James Cameron heads back into the depths for this underwater IMAX extravaganza.
Stanley Kubrick's dazzling, Academy Award-winning achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia via one of the most mind-blowing jump cuts ever into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. Open the pod bay doors, HAL . Let an awesome journey unlike any other begin.
Bill & Ted's Bogus Journey is ample proof that not all sequels suck. Sometimes they're even better than the original. It is the future. Society has at last solved all its major problems, thanks to amiable lunkheads Bill and Ted and the inspiring music of their band, Wyld Stallyns. Only one man is dissatisfied with the way things have turned out, the evil De Nomolos (Joss Ackland). In an effort to change the future, De Nomolos sends evil Bill and Ted robots back in time to prevent the real Bill and Ted from winning a pivotal Battle of the Bands. What follows is a spirited journey through the afterlife as Bill and Ted try to rescue their girlfriends, save the future, and, oh, yeah, learn how to play the guitar. Bill & Ted's Bogus Journey swings easily between childish and clever humour, and is good at both: a Bergman reference is quickly followed by an equally funny bit about Death's stinky feet. Keanu Reeves and Alex Winter seem happy to be reprising their roles and even manage to add funny spins on Evil Robot Bill and Ted. William Sadler very nearly steals the movie as Death, playing both his wounded dignity and budding desire to be funky to a T. As if that weren't enough, George Carlin returns as Rufus and Pam Grier does a cameo just for the hell of it. --Ali Davis, Amazon.com
Mankind finds a mysterious, obviously artificial, artifact buried on the moon and, with the intelligent computer HAL, sets off on a quest.
Season four opens with Jack Bower working for the Secretary of Defence James Heller. This particular morning Jack finds himself back at CTU (the Counter Terrorist Unit) meeting with Erin Driscoll, the new Director of Operations.
18 months have passed since the events of Day 4. With the exception of David Palmer Tony Almeida Michelle Dessler and Chloe O'Brian the world believes that Jack Bauer (Kiefer Sutherland) is dead... Jack is in fact living under the name of Frank Flynn and conceals his identity by taking a manual job on an oil rig. However when President Logan is placed at the centre of a labyrinthine conspiracy involving the signing of a vital U.S. - Russian arms treaty Jack is forced back into action!
Enter At Your Own Risk! Step inside, we've been expecting you! Arrow Video is proud to present all four films in the classic House horror franchise, brought together on Blu-ray. Featuring a host of stars including William Katt ( Carrie) George Wendtt ( Cheers), Arye Gross ( Ellen) and Lance Henriksen ( Aliens), the frightfully popular House series brings together tales of vindictive supernatural beings, zombie cowboys, sadistic serial killers and even singing pizzas in a pleasing potpourri of tongue-in-cheek horror goodness! Returning in glorious new HD restorations, the House films come loaded with a host of exclusive special features- now that's a full house! Special Editions Content: High Definition Blu-ray ( 1080p) Presentations of all four House Films Original Mono/Stereo and 5.1 Surround Audio Options. Optional English subtitles for the deaf and hard of hearing. House Audio commentary with director Steve Miner, producer Sean S. Cunningham, actor William Katt and screenwriter Ethan Wiley Ding Dong, You're Dead! The Making of House brand new documentary featuring interviews with director Steve Miner, producer Sean S. Cunningham, screenwriter Ethan Wiley, story creator Fred Dekker, stars William Katt, Kay Lenz and George Wendt, composer Harry Manfredini and others. Vintage Making-of Still Gallery Theatrical Trailers, Teaser and TV Spots. First Draft Screenplay and Fred Dekker's original 15-page Twilight Zone-inspired story which served as the basis for House (BD-ROM Content) House II: The Second Story Audio commentary with writer-director Ethan Wiley and producer Sean S. Cunningham It's Getting Weirder! The Making of House II: The Second Story brand new documentary featuring interviews with writer-director Ethan Wiley, producer Sean S. Cunningham, stars Arye Gross, Jonathan Stark, Lar Park Lincoln and Devin