Butt ugly but funny! A jaded but greedy movie star is sent to South America to promote 'Gro-Tex 24' fertiliser. A jungle freakshow run by mad scientist Elijah C. Skuggs uses the product to disfigure his stars and Rick soon falls victim to the evil Mr Skuggs...
This remake of the popular heartwarming Christmas classic captures all the joy of the original version. A little girl who has been raised not to believe in fantasy fairy tales and Santa Claus meets a department-store Santa who claims he's the real Kris Kringle. Her mother insists that it can't be true--that Kris is only a nice old man who isn't all too sane. But soon things start happening that may make both of them change their minds... and have faith in magic once again.
Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play. Darkness has settled over New York City as Shredder and his evil Foot Clan have an iron grip on everything from the police to the politicians. The future is grim until four unlikely outcast brothers rise from the sewers and discover their destiny as Teenage Mutant Ninja Turtles. The Turtles must work with fearless reporter April O'Neil and her cameraman Vern Fenwick to save the city and unravel Shredder's diabolical plan.
IN WHITEWOOD, TIME STANDS STILL Christopher Lee was already a horror icon when he started filming The City of the Dead in 1959. Having played Frankenstein's Monster, Count Dracula and The Mummy for Hammer, this new picture would allow him to extend his range to the American Gothic and witchcraft in a small New England village Lee plays Professor Driscoll, an authority on the occult who persuades one of his students (Venetia Stevenson) to research his hometown, Whitewood, once the site of witch burnings in the 17th century. Booking herself into the Raven's Inn, she soon learns that devil worship among the locals hasn't been consigned to the past. Produced by future Amicus founders Milton Subotsky and Max Rosenberg, and beautifully shot by Desmond Dickinson (whose credits ranged from Laurence Olivier's Hamlet to Horrors of the Black Museum), The City of the Dead is a wonderfully atmospheric and still shocking slice of horror that stands firmly alongside with its Hammer contemporaries. SPECIAL EDITION CONTENTS: New 4K digital restoration by the Cohen Film Collection and the BFI High Definition Blu-ray (1080p) and Standard Definition DVD presentations of two versions of the film: The City of the Dead and the alternative US cut, Horror Hotel Uncompressed Mono 1.0 PCM Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by film critic Jonathan Rigby, author of English Gothic: Classic Horror Cinema 1897-2015 and Christopher Lee: An Authorised Screen History, recorded exclusively for this release Trailer Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys MORE TO BE ANNOUNCED! FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing by Vic Pratt
CSI: Crime Scene Investigation is back with season 8! This season brings new characters new relationships and new and ever-more confounding crimes.
In the early days of criminal investigation, before guilt and innocence were determined by forensic science, there was a detective, "a man of mystery", with an uncanny ability to read the human character and an unswerving instinct for the truth. In Victorian England, justice depended on The Suspicions of Mr Whicher. The Murder at Road Hill House Daybreak, 1860. In an elegant country house, the Kent family wakes to a shocking discovery: overnight an unimaginably horrible murder has taken place in their home. As local police struggle to solve the crime, the case becomes a national scandal. Inspector Jack Whicher, "the Prince of Sleuths", is despatched to restore justice, but at what cost? Adapted from the best-selling book, this is a gripping true story of murder, psychological suspense and courtroom drama. The Murder in Angel Lane Disgraced Scotland Yard detective, Jack Whicher saves a respectable country lady from a violent robbery. When he offers to help find her young niece, he is drawn into a disturbing case of murder which brings him up against wealthy and powerful figures and throws him into conflict with his former police colleagues. The investigation leads to a private lunatic asylum where Whicher must confront the darkness of his own demons. Beyond the Pale Whicher is hired by a powerful political grandee, Sir Edward Shore, to investigate violent threats made against his son, who has recently returned from India with his young family. Whicher's quest for justice, leads him into the most dangerous corners of London's docklands and to the exposure of a terrible crime. The Ties That Bind An apparently simple divorce case involving a wealthy landowner and his unhappy young wife spirals into something darker, drawing Whicher into the heart of the English countryside where he uncovers the most disturbing and destructive of secrets.
