A rap group on the verge of signing their first record deal is the city's only hope in a battle with a giant mutating snake monster. There s a giant motherfkin snake loose on the streets of Compton! The world's most dangerous city, with the most dangerous rap group, harassed by the most dangerous police force, will now battle with the world's most dangerous big-ass snake! Beware of terrible rhymes, unfriendly fire, and monstrous fangs in this unpredictable and outrageous satire of creature features, urban gangster films, and hip-hop culture.
Director Jodie Foster dishes up a heaping helping of holiday hilarity (NBC-TV) with this laugh-out-loud comedy from screenwriter W.D. Richter about family food and finding acceptance with the people you love. Home for the Holidays is a wickedly funny film that's so true it hurts (Entertainment Today)! In a span of 36 hours Claudia Larson (Holly Hunter) has managed to lose her job make out with her boss and learn that her daughter (Claire Danes) is planning to go all the way. But Claudia's fortunes actually take a turn for the worse when she flies home to endure an even more grueling trial: the family Thanksgiving! Beset by a neurotic mother (Anne Bancroft) kooky father (Charles Durning) eccentric brother (Robert Downey Jr.) and compulsively normal sister (Cynthia Stevenson) Claudia struggles to maintain her calm. But as sparks fly tempers flare and turkeys go airborne Claudia manages to recapture the zaniness of her childhood and discover that the most important things in life are the memories she shares with family and for that she can only be thankful!
Written by the successful team of John Esmonde and Bob Larbey 'Ever Decreasing Circles' was first broadcast by the BBC in February 1984. Richard Briers Penelope Wilton and Peter Egan star in this popular suburban-set comedy. Episodes comprise: Relaxation Goodbye Paul? Stuck In A Loft Neighbourhood Watch The Footpath Jumping To Conclusions Half An Office.
Welcome To The World Of Disorganized Crime. For the first time on DVD from comic filmmaker John Hamburg (Meet the Parents Zoolander Along Came Polly Meet the Fockers) comes this offbeat tale of inept lounge singers Sam (Sam Rockwell Lawn Dogs) and Eddie (Steve Zahn Out of Sight) who find themselves breaking into the burglary biz when they're mistaken by a low-level mobster (Paul Giamatti Sideways) for the best safecrackers in town. Now two guys who can't carry a tune are carrying off a series of hysterical heists in this comic gem
Long ago Lionel a dashing young British Army officer met Jean a lovely student nurse and fell deeply in love. When Lionel was shipped off to fight in the Korean war the two lost touch. Now they meet again and slowly begin to rekindle their romance. Episodes Comprise: 1. Time To Settle Down 2. Another Proposal 3. The World Will Always Welcome Lovers (aka: The Wedding) 4. What Now? 5. You Must Remember This (Parts 1 & 2)
Short stories from Jim Jarmusch that all have coffee and cigarettes in common.
Whatchoo talkin' 'bout Willis? When pint-sized Gary Coleman uttered that phrase to his TV brother played by Todd Bridges audiences were hooked and a star was born. But the show's popularity was based on more than the rise of the diminutive wisecracking Coleman. Diff'rent Strokes was a pop culture phenomenon that broke through cultural barriers as well. The story of two African-American kids from Harlem who move to Park Avenue to live with a wealthy white widower (Conrad Bain) and his precocious teenage daughter (Dana Plato) not only gave audiences lots to laugh about but gave them something to talk about. Along with their no-nonsense housekeeper (Charlotte Rae) this group was anything but average - but they reflected the changing face of the American family and brought issues of race and class into households across the nation.