DeVasquez, composer Harry Manfredini and others. Vintage EPK Still Gallery Theatrical Trailer House III: The Horror Show Uncut European Version Alternate US Theatrical Version Audio commentary with producer Sean S. Cunningham The Show Must Go On interview with actor/stuntman Kane Hodder House Mother interview with actress Rita Taggart Slaughter, Inc. brand new featurette with special make-up effects creators Robert Kurtzman, Greg Nicotero and Howard Berger Behind-the-Scenes Footage Deleted Scene Theatrical Trailer Still Gallery House IV: The Reposession Audio commentary with director Lewis Abernathy Home Deadly Home: The Making of House IV documentary featuring interviews with director Lewis Abernathy, producer Sean S. Cunningham, stars Terri Treas, and William Katt actor/stunt coordinator Kane Hodder and composer Harry Manfredini Theatrical Trailer Still Gallery
Top DJ Jack Lucas gives poor advice to an 'unbalanced mind' during a nightime phone-in which results in the murder of a group of drinkers in a trendy club. One of the victims is Parry's fiancee and the grief sends him into a world of fantasy where he seeks the Holy Grail. One night Jack Lucas now an employee of a video store is set upon by a group of thugs. A vagrant called Parry comes to his rescue...
In 1976 The Omen scored a hit with critics and audiences hungry for more after The Exorcist with its mixture of Gothic horror and mystery and its plot about a young boy suspected of being the personification of the anti-Christ. Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast". At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect and the mood of dread and potential death is masterfully maintained. It's all a bit contrived, with a lot of biblical portent and sensational fury but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon, Amazon.com Damien: Omen II takes place several years after the mysterious events that claimed the life of the US Ambassador and his wife as the now teenaged and militarily enrolled Damien Thorne is slowly being made aware of his unholy heritage and horrific destiny. Woe is he (including anyone in Damien's adoptive family and his classmates) who suspects the truth or gets in his way. While not as unrelentingly frightening as its blockbuster predecessor, this more-than-competent sequel raises some interesting questions about the nature of free will (can the anti-Christ deny his birthright?) before falling into a gory series of increasingly outlandish deaths, the best of which is a terrifyingly protracted scene beneath the ice of a frozen lake. Jerry Goldsmith (who won an Oscar for his work on the first film in the series) contributes another marvellously foreboding score. --Andrew Wright, Amazon.com The series concludes with The Omen III: The Final Conflict, starring Sam Neill as the adult Damien--aka the son of Satan--in a battle with the heavens for control of mankind. The film ends up depending more heavily on effects and spectacle than on the kind of basic horrors that made the first movie in the series so unsettling but at least this one gives some closure to the seemingly endless saga. --Tom Keogh, Amazon.com On the DVDs: On the original movie disc there is an all-new 45-minute documentary, "666: The Omen Revealed", with contributions from all the major behind-the-scenes players, including director, editor, screenwriter (who confesses the movie was only set in England because he wanted a free trip to London!), producer and composer. The latter, Jerry Goldsmith, has his Oscar-winning contribution to the movie recognised with a separate feature in which he talks through four key musical scenes in the score. There's also a thought-provoking short called "Curse or Coincidence?" in which the many bizarre accidents that happened during shooting are related, including the terrible story of what happened to the girlfriend of the man responsible for designing the decapitation scene. Director Richard Donner and editor Stuart Baird provide a chatty audio commentary to the movie. The second and third films lack as many extra features, being content with audio commentaries and theatrical trailers: the commentary for Omen II is by producer Harvey Bernhard, that for Omen III by director Graham Baker. --Mark Walker
