Experience the Star Trek Universe like never before! The first original 10 films remastered plus over 8 hours of special features. For the first time in Star Trek history nearly every frame of the final frontier is brought together in one brilliantly re-mastered motion picture DVD box set. Discover the Star Trek Universe and experience every unforgettable moment from Kirk's triumphant return to the bridge of the U.S.S. Enterprise in Star Trek: The Motion Picture to Picard Data and the crew of the U.S.S. Enterprise-E's final battle for control of the universe in Star Trek Nemesis. The spirit of the Enterprise lives in the heart-stopping action and unforgettable characters of this one-of-a-kind collection. Special Features: The Original Series Star Trek: The Motion Picture Commentary by Michael and Denise Okuda Judith and Garfield Reeves-Stevens and Daren Dochterman Starfleet Academy SCISEC Brief 001: Mystery Behind V'ger The Longest Trek: Writing the Motion Picture Special Star Trek Reunion Star Trek II: The Wrath of Khan Commentary by director Nicholas Meyer and Manny Coto Starfleet Academy SCISEC Brief 002: Mystery Behind Ceti Alpha VI Collecting Star Trek's Movie Relics James Horner: Composing Genesis Star Trek III: The Search for Spock Commentary by Ronald D. Moore and Michael Taylor Starfleet Academy SCISEC Brief 003: Mystery Behind the Vulcan Katra Transfer Star Trek and the Science Fiction Museum and Hall of Fame Industrial Light and Magic: The Visual Effects of Star Trek Spock: The Early Years Star Trek IV: The Voyage Home Commentary by Roberto Orci and Alex Kurtzman Starfleet Academy SCISEC Brief 004: The Whale Probe Star Trek for a Cause Star Trek: Three Picture Saga Pavel Chekov Screen Moments Star Trek V: The Final Frontier Commentary by Michael and Denise Okuda Judith and Garfield Reeves-Stevens and Daren Dochterman Starfleet Academy SCISEC Brief 005: Nimbus III Hollywood Walk of Fame: James Doohan Star Trek Honors NASA Star Trek VI: The Undiscovered Country Commentary by Larry Nemecek and Ira Steven Behr Starfleet Academy SCISEC Brief 006: Praxis To Be Or Not To Be: Klingons and Shakespeare Tom Morga: Alien Stuntman The Next Generation Star Trek: Generations Commentary by Director David Carson and Manny Coto Next Generation Designer Flashback Andrew Probert Stellar Cartography on Earth Brent Spiner Data and Beyond Part 1 Trek Roundtable Generations Starfleet Academy SCISEC Brief 007 Trilithium Scoring Trek Star Trek: First Contact Commentary by Damon Lindelof and Anthony Pascale Industrial Light and Magic The Next Generation Greetings from the International Space Station SpaceShipOne's Historic Flight Brent Spiner Data and Beyond Part 2 Trek Roundtable First Contact Starfleet Academy SCISEC Brief 008 Temporal Vortex Star Trek: Insurrection Commentary by Jonathan Frakes and Marina Sirtis Westmore's Legacy Marina Sirtis The Counselor Is In Brent Spiner Data and Beyond Part 3 Trek Roundtable Insurrection Starfleet Academy SCISEC Brief 009 The Origins of the Ba'ku and Son'a Conflict Star Trek: Nemesis Commentary by Michael and Denise Okuda Reunion With The Rikers Today's Tech Tomorrow's Data Robot Hall of Fame Brent Spiner Data and Beyond Part 4 Trek Roundtable Nemesis Starfleet Academy SCISEC Brief 010 Thalaron Radiation Bonus Discs: Star Trek Summit Part 1 Part 2 Part 3 The Evolution of the Enterprise Villains of Star Trek I Love the Star Trek Movies Farewell to Star Trek: The Experience Klingon Encounter Borg Invasion 4D Charting the Final Frontier
Indiana Jones and the Raiders of the Lost Ark It's said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with `70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn't disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humour, horrorÂ… not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there's real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century's most infamous criminals (the Nazis). Now that's entertainment. --Sam Graham Indiana Jones and the Temple of Doom It's hard to imagine that a film with worldwide box office receipts topping US$300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas' 1980s adventure trilogy, to be just that. That doesn't mean it's a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it's also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man's chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character's shortcomings. --Sam Graham Indiana Jones and the Last Crusade The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine Indiana Jones and the Kingdom of the Crystal Skull Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim
Martin Cruz Smith's bestselling mystery novel seemed ideal material for a movie version, but in Gorky Park director Michael Apted and the usually reliable writer Dennis Potter couldn't quite solve the problem of taking the story from page to screen. William Hurt plays Renko, a Cold War-era Moscow police detective who must cope with both crooks and Communist party protocol as he tries to solve a murder case in the middle of one of Moscow's public parks that leaves three faceless corpses. The strands of the mystery involve corruption, American money and the fur trade and, ultimately, take Renko to New York. But the tension is never all there, despite a deliciously menacing performance by Lee Marvin as the bad guy and Brian Dennehy as an American cop who becomes Renko's ally. --Marshall Fine
The Tardis arrives in December 1986 at a South Pole Space Tracking station where the personnel under the command of General Cutler are engaged in trying to talk down a manned space capsule that has got into difficulty. The base is invaded by a force of alien Cybermen. The Cybermen's world Mondas is draining energy from Earth - once its 'twin planet' - and the situation will soon become critical.