Directed by Charles Crichton, who would much later direct John Cleese in A Fish Called Wanda (1988), 1951's The Lavender Hill Mob is the most ruefully thrilling of the Ealing Comedies. Alec Guinness plays a bowler-hatted escort of bullion to the refineries. His seeming timidity, weak 'r's and punctiliousness mask a typically Guinness-like patient cunning. "I was aware I was widiculed but that was pwecisely the effect I was stwiving to achieve". He's actually plotting a heist. With more conventionally cockney villains Sid James and Alfie Bass in tow, as well as the respectable but ruined Stanley Holloway, Guinness' perfect criminal plan works in exquisite detail, then unravels just as exquisitely, culminating in a nail-biting police car chase in which you can't help rooting for the villains. The Lavender Hill Mob depicts a London still up to its knees in rubble from World War II, a world of new hope but continued austerity, a budding new order in which everything seems up for grabs; as such it could be regarded as a lighter hearted cinematic cousin to Carol Reed's 1949 masterpiece The Third Man. The Lavender Hill Mob also sees the first, fleeting on-screen appearance of Audrey Hepburn in the opening sequence. --David Stubbs
Clash Of The Santas
Though Richard Pryor: Live in Concert was recorded (and released) in 1979, it took 25 years for the DVD to finally get a UK release. And, while it's tempting to look for a conspiracy involving Chris Rock and Eddie Murphy, who could have used their influence to delay this release for fear of the world realising where they got their schtick, the reality is this DVD was worth the wait. Not only has the entire concert been restored and remastered, they've also included a whole heap of extras. There's some footage of some of Pryor's early stand-up (hard to believe that the potty-mouthed comic started out as tame as Bill Cosby), footage from Pryor's doomed-from-the-start television show (an ill-thought-out prospect, really, considering the conservative nature of American TV) and a biographical booklet. So, it's definitely a value-for-money DVD (especially when you consider the relatively short running-time of the main feature). Of course, the star of this show is the original feature: Richard Pryor's full stand-up routine, recorded live in the 1970s. With his star firmly in the ascendant, Pryor was on fire, and his performance soon became a comedic legend. His style is casual and conversational--fundamentally, he's an excellent storyteller, and he has a knack for finding comedy inside of tragedy. At the time, his raunchy subject matter and use (some said "overuse") of, ahem, naughty words came as quite a shock to audiences, but Pryor went on to influence dozens of comedians to follow (in the process, becoming the highest ever paid comedian by the end of the 1970s). Richard Pryor: Live in Concert is a legendary performance by a legendary comedian, and an essential touchstone for modern comedy. --Robert Burrow
The Prince and the Showgirl (1957) was Marilyn Monroe's only British-made film and scores highly for curiosity value. There's something rather outrageous about this iconic American star playing a second-rate hoofer living in a theatrical boarding house in Brixton. Monroe herself is predictably good and touching as Elsie Marina, plucked from the chorus to entertain the Regent of Carpathia for the evening and ultimately smoothing his rough edges. There is, however, a rather uphill feeling all the way. The making of the movie was by all accounts a troubled experience for everybody concerned. Monroe, increasingly unreliable and exasperating, had an unsympathetic director in Laurence Olivier, also playing the Regent Charles, who hardly had the patience for a star of her mercurial talents with her own ideas of professional behaviour. His own performance as the Balkan royal is hammy and mannered and there isn't even a damp squib of sexual chemistry between them. Terence Rattigan's script, based on his successful play, is far too wordy and stage-bound. But somehow Monroe effervesces through all this adversity, aided considerably by British character actor Richard Wattis and the great Sybil Thorndyke, who became her ally during the difficult filming. Not vintage Marilyn but fascinating all the same, and she looks fantastic. On the DVD: The Prince and the Showgirl is presented in 4:3 with an occasionally muffled, apparently mono, soundtrack, giving this DVD a rather dusty quality which is in keeping with the vintage British 1950s production values. Extras include a cast list, original trailer and newsreel footage of the announcement that Marilyn was to make the film with Olivier, referred to at that stage as The Sleeping Prince. --Piers Ford
