Poltergeist: They're here, playful at first...but not for long. Little Carol Anne Freeling is whisked into a spectral void. As her family confronts horrors galore, something else is here too: a new benchmark in Hollywood ghost stories. Producers Steven Spielberg and Frank Marshall and director Tobe Hooper head the elite scream team of this classic chiller. Poltergeist II: The Other Side The sinister supernatural forces return in this thrilling follow-up to the smash hit Poltergeist. The Freeling family settles into a new home, but the spirits of the dead are still hell-bent on luring daughter Carol Anne to the other side. Poltergeist III In this riveting finale to the Poltergeist trilogy, Carol Anne is sent to live in a Chicago high-rise with her aunt and uncle. She must face otherworldly demons more frightening than ever before as they take over the entire skyscraper.
Harry, a drifter (Don Johnson, Miami Vice) rolls into town and talks his way into a job at a car dealership where he becomes caught between two beautiful women, the bosss conniving wife Dolly (Virginia Madsen, Candyman) and Gloria (Jennifer Connelly, Requiem for a Dream) a naive young accountant whose life is complicated by blackmail. When Harry plans to rob the local bank, he becomes enmeshed in a lethal web of lust, greed and extortion, whose only escape is murder. Adapted from Hell Hath No Fury by Charles Williams, The Hot Spot is a dusty, sweaty modern noir that updates the pulp formula of twists and turns with an intensity to match director Dennis Hoppers earlier film roles. Directed by Hopper (Easy Rider, Out of the Blue) with verve, the stellar cast are supported by William Sadler (The Shawshank Redemption), Charles Martin Smith (The Untouchables) and Jack Nance (Eraserhead) accompanied by a brilliant soundtrack featuring Miles Davis, John Lee Hooker, Taj Mahal and original music by Jack Nitzsche. Product Features Coming Soon
A typical night for a group of war veterans at the local VFW turns into an all-out battle for survival when a teenage girl runs into the bar with a bag of stolen drugs. Suddenly under attack from a gang of punk mutants looking to get back what's theirs -- at any cost -- the vets use every weapon they can put together to protect the girl, and their VFW, in the biggest fight of their lives. A Gory and fun throwback to 80 s punk rock action movies Flickering Myth.
Bill & Ted's Bogus Journey is ample proof that not all sequels suck. Sometimes they're even better than the original. It is the future. Society has at last solved all its major problems, thanks to amiable lunkheads Bill and Ted and the inspiring music of their band, Wyld Stallyns. Only one man is dissatisfied with the way things have turned out, the evil De Nomolos (Joss Ackland). In an effort to change the future, De Nomolos sends evil Bill and Ted robots back in time to prevent the real Bill and Ted from winning a pivotal Battle of the Bands. What follows is a spirited journey through the afterlife as Bill and Ted try to rescue their girlfriends, save the future, and, oh, yeah, learn how to play the guitar. Bill & Ted's Bogus Journey swings easily between childish and clever humour, and is good at both: a Bergman reference is quickly followed by an equally funny bit about Death's stinky feet. Keanu Reeves and Alex Winter seem happy to be reprising their roles and even manage to add funny spins on Evil Robot Bill and Ted. William Sadler very nearly steals the movie as Death, playing both his wounded dignity and budding desire to be funky to a T. As if that weren't enough, George Carlin returns as Rufus and Pam Grier does a cameo just for the hell of it. --Ali Davis, Amazon.com
A genetically modified subculture of humans fight for survival in this sci-fi adventure.