Failing singer/actor Frank Elgin (Crosby) has the chance to make a comeback when director Bernie Dodds (Holden) offers him the lead role in a new musical. Georgie (Kelly) Frank's wife finds herself coping with everything as her husband turns to alcohol in an attempt to shield his insecurities. Georgie decides to team up with Bernie in an attempt to boost Frank's self-esteem. Some fantastic performances especially from the three leads; Grace Kelly won an Oscar for her performance
A flawed but stylish adaptation of the Chester Gould comic strip by director Warren Beatty, who also stars in the title role. The minimalist plot involves a battalion of baddies who confront the intrepid detective in a series of strung-together vignettes. Al Pacino is a comedic if overblown standout as Big Boy Caprice and Madonna simply smoulders as aggressive blonde bombshell Breathless Mahoney. It matters not that the plot is Spartan, as this dazzling eye candy is much enhanced by Stephen Sondheim's songs, including the Academy Award-winning ditty, "Sooner or Later (I Always Get My Man)". Beatty took his cue from the source material and concentrated on the relationships between these people, whether strained, romantic or hateful. The performances are subtle and more amusing than you would expect from such a visually bold picture. Shot in bright, primary colours, this also won Oscars for Best Art/Set Direction and Makeup (for those inventively hideous criminals). Watch for well-known names, such as Dustin Hoffman and Dick Van Dyke, in cameo appearances and supporting roles. --Rochelle O'Gorman
TV detective fans rejoice: Peter Falk's rumpled and infallible Lt. Columbo joins the DVD precinct with a five-disc set that features the detective's first nine appearances for NBC. Though Falk as Columbo (no first name) made his TV debut in 1967, the detective had actually first appeared on an episode of the 1960-61 Chevy Mystery Show (Bert Freed played the role) written by veteran TV scribes Richard Levinson and William Link (The Fugitive, Alfred Hitchcock Presents). The pair turned the episode into a stage play titled Prescription: Murder, which was adapted into a TV movie in 1967 with Falk in the lead. NBC greenlit a two-hour Columbo pilot (Ransom for a Dead Man) in 1971, and the series was launched that fall as part of the NBC Sunday Mystery Movie, a rotating 90-minute program that alternated Columbo with episodes of MacMillan and Wife and McCloud (another Levinson/Link creation). Viewers were quickly won over by Falk's shrewd performance as he matched wits with a host of exceptional guest stars (including Gene Barry, Patrick McGoohan, and others), all of whom assumed that the disheveled detective would never figure out their "perfect crimes"; the popularity and quality of the original series allows Falk to continue to don the trenchcoat some 30 years later for occasional Columbo TV movies. All seven 90-minute episodes of the 1971-72 debut season are included here, along with Prescription: Murder and Ransom for a Dead Man; unfortunately, as the lieutenant himself would say, "Oh, just one more thing"--no extras are included in the set, but having these fine TV mysteries in one set should be reward enough for armchair sleuths. --Paul Gaita
Meet Frank Gallagher (series star William H. Macy): proud, working-class patriarch to a motley brood of six smart, spirited and independent kids who, without him, would be... better off. In Frank's booze-addled view, parenting just eats into his hard-earned bar-crawling and carousing time around Chicago - so he leaves it to eldest daughter Fiona (series star Emmy Rossum) to hold down the fort. Bearing the de facto parent badge/burden, she's donned the proverbial apron and makes sure her younger siblings do their chores, keep a clean(ish) home and feed the kitty - the Gallagher family fund jar - because the gas bill is due, and everyone (no matter how small) works to keep the house lights on, as well as food on the table. Brothers Lip (series star Jeremy Allen White), Ian (series star Cameron Monaghan) and Carl (series star Ethan Cutkosky) use their intellect to break every rule in the book to survive and make the bank, while younger sister Debbie (series star Emma Kenney) would sooner steal her share. Toddler Liam, the youngest, is just happy to be along for the ride. The Gallaghers are irreverent, endearing, resilient - and they're absolutely, wildly and unapologetically Shameless.