Setting a Carry On film in a marriage bureau has a certain self-serving obviousness, so it's hardly surprising that Carry On Loving milks the idea for all it's worth. The Wedded Bliss Agency is of course a pretty dubious outfit, being run by Sid (James) and Sophie Bliss (Hattie Jacques), who together are the worst possible example for both marriage and their own profession: they constantly snipe at each other, they aren't actually married and their sophisticated computer matching system is in fact a complete fake. The remainder of the team are mostly cast as hapless clients, with predictable but often very funny situations arising from the various mismatches engineered by the agency, such as the inevitable misunderstanding over one client's interest in modelling. Yes, the humour is about as subtle as a flatulent elephant, but you can't help entering into the spirit of the thing. If there's an outstanding performance it has to be that of Imogen Hassall, who handles her transformation from round-shouldered frump to well-bred love goddess with considerable expertise and a genuine sense of fun. --Roger Thomas
When long-term congressman Cam Brady (Will Ferrell) commits a major public gaffe before an upcoming election, a pair of ultra-wealthy CEOs plot to put up a rival candidate and gain influence over their North Carolina district. Their man: naive Marty Huggins (Zach Galifianakis), director of the local Tourism Centre. At first, Marty appears to be the unlikeliest possible choice but, with the help of his new benefactors' support, a cutthroat campaign manager and his family's political connections, he soon becomes a contender who gives the charismatic Cam plenty to worry about. As election day closes in, the two are locked in a dead heat, with insults quickly escalating to injury until all they care about is burying each other, in this mud-slinging, back-stabbing, home-wrecking comedy from Meet the Parents director Jay Roach that takes today's political circus to its logical next level. Because even when you think campaign ethics have hit rock bottom, there's room to dig a whole lot deeper. Special Features: Deleted Scenes
Featuring a montage of highlights from his weekly Friday night series, Graham Norton: For Your Pleasure is a splendid showcase of the slickly uproarious, impeccably vulgar chat show host who is part Frankie Howerd, part Dame Edna Everage, part Julian Clary, but mostly himself. He hosts this programme in elderly make-up, enjoying the ministrations of a young manservant. Norton fans will be familiar with the formula. Included here are quite outrageously lewd confessions from members of the audience, one of whom made love to a frozen chicken only to find his parents tucking into it the next day. But it's the guests who are the true staple of the show. Mostly women, mostly glamorous but just over the hill, and so willing to play good sports to Norton, they include Cher, Dolly Parton, Alison Moyet, Dolph Lundgren (who stoically endures Norton's flirtatious attentions) and David Ginola. The host doesn't so much interview his guests as regale them with surreal Internet clips of penguins tripping each other up or goats having heart attacks. They're also willing to dish a little dirt: Cybill Shepherd confides that "there was one thing Elvis didn't eatÂ… 'til he met me". Norton has priceless fun with Sophia Loren, who he has order a pizza named after her over the phone and play in a mock-EastEnders sketch, as well as introducing Martine McCutcheon to the delights of the Hot Cock, a microwaveable penis substitute. It's gross, camp, crude yet pulled off with great panache. On the DVD: Graham Norton: For Your Pleasure comes with a droll commentary, in which Norton comments on the curious English accent Gillian Anderson adopted for the show and pours scorn on the cheapness of the props. He's also interviewed at length in his dressing room, where he proudly shows off the bizarre, vulgar and kitsch items viewers send him. Also interviewed is resident audience member Betty, elderly butt of his jokes, who reveals that her newfound fame enabled her to jump the queue at her orthopaedic ward. --David Stubbs
The Trouble with Harry is a lark, the mischievous side of Hitchcock given free reign. A busman's holiday for Alfred Hitchcock, this 1955 black comedy concerns a pesky corpse that becomes a problem for a quiet, Vermont neighbourhood. Shirley MacLaine makes her film debut as one of several characters who keep burying the body and finding it unburied again. Hitchcock clearly enjoys conjuring the autumnal look and feel of the story, and he establishes an important, first-time alliance with composer Bernard Herrmann, whose music proved vital to the director's next half-dozen or so films. --Tom Keogh, Amazon.com
On the S&M fantasy island of Eden the motto is ""If it hurts it's good"" and photographer Elliot Slater (Paul Mercurio) is about to find out just how painfully true that is. He's been sent to this kinky corner of paradise by his shrink in order to cure his strange sexual hang-ups. But kinky fantasies aren't his only problem. He's also accidentally snapped the boss of a diamond smuggling ring and now he's wanted by both sides of the law - they've followed the perverted photographer all
The relationship between two friends gets complicated when they decide to get romantic. Dylan (Justin Timberlake) and Jamie (Mila Kunis) think it's going to be easy to add the act of sex to their friendship, but getting physical leads to complications!