Michael Caine and the knockout Julie Walters deliver a pair of wonderful performances in this endearingly bittersweet tale of a boozily burnt-out professor's tutoring of (and subsequent tutoring by) a free-spirited hairdresser determined to improve her lot in life. The basic plot won't exactly surprise anyone who's ever seen a movie before but the ace cast (particularly Caine, who's rarely this subtle) continually finds new directions to spin off from the rather rote path. Although the end result is perhaps just a little too convinced of its own adorability to attain classic status, this remains a rarity in the genre--a feel-good film that earns its emotions honestly. A nice change of pace for director Lewis Gilbert, who is perhaps better known for his contributions to the James Bond series. --Andrew Wright
'Civilisation' is probably one of the most famous documentary series ever made. Unreleased for many years it has been restored as is now available on DVD for the first time. Presented by distinguished art historian Sir Kenneth Clarke 'Civilisation' became the definitive history of art in the western world and has never been equalled let-alone bettered in the intervening 35 years.
A young African-American travels across the U.S. in the 1950s in search of his missing father.
Thanks to generous funding from media mogul Ted Turner, first-time director Ronald F Maxwell was able to make an almost word-for-word adaptation of Michael Shaara's Pulitzer Prize-winning novel, The Killer Angels. Running over four hours, Gettysburg (1993) splits into two convenient parts for TV viewing (although a 70mm print was given limited theatrical release). This story of three bloody days of conflict in July, 1863 (an unimaginable 50,000 casualties), is divided equally between Union and Confederate forces. On the Union side, Jeff Daniels is the quietly heroic Colonel Joshua Chamberlain; Sam Elliott is utterly convincing as General Buford, the Union cavalryman who holds the Confederate army at bay on the first day. Martin Sheen plays an oddly subdued and vacillating General Lee--a controversial portrait of the legendary Confederate chief--while Tom Berenger, despite being almost hidden underneath an enormous authentically period-style beard, is strong and authoritative as General Longstreet (whose opposition to Lee's plans gave many in the Confederacy a reason to blame him for the disaster at Gettysburg). Chamberlain's last-ditch defence of Little Round Top, which prevented the Union forces from being flanked on the second day of battle, forms the climax to the first half; the heartbreaking Pickett's Charge--the Confederates' disastrous frontal assault on the entrenched Union lines on the third day--is the movie's greatest set piece and one of the most compelling reasons to endure a little too much stodgy dialogue (lifted directly from the novel) and an apparently over-reverential attitude to the subject-matter. But much of this movie was made in and around the actual battle site, so it's only to be expected that the cast and crew tread carefully, as if literally under the watchful eyes of the men whose lives they are re-enacting. And re-enactment is the key: with a cast of thousands in splendidly detailed period costumes, cannonades galore and massed ranks of musketry, the sheer scale of the military spectacle is endlessly impressive. If as a piece of filmmaking it has many faults, as an historical re-enactment Gettysburg is unsurpassed--even by the epic Waterloo (1970), which drafted in a large chunk of the Russian army as Napoleonic extras. --Mark Walker
Experience the Star Trek Universe like never before! The first original 10 films remastered plus over 8 hours of special features. For the first time in Star Trek history nearly every frame of the final frontier is brought together in one brilliantly re-mastered motion picture DVD box set. Discover the Star Trek Universe and experience every unforgettable moment from Kirk's triumphant return to the bridge of the U.S.S. Enterprise in Star Trek: The Motion Picture to Picard Data and the crew of the U.S.S. Enterprise-E's final battle for control of the universe in Star Trek Nemesis. The spirit of the Enterprise lives in the heart-stopping action and unforgettable characters of this one-of-a-kind collection. Special Features: The Original Series Star Trek: The Motion Picture Commentary by Michael and Denise Okuda Judith and Garfield Reeves-Stevens and Daren Dochterman Library Computer Production The Star Trek Universe Deleted Scenes Trailers TV Spots BD -Live - Star Trek I.Q Star Trek II: The Wrath of Khan Commentary by director Nicholas Meyer Commentary by director Nicholas Meyer and Manny Coto Library Computer Production The Star Trek Universe Theatrical Trailer BD-Live - Star Trek I.Q. Star Trek III: The Search for Spock Commentary by director Lenoard Nimoy writer and producer Harve Bennett director of photography Charles Correll and Robin Curtis Commentary by Ronald D. Moore and Michael Taylor Library Computer Production The Star Trek Universe Theatrical Trailer Easter Egg: That Darn Klingon Dog BD-Live - Star Trek I.Q. Star Trek IV: The Voyage Home Commentary by William Shatner and Leonard Nimoy Commentary by Roberto Orci and Alex Kurtzman Library Computer Production The Star Trek Universe Visual