In this 12th-century version of Who's Afraid of Virginia Woolf?, Henry II of England (Peter O'Toole) and his wife, Eleanor of Aquitaine (Katharine Hepburn), meet on Christmas Eve to discuss the future of the throne. These two are having slight marital problems, as she is kept in captivity most of the year for raising a rebellion against him, and he flaunts his young mistress. Then there are the problems raised by their three treacherous and traitorous sons. James Goldman won an Oscar for the brilliant screenplay, based on his Broadway play. It is a tad wordy, as the action is kept to a minimum, but those words are sharp as daggers. The humour is wicked and black and delivered with very dry, dead-on precision. Sparks fly and the screen sizzles whenever Hepburn and O'Toole tango, which is often. Both were nominated for Academy Awards for their vigorous performances. (She won, he didn't.) There is also an infamous homoerotic exchange between Philip of France (Timothy Dalton) and Richard the Lionhearted (Anthony Hopkins). Both actors were making their feature film debuts. --Rochelle O'Gorman, Amazon.com
Eva Green gives a career best performance in this epic and emotionally charged new drama from acclaimed director Alice Winocour. Green plays Sarah, a French astronaut training at the European Space Agency in Cologne. The only woman in the arduous programme she has been chosen to be part of the crew of a year-long space mission called Proxima . Putting enormous strain on her relationship with her daughter (played by outstanding newcomer Zélie Boulant-Lemesle), the training begins to take its toll on both as Sarah's training progresses and the launch looms ever closer. Featuring stunning performances from the entire cast which includes Matt Dillon, Lars Eidinger and Sandra Hüller, Winocour's new film is an unmissable cinematic experience which will take audiences on a gripping, emotional and life-affirming journey.
Using a faulty thriller for his soapbox as an outspoken critic of China, a devout follower of the Dalai Lama, and an influential supporter of Tibetan freedom, Richard Gere resorts to the equivalent of propagandistic drama to deliver a heavy-handed message. In other words, Red Corner relies on a dubious strategy to promote political awareness, but director Jon Avnet appeals to the viewer's outrage with such effective urgency that you're likely to forget you're being shamelessly manipulated. Gere plays a downtrodden TV executive who sells syndicated shows on the global market, and during a business trip to China he finds himself framed for the murder of the sexy daughter of a high Chinese official. Once trapped in a legal system in which his innocence will be all but impossible to prove, Gere must rely on a Chinese-appointed lawyer (played by Bai Ling) who first advises him to plead guilty but gradually grows convinced of foul play. Barely attempting to hide its agenda, Red Corner effectively sets the stage for abundant anti-Chinese sentiment, and to be sure, the movie gains powerful momentum with its tale of justice gone awry. It's a serious-minded, high-intensity courtroom drama with noble intentions, but one wonder if it has to be so conspicuously lacking in subtlety. --Jeff Shannon, Amazon.com
THE ANCIENT GOD DAIMAJIN ARISES! The Daimajin Trilogy saw Daiei's Kyoto studios bringing its own iconic movie monster to life in a unique but short-lived series that transplants the Golem legend to Japan's Warring States period of the late-16th century. In Daimajin, directed by Kimiyoshi Yasuda (Yokai Monsters, Zatoichi on the Road), the young son and daughter of the benevolent feudal lord Hanabusa flee to the mountains when their parents are slain by the treacherous usurper Odate. Ten years later, when the elderly priestess who has harboured them is also murdered, the rage of the slumbering ancient god that lies beneath the crumbling giant stone idol hidden deep in the forests in the mountains is invoked. In Return of Daimajin, Kenji Misumi (Tale of Zatoichi, Lone Wolf and Cub) brings his usual stylistic flourish, as the wrathful deity is roused from his new home on an island in the middle of a lake by the violent incursions of a vicious warlord. In the final film, Wrath of Daimajin, by veteran jidaigeki director Kazuo Mori, four young boys make a perilous trip to elicit the help of the ancient mountain god in freeing their family members who have been enslaved by a tyrannical lord. Remarkably overlooked in the