Here's how director Sam Peckinpah described his motivation behind The Wild Bunch at the time of the film's 1969 release: "I was trying to tell a simple story about bad men in changing times. The Wild Bunch is simply what happens when killers go to Mexico. The strange thing is you feel a great sense of loss when these killers reach the end of the line." All of these statements are true, but they don't begin to cover the impact that Peckinpah's film had on the evolution of American movies. Now the film is most widely recognized as a milestone event in the escalation of screen violence, but that's a label of limited perspective. Of course, Peckinpah's bloody climactic gunfight became a masterfully directed, photographed, and edited ballet of graphic violence that transcended the conventional Western and moved into a slow-motion realm of pure cinematic intensity. But the film--surely one of the greatest Westerns ever made--is also a richly thematic tale of, as Peckinpah said, "bad men in changing times." The year is 1913 and the fading band of thieves known as the Wild Bunch (led by William Holden as Pike) decide to pull one last job before retirement. But an ambush foils their plans, and Peckinpah's film becomes an epic yet intimate tale of betrayed loyalties, tenacious rivalry, and the bunch's dogged determination to maintain their fading code of honor among thieves. The 144-minute director's cut enhances the theme of male bonding that recurs in many of Peckinpah's films, restoring deleted scenes to deepen the viewer's understanding of the friendship turned rivalry between Pike and his former friend Deke Thornton (Robert Ryan), who now leads a posse in pursuit of the bunch, a dimension that adds resonance to an already classic American film. The Wild Bunch is a masterpiece that should not be defined strictly in terms of its violence, but as a story of mythic proportion, brimming with rich characters and dialogue and the bittersweet irony of outlaw traditions on the wane. --Jeff Shannon
1880's London. The popular comic operas of Gilbert (words) and Sullivan (music) have never failed, but their latest, 'Princess Ida' receives a lukewarm press.
Two heroes are manipulated by the villain into participating in an illegal martial arts competition funded by bloodthirsty high rollers. The contests often end in death for the loser and the two heroes must face each other after the preliminary rounds are over. It'll tear your heart out!
Poltergeist: They're here, playful at first...but not for long. Little Carol Anne Freeling is whisked into a spectral void. As her family confronts horrors galore, something else is here too: a new benchmark in Hollywood ghost stories. Producers Steven Spielberg and Frank Marshall and director Tobe Hooper head the elite scream team of this classic chiller. Poltergeist II: The Other Side The sinister supernatural forces return in this thrilling follow-up to the smash hit Poltergeist. The Freeling family settles into a new home, but the spirits of the dead are still hell-bent on luring daughter Carol Anne to the other side. Poltergeist III: In this riveting finale to the Poltergeist trilogy, Carol Anne is sent to live in a Chicago high-rise with her aunt and uncle. She must face otherworldly demons more frightening than ever before as they take over the entire skyscraper.
Brought in to investigate the murder of a young girl, a celebrated cop accidentally kills his partner and is blackmailed by a sadistic killer who witnessed it.
With the slash of a steel blade and the mark of a 'Z' he defends the weak and exploits and avenges the wrongs committed against them... It has been twenty years since Don Diego de la Vega (Anthony Hopkins) successfully fought Spanish oppression in Alta California as the legendary romantic hero Zorro. He transforms troubled bandit Alejandro (Antonio Banderas) into his successor in order to stop the tyrannical Don Rafael Montero (Stuart Wilson) who robbed him of his freedom his
The definitive American television series of the 1990s. The X-Files comes to the big screen with an anticlimactic whimper. And how could it be otherwise? Why should material so perfectly realised in one medium necessarily translate well into another? The series is crisply and thoughtfully executed in just about every detail, but the heart of its appeal lies in the elegant handling of complicated and evolving ongoing story lines, which is not something movies are especially good at. The big-screen drive for closure cramps the creative style, though it may also help nonfans get a grip on the proceedings. We do get some invigorating thrills and chills, however, and a more satisfying sense of the scale of an all-enveloping human-alien conspiracy than ever before, but there's no more plot development here than in an average two-part season-ending. FBI black sheep Mulder and Scully have been temporarily transferred from the X-Files project to an anti-terrorist unit to investigate an Oklahoma City-style bombing. They uncover a new wrinkle in the Syndicate/Cancer Man conspiracy--basically an attempt to help one bunch of (benign?) aliens fight off another bunch who want to colonise Earth. A spectacular, ice-bound finale thrillingly staged by series-veteran director Rob Bowman offers Mulder (but not a conveniently unconscious Scully) his first clear look at a You Know What, which in some quarters qualifies as an epochal event. Martin Landau offers the agents some crucial clues, and several familiar TV faces (including the Lone Gunmen and Mitch Pileggi's indispensable Assistant Director Skinner) turn up briefly to wink knowingly at faithful fans. --David Chute
Batten down the hatches for unstoppable hilarity that takes 200 years of naval tradition...and throws it overboard! Veteran skipper John Dodge (Grammer) will never be a textbook officer but he's a brilliant seaman who's always wanted to command a nuclear submarine. Unfortunately Dodge is given the helm of a diesel powered WWII sub crewed by a collection of maladjusted and mistake-prone misfits. When he's tagged 'the enemy' in a crucial war game Dodge is ordered to take on the U.