Effects Original Interviews Tributes Theatrical Trailer BD-Live - Star Trek I.Q. Star Trek V: The Final Frontier Commentary by William Shatner and Liz Shatner Commentary by Michael and Denise Okuda and Judith and Garfield Reeves-Stevens and Daren Dochterman Library Computer Production The Star Trek Universe Deleted Scenes Theatrical Trailers TV Spots Easter Egg the Gag reel BD-Live - Star Trek I.Q. Star Trek VI: The Undiscovered Country Commentary by director Nicholas Meyer and screenwriter Denny Martin Flinn Commentary by Larry Nemecek and Ira Steven Behr Library Computer The Perils of Peacemaking Stories from Star Trek VI The Star Trek Universe Original Interviews Farewell Promotional Material BD-Live - Star Trek I.Q. The Next Generation Star Trek: Generations Commentary by director David Carson and Manny Coto Commentary by Brannon Braga and Ronald D. Moore Library Computer Production Visual Effects Scene Deconstruction The Star Trek Universe Deleted Scenes Archives: Storyboards Production Gallery Teaser Trailer Theatrical Trailer Star Trek I.Q. (BD-Live) Star Trek: First Contact Commentary by director and actor Jonathan Frakes Commentary by screenplay writers Brannon Braga and Ronald D. Moore Commentary by Damon Lindelof and Anthony Pascale Library Computer Production Scene Deconstruction The Star Trek Universe The Borg Collective Archives: Storyboards Photo Gallery Teaser Trailer Theatrical Trailer Star Trek I.Q. (BD-Live) Easter Eggs Star Trek: Insurrection Commentary Jonathan Frakes and Marina Sirtis Library Computer Production The Star Trek Universe Creating The Illusion Deleted Scenes Archives: Storyboards Production Gallery Advertising Star Trek I.Q. (BD-Live) Easter Eggs Star Trek: Nemesis Commentary by director Stuart Baird Commentary by producer Rick Berman Commentary by Michael and Denise Okuda Library Computer Production The Star Trek Universe The Romulan Empire Deleted Scenes Archives: Storyboards Production Galleries Teaser Trailer Theatrical Trailer Star Trek I.Q. (BD-Live) Easter Eggs Bonus Discs: Star Trek Summit Part 1 Part 2 Part 3 The Evolution of the Enterprise Villians of Star Trek I Love the Star Trek Movies Farewell to Star Trek: The Experience Klingon Encounter Borg Invasion 4D Charting the Final Frontier
CS Lewis's timeless novel comes to life in this big budget adaptation.
A young African-American travels across the U.S. in the 1950s in search of his missing father.
This very special Doctor Who release features available episodes and rare footage from 18 black & white episodes where the complete story is no longer in the BBC archives. Including the newly discovered episode 'The Daleks' Masterplan' in addition to a further Dalek adventure two Cyberman stories plus both the Yeti escapades this release is a must-have purchase for all Whovians! Disc 1: 'The Crusade' episodes One and Three (with commentary by Julian Glover and Gary Russell)
Paul Verhoeven's attempt to couple the softcore sex film with the Hollywood musical stars Elizabeth Berkley as a Las Vegas stripper who lap-dances her way to the city's most prestigious chorus line. Vying with the show's established star for the leading role in a new erotic spectacular, Berkley gives the director (Kyle MacLachlan) a close-up demonstration of what she can do. Dave Stewart of Eurythmics provides the music for the steamy dance routines.
"The Burrowers" is a completely original creature feature and a blend of raw western grit and unnerving horror from the director of "Mimic: Sentinel"
Based on Anna Quindlen's bestselling novel, this is a mother-daughter and father-daughter story, two for the price of one. But director Carl Franklin also tries to inject a police-mystery angle that it neither needs nor will support. Renee Zellweger plays a young writer on the rise, who has finally got her break for a New York magazine. While home for a birthday party for her nearly famous writer father (William Hurt), she learns that her mother (Meryl Streep) has been diagnosed with cancer. Then her father does the unthinkable: he all but commands her to put her career on hold to take care of her mother and nurse her through her illness. Dad, a popular college professor who has never received the literary acclaim he always believed he deserved, essentially checks out--and daughter must play parent to her mother. Strong performances by Streep and Zellweger give this parent-child relationship the heart--and the anger--of the real thing, while Hurt seems slightly disembodied as the self-involved father whose needs have dominated both women. Still, the detective-story aspect (the film is told in flashback, as the cops try to discover whether someone slipped Mom a fatal dose of morphine) is a construct that could have been done without. --Marshall Fine
Donald Sutherland and Kate Nelligan ignite the screen as ill-fated lovers in the exciting emotionally involving thriller. Based on the best-selling novel by Ken Follet this searing mystery is a roller coaster ride of suspense centering on the relationship between master spy and a brave woman - with the fate of the world hanging in the balance. Englishmen know him as Faber but to the fatherland he's the loyal and lethal spy known as 'The Needle.' On his way back to Germany Fabe
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