A Broadway producer has the talent, the tunes, the theatre and everything else he needs to put on a show except the dough. Not to worry, say Ginger Rogers and the other leggy chorines decked out in giant coins. Everyone will soon be singing We're in the Money. Soon after 42nd Street, the brothers Warner again kicked the Depression blues out the stage door and into a back alley. Mervyn Le Roy directs the snappy non-musical portions involving three wonderfully silly love matches (including Dick Powell and Ruby Keeler). And Busby Berkeley brings his peerless magic to the production numbers, his camera swooping and gliding to showstoppers that are naughty (Pettin' in the Park), neon-lit (The Shadow Waltz) and soul-searing (Remember My Forgotten Man). Solid cinema gold! Product Features 3 Cartoons: We're in the Money, Pettin' in the Park, I've Got to Sing a Torch Song 3 Shorts: Rambling 'Round Radio Row, 42nd Street Special, Seasoned Greetings Theatrical Trailer
Airplane! The quintessential movie spoof that spawned an entire genre of parody films, the original Airplane! still holds up as one of the brightest comedic gems of the '80s, not to mention of cinema itself (it ranked in the top 5 of Entertainment Weekly's list of the 100 funniest movies ever made). The humour may be low and obvious at times, but the jokes keep coming at a rapid-fire clip and its targets--primarily the lesser lights of '70s cinema, from disco films to star-studded disaster epics--are more than worthy for send-up. If you've seen even one of the overblown Airport movies then you know the plot: the crew of a filled-to-capacity jetliner is wiped out and it's up to a plucky stewardess and a shell-shocked fighter pilot to land the plane. Robert Hays and Julie Hagerty are the heroes who have a history that includes a meet-cute à la Saturday Night Fever, a surf scene right out of From Here to Eternity, a Peace Corps trip to Africa to teach the natives the benefits of Tupperware and basketball, a war-ravaged recovery room with a G.I. who thinks he's Ethel Merman (a hilarious cameo)--and those are just the flashbacks! The jokes gleefully skirt the boundaries of bad taste (pilot Peter Graves to a juvenile cockpit visitor: "Joey, have you ever seen a grown man naked?"), with the high (low?) point being Hagerty's intimate involvement with the blow-up automatic pilot doll, but they'll have you rolling on the floor. The film launched the careers of collaborators Jim Abrahams (Big Business), David Zucker (Ruthless People), and Jerry Zucker (Ghost), as well as revitalised such B-movie actors as Lloyd Bridges, Peter Graves, Robert Stack, and Leslie Nielsen, who built a second career on films like this. A vital part of any video collection. --Mark Englehart Airplane 2 The 1982 sequel to Airplane! is basically more of the same class-clown ironies but with a more forced feeling to the jokes. In the first film, veterans such as Peter Graves, Robert Stack, and Lloyd Bridges were feeling their way through self-parody, and the air of experimentation was part of the fun. By this film, however, everybody knows what's up, and the assuredness of new cast members Raymond Burr, William Shatner, and Chuck Connors is almost counterproductive. Still, there's lots to laugh about. --Tom Keogh
Sue Johnston is Eileen Lewis - a newly widowed mother and grandmother - who after discovering a little magic in Lapland is determined to live life to the full. Eileen tries to throw herself into new experiences and 'not sit in the corner in black like an old Nanna ' but is often hindered by her well meaning but chaotic children and loveable but testing grandchildren. A warm-hearted family comedy series Being Eileen boasts a stellar British cast including Sue Johnston (The Royle Family) Dean Andrews (Last Tango in Halifax) William Ash (Waterloo Road) Elizabeth Berrington (Stella) and Julie Graham (The Bletchley Circle).
Hollywood journeyman par excellence Michael Curtiz directs this historical Western which tells the stories of confederate soldier Jeb Stuart (Errol Flynn) and General George Armstrong Custer (Ronald Reagan) as they fight abolitionist John Brown (Raymond Massey).
