Three best friends embark on a road trip to a heavy-metal show, where they bond with three aspiring musicians and head off to one of the girls' country home for an after-party.
A troubled young man, who believes himself to be a vampire, goes to live with his elderly and religious cousin in a small Pennsylvania town where he tries to redeem his blood-craving urges after he falls for a lonely housewife, all the while his hostile cousin becomes convinced that the young man is actually Nosferatu. Product Features A new Second Sight 4K restoration supervised and approved by Director of Photography Michael Gornick Presented in HDR10+ Audio Commentary by George A Romero, John Amplas and Tom Savini Audio Commentary by George A Romero, Richard P Rubinstein, Tom Savini, Michael Gornick and Donald Rubinstein A new audio commentary by Kat Ellinger A new audio commentary by Travis Crawford Taste the Blood of Martin: A new feature length documentary including location tour Scoring the Shadows: A new interview with composer Donald Rubinstein 'J Roy - New And Used Furniture': a short film by Tony Buba Making Martin: A Recounting Trailer, TV and radio spots
In Unbreakable, writer-director M. Night Shyamalan reunites with Sixth Sense star Bruce Willis, comes up with another story of everyday folk baffled by the supernatural (or at least unknown-to-science) and returns to his home town, presenting Philadelphia as a wintry haunt of the bizarre yet transcendent. This time around, Willis (in earnest, agonised, frankly bald Twelve Monkeys mode) has the paranormal abilities, and a superbly un-typecast Samuel L. Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. David Dunn (Willis), an ex-jock security guard with a failing marriage (to Robin Wright Penn), is the stunned sole survivor of a train derailment. Approached by Elijah Price (Jackson), a dealer in comic book art who suffers from a rare brittle bone syndrome, Dunn comes to wonder whether Price's theory that he has superhuman abilities might not hold water. Dunn's young son Joseph (Spencer Treat Clark) encourages him to test his powers and the primal scene of Superman bouncing a bullet off his chest is rewritten as an amazing kitchen confrontation when Joseph pulls the family gun on Dad in a desperate attempt to convince him that he really is unbreakable (surely, "Invulnerable" would have been a more apt title). Half-convinced he is the real-world equivalent of a superhero, Dunn commences a never-ending battle against crime but learns a hard lesson about balancing forces in the universe. Throughout, the film refers to comic-book imagery--with Dunn's security guard slicker coming to look like a cape, and Price's gallery taking on elements of a Batcave-like lair--while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers might find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness offputting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman
When released in 1997, The Gingerbread Man was the only John Grisham movie that did not use one of the popular novelist's bestsellers as its inspiration. Rather, it's based on an original screenplay by Grisham that displays the author's familiar flair for Southern characters and settings within a labyrinthine plot propelled by his trademark narrative twists and turns. Sporting a spot-on Georgian accent, Kenneth Branagh plays a Savannah attorney who comes to the assistance of a troubled woman (Embeth Davidtz) and finds himself enmeshed in a scenario involving the woman's father (Robert Duvall) that grows increasingly complex and dangerous, where nothing, of course, is really as it seems. It's a totally absorbing movie made in the modern film noir tradition; what's most interesting here (and most underrated by critics at the time) is the combination of Grisham's mainstream mystery and the offbeat style of maverick director Robert Altman. Despite a battle with executives that nearly caused Altman to disown the film, The Gingerbread Man demonstrates the director's skill in bringing a fresh, characteristically offbeat approach to conventional material, especially in the use of a threatening hurricane to hold the plot in a state of dangerous urgency. Unfortunately overlooked during its theatrical release, this intelligent thriller provides a fine double bill with Francis Coppola's film of Grisham's The Rainmaker. --Jeff Shannon
A scarred stuntman uses his "death proof" car to execute his murderous plans in this latest outing from Quentin Tarantino.
