In this modern fairy tale film directed by Tim Burton, Edward (Johnny Depp) is a gentle, naive creation with razor-sharp scissors for hands. When he is taken home by a kindly Avon lady (Dianne Wiest) to live with her family, his adventure in the pastel paradise of Suburbia begins!
There is a striking contrast between the extremely formal structure of giant Vuitton and Jacobs's extremely laidback attitude. Hired in 1998 confident and media-wary he has invented Vuitton's ready-to-wear line and turned over the world of luxury with limited series of handbags designed by contemporary artists. Marc Jacobs stands at the center of this globalized organization. He is recognized as one of the most potent purveyors of taste and trendsetting. Yet Marc Jacobs neither sketches nor sews. He is no sewing hand he is an eye of fashion. No camera has ever been allowed to film Vuitton's and Jacob's creation process yet the film unravels an economic and artistic system in a lively manner maintaining the accuracy of the facts and the glamour with maximum pleasure for the viewer. The narrative is not only the classical suspense that builds up before a collection it is also a demonstration of a new way to make fashion a very modern mix of chaos and glamour.
The Remains of the Day is one of Merchant-Ivory's most thought-provoking films. Anthony Hopkins is a model of restraint and propriety as Stevens, the butler who "knows his place"; Emma Thompson is the animated and sympathetic Miss Kenton, the housekeeper whose attraction to Stevens is doomed to disappointment. As Nazi appeaser Lord Darlington, James Fox clings to the notion of a gentleman's agreement in the ruthless political climate before World War Two. Hugh Grant is his journalist nephew all too aware of reality, while Christopher Reeves gives a spirited portrayal of an American senator, whose purchase of Darlington Hall 20 years on sends Stevens on a journey to right the mistake he made out of loyalty. As a period drama with an ever-relevant message, this 1993 film is absorbing viewing all the way. On the DVD: the letterbox widescreen format reproduces the 2.35:1 aspect ratio with absolute clarity. Subtitles are in French and German, with audio subtitles also in English, Italian and Spanish, and with 28 separate chapter selections. The "making-of" featurette and retrospective documentary complement each other with their "during and after" perspectives, while "Blind Loyalty, Hollow Honour" is an interesting short on the question of appeasement and war. The running commentary from Thompson, Merchant and Ivory is more of a once-only diversion. --Richard Whitehouse
In 1990, Welcome Home Roxy Carmichael showed Winona Ryder as cinema's top teenage role model. Her edge was a delinquency-equals-sympathy angle that held true throughout Beetlejuice, Mermaids, Heathers and Edward Scissorhands. Here as Dinky Bossetti she's chasing the ghosts of a past no one can explain. She's adopted; her town of Clyde, Ohio is mysteriously stuck in the 1950s; but weirder still is everyone's fixation with the imminent return of once-famous homecoming girl Roxy Carmichael. Dinky's school peers conform to the John Hughes 80s look and mindset, but it's the retro adult population that really winds her up. Jeff Daniels ought to be a perfectly conditioned suburbanite, but can't get over having once been married to Roxy. Imparting the secret that they'd had a child and given it away, Dinky's own confusions and obsessions suddenly make sense. The tangle of B-plots are given purpose at the same time she is. Her silent admirer (Thomas Wilson Brown) is able to approach her at last, and her school guidance counsellor becomes the friend she's never had. Ultimately the story's about the notion that no teenager ever feels like they fit in. Of course the real problem facing Ryder, Dinky and any viewer is that all teens grow up. What then? On the DVD: This is a bare-bones package with a simple two-channel stereo and 16:9 anamorphic ratio transfer. That said, it looks and sounds just fine. There's only one trailer, but someone's tried with the diner-style menu at least. --Paul Tonks
