Khrustalyov, My Car! Limited Edition Blu Ray

Named after the apocryphal exclamation of Soviet security chief Lavrentiy Beria as he rushed to Stalin's deathbed, this blackly funny, deliriously immersive satire distils the anticipation and anxiety in the Moscow air, as the Soviet despot lay dying. Late winter 1953. The lives of nearly half the planet are in Stalin s hands. A military surgeon, General Yuri Georgievich Klensky (Yuri Tsurilo), finds himself a target of the Doctors' Plot : the anti-Semitic conspiracy accusing Jewish doctors in Moscow of planning to assassinate the Soviet elite. Pursued, abused,... and marked for the gulags, Yuri is chased and dragged through a Stalinist Soviet nightmare. His desperate, jolting journey encapsulates the madness of the era. Directed by Aleksei German (Hard to Be a God), Khrustalyov, My Car! proved wildly provocative when it was screened at the 1998 Cannes film festival, despite being championed as the best film of the festival by the president of the Cannes jury that year, Martin Scorsese. A one-of-a-kind collision of nightmare and realism, German s film is presented here in a new restoration with a wealth of illuminating extras. Limited Edition Contents: New 2K restoration from the original camera negative by Arrow Films High Definition Blu-ray (1080p) presentation Original uncompressed 2.0 stereo Russian audio soundtrack Newly translated English subtitles Audio commentary by producer Daniel Bird Between Realism and Nightmare, a new video essay on Khrustalyov, My Car! and the films of Aleksei German by historian and film critic Eugénie Zvonkine Diagnosis Murder: Jonathan Brent on The Doctors' Plot, the academic talks about Stalin's anti-Semitic campaign which provides the backdrop for Khrustalyov, My Car! Aleksei German, the veteran film historian and critic Ron Holloway interviews the Russian director German... At Last, an interview with Aleksei German by producer Guy Séligmann Re-release trailer Double-sided fold-out poster Limited edition 60-page booklet featuring new writing by Gianna D'Emilio, an archival essay by Joël Chaperon and original reviews [show more]

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