In 1970, young first-time director Dario Argento (Deep Red, Suspiria) made his indelible mark on Italian cinema with The Bird with the Crystal Plumage a film which redefined the giallo' genre of murder-mystery thrillers and catapulted him to international stardom. Sam Dalmas (Tony Musante, We Own the Night), an American writer living in Rome, inadvertently witnesses a brutal attack on a woman (Eva Renzi, Funeral in Berlin) in a modern art gallery. Powerless to help, he grows increasingly obsessed with the incident. Convinced that something he saw that night holds the key to identifying the maniac terrorizing Rome, he launches his own investigation parallel to that of the police, heedless of the danger to both himself and his girlfriend Giulia (Suzy Kendall, Spasmo) A staggeringly assured debut, The Bird with the Crystal Plumage establishes the key traits that would define Argento's filmography, including lavish visuals and a flare for wildly inventive, brutal scenes of violence. With sumptuous cinematography by Vittorio Storaro (Apocalypse Now) and a seductive score by legendary composer Ennio Morricone (Once Upon a Time in the West), this landmark film has never looked or sounded better in this brand new 4K Ultra HD presentation from Arrow Video! Special Features New 4K restoration from the original negative by Arrow Films 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Restored original lossless mono Italian and English soundtracks English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack Audio commentary by Troy Howarth, author of So Deadly, So Perverse: 50 Years of Italian Giallo Films Black Gloves and Screaming Mimis, an interview with author and critic Kat Ellinger exploring the film's themes and its relationship to both the giallo and Fredric Brown's novel The Screaming Mimi The Power of Perception, a visual essay on the cinema of Dario Argento by Alexanda Heller-Nicholas, author of Devil's Advocates: Suspiria and The Giallo Canvas: Art, Excess and Horror Cinema, reflecting on the recurring theme of perception and the role of art in Argento's filmography Crystal Nightmare, an interview with writer/director Dario Argento An Argento Icon, an interview with actor Gildo Di Marco Eva's Talking, an archival interview with actor Eva Renzi Original Italian and international theatrical trailers 2017 Texas Frightmare trailer Image galleries Illustrated collector's booklet featuring writing on the film by Howard Hughes and Jack Seabrook, and a new essay by Rachael Nisbet Fold-out double-sided poster featuring original and newly commissioned artwork by Obviously Creative Six double-sided, postcard-sized lobby card reproduction artcards Limited edition packaging with reversible sleeve featuring originally and newly commissioned artwork by Obviously Creative
A small army of well trained criminals led by Laszlo Antonov have hijacked the Eurostar deep beneath the English Channel.
In this suspenseful sequel to In The Heat Of The Night Sidney Poitier reprises his role as the intrepid investigator who this time must solve a puzzling murder in the City by the Bay. Featuring an original score by Quincy Jones and co-starring Martin Landau and Edward Asner They Call Me Mister Tibbs! is an absorbing mystery that ranks as one of the best. When a prostitute is murdered in San Francisco's ritzy Nob Hill district an anonymous tip implicates minister and political
Series 1 joins Sarah Lund on what is supposed to be her final day as a detective with the Copenhagen Police department. She is all-set to immigrate to Sweden with her fiance when a 19-year-old girl is found raped and brutally murdered.;A local politician Troels Hartmann is in the middle of a hard-fought election campaign to become the new mayor of Copenhagen when suddenly evidence links city hall to the murder. Over the course of twenty episodes each a day in the investigation suspect upon suspect is sought out as violence and political pressures cast their shadows over the hunt for the killer.;Two years on and Series 2 finds Lund stripped of her investigative role and transferred to a low-key job in the country but when the body of a female lawyer is found murdered in macabre and puzzling circumstances Lund's former boss calls her back to assist with the investigation. Initially reluctant Lund soon changes her mind as she becomes engrossed with the case... Over the course of 10 gripping episodes the worlds of crime politics and the military become increasingly tangled and as the case progresses Lund's mission becomes a race against time to find the culprit and prevent further killings...;Now at long last Detective Inspector Sarah Lund returns in Series 3 the long-awaited third and final part of the trilogy. The financial crisis is raging and the number of bankruptcies and repossessions is on the rise but Lund has a newfound sense of peace in the form of a new job a new home and the recognition of achieving 25 years of service in the Police Force.
In Flatliners, five competitive medical students, obsessed by the mystery of what lies beyond the confines of life, embark on a daring and dangerous experiments: by stopping their hearts for short periods of time, each triggers a near-death experience - giving them firsthand account of the afterlife. But as their experiments become increasingly dangerous, they are each haunted by the sins of their pasts, brought on by the paranormal consequences of trespassing to the other side. Click Images to Enlarge
Emily is a talented artist who, due to a minor criminal record, resorts to insecure contract work delivering food while her friend from art school, Liz makes work trips to Portugal for photo shoots. Down on her luck and saddled with student debt, Emily gets involved in a dangerous credit card scam that pulls her deep into the criminal underworld of Los Angeles, ultimately leading to deadly consequences.
