To say that Jean-Luc Godard's fourth feature, Vivre sa vie (1962), is about a young Parisian woman who drifts into prostitution would be roughly as useful as saying that Taxi Driver is about the problems facing the Manhattan transportation system. It's true that Godard did, in the 60s, seem to have a bee in his bonnet about the oldest profession, and it went on to buzz ever more angrily the more he cuddled up to the doctrines of Marx, who instructed him that under late capitalism we are all prostitutes. It's also true that one section of Vivre sa vie, which is divided... up into a dozen tableaux, offers a bland, documentary-style account of the French sex industry that could have been made for a news and current affairs slot. Even so, it's clear--especially four decades on--that whoredom is only one of the many topics on Godard's hyperactive brain. The scenes which you take away from the film aren't the sexy bits (which are few, and almost glacially offhand) but the exasperating, perverse or anguished bits: Nana, the heroine (Anna Karina) alone in a cinema, silently weeping at and for the silent vision of Maria Falconetti in Carl Dreyer's La Passion de Jeanne d'Arc; Nana in a pool hall, improvising an artlessly peppy dance routine; Nana in a café, endlessly talking Plato, Hegel and Kant with the grizzled, real-life philosopher Brice Parain. In short, the truest subject of Vivre sa vie--and it is a rich one--is nothing other than its star, Anna Karina, the piercingly beautiful model who had married her director just a year before, and who obviously inspired him to perplexity, rapture and despair. Technically, the film is insouciant to the point of arrogance--Godard constantly fiddles around with the soundtrack, the camera movements and framing as if all the usual rules of cinema were a pair of itchy underpants--and yet the film aches with melancholy. It's unlikely that the video will make many new converts, but for those willing to pay the price of admission to Godard's world (and the price includes boredom), the reward is one of the strangest and most troubling love letters in the history of cinema--apart from Godard's half-dozen other films about his wife, that is. --Kevin Jackson [show more]
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Anna Karina stars in this French drama co-written and directed by Jean-Luc Godard. After separating from her husband, Parisian shop assistant Nana (Karina) decides that she wants to become an actress. However, when her finances prevent her from entering the film industry, all Nana's ambition seeps away, and she ends up working the streets of the French capital as a prostitute. Her descent into the business is told in 12 short episodic scenes culminating in her being sold by the pimp Raoul (Sady Rebbot).
Please note this is a region B Blu-ray and will require a region B or region free Blu-ray player in order to play. Described as 'a perfect film' by Susan Sontag, Jean Luc Godard's compelling forth feature presents 12 episodes in the life of Nana (wonderfully played by Godard's muse, Anna Karina), a young Parisian who turns to prostitution after becoming disillusioned by poverty and her failing marriage.Stylistically innovative and boasting several of the director and star s most memorable moments, Vivre sa vie is an undiminished classic of the French New Wave by turns both playful and sad, which borrows the aesthetics of cinéma Vérité to present a captivating version of 1960s Parisian street life and pop culture. Actors: Anna KarinaDirectors: Jean-Luc GodardFormat: Dolby, PALLanguage: FrenchSubtitles: EnglishRegion: Region B/2 (Read more about DVD/Blu-ray formats.)Aspect Ratio: 16:9 - 1.66:1Number of discs: 1
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