Titles Comprise: 1. Funniest Routines - Vol. 1 2. Funniest Routines - Vol. 2 3. Africa Screams 4. Jack And The Beanstalk
Johnny Mack Brown is on a quest to find the man who killed his father his only clue the gunman's silver bullet removed from his own back. Co-starring Fuzzy Knight Jennifer Holt William Farnum and Leroy Mason. A classic B-western from 1942.
A young man (O'Bryan) sees his dating failures are related to his always being nice so he changes his ways to compete with the obnoxious fellas only to find that he might very well miss out on the woman he's chasing!
With the Civil War over Frank and Jesse James (Bill Paxton and Rob Lowe) retreat to the family farm where they witness the murder of their younger brother while Yankee soldiers turn their backs. The James boys feel they have no choice but to seek their own justice. They join the younger brothers to form a gang of rebels that wage a bloody war against its corrupt enemies in robbing their banks stagecoaches and train. In retaliation their adversaries hire famed detective Allan Pinkerton (William Atherton) to stop them. When his nephew is gunned down by the James Gang Pinkerton vows he will not rest until the day the notorious brothers are brought to justice at the end of a rope.
The mining colony on 'Titus 4' is violently torn apart when a group of highly advanced Androids take control. Under the command of Reiger an elite attack team is sent down to 'Titus 4' in an attempt to eliminate the Android leader. The mission is complicated by the deceit and betrayal of the evil head of the Rydell Mining Corporation.
A young cowboy (Wayne) breaks out of jail after being falsely accused of murder and must prove his innocence before the authorities lock him back up...
The Taming Of The Shrew is one of Shakespeare's most popular comedies, lively and full of wonderful characters. It is a play within a play, presented as a practical joke to Christoper Sly, a town drunk, who is duped into believing he is a Lord. The players enact the story of the courtship of Bianca and her strong-willed sister Katharina (the Shrew). Kate's temper and forthright views frighten off would-be suitors much to her younger sisters frustration as she cannot wed until after her elder ...
The Black Knight Returns
Kid Speed: Hardy and Semon vie for the same girl by entering the big auto race. Thrills spills and excitement abound in this fast moving comedy as villain Hardy and his henchmen try all manner of dirty tricks to win the race and the girl. Enough To Do: Foreman Oliver Hardy orders a special gourmet dinner from chef Clyde Cook. He goes hunting but thanks to a mad hermit can only bring home a skunk for the pot. You know the rest!
After 40-odd years Vinnie (Peter Falk) has a decent life. He and his wife Ellen (Tyne Daly) finally have some time together and his bar in South Boston is a second home for the neighborhood men. The guys drink up front and place bets in the back room. And when somebody local is down on their luck Vinnie can be counted on to strike a fair deal. Vinnie knows that Frankie (Timothy Hutton) is blowing paychecks on the numbers and driving away his wife (Lauren Holly) but Vinnie is a reasonable man. He respects the business associates who keep interests in his backroom operation and they in turn don't pressure him. That is until Pete from the Italian partnership sends over his itchy arogant nephew Tony (Freddie Prinze Jr.). Vinnie thinks that he has endured worse. All it takes is one small choice - an uncle looking for a member of his family or a bookie looking the other way - for an entire world to change...
Nine men who came too late and stayed too long! The year is 1913 just one year short of World War 1. Disguised as U.S. soldiers a gang rides into a Texas border town. Silently they enter and rob the railroad company but an ambush lies in wait. When the gang emerges the company's hired gunmen open fire. Men women and children are caught in the crossfire. The gang escape to their hideout in the desert where they find that the loot for which they fought so hard is worthless. With the railroad company hard on their heels the gang lead by Pike head for the apparent safety of the Mexican revolutionaries and representatives of the ruling Government. As a result of these separate meetings Pike and his gang are forced to re-examine the principles that had until then ruled their lives.
When a photo-journalist vanishes while covering an African civil war a roll of film holds the only clues to his disappearance. Following the trail found in the photos a veteran reporter finds himself in the middle of events as they escalate into war.
As an overdose of eye candy, Ultraviolet can be marginally recommended as the second half of a double-feature with Aeon Flux. Both films are disposable adolescent fantasies featuring a butt-kicking babe (in this case, the svelte and sexy Milla Jovovich) in a dystopian future, and both specialize in the kind of barely-coherent, video-game storytelling that's constantly overwhelmed by an over-abundance of low-budget CGI. Director Kurt Wimmer fared much better with his earlier film Equilibrium, but he's trying for a lively comic book vibe here (beginning with Hulk-like opening credits) with a digitally enhanced, Tron-like color palette. It largely suits this late-21st century story of a "blood war" between the ultra-violent Violet (Jovovich), member of a vampire-like group of resistance fighters infected with a man-made virus called the Hemophage, and the human Vice Cardinal Daxus (Nick Chinlund), who's determined to eliminate Violet's kind once and for all. Wimmer takes all of this way too seriously, crafting a plot involving Violet's rescue of a human clone boy (Cameron Bright) that's intended as an homage to John Cassevetes' 1980 drama Gloria, but Wimmer's good intentions are mostly lost in a repetitive series of chaotically choreographed fight scenes, mostly involving the tight-bodied Jovovich wiping out dozens of armour-clad enemies. It's all too numbingly hectic to qualify as a satisfying movie, but sci-fi buffs should give it a look anyway, if only to see how locations in Shanghai and Hong Kong contribute to the film's futuristic design.--Jeff Shannon
It's hard to imagine how shocking this film was when it first broke on the film scene in 1968. There's never been anything quite like it, though it's inspired numerous pale imitations. Part of the terror lies in the fact that this one's shot in such a raw, unadorned fashion it feels like a home movie, and all the more authentic for that. Another is that it draws us into its world gradually, content to establish a merely spooky atmosphere before leading us through a horrifically logical progression that we could hardly have anticipated. The story is simple. Radiation from a fallen satellite has caused the dead to walk and hunger for human flesh. Once bitten, you become one of them. And the only way to kill one is by a shot or blow to the head. We follow a group holed up in a small farmhouse to fend off the inevitable onslaught of the dead. And it's the tensions between the members of this unstable, makeshift community that drive the film. Night of the Living Dead establishes its savagery as a necessary condition of life. Marked by fatality and a grim humour, it gnaws through to the bone, then proceeds on to the marrow.--Jim Gay
Michael Tucker is programmed into killing his parents by genetic surgeon Dr Archer Howell and is incarcerated in a psychiatric institution for the crime. Years later Michael and friends travel to an isolated island where Howell now runs Trans Cranial Applications experimenting on humans and turning them into mutant machines. Michael must have revenge on Howell for the death of his parents and also stop him for the sake of mankind.
From the pen of landmark filmmaker Orson Welles with co-writer Oja Kodar and F.X. Feeney & George Hickenlooper comes The Big Brass Ring - an explicit tale of sex and scandal on the road to the Presidency! It's a carnival atmosphere along the banks of the Mississippi as the race for Governor of Missouri runs close - but with good looks money and fierce ambition Blake Pellarin (William Hurt) possesses the edge. That is until an attractive news correspondent (Irene Jacob) sends him spinning at the mention of a name - Raymond Romero - and a discarded mentor (Nigel Hawthorne) resurfaces with an incriminating photo. The agendas of his wife (Miranda Richardson) his lover and his enemies swirling around him Pellarin must now embrace a dark past to assure a bright future in the top seat at the White House - the ultimate Big Brass Ring.
A deceptively charismatic ex-convict is welcomed into a Beverly Hills family as their new houseguest. Will they grant him a second chance at redemption? Or will they realise too late that some people really are born evil?
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