Experience the Star Trek Universe like never before! The first original 10 films remastered plus over 8 hours of special features. For the first time in Star Trek history nearly every frame of the final frontier is brought together in one brilliantly re-mastered motion picture DVD box set. Discover the Star Trek Universe and experience every unforgettable moment from Kirk's triumphant return to the bridge of the U.S.S. Enterprise in Star Trek: The Motion Picture to Picard Data and the crew of the U.S.S. Enterprise-E's final battle for control of the universe in Star Trek Nemesis. The spirit of the Enterprise lives in the heart-stopping action and unforgettable characters of this one-of-a-kind collection. Special Features: The Original Series Star Trek: The Motion Picture Commentary by Michael and Denise Okuda Judith and Garfield Reeves-Stevens and Daren Dochterman Library Computer Production The Star Trek Universe Deleted Scenes Trailers TV Spots BD -Live - Star Trek I.Q Star Trek II: The Wrath of Khan Commentary by director Nicholas Meyer Commentary by director Nicholas Meyer and Manny Coto Library Computer Production The Star Trek Universe Theatrical Trailer BD-Live - Star Trek I.Q. Star Trek III: The Search for Spock Commentary by director Lenoard Nimoy writer and producer Harve Bennett director of photography Charles Correll and Robin Curtis Commentary by Ronald D. Moore and Michael Taylor Library Computer Production The Star Trek Universe Theatrical Trailer Easter Egg: That Darn Klingon Dog BD-Live - Star Trek I.Q. Star Trek IV: The Voyage Home Commentary by William Shatner and Leonard Nimoy Commentary by Roberto Orci and Alex Kurtzman Library Computer Production The Star Trek Universe Visual Effects Original Interviews Tributes Theatrical Trailer BD-Live - Star Trek I.Q. Star Trek V: The Final Frontier Commentary by William Shatner and Liz Shatner Commentary by Michael and Denise Okuda and Judith and Garfield Reeves-Stevens and Daren Dochterman Library Computer Production The Star Trek Universe Deleted Scenes Theatrical Trailers TV Spots Easter Egg the Gag reel BD-Live - Star Trek I.Q. Star Trek VI: The Undiscovered Country Commentary by director Nicholas Meyer and screenwriter Denny Martin Flinn Commentary by Larry Nemecek and Ira Steven Behr Library Computer The Perils of Peacemaking Stories from Star Trek VI The Star Trek Universe Original Interviews Farewell Promotional Material BD-Live - Star Trek I.Q. The Next Generation Star Trek: Generations Commentary by director David Carson and Manny Coto Commentary by Brannon Braga and Ronald D. Moore Library Computer Production Visual Effects Scene Deconstruction The Star Trek Universe Deleted Scenes Archives: Storyboards Production Gallery Teaser Trailer Theatrical Trailer Star Trek I.Q. (BD-Live) Star Trek: First Contact Commentary by director and actor Jonathan Frakes Commentary by screenplay writers Brannon Braga and Ronald D. Moore Commentary by Damon Lindelof and Anthony Pascale Library Computer Production Scene Deconstruction The Star Trek Universe The Borg Collective Archives: Storyboards Photo Gallery Teaser Trailer Theatrical Trailer Star Trek I.Q. (BD-Live) Easter Eggs Star Trek: Insurrection Commentary Jonathan Frakes and Marina Sirtis Library Computer Production The Star Trek Universe Creating The Illusion Deleted Scenes Archives: Storyboards Production Gallery Advertising Star Trek I.Q. (BD-Live) Easter Eggs Star Trek: Nemesis Commentary by director Stuart Baird Commentary by producer Rick Berman Commentary by Michael and Denise Okuda Library Computer Production The Star Trek Universe The Romulan Empire Deleted Scenes Archives: Storyboards Production Galleries Teaser Trailer Theatrical Trailer Star Trek I.Q. (BD-Live) Easter Eggs Bonus Discs: Star Trek Summit Part 1 Part 2 Part 3 The Evolution of the Enterprise Villians of Star Trek I Love the Star Trek Movies Farewell to Star Trek: The Experience Klingon Encounter Borg Invasion 4D Charting the Final Frontier
John Travolta (Face/Off Phenomenon) gives another brilliant performance in a suspenseful true story that's been praised as the greatest legal thriller of all time! Jan Schlichtmann (Travolta) is a cynical high-priced personal injury attorney who only takes big-money cases he can safely settle out of court. Though his latest case at first appears straightforward Schlichtmann soon becomes entangled in an epic legal battle...one where he's willing to put his career reputation and a
Experience the dazzling story of cinematography as seen through the lenses of the world's greatest filmmakers and captured in classic scenes from over 125 immortal movies. Discover Gordon Willis's secrets of lighting Marlon Brando in The Godfather and Greg Toland's contributions to Citizen Kane. Hear William Fraker on filming Rosemary's Baby; Vittorio Storaro on his use of colour and light in Apocalypse Now; and much much more. From black and white to Te
'Somewhere somehow we are being slowly dragged down....' When the Doctor and his friends stray from their astral plane and the TARDIS materialises in eerie alien surroundings a mysterious force prevents them from leaving. Is it a natural phenomenon or some malevolent intelligence? Uncanny occurences are followed by encounters with the deadly Zarbi and their unknown leader to whom the travellers fall prey. With their allies the Menoptra the travellers must discover how to immobil
One of the best films from Italian genre master Sergio Sollima (The Big Gundown) Faccia a Faccia (Face to Face ) is a gangbusting western saga and a gripping parable of the rise of fascism. Upstanding history professor Brad Fletcher (played by the incomparable Gian Maria Volonte) is forced into retirement by his poor health and moves west for the warmer climate. Almost as soon as he arrives however he is taken hostage by famed bandit Solomon Bennett (the great Tomas Milian) in an accidental confrontation and by necessity is forced to take up with his cohorts. But the learned man's growing identification with the gang encourages him to stage a takeover from Bennett and a new crueller system of leadership is put into place. Produced by Sergio Leone's longtime partner Alberto Grimaldi featuring stunning Techniscope cinematography and a pounding score by il maestro Ennio Morricone this long-requested Italian western makes its first appearance on Blu-ray anywhere in the world from a beautiful high-definition master with both English and Italian soundtracks.