The Dilemma Vince Vaughn and Kevin James headline an all-star comedy from director Ron Howard and producer Brian Grazer about a man who finds out that what you don’t say to a friend is just as important as what you do. Jennifer Connelly, Winona Ryder, Channing Tatum and Queen Latifah join them in The Dilemma, a story of how far you can bend a brotherly bond before it snaps.Since college, confirmed bachelor Ronny (Vaughn) and happily married Nick (James) have been through thick and thin. Now partners in an auto design firm, the two pals are vying to land a dream project that would launch their company. With Ronny’s girlfriend, Beth (Connelly), and Nick’s wife, Geneva (Ryder), by their sides, they’re unbeatable.But Ronny’s world is turned upside down when he inadvertently sees Geneva out with another man and makes it his mission to get answers. As the amateur investigation dissolves his world into comic mayhem, he learns that Nick has a few secrets of his own. Now, with the clock ticking and pressure mounting on the biggest presentation of their careers, Ronny must decide how and when he will reveal the truth to his best friend. Couples Retreat Their relationship in danger of dissipating, a couple racing to salvage their marriage invites three other couples to join them at a tropical island resort. Upon arriving at the island paradise to enjoy some carefree fun in the sun, the other couples are disturbed to discover that participation in therapy sessions is mandatory if they hope to remain at the resort. Peter Bilingsley directs a comedy penned by Jon Favreau, produced by Vince Vaughn, and pairing the two Swingers collaborators onscreen with co-stars Jason Bateman and Faizon Love. The Break Up Gary (Vince Vaughn) spots Brooke (Jennifer Anniston) at a ball game and is instantly attracted to her, so in effort to charm her he buys her a hotdog and persuades her to go on a date with him. The two hit it off and soon enough are a couple and move into a luxurious condo together.After a big argument about Gary not helping her enough Brooke breaks up with Gary in hope he will change his ways. But the break-up only pushes him even further away. Things start to worsen instead of improving when neither of the two will move out of the condo. But do they really want to break-up or have things just gone way too far?
Ellen Ripley (Sigourney Weaver) died fighting the perfect predator. Two hundred years and eight horrific experiments later she's back. A group of scientists have cloned her along with the alien queen inside her hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her ""creators"" as are the aliens. And soon a lot more than ""all hell"" breaks loose! To combat the creatures Ripley must team up with a band of smugglers including a mechanic named Call (Winona Ryder) who holds more than a few surprises of her own.
Two classic films from auteur(!) director Jim Jamursch. Down By Law: 'It's not where you start - it's where you start again...' In one of the hippest comedies ever made three misfits find themselves thrown together in a New Orleans jail cell. There's Zach the unemployed DJ Jack the small time pimp and Bob the crazy Italian tourist. Unavailable for many years this cult hit stars Tom Waits John Luries and the Oscar-winning director and star of 'Life Is Beautiful' Roberto Be
Francis Ford Coppola returns to the original source of the Dracula and fashions a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)...
Love Never Dies Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)...
GIRL, INTERRUPTED is the searing true story of Susanna Kaysen, a young woman who finds herself at a renowned mental institution for troubled young women
50 First Dates (Dir. Peter Segal 2004): Henry Roth (Sandler) the local marina veterinarian only dates tourists because he's afraid of commitment - that is until he meets Lucy (Barrymore). Unfortunately Lucy lost her short-term memory months ago in a car accident and for her each day is October the 13th. She follows the same routine every day - breakfast at the same restaurant pineapple-picking with her dad and eventually bed time where sleep wipes away her short-term memory. Henry however refuses to be forgotten and as his puppy love matures he embarks on a quest to restore her memory or at least be a part of her everyday routine. But vying for Lucy's attention isn't always easy. Henry explores various approaches before making a video for Lucy to watch every morning reminding her of who she is and what she's doing... Spanglish (Dir. James L. Brooks 2004): A woman and her daughter emigrate from Mexico for a new life in America; they end up working for John Clasky (Sandler) who's trying to come to terms with sudden success as a celebrity chef an overly sensitive wife (Tea Leoni) emotional children and an increasing attraction to his new nanny... Mr. Deeds (Dir. Steven Brill 2002): Small town guy Longfellow Deeds (Adam Sandler) inherits a billion fortune from his deceased uncle. He promptly moves to the big city where he meets Babe Bennett (Winona Ryder) a tabloid reporter who poses as a small town girl to uncover an expos'' on Mr Deeds. Conniving opportunists attempt to get their hands on his money while Deeds' sincere naivet'' has Babe falling in love with him. Ultimately Deeds comes to find that money truly has the power to change things but it doesn't necessarily need to change him...
