Pandora couldn't resist opening the forbidden box containing all the delusions of mankind, and let's just say in Mulholland Drive David Lynch indulges a similar impulse. Employing a familiar film noir atmosphere to unravel, as he coyly puts it, "a love story in the city of dreams", Lynch establishes a foreboding but playful narrative in the film's first half before subsuming all of Los Angeles and its corrupt ambitions into his voyeuristic universe of desire. Identities exchange, amnesia proliferates and nightmare visions are induced, but not before we've become enthralled... by the film's two main characters: the dazed and sullen femme fatale, Rita (Laura Elena Harring), and the pert blonde just-arrived from Ontario (played exquisitely by Naomi Watts) who decides to help Rita regain her memory. Triggered by a rapturous Spanish-language version of Roy Orbison's "Crying", Lynch's best film since Blue Velvet splits glowingly into two equally compelling parts. --Fionn Meade [show more]
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David Lynch's acclaimed tale of murder and amnesia in Los Angeles. Having narrowly survived a murder attempt and a car crash, a shocked and wounded woman (Laura Elena Harring) takes refuge in a nearby apartment. When she is discovered the next morning by the apartment's official resident, aspiring actress Betty Elms (Naomi Watts), she confesses that she neither knows who she is nor what happened to her. The two women then begin to investigate, and it gradually becomes clear that they have known each other in the past. Meanwhile, a young film director (Justin Theroux) finds that the mob are taking an unusual interest in the casting of his latest film.
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