This prime-time computer animated series from Dreamworks was unceremoniously cancelled following declining ratings coupled with the high budget per episode (estimated at $1.6 million). The series follows a family of white lions who work as performers for Seigfried & Roy in Las Vegas where they and their animal friends are located in a town of their own going about day to day life outside of the jungle they were plucked from. John Goodman Cheryl Hines Orlando Jones and Carl Reiner h
Anchorman: The Legend of Ron BurgundyThere was a time before cable when the local anchorman reigned supreme... Enter the hard-hitting world of 1970s local TV news where Ron Burgundy (Will Ferrell) and his loyal Channel 4 News Team (Paul Rudd Steve Carell and David Koechner) are San Diego's #1 rated news source. All is well in their male-dominated world of news until beautiful rising-star reporter Veronica Corningstone (Christina Applegate) turns it all upside down. Sparks don't just fly they ignite an all-out war between two perfectly coiffed anchor-persons. Anchorman 2: The Legend ContinuesSeven years after capturing the heart of his co-anchor and wife Veronica Corningstone (Christina Applegate) Burgundy (Will Ferrell) is offered the chance of lifetime: to be in on the world's first 24-hour global cable news network GNN in New York City. The newsman quickly rounds up his classic news team - sports guy Champ Kind (David Koechner) man on the street Brian Fantana (Paul Rudd) and weatherman Brick Tamland (Steve Carell) - and heads to The Big Apple. Upon arriving he is quickly challenged by his strong female boss Linda Jackson (Meagan Good) Australian multi-millionaire network owner Kench Allenby (Josh Lawson) and a chiseled popular lead anchor Jack Lime (James Marsden). It's up to Ron and the team to find their own way to the top of news - and the top of the ratings.
Based on the 1938 book of the same name by Richard and Florence Atwater, Mr. Popper's Penguins is a comedy about how the surprise appearance of a penguin at a New York businessman's door turns his life completely upside down, while simultaneously teaching him an important lesson about the value of family. Far from the small-town painter featured in the book, the film's Mr. Popper is a real estate developer who lives in an exclusive apartment on Park Avenue, has his sights set on becoming a partner in his firm, and is an every-other-weekend father to his two children. A ruthless developer with no time for anything but business, Mr. Popper resolves to deal with his father's parting gift of a penguin by getting rid of the annoying bird as quickly as possible. That process proves much more difficult than expected, even with the help of his ultra-efficient assistant Pippi, who speaks primarily in p's, and Mr. Popper soon winds up with six penguins. Even more unexpected is how markedly those penguins begin to affect the relationship between Mr. Popper and his children and how that change affects the rest of Mr. Popper's life. Jim Carrey's performance as Mr. Popper is very good--he capitalises on the many comic opportunities afforded by the idea of keeping penguins in a New York apartment while showing an uncharacteristic restraint that's quite refreshing. Ophelia Lovibond is quite comical as Pippi and Angela Lansbury also makes a strong appearance as one of Mr. Popper's potential business clients. As Pippi would say, the premise of the power of the penguin to promote personal prosperity and perpetuate personal peace positively prevails in Mr. Popper's Penguins. (Ages 7 and older) --Tami Horiuchi
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