Mr Deeds (Dir. Steven Brill 2002): Small town guy Longfellow Deeds (Adam Sandler) inherits a $40 billion fortune from his deceased uncle. He promptly moves to the big city where he meets Babe Bennett (Winona Ryder) a tabloid reporter who poses as a small town girl to uncover an expos on Mr Deeds. Conniving opportunists attempt to get their hands on his money while Deeds' sincere naivet has Babe falling in love with him. Ultimately Deeds comes to find that money truly has the power to change things but it doesn't necessarily need to change him... Big Daddy (Dir. Dennis Dugan 1999): Thirty-two-year old Sonny Koufax (Adam Sandler) has spent his whole life avoiding responsibility. But when his girlfriend dumps him for an older man he's got to find a way to prove he's ready to grow up. In a desperate last-ditch effort Sonny adopts five-year-old Julian to impress her. She's not impressed...and he can't return the kid. Uh-oh for Sonny! Spanglish (Dir. James L. Brooks 2004): A comedy with a language all its own! A woman and her daughter emigrate from Mexico for a new life in America; they end up working for John Clasky (Sandler) who's trying to come to terms with sudden success as a celebrity chef an overly sensitive wife (Tea Leoni) emotional children and an increasing attraction to his new nanny...
Mr Deeds (Dir. Steven Brill 2002): Small town guy Longfellow Deeds (Adam Sandler) inherits a billion fortune from his deceased uncle. He promptly moves to the big city where he meets Babe Bennett (Winona Ryder) a tabloid reporter who poses as a small town girl to uncover an expos'' on Mr Deeds. Conniving opportunists attempt to get their hands on his money while Deeds' sincere naivet'' has Babe falling in love with him. Ultimately Deeds comes to find that money truly has the power to change things but it doesn't necessarily need to change him... Big Daddy (Dir. Dennis Dugan 1999): Thirty-two-year old Sonny Koufax (Adam Sandler) has spent his whole life avoiding responsibility. But when his girlfriend dumps him for an older man he's got to find a way to prove he's ready to grow up. In a desperate last-ditch effort Sonny adopts five-year-old Julian to impress her. She's not impressed...and he can't return the kid. Uh-oh for Sonny! Anger Management (Dir. Peter Segal 2003): Dave Buznik (Adam Sandler) is usually a mild-mannered non-confrontational guy. But after an altercation aboard an airplane he is remanded to the care of anger management therapist Dr. Buddy Rydell (Jack Nicholson) who could probably use some anger management himself. Now Dave is really mad!
Dogma Two fallen angels are searching for a way back from everlasting exile and find it can be hell getting back into heaven. Heathers Veronica is a member of Heathers an elite high school clique until she falls for new school rebel JD who gives her the answer to her secret desire.
Once upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm he wasn't quite perfect. The inventor's sudden death left him unfinished with sharp spears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.From Tim Burton the director of Charlie and the Chocolate Factory and Mars Attacks comes an unforgettable fairy tale about a most unusual character. Starring Johnny Depp Winona Ryder Dianne Wiest and Vincent Price as the Inventor.
Aliens (Dir. James Cameron 1986): In this action-packed sequel to Alien Sigourney Weaver returns as Ripley the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism until the mysterious disappearance of colonists on LV-426 lead her to join a team of high-tech colonial marines sent in to investigate. Alien Resurrection (Dir. Jean-Pierre Jeunet 1997): Ellen Ripley (Sigourney Weaver) died fighting the perfect predator. Two hundred years and eight horrific experiments later she's back. A group of scientists have cloned her along with the alien queen inside her hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her ""creators"" as are the aliens. And soon a lot more than ""all hell"" breaks loose! To combat the creatures Ripley must team up with a band of smugglers including a mechanic named Call (Winona Ryder) who holds more than a few surprises of her own.