'Yanks' is the moving story of American servicemen stationed in England during the Second World War and the impact that their presence had on the lives of people in a small Lancashire village. This beautifully filmed drama follows three American soldiers and the relationships that they form with three local women: Jean Helen and Mollie. The relationships that blossom would affect their lives forever. This romantic and memorable movie highlights the cultural differences that ex
! A typical family in a quiet suburb of a normal California faces a frightening ordeal when its home is invaded by a Poltergeist. Late one night, 5-year-old Carol Anne Freeling (Heather O'Rourke) hears a voice coming from inside the television set ... At first, the spirits that invade the Freelings' home seem like playful children. But then they turn angry. And when Carol Anne is pulled from this world into another, Steve and Diane Freeling (Craig T. Nelson and JoBeth Williams) turn to an exorcist (Zelda Rubinstein) in this horror classic from director Tobe Hooper (Texas Chainsaw Massacre films) and producer and screenwriter Steven Spielberg. Bonus Features They Are Here: The Real World of Poltergeists documentary The Making of Poltergeist Theatrical Trailer
Pilot: Prescription: Murder Psychiatrist Roy Fleming and his wife are celebrating their anniversary when he is called to deal with a patient - Susan Hudson. On returning he has to soothe his angry wife with the promise of a trip to Acapulco. When Fleming's wife is found dead Columbo is brought in to investigate and seeds of doubt are planted in his mind which typically he can not ignore. 2: Fade In To Murder Ward Fowler a star with a reputation for being difficult and demandin
Tony Rome: Tony Rome a tough Miami PI living on a houseboat is hired by a local millionaire to find jewelry stolen from his daughter and in the process has several encounters with local hoods as well as the Miami Beach PD. The Detective: A hard-boiled mystery starring Frank Sinatra as the tough-as-nails Detective Joe Leland 'The Detective' was based on a novel by Roderick Thorp. Called in to investigate the murder of Teddy Leikman the homosexual son of a well-conn
TV detective fans rejoice: Peter Falk's rumpled and infallible Lt. Columbo joins the DVD precinct with a five-disc set that features the detective's first nine appearances for NBC. Though Falk as Columbo (no first name) made his TV debut in 1967, the detective had actually first appeared on an episode of the 1960-61 Chevy Mystery Show (Bert Freed played the role) written by veteran TV scribes Richard Levinson and William Link (The Fugitive, Alfred Hitchcock Presents). The pair turned the episode into a stage play titled Prescription: Murder, which was adapted into a TV movie in 1967 with Falk in the lead. NBC greenlit a two-hour Columbo pilot (Ransom for a Dead Man) in 1971, and the series was launched that fall as part of the NBC Sunday Mystery Movie, a rotating 90-minute program that alternated Columbo with episodes of MacMillan and Wife and McCloud (another Levinson/Link creation). Viewers were quickly won over by Falk's shrewd performance as he matched wits with a host of exceptional guest stars (including Gene Barry, Patrick McGoohan, and others), all of whom assumed that the disheveled detective would never figure out their "perfect crimes"; the popularity and quality of the original series allows Falk to continue to don the trenchcoat some 30 years later for occasional Columbo TV movies. All seven 90-minute episodes of the 1971-72 debut season are included here, along with Prescription: Murder and Ransom for a Dead Man; unfortunately, as the lieutenant himself would say, "Oh, just one more thing"--no extras are included in the set, but having these fine TV mysteries in one set should be reward enough for armchair sleuths. --Paul Gaita
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