If the devil is in the details, there's a lot of wicked fun in Angels & Demons, the sequel (originally a prequel) to The Da Vinci Code. Director Ron Howard delivers edge-of-your-pew thrills all over the Vatican, the City of Rome, and the deepest, dankest catacombs. Tom Hanks is dependably watchable in his reprised role as Professor Robert Langdon, summoned urgently to Rome on a matter of utmost urgency--which happens to coincide with the death of the Pope, meaning the Vatican is teeming with cardinals and Rome is teeming with the faithful. A religious offshoot group, calling themselves the Illuminati, which protested the Catholic Church's prosecution of scientists 400 years ago, has resurfaced and is making extreme, and gruesome, terrorist demands. The film zooms around the city, as Langdon follows clues embedded in art, architecture, and the very bone structure of the Vatican. The cast is terrific, including Ewan McGregor, who is memorable as a young protégé of the late pontiff, and who seems to challenge the common wisdom of the Conclave just by being 40 years younger than his fellows when he lectures for church reform. Stellan Skarsgard is excellent as a gruff commander of the Swiss Guard, who may or may not have thrown in with the Illuminati. But the real star of the film is Rome, and its High Church gorgeousness, with lush cinematography by Salvatore Totino, who renders the real sky above the Vatican, in a cataclysmic event, with the detail and majesty of the ceiling of the Sistine Chapel. --A.T. Hurley, Amazon.comStills from Angels & Demons (click for larger image)
Directed by Renny Harlin (Die Hard 2, Cliffhanger) and based the shocking true story of the Dyatlov Pass deaths, this horror will chill your bones. A group of American students set out to film a documentary following the fateful path of the nine skiers, whose bodies were found in 1959, deep in the Russian mountains. Trying to solve one the most bizarre mysteries of the 20th century, the group aren't prepared for what they find, or what finds them ... A truly disturbing story wit...
For Mark Evans (Wood) the loss of his mother is too much to bear. What Mark needs is friendship and companionship so in a desperate bid to overcome his bereavement he is sent to stay with his cousin Henry (Culkin). But Mark discovers to his horror that his cousin is hiding dark secrets and a wicked mind full of trouble. His idea of fun is both evil and deadly... so deadly that Mark soon finds himself hunted and on the run in a deadly cat and mouse game of horror.
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I Saw The Devil is as action packed and thrilling as it is extremely dark and disturbing. Starring Lee Byung-Hun (GI JOE: The Rise Of Cobra) and Choi Min-Sik (OldBoy).
Small-town secrets, a family inheritance, a spate of murders, and a remarkable twist make up producer-director William Castle's audacious spin on Alfred Hitchcock's Psycho. And if it all gets to be too much for you, gentle viewer, please take advantage of the Fright Break' to avoid being terrified. Extras High Definition remaster Original mono audio Audio commentary with author and film historian Lee Gambin Stephen Laws Introduces Homicidal' (2018, 8 mins): personal appreciation by the acclaimed horror author Psychette: William Castle and Homicidal' (2002, 8 mins): archivist Bob Burns and filmmakers David Del Valle, Michael Schlesinger and Fred Olen Ray discuss the film Ballyhoo! (2018, 4 mins): film historian Bob Thomas recalls the time he interviewed Castle Youngstown, Ohio Premiere (1961, 5 mins): original promotional reel in which Castle interviews attendees of the film's premiere Isolated music & effects track Original theatrical trailer Image gallery: promotional and on-set photography, poster art and archive materials New and improved English subtitles for the deaf and hard-of-hearing
Classic Hitchcock movie starring Henry Fonda & Vera Miles. Manny Ballestero is an honest hardworking musician at New York's Stork Club. When his wife needs money for dental treatment, Manny goes to the local insurance office to borrow on her policy. Employees at the office mistake him for a hold-up man who robbed them the year before and the police are called. The film tells the true story of what happened to Manny and his family.
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