West, these three thrilling tales of feudal oppression and divine retribution meted out by the iconic stone warrior of the title combine lavish period detail with jaw-dropping special effects. Special Features: High Definition Blu-rayTM (1080p) presentation of the three Daimajin films Lossless original Japanese and dubbed English mono audio for all film Optional English subtitles Illustrated collector's 100 page book featuring new essays by Jonathan Clements, Keith Aiken, Ed Godziszewski, Raffael Coronelli, Erik Homenick, Robin Gatto and Kevin Derendorf Postcards featuring the original Japanese artwork for all three films Reversible sleeves featuring original and newly commissioned artwork by Matt Frank DISC ONE DAIMAJIN Brand new audio commentary by Japanese film expert Stuart Galbraith IV Newly filmed introduction by critic Kim Newman Bringing the Avenging God to Life, a brand new exclusive video essay about the special effects of the Daimajin films by Japanese film historian Ed Godziszewski Alternate opening credits for the US release as Majin - The Monster of Terror Trailers for the original Japanese and US releases Image gallery DISC TWO RETURN OF DAIMAJIN Brand new audio commentary by Japanese film experts Tom Mes and Jasper Sharp My Summer Holidays with Daimajin, a newly filmed interview with Professor Yoneo Ota, director of the Toy Film Museum, Kyoto Film Art Culture Research Institute, about the production of the Daimajin films at Daiei Kyoto From Storyboard to Screen: Bringing Return of Daimajin to Life, a comparison of several key scenes in Return of Daimajin with the original storyboards Alternate opening credits for the US release as Return of the Giant Majin Trailers for the original Japanese and US releases Image gallery DISC THREE WRATH OF DAIMAJIN Brand new audio commentary by Asian historian Jonathan Clements Interview with cinematographer Fujio Morita discussing his career at Daiei and his work on the Daimajin Trilogy Trailers for the original Japanese release Image Gallery
Have a rendezvous with music and gaiety! An entertainer (Ameche) in Rio impersonates a wealthy arisocrat (also Ameche). When the aristocrat's wife (Faye) asks him to carry the impersonation further, complications ensue.
Three years after Lawrence of Arabia, the largely impressive Lord Jim (1965) finds Peter O'Toole again essaying a self-doubting but remarkable, white Englishman who leads a foreign people against their oppressor. Based on the Joseph Conrad novel, Lord Jim is the story of a British maritime officer, Jim (O'Toole), who takes a brief post on a tramp steamer and flees in terror during a storm at sea. Dogged by a reputation for cowardice, Jim attempts to reinvent himself in his own eyes, commanding an attack against a feudal warlord (Eli Wallach) in a distant, Southeast Asian village and basking in god-like glory afterward. A sinister plot by a gentleman pirate (James Mason) sets the stage for Jim's confrontation with his true destiny. Simplified and adapted by writer-director Richard Brooks (In Cold Blood), Lord Jim sometimes feels rushed and obvious, but O'Toole's golden performance and legendary cinematographer Freddie Young's 70mm footage are outstanding. --Tom Keogh
The Marx Brothers Chico, Groucho, Harpo and Zeppo are one of the cornerstones of American comedy. Starting out in vaudeville, they conquered Broadway and the big screen in their own inimitable style, at once innovative, irreverent, anarchic, physical, musical, ludicrous and hilarious. With the advent of the talkies', the Brothers signed to Paramount Pictures and brought their stage act to cinema audience. They made five films in five years, all of which are collected here: The Cocoanuts (1929), Animal Crackers (1930), Monkey Business (1931), Horse Feathers (1932) and one of the greatest comedies of all time, Duck Soup (1933). The Paramount era represents the Marx Brothers at their absolute finest, retaining all of the energy and controlled chaos of their stage shows. Plots are unimportant it's the gags, set-pieces and one-liners that matter: Why a duck?, Hello, I Must Be Going, Hooray for Captain Spaulding, That's the bunk!, Horse Feathers' Swordfish scene and classic mirror sequence in Duck Soup. LIMITED EDITION CONTENTS: High Definition Blu-ray (1080p) presentations of all five features, transferred from original film elements by Universal Original 1.0 mono audio Optional English subtitles for the deaf and hard-of-hearing Commentary on The Cocoanuts by film scholar Anthony Slide Commentary on Animal Crackers by film historian Jeffrey Vance Commentary on Monkey Business by Marx Brothers historian Robert S Bader and Bill Marx, son of Harpo Marx Commentary on Horse Feathers by film critic FX Feeney Commentary on Duck Soup by Bader and film critic Leonard Maltin The Marx Brothers: Hollywood's Kings of Chaos, a feature-length documentary containing interviews with Leonard Maltin, Dick Cavett and others Three excerpts from NBC's The Today Show featuring interviews with Harpo Marx, Groucho Marx and Bill Marx MORE TO BE ANNOUNCED! FIRST PRESSING ONLY: Perfect-bound book featuring new and archival writing on the films
New York City is terrorised by a series of brutal bloody murders of innocent victims. The police boil in a pressure cooker of public outcry when it is discovered that the killer is a cop. The prime suspect is Jack Forrest a young policeman who through a series of unfortunate coincidences is pinned as the maniac killer. Desperate for a suspect the police arrest him. Jack escapes and aided by his lover Teresa an undercover policewoman is out to prove his innocence. The killi
World War II Morocco springs to life in Michael Curtiz's classic love story. Colourful characters abound in "Casablanca", a waiting room for Europeans trying to escape Hitler's war-torn Europe.
They didn't take orders... they took over. Based on the true story of the rise of organized crime in America during Prohibition. Four now-famous thugs from humble origins and diverse ethnic backgrounds become rich and powerful gangsters through bootlegging.
A little drunk on its own arcane exotica as a gambling movie, Rounders is a film that takes us inside a world of high-stakes card players but falls short on such essentials as character development and relationships. Still, it is a real curiosity, written by a couple of guys (David Levien and Brian Koppelman) who appear to know something about the dark underbelly of card hustling for fun and profit. Matt Damon stars as a reluctant law student who can't put aside his subterranean career of playing poker and blackjack for big money. After he loses his post-grad nest egg to a weird Russian kingpin (John Malkovich)--and also loses his disgusted girlfriend (Gretchen Mol) in the process--Damon's character turns to an unreliable old buddy (Edward Norton) for a dangerous game of sharking wherever there happens to be a game underway: frat boys, cops, bad dudes, you name it. Norton appears to be living out every young actor's fantasy of re-creating Robert De Niro's prot! otypical head case in Martin Scorsese's Mean Streets, and while his performance is burdened by obvious quotation marks, his estimable talent still shines through. Damon's charm and intelligence bring some oomph to the curiously flat proceedings, and while his hushed, soul-bearing scenes with Martin Landau (as a law professor who takes a shine to the kid) seem gratuitous, they're still nice to watch. Behind all this is director John Dahl (Red Rock West), who is not exactly at the top of his game here but who brings his distinctive toughness to the crime-noir tone.--Tom Keogh, Amazon.com
The hot star of 'Footballers Wives' showcases a regime that is five workouts in one to show you how to lose a stone and fit into that little black dress!
Earth is on the verge of complete annihilation. Threatened by an intergalactic superpower known as Gamilas, humankinds last hope for survival depends upon the generous assistance of another alien civilization - Iscandar. The Space Battleship Yamato - manned by a skilled, motivated crew and with advanced tech at its core - has only one year to seek out this planet and recover a device that could revitalize Earth. But Gamilan interference, dangerous cosmic phenomena, and conflict among the officers will test the whole of humanity's resolve.
An FBI deep-woods tracker captures a trained assassin who has made a sport of hunting humans.
The massive labyrinthine netherworld that is the Budapest subway system provides the stunning setting for KONTROLL a high-style high-speed romantic thriller in which the lives of assorted outcasts lovers and dreamers intersect and collide and where one handsome young hero one mysterious maiden and one particularly nasty killer must conduct a race against time trains and destiny itself in their frantic pursuit of one another. KONTROLL was awarded The 23rd Prix de la Jeunes p
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