Comedy legend Will Hay stars as William Potts, a hapless, clumsy schoolteacher, who just happens to be an identical body double for a notorious German Nazi general. When the army is made aware of this uncanny resemblance to the German, who they are currently holding prisoner; they decide to drop the reluctant Mr Potts behind enemy lines. His deadly mission is to find and retrieve information on a secret weapon that the Germans are planning to use. But whilst impersonating the Nazi general, William Potts manages to infiltrate the college of Hitler Youth. He also manages to make a big impression on the students who are being trained as spies and are learning how to fit into British society. Luckily Mr Potts is at hand to give them lots of handy hints in honour of the war effort! Extras: Interview with Graham Rinaldi Go to Blazes Will Hay short BBC Radio 3 The Essay: British Film Comedians Will Hay Audio Featurette by Simon Heffer
Thief. Warrior. Gladiator. King. Through the history of mankind the times that are most recorded in mythology and song are those of the great deeds and fantastic adventures. Such a time was the Hyborean Age. Such a tale is the story of 'Conan The Barbarian'. Cimmeran Conan witnesses his parents' savage murder at the hands of the raiding Vanir and their master Thulsa Doom also leader of the snake-cult of Set. Fifteen years of agony first chained to the Wheel Of Pain grinding grain and then enslaved as a pit fighter forge a magnificent body and indominitable spirit. Freed miraculously one day by his owner Conan with his companions Subotai the Mongol and Valeria the Queen of Thieves sets forth upon his quest to learn the riddle of steel which his father has prophesied will confer ultimate power; and to kill the arch-villian Thulsa Doom...
To celebrate the 50th Anniversary of the first broadcast of a Star Trek episode in 1966, this Steelbook features art based on the original theatrical poster, plus commemorative 50th Anniverary logo. One of the most celebrated and essential chapters in Star Trek lore, Star Trek II: The Wrath of Khan is now presented in this spectacular Director's Cut from legendary filmmaker Nicholas Meyer. On routine training maneuvers, Admiral James T. Kirk seems resigned that this may be the last space mission of his career. But Khan is back, with a vengeance. Aided by his exiled band of genetic supermen, Khan (Ricardo Montalban)brilliant renegade of 20th century Earthhas raided Space Station Regula One, stolen a top secret device called Project Genesis, wrested control of another Federation starship, and now schemes to set a most deadly trap for his old enemy Kirk...with the threat of a universal Armageddon! Bonus Features: COMMENTARY BY: Director Nicholas Meyer (Director's Cut and Theatrical Version) COMMENTARY BY: Director Nicholas Meyer and Manny Coto (Theatrical Version) Text commentary by Michael and Denise Okuda (Director's Cut) Library computer (Theatrical Version) NEW: The Genesis Effect: Engineering the Wrath of Khan Farewell: A tribute to Ricardo Montalban Plus: Production, Storyboard, Star Trek Universe Bonus
Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation. The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon, Amazon.com
During World War II a British Army officer is despatched to Borneo to train the local tribesmen to fight the Japanese and is surprised to discover the tribal king is an American. The two train the tribe and fight in a series of battles but both are sadly aware that their destruction is imminent...
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