Bachelor Party may not be the first trashy sex comedy but it is perhaps the definitive trashy sex comedy. The movie makes its first breast joke before the opening credits have even finished. A cheerful school bus driver (Tom Hanks) has somehow got himself engaged to a lovely young heiress, much to the chagrin of her family and vengeful ex-boyfriend. The bus driver's roustabout friends decide to throw him a bachelor party--and you can pretty much guess the rest: scantily clad hookers, rampant drug use, bad 1980s new-wave music, really bad 1980s fashions, full frontal nudity (curiously, due to a scene in a Chippendales strip club, there's almost as much male flesh on display as female), bestiality, racial stereotypes, blackmail, attempted suicide, all played for unrepentant cheap laughs. Throughout, Tom Hanks floats along with a carefree (if slightly sheepish) grin, projecting such an air of impish innocence that it's hard to be offended by any of it. And it all ends in a wedding, just like a Shakespearean comedy. Also featuring the blinding white teeth and big hair of Tawny Kitaen (playing the good girl Hanks marries), buxom scream queen Monique Gabrielle and Adrian Zmed, whose career has not fared as well as Hanks's. --Bret Fetzer
Arthurian mythology and modern-day decay seem perfect complements to each other in Terry Gilliam's drama/comedy/fantasy The Fisher King. Shock jock Jack Lucas (Jeff Bridges) makes an off-handed radio remark that causes a man to go on a killing spree, leaving Lucas unhinged with guilt. His later, chance meeting with Parry (Robin Williams), a homeless man suffering from dementia, gets him involved in the unlikely quest for the Holy Grail. The rickety and patently unrealistic stand that insanity is just a wonderful place to be and that the homeless are all errant knights wears awfully thin, but, there are numerous moments of sad grace and violent beauty in this film. The screenplay by Richard LaGravenese launched his successful career and his smart wordplay helped garner Mercedes Ruehl an Oscar as Lucas' girlfriend. --Keith Simanton
Stanley Kubrick's dazzling, Academy Award® -winning* achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonised space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. Open the pod bay doors, HAL. Let an awesome journey unlike any other begin. SPECIAL FEATURES Commentary by Keir Dullea and Gary Lockwood Channel Four Documentary 2001: The Making of a Myth 4 Insightful Featurettes: Standing on the Shoulders of Kubrick: The Legacy of 2001 Vision of a Future Passed: The Prophecy of 2001 2001: A Space Odyssey A Look Behind the Future What Is Out There? 2001: FX and Early Conceptual Artwork Look: Stanley Kubrick! Audio-Only Bonus: 1966 Kubrick Interview Conducted by Jeremy Bernstein Theatrical Trailer
James Cameron heads back into the depths for this underwater IMAX extravaganza.
Stanley Kubrick's dazzling, Academy Award®-winning achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) fi rst visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. Open the pod bay doors, HAL. Let an awesome journey unlike any other begin.
One house four hugely popular horror films. Creepy goings on in four stories where our characters do battle with evil zombies hideous monsters and a terrifying mass murderer exacting revenge on the detective who captured him. House In his obsessive search for his missing child Vietnam veteran Roger Cobb returns to his Aunt's creepy house where his child disappeared. Evil zombies force Roger to relive his nightmares and Roger must battle these spirits in order to save his life and that of his child who is somewhere inside the house... House II When exploring the house left to him Jesse discovers his great great grandfather alive and kicking thanks to a magical skull which gives its owner immortality. Such an important piece is coveted by many. When the skull is taken Jesse and his friends must battle monsters in order to return it to Gramps to save his life. House III Upon his execution mass murderer Klaus Jenke curses the detective who captured him - Lucas and his family. Jenke returns from the dead to exact his hideous revenge. The horrors he performed before his death are insignificant compared to the circus of evil he now unleashes on Lucas's family. House IV A young father is suddenly killed in an automobile accident and to honour his memory his widow and daughter move into the family's dilapidated Victorian estate. Thus begin a series of some very terrifying apparitions...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy