Features: Adam and Evelyne Blanche Fury Caesar And Cleopatra Captain Boycott Fanny By Gaslight Lamp Still Burns Love Story Madonna of The Seven Moons Magic Bow and Waterloo Road
Famed character actor (and one of Doctor Who's first companions) William Russell stars in the popular and well-remembered series The Adventures of Sir Lancelot. The classic and inspirational stories of King Arthur and his Knights of the Round Table are brought to life through the adventures of Sir Lancelot bravest of all the Knights! Presented here is the entire series of 30 action-packed episodes, some of them presented here for the first time in colour.
Michael Gough gives a gloriously overwrought performance in this notorious 1959 horror feature. A box-office triumph, it was shot at Merton Park Studios in the relatively new CinemaScope format and presented with the additional gimmick of 'HypnoVista'. Horrors of the Black Museum was the first in what has been dubbed Anglo-Amalgamated's 'Sadian trilogy' (with Circus of Horrors and Peeping Tom), in which the keynote is sensationalistic, sexually charged violence. It is featured here in a brand...
An epic tale of three sisters their loves and their lives played out by an all-star British cast They Were Sisters was voted fourth in the National Film Awards of 1946 behind The Way to the Stars. Lucy (Phyllis Calvert) Charlotte (Dulcie Gray) and Vera (Anne rawford) are three sisters who are pursued by three very different kinds of men asking for their hand in marriage. Geoffrey (James Mason) is an ambitious carousing businessman who pursues Charlotte because he believes a demure stay-at-home wife will make his career progress more rapidly and his extra-marital social activities more pleasant. William (Peter Murray-Hill) is a dependable kindly man who recognises in Lucy a kindred spirit. Vera is a social butterfly with no interest in anyone but herself so when Brian (Barry Livesey) offers to marry her she accepts as a marriage of convenience and takes lovers when she desires. As time passes the three sisters suffer joy and heartache but as the cruel sadistic behaviour of Geoffrey threatens to send Charlotte insane the sisters decide to unite together with momentous consequences...
Few 1950s creature features deliver in the way Fiend Without a Face does. The first hour is all build-up as tension grows between an Air Force research base and a small Canadian town (this is one of those British B films that pretends to be set overseas) as a series of mystery deaths are blamed by the superstitious on weird military experiments. It's not a spoiler to give away the big revelation, since every item of publicity material, including the DVD cover, blows the surprise: the initially invisible culprits turn out to be a killer swarm of disembodied brains with eyes on stalks and inchworm-like spinal cord tails. These creatures have a nasty habit of latching onto victims and sucking out their grey matter. The finale is a siege of a house by the fiends, which swarm en masse making unsettling brain-sucking sounds, and are bloodily done away with by the heroes. Using excellent stop-motion animation, this climax goes beyond silliness and manages to be genuinely nightmarish. The orgy of splattering brains stands proud among the cinema's first attempts at genuine horror-comic glee, setting a precedent for everything from The Evil Dead to Peter Jackson's Braindead. Marshall Thompson is a bland, stolid uniformed hero and most of the rest of the cast struggle with "anadian" accents, but Kynaston Reeves is fun as the decrepit lone researcher whose fault it all is. On the DVD: Fiend Without a Face on disc comes with a montage of scenes from other films in this batch of releases (The Day of the Triffids, The Stars Look Down) that plays automatically when the disc is inserted, but otherwise not even a trailer, much less the commentary track and other material found on the pricey but luxurious US Region 1 Criterion release. The print has nice contrasts but is pretty grainy. --Kim Newman
Four film versions of W. Somerset Maugham are brought together and introduced by the man himself: 'The Facts of Life' features a young tennis player who escapes from his domineering partner and absconds to Monaco; 'The Alien Corn' features Dirk Bogarde playing a man with the ambition to be a top pianist but he is rejected by music scholars; 'The Kite' stars George Cole as a man with an obsession for kites and little time for his wife; 'The Colonel's Lady' revolves around a stuffy colonel's search for the man his wife has been writing passionate poems about.
Lilli, (Lisa Daniely) the french girl whose song Lilli Marlene is loved by the Germans and allies, is captured by the Nazis and rescued by the British after being forced to broadcast the song for the Germans. Lilli, (Lisa Daniely) the french girl whose song Lilli Marlene is loved by the Germans and allies, is captured by the Nazis and rescued by the British after being forced to broadcast the song for the Germans.
Set in the north of England (Hindle), two mill workers Jenny (Lisa Daniely) and Mary (Sandra Dorne) take off to Blackpoolfor the Wakes week holiday. Jenny is attracted to the Mill's boss's son (Brian Worth). The two go off together leaving Maryto give them an alibi. Mary unknown to Jenny - is killed in a freak boating accident and the couples romantic tryst is discovered by both families causing a moral dilemma.
Few 1950s creature features deliver in the way Fiend Without a Face does. The first hour is all build-up as tension grows between an Air Force research base and a small Canadian town (this is one of those British B films that pretends to be set overseas) as a series of mystery deaths are blamed by the superstitious on weird military experiments. It's not a spoiler to give away the big revelation, since every item of publicity material, including the DVD cover, blows the surprise: the initially invisible culprits turn out to be a killer swarm of disembodied brains with eyes on stalks and inchworm-like spinal cord tails. These creatures have a nasty habit of latching onto victims and sucking out their grey matter. The finale is a siege of a house by the fiends, which swarm en masse making unsettling brain-sucking sounds, and are bloodily done away with by the heroes. Using excellent stop-motion animation, this climax goes beyond silliness and manages to be genuinely nightmarish. The orgy of splattering brains stands proud among the cinema's first attempts at genuine horror-comic glee, setting a precedent for everything from The Evil Dead to Peter Jackson's Braindead. Marshall Thompson is a bland, stolid uniformed hero and most of the rest of the cast struggle with "anadian" accents, but Kynaston Reeves is fun as the decrepit lone researcher whose fault it all is. On the DVD: Fiend Without a Face on disc comes with a montage of scenes from other films in this batch of releases (The Day of the Triffids, The Stars Look Down) that plays automatically when the disc is inserted, but otherwise not even a trailer, much less the commentary track and other material found on the pricey but luxurious US Region 1 Criterion release. The print has nice contrasts but is pretty grainy. --Kim Newman
A murder writer gains a valuable insight into his craft by practising for real!
When inveterate old lag Harry Denton (Edward Rigby) is released from prison he soon returns to his old ways by kidnapping 16 year-old Sheila Farlaine (Petula Clark) the daughter of a well-known actor (Hugh Sinclair). Harry brings her to the home of his grandson Jack (Jimmy Hanley) but soon gets more than he bargained for as Sheila welcomes the adventure of being kidnapped and the attention it receives in the press! As Sheila's father discovers the biggest acting role of his career playing the distraught father of a daughter being held to ransom; and her childhood friend Jimmy (Anthony Newley) convinces the police that he bravely tried to fight off the kidnappers; Sheila's disappearance becomes a great opportunity for everyone to enjoy their moment in the limelight. All that is bar Jack who wants his grandfather to concoct some ruse to persuade Sheila to return home so that he doesn't have to serve twenty years in prison with his grandfather for abduction!
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