy!" is enjoyable on condition that you enter into its seaside-postcard spirit. June Whitfield is fine as a sexually uptight wife, Kenneth Connor a model of red-faced frustration as her wimpish husband. On the DVD: Sadly, no extra features except scene selection. The picture is a 4:3 ratio full-screen presentation. --David Stubbs
Carry On Camping (1969): Sid (Sid James) and his reluctant mate Bernie (Bernard Bresslaw) hit on the idea of a nudist camping holiday to spice things up with their girlfriends! The arrival of Dr Soaper (Kenneth Williams) headmaster of the Chayste Place Finishing School his matron Miss Haggard (Hattie Jacques) in charge of eleven nubile girls including star pupil Babs (Barbara Windsor) set the scene for one of the funniest frolics in the Carry On repertoire. Carry On Abroad (1972): The Carry On team take a package holiday that starts disastrously and rapidly goes downhill. The paradise island of Elsbels is not all it's cracked up to be.... The hotel isn't finished the staff are abit thin on the ground - in fact Pepe (Peter Butterworth) is the staff - and the locals are far from friendly! Carry On Follow That Camel (1967): Can fresh Foreign Legion recruits 'B.O.' West (Jim Dale) and his faithful manservant Simpson (Peter Butterworth) help defeat the ruthless Sheikh Abdul Abulbul (Bernard Bresslaw)? Find out in the hysterical historical spectacular featuring a host of harem beauties a bevy of blood thirsty Bedouins and a troupe of Legionnaires getting the hump! Carry On Girls (1973): You might think that a beauty contest would be the perfect place for the Carry On team to discover new heights of hilarity and new depths of depravity - well you'd be right! Sidney Fiddler brings a beauty contest to a quiet seaside resort. His problems start with two curvaceous Hells Angels Miss Easy Rider and Miss Dawn Brakes. There's Major Bumble Bernard Bresslaw as Britain's first drag beauty queen and last but not least Mrs Angel Prodworthy who is fighting on behalf of Women's Lib. Carry on Behind (1975): Archaelogists Professors Anna Vooshka (Elke Sommer) and Roland Crump (Kenneth Williams) are desparate to begin poking round the remains of a Roman encampment. Unfortunately the local caravan site has been built over the historic site. Holiday pals Ernie Bragg (Jack Douglas) and Fred Ramsden (Windsor Davies) have their sites set on the local beauty spots - campers Sandra (Carol Hawkins) and Carol (Sherrie Hewson)! Carry On At Your Convenience (1971): The Carry On team throw caution to the wind and present an hour and a half of good clean lavatorial humour. Kenneth Williams is WC Boggs the troubled owner of a small company trying to manufacture fine toiletware. Incompetent management and a bolshy union are just about the least of Bogg's problems as you'll soon discover in this hysterical comedy that tells you everything you always wanted to know about your home's most vital convenience.
The 18th century, with its frills and bawds, was ideal territory for the Carry On team: Carry On Dick is one of the few of the series where one notices the quality of the art direction in intervals between terrible old Talbot Rothwell jokes and the creaking of standard farce moments. Captain Fancy (Kenneth Williams) is sent to the remote village of Upper Denture to arrest Big Dick Turpin (Sid James) and makes the mistake of confiding in the local Rector, the Reverend Flasher (who is Big Dick's secret alter ego). Dick has troubles of his own: his liaison with his housemaid and henchperson Harriet (Barbara Windsor) is perpetually interrupted by his amorous housekeeper (Hattie Jacques). Meanwhile, Joan Sims struts around the plot as the proprietor of a touring show of scantily clad young women. This is not one of the best of the series--a certain mean-spiritedness creeps in to the humour as does the self-conscious awareness that 1974 was a date a little late for some of the more sexist jokes--but any film with Kenneth Williams discussing satin coats with his tailor has something going for it. --Roz Kaveney
The Carry On which caused a national sensation when a daffodil replaced a thermometer - you know where! The Carry On team have picked up their stethoscopes and bed pans for a strong dose of hospital humour. Hattie Jacques is the infamous matron doing battle with the patients in the second series of the world famous Carry On series.
The Carry On Collection DVD box set contains the following 17 films in Special Edition versions, complete with a selection of commentaries, documentaries or other features on each disc, plus That's Carry On, a celebration of 20 years of the series hosted by Kenneth Williams and Barbara Windsor. The individual films are: Don't Lose Your Head; Follow That Camel; Doctor; Up the Khyber; Camping; Again Doctor; Up the Jungle; Loving; Henry; At Your Convenience; Matron; Abroad; Girls; Dick; Behind; England; Emmanuelle and That's Carry On.
Setting a Carry On film in a marriage bureau has a certain self-serving obviousness, so it's hardly surprising that Carry On Loving milks the idea for all it's worth. The Wedded Bliss Agency is of course a pretty dubious outfit, being run by Sid (James) and Sophie Bliss (Hattie Jacques), who together are the worst possible example for both marriage and their own profession: they constantly snipe at each other, they aren't actually married and their sophisticated computer matching system is in fact a complete fake. The remainder of the team are mostly cast as hapless clients, with predictable but often very funny situations arising from the various mismatches engineered by the agency, such as the inevitable misunderstanding over one client's interest in modelling. Yes, the humour is about as subtle as a flatulent elephant, but you can't help entering into the spirit of the thing. If there's an outstanding performance it has to be that of Imogen Hassall, who handles her transformation from round-shouldered frump to well-bred love goddess with considerable expertise and a genuine sense of fun. --Roger Thomas
The Carry On which caused a national sensation when a daffodil replaced a thermometer - you know where! The Carry On team have picked up their stethoscopes and bed pans for a strong dose of hospital humour. Hattie Jacques is the infamous matron doing battle with the patients in the second series of the world famous Carry On series.
In New York City the brother of infamous Nazi war criminal Christian Szell (Laurence Olivier) is killed in a car accident. Shortly thereafter members of a covert US government group called 'The Division' who are investigating the incident begin to be murdered one by one. When Doc Levy (Roy Scheider) a 'Division' agent is the latest to be attacked his brother Babe (Dustin Hoffman) witnesses his death and unwittingly becomes the pawn in a deadly game in which former SS denti
In 1971 when Carry On at Your Convenience hit the screen, the series had long since become part of the fabric of British popular entertainment. Never mind the situation, the characters were essentially the same, film after film. The jokes were all as old as the hills, but nobody cared, they were still funny. But it's just too easy to treat them as a job lot of postcard humour and music hall innuendo. This tale of revolt at a sanitary ware factory--Boggs and Son, what else?--certainly chimed in with the state of the nation in the early 1970s when strikes were called at the drop of a hat. Here, tea urns, demarcation and the company's decision to branch out into bidets all wreak havoc. Kenneth Williams as the company's besieged managing director, Sidney James and Joan Sims give their all as usual, but it's the lesser roles that really add some lustre. Hattie Jacques as Sid's budgerigar-obsessed, sluggish put-upon wife and Renee Houston as a superbly domineering battleaxe with a penchant for strip poker remind us that in the hands of fine actors, even the laziest of caricatures becomes a real human being. On the DVD: Presented in 4:3 format with a good clean print and standard mono soundtrack, Carry On at Your Convenience feels as comfortable as an old pair of shoes. But where's the context? The lack of extras leaves the viewer wanting biographies and some documentary sense of the film's position in the series. The scene index is often arbitrary and the budget packaging means that we don't even get a full cast list. --Piers Ford
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