Mystery Men (Dir. Kinka Usher 1999): The hippest cast in history has united to become the funniest superhero team ever. Ben Stiller Janeane Garofalo Hank Azaria William H Macy Greg Kinnear and Paul Reubens join forces to battle Geoffrey Rush in this wild funny and thoroughly original misadventure. When Captain Amazing (Kinnear) Champion City's legendary superhero falls into the hands of the evil madman Casanova Frankenstein (Rush) and his disco-dancing henchmen there's suddenly a chance for the aspiring superheroes to show what they can do. They're the Mystery Men a ragtag team of superhero wannabes featuring: Mr Furious (Stiller) whose power comes from his boundless rage; The Shoveler (Macy) a father who shovels ""better than anyone""; The Blue Raja (Azaria) a fork-flinging mama's boy; The Bowler (Garofalo) who fights crime with the help of her father's skull; The Spleen (Reubens) whose power is pure flatulence; Invisible Boy (Mitchell) who's only invisible when no one's watching and The Sphinx (Studi) a clich-spewing philosopher. Your friends And Neighbours (Dir. Neil LaBute 1998): A dark comedy of the highest order from director Neil La Bute (In The Company Of Men) this is the first time 'Your Friends And Neigbours' has been available on DVD. Theater instructor Jerry starts an affair with Mary and that starts a chain of events that affect their respective partners Terri and Barry and other characters in the film creating a web of relationships. Reality Bites (Dir. Ben Stiller 1993): Winona Ryder Ethan Hawke and Ben Stiller (directing his first feature film) star in this wildly romantic comedy that looks at life love and the pursuit of gainful employment through the eyes of a generation sandwiched somewhere between The Brady Bunch and Melrose Place! As her college valedictorian Lelaina Pierce (Ryder) should be destined for greatness. In reality she is a lowly production assistant for an obnoxious TV morning show (John Mahoney). In her free time Lelaina is making a biting often outrageous video documentary about her peers: (Steve Zahn) and her best friend Troy (Hawke) a brilliant but unmotivated rebel. Meanwhile Lelaina meets Michael (Stiller) an ambitious video executive who wants to showcase her documentary on ""In Your Face TV"". Suddenly she finds herself at the centre of a very odd love triangle with dependable fast-track Michael on the one side and a sexy brooding Troy on the other. Whether cruising to ""Tempted"" by Squeeze or rocking to The Knack's ""My Sharona"" Ryder and friends shine in this hilarious romance that's ""pure entertainment"".
The imminent homecoming of rock star Roxy Carmichael sends the good folks of her small Ohio hometown into a frenzy of preparation. Among those anxiously anticipating this joyous reunion are Denton Roxy's old boyfriend and Dinky a troubled fifteen-year-old obsessed with the notion that Roxy is her mother...
Ellen Ripley (Sigourney Weaver) died fighting the perfect predator. Two hundred years and eight horrific experiments later she's back. A group of scientists have cloned her along with the alien queen inside her hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her ""creators"" as are the aliens. And soon a lot more than ""all hell"" breaks loose! To combat the creatures Ripley must team up with a band of smugglers including a mechanic named Call (Winona Ryder) who holds more than a few surprises of her own.
Hostel The hallowed tradition of the post-college European backpacking trip turns into an unimaginable nightmare for two unsuspecting American 20-somethings in Eli Roth's (Cabin Fever) sensational second outing. Paxton (Jay Hernandez) and Josh (Derek Richardson) have embarked upon a hedonistic tour of the continent, and somewhere along the way pick up travelling companion Oli (Eythor Gudjonsson). In Amsterdam the trio partakes of the pastimes most dear to frat boys everywhere: weed, prostitutes, and nightclubs. But when a fellow traveller tells these thrill-seekers about the decadent scene that awaits them in Bratislava, they find themselves unable to resist its lures. Enticed by the promise of a hostel full of beautiful girls who love Americans, they set out for the remote areas of Eastern Europe. There, the sex farce to which the film's first half is devoted slowly turns ominous, as the boys hook up immediately with the gorgeous Natalya (Barbara Nedeljakova) and Svetlana (Jana Kaderabkova), whose eagerness masks more sinister intentions. Soon, the disagreeable backpackers find themselves on the other side of the flesh trade, sold by the girls into an exclusive human trafficking operation that gives its customers the opportunity to torture and kill a helpless victim. Much of what follows consists of the squirm-inducing surgical horrors that characterise precursors such as Saw, with the implications regarding the capitalist system and the human soul becoming ever darker. Produced by Quentin Tarantino, the film amps up the gore factor as much as it can get away with, and, in the tradition of the best horror films, offers a satirical socially conscious commentary. Hostel Part II The inevitable sequel to one of the decade's most intriguing and well-made horror films, Hostel Part II, as the title implies, picks up pretty much where the last film left off. And it doesn't take too long for the sequel to find the same groove that earned its predecessor so much attention. The setting is once again an underground club, where people bid for the right to torture residents at the hostel of the title. Hostel Part II, however, lets us see events from the other perspective too, as we meet the wealthy businessmen who are availing themselves of the club's services. It's a logical dynamic for the movie, and it does bring a fresh perspective to a film that does eventually settle down to a cavalcade of gore and shock. As a director, Eli Roth has clearly improved since last time around, even if this time he too often succumbs to the temptation to show rather than imply, and Hostel Part II as a result feels a little less fresh and more uncomfortable than its predecessor. Yet it's most certainly an unsettling piece of cinema, and one likely to find favour with Roth's increasing fanbase. A word of warning, though: Hostel Part II isn't shy about pulling its punches, and it very much justifies its 18 certificate. It's also a cut above many of its modern day contemporaries in the genre, even though it fails to measure up to part one. --Jon Foster Vacancy A confined setting is a useful tool for thriller-makers, and Vacancy is definitely boxed in: a run-down motel way, way off the Interstate, the kind of place where unsuspecting movie characters go to get stabbed to death in the shower. If Vacancy doesn't quite live up to its Hitchcockian forebears, at least it provides 80 minutes of well-designed mayhem. You know somebody's paying attention just from the opening credits, a clever vortex with pounding music by Paul Haslinger. Then we meet unhappy couple Luke Wilson and Kate Beckinsale, driving along in the dark and forced to stay at the Pinewood Motel after a car breakdown. There's a night man (Frank Whaley, World Trade Center) in the tradition of Dennis Weaver's Touch of Evil gargoyle, but the real mess of trouble is waiting in room number four. Director Nimrod Antal, who scored a stylish international hit with the Hungarian thriller Kontroll, squeezes maximum juice out of the Route 66 atmosphere of the motel, although the movie doesn't get under your skin the way Kontroll did. Wilson and Beckinsale are a little too marquee-namish for this kind of heavy-breathing work, and the script doesn't give them much to play with. But hey, it's not that kind of movie. Where it really belongs is on the top half of a drive-in double bill, or maybe as a nightmare-scenario TV movie from the Seventies. Either way, it works. --Robert Horton, Amazon.com Bram Stoker's Dracula Francis Ford Coppola's take on the Dracula myth is visually stunning and overflows with passionate seduction and Gothic romance. In Bram Stoker's Dracula, Coppola draws from the original source of the Dracula story to create a modern masterpiece. Gary Oldman's metamorphosis as Dracula, who grows from old to young, from man to beast, is breathtaking. Winona Ryder brings as much intensity to the character of the beautiful young woman who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula and then dares to confront him. Opulent and irresistible, Bram Stoker's Dracula is an unforgettable film. The Covenant Renny Harlin (Die Hard 2, Deep Blue Sea) directs this supernatural thriller about descendants of powerful New England families. The sons of Ipswich are legendary at Spenser Academy, the local boarding school. Handsome and popular, these four teenage friends can trace their roots to the founding families of the Ipswich Colony, settled in the late 1600s. For years these Massachusetts families have harboured the secret that they possess supernatural powers. Their descendants--Caleb (Steven Strait), Reid (Toby Hemingway), Tyler (Chace Crawford), and Pogue (Taylor Kitsch)--have inherited magical powers that first manifested themselves when the boys turned 13 years old. In a nutshell, they can do anything. As they approach their 18th birthdays, they are preparing to 'ascend', which means their powers will grow stronger. The downside? The magic is seductive and addictive, and causes premature aging with each use. Ringleader Caleb tries to keep his friends from using magic recklessly, but as the school year begins, strange events and a strong gut instinct convince Caleb that someone is using very powerful magic. Meanwhile, Caleb is exploring his newfound affection for transfer student Sarah (Laura Ramsey). To Caleb''s dismay, Sarah becomes a pawn in a power struggle with a descendant of the fifth founding family of Ipswich, a line thought to be lost during Salem''s witch trials. Is Caleb strong enough to maintain his power and keep his family and friends safe, or will he yield to this new threat and sacrifice himself? The film draws interesting parallels between the luring, addictive power of magic and the addictions real teenagers face. The sufficiently creepy setting echoes New England and sets the stage for supernatural phenomena. The Covenant also stars Sebastian Stan as Chase Collins, a wealthy newcomer to Spenser, and Jessica Lucas as Kate, Sarah's roommate and Pogue's girlfriend.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy