The Natural (Dir. Barry Levinson) (1984): Nothing would stop Roy Hobbs from fulfilling his boyhood dream of baseball superstardom. Robert Redford stars in this inspiring fable that begins when 14-year-old Hobbs (Redford) fashions a powerful bat from a fallen oak tree. He soon impresses major league scouts with his ability fixing his extraordinary talent in the mind of sportswriter Max Mercy (Robert Duvall) who eventually becomes instrumental in Hobbs' career. But a meeting with a mysterious woman shatters his dreams. Years pass and an older Hobbs reappears as a rookie from the New York Knights. Overcoming physical pain and defying those who have a stake in seeing the Knights lose Hobbs with his boyhood bat has his chance to lead the Knights to the penant and to finally fufill his dream. The Sting (Dir. George Roy Hill) (1973): The Sting is one of the most popular and critically acclaimed films of all time. Set in the 1930's this intricate comedy caper deals with an ambitious small time crook (Robert Redford) and a veteran con man (Paul Newman) who seeks revenge on the vicious crime lord (Robert Shaw) who murdered one of their gang. How this group of charlatans puts ""the sting"" on their enemy makes for the greatest double-crosses in movie history complete with an amazing surprise finish...
Titles Comprise: Out Of Africa: Meryl Streep stars as Karen Blixen the restless wife of European aristocrat and plantation owner Baron Bror Blixen (Brandauer). When Bror departs to hunt big game and chase women the running of their East African coffee plantation falls to Karen. She throws herself into this task with the same determination and spirit she brings to her passionate but sporadic affair with free-spirited British hunter Denys Finch Hatton (Robert Redford). While enduring her husband's infidelities and the eventual destruction of their beloved land she entertains Denys and befriends the workers. Hatton shares Karen's profound love for the African landscape but is unwilling to sacrifice his independence for their relationship... The Natural: Nothing would stop Roy Hobbs from fulfilling his boyhood dream of baseball superstardom. Robert Redford stars in this inspiring fable that begins when 14-year-old Hobbs (Redford) fashions a powerful bat from a fallen oak tree. He soon impresses major league scouts with his ability fixing his extraordinary talent in the mind of sportswriter Max Mercy (Robert Duvall) who eventually becomes instrumental in Hobbs' career. But a meeting with a mysterious woman shatters his dreams. Years pass and an older Hobbs reappears as a rookie from the New York Knights. Overcoming physical pain and defying those who have a stake in seeing the Knights lose Hobbs with his boyhood bat has his chance to lead the Knights to the penant and to finally fufill his dream. The Sting: is one of the most popular and critically acclaimed films of all time. Set in the 1930's this intricate comedy caper deals with an ambitious small time crook (Robert Redford) and a veteran con man (Paul Newman) who seeks revenge on the vicious crime lord (Robert Shaw) who murdered one of their gang. How this group of charlatans puts the sting on their enemy makes for the greatest double-crosses in movie history complete with an amazing surprise finish...
Mean Streets: You don't make up for your sins in church. You do it on the streets... 'Mean Streets' heralded Martin Scorsese's arrival as a new filmmaking force - and marked his first historic teaming with Robert De Niro. It's a story Scorsese lived a semi-autobiographical tale of first-generation sons and daughters in New York's Little Italy. Harvey Keitel plays Charlie working his way up the ranks of a local mob. Amy Robinson is Teresa the girlfriend his family deems unsuitable because of her epilepsy. And in the starmaking role that won Best Supporting Actor Awards from the New York and National Society of Film Critics De Niro is Johnny Boy a small-time gambler in big-time debt to the loan sharks... (Dir. Martin Scorsese 1973) Taxi Driver: 'Taxi Driver' provoked fierce controversy when it was released running into censorship problems in America as some of the scenes of violence were described to be 'as gory as Clockwork Orange and Straw Dogs' (Evening News '76). In addition there was outcry at a 13-year-old schoolgirl actress (Jodie Foster) co-starring as a prostitute. (Dir. Martin Scorsese 1976) Casino: Robert De Niro Sharon Stone and Joe Pesci star in Director Martin Scorsese's riveting look at how blind ambition white-hot passion and 24-carat greed toppled an empire. Las Vegas in 1973 is the setting for this fact-based story about the Mob's multi-million dollar casino operation - where fortunes and lives were made and lost with a roll of the dice... (Dir. Matin Scorsese 1995) Sleepers: To four boys growing up on the streets in the mid 1960s Hell's Kitchen was a place of innocence ruled by corruption. The infamous New York City neighbourhood that stretched north from 34th to 56th Street and pushed west from the 8th Avenue to the Hudson River was guided by both priest and gangsters. The children who grew up there shared joyful times but subscribed to a sacred social code-crimes against the neighbourhood were not permitted and when they did occur punishment was severe. Four friends made a mistake that changed their lives forever... (Dir. Barry Levinson 1996) Cape Fear: Sam Bowden has always provided for his family's future. But the past is coming back to haunt them. Master filmmaker Martin Scorsese brings heart - pounding suspense to one of the most acclaimed thrillers of all time. Fourteen years after being imprisoned vicious psychopath Max Cady [Robert De Niro] emerges with a single - minded mission to seek revenge on his attorney Sam Bowden [Nick Nolte]. Cady becomes a terrifying presence as he menancingly circles Bowden's increasingly unstable family. Realising he is legally powerless to protect his beautiful wife [Jessica Lange] and his troubled teenage daughter Danielle [Juliette Lewis] Sam resorts to unorthodox measures which lead to an unforgettable showdown on Cape Fear. Visually stunning images and brilliant performances from a talented cast highlight this roller-coaster ride through relentless psychological torment. (Dir. Martin Scorsese 1991)
Bugsy represents an almost miraculous combination of director, writer and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realise them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) and Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambition to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerising as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff Shannon
Rain Man (Dir. Barry Levinson 1988): Dustin Hoffman joins Tom Cruise to bring a funny and moving tale of brotherly love to the screen. Heartless Charlie Babbitt expects a vast inheritance after his estranged father dies. But Raymond his institutionalised older brother someone he's been totally unaware of is willed the entire fortune instead. Raymond is an 'autistic Savant' with severely limited mental abilities in some areas but with genius gifts in others. When Charlie kidnaps Raymond the crazy cross-country drive back to Los Angeles teaches them both a few lessons in life. For as they overcome their mutual distrust of each other a deep bond is forged as they painfully share past memories present problems and a possible shining future together. Die Hard (Dir. John McTiernan 1988: New York cop John McClane facing Christmas alone flies to Los Angeles to see his estranged wife Holly (Bonnie Bedelia) and their kids in an attempt to patch things up. He arrives at his wife's high tech office building in the middle of their Christmas party just as it is gatecrashed by the ruthless master criminal Hans Gruber (Alan Rickman) and a dozen fellow activists intent on relieving the Nakatomi Corporation of six hundred million dollars in negotiable bonds... Platoon (Dir. Oliver Stone 1986): Writer/director Oliver Stone has created a personal and searing testament to the men who fought the war in Vietnam. Seen through the eyes of a college drop-out the war is a real nightmare a private hell of fears from outside and in with enemies on both sides of the line. His platoon's allegiance is split between leaders Sergeant Barnes and Sergeant Elias. Barnes is a scar-faced gung-ho fanatic bent on destroying the elusive Viet Cong and anyone who disagrees with him. Elias is a different type of soldier--he has lost faith in the war but not in man. Friction between the two sergeants leads to a second war as deadly as the one being waged against the enemy. Raging Bull (Dir. Martin Scorsese 1980): Raging Bull is arguably the finest work from the Scorsese and De Niro partnership. De Niro gives an amazing portrayal of a man whose animal side lurks just beneath the surface ever ready to erupt. Vivid and unremitting in its uncompromising brutality and honesty the fight sequences are famed for their realism. Violent throughout this film is a testament to Scorsese's and De Niro skills creating a thoroughly absorbing film about such an unlikable character. Renowned for throwing himself into the roles of the character De Niro went on a diet to gain fifty pounds during the production for the role of the faded star. Terminator (Dir. James Cameron 1987): In 2029 giant super-computers dominate the planet hell-bent on exterminating the human race! And to destroy man's future by changing the past they send an indestructible cyborg - a Terminator - back in time to kill Sarah Connor (Linda Hamilton) the woman whose unborn son will become mankind's only hope. Can Sarah protect herself from this unstoppable menace to save the life of her unborn child? Or will the human race be extinguished by one mean hunk of mutant metal?
Titles Comprise: Mean Streets: You don't make up for your sins in church. You do it on the streets... 'Mean Streets' heralded Martin Scorsese's arrival as a new filmmaking force - and marked his first historic teaming with Robert De Niro. It's a story Scorsese lived a semi-autobiographical tale of first-generation sons and daughters in New York's Little Italy. Harvey Keitel plays Charlie working his way up the ranks of a local mob. Amy Robinson is Teresa the girlfriend his family deems unsuitable because of her epilepsy. And in the starmaking role that won Best Supporting Actor Awards from the New York and National Society of Film Critics De Niro is Johnny Boy a small-time gambler in big-time debt to the loan sharks... (Dir. Martin Scorsese 1973) Taxi Driver: 'Taxi Driver' provoked fierce controversy when it was released running into censorship problems in America as some of the scenes of violence were described to be 'as gory as Clockwork Orange and Straw Dogs' (Evening News '76). In addition there was outcry at a 13-year-old schoolgirl actress (Jodie Foster) co-starring as a prostitute. (Dir. Martin Scorsese 1976) Casino: Robert De Niro Sharon Stone and Joe Pesci star in Director Martin Scorsese's riveting look at how blind ambition white-hot passion and 24-carat greed toppled an empire. Las Vegas in 1973 is the setting for this fact-based story about the Mob's multi-million dollar casino operation - where fortunes and lives were made and lost with a roll of the dice... (Dir. Matin Scorsese 1995) Cape Fear: Sam Bowden has always provided for his family's future. But the past is coming back to haunt them. Master filmmaker Martin Scorsese brings heart - pounding suspense to one of the most acclaimed thrillers of all time. Fourteen years after being imprisoned vicious psychopath Max Cady [Robert De Niro] emerges with a single - minded mission to seek revenge on his attorney Sam Bowden [Nick Nolte]. Cady becomes a terrifying presence as he menancingly circles Bowden's increasingly unstable family. Realising he is legally powerless to protect his beautiful wife [Jessica Lange] and his troubled teenage daughter Danielle [Juliette Lewis] Sam resorts to unorthodox measures which lead to an unforgettable showdown on Cape Fear. Visually stunning images and brilliant performances from a talented cast highlight this roller-coaster ride through relentless psychological torment. (Dir. Martin Scorsese 1991) Sleepers: To four boys growing up on the streets in the mid 1960s Hell's Kitchen was a place of innocence ruled by corruption. The infamous New York City neighbourhood that stretched north from 34th to 56th Street and pushed west from the 8th Avenue to the Hudson River was guided by both priest and gangsters. The children who grew up there shared joyful times but subscribed to a sacred social code-crimes against the neighbourhood were not permitted and when they did occur punishment was severe. Four friends made a mistake that changed their lives forever... (Dir. Barry Levinson 1996)
Die Hard: New York cop John McClane facing Christmas alone flies to Los Angeles to see his estranged wife Holly (Bonnie Bedelia) and their kids in an attempt to patch things up. He arrives at his wife's high tech office building in the middle of their Christmas party just as it is gatecrashed by the ruthless master criminal Hans Gruber (Alan Rickman) and a dozen fellow activists intent on relieving the Nakatomi Corporation of six hundred million dollars in negotiable bonds... McClane's a maverick smartass with a distinct disdain for being given orders. He's alone tired hurting and the only chance anyone has got. Twelve bad guys one cop. The odds are against John McClane; just the way he likes it! Bandits: Strap yourself in for one hilarious action-comedy with great chemistry great one-liners and expert direction. Bruce Willis makes all the right moves as the man with the perfect bank-robbing plan - and two imperfect partners. Busting out of prison Joe (Willis) and Terry (Billy Bob Thornton) are on the run and out of money. That changes when they devise a scheme to place bank managers under house arrest the night before they rob their banks. But success as the infamous sleepover bandits isn't the only change in store for them. As they cross state lines and federal laws they meet Kate (Cate Blanchett) a sexy eccentric housewife whose indecision as to which of the two bandits she wants could spoil their partnership for good! The Siege: When a crowded city bus blows up in Brooklyn and a campaign of terror begins to make its bloody mark on the streets of New York it's up to FBI special agent Anthony ""Hub"" Hubbard (Washington) and U.S. Army General William Devereaux (Willis) to find out who's responsible and put an end to the destruction. Together they face explosive danger at every turn when they team up to a wage an all-out war against a ruthless band of terrorists. Hart's War: Fourth generation war hero Col. William McNamara is imprisoned in a brutal German POW camp. Still as the camp's highest-ranking American officer he commands his fellow inmates keeping a sense of honour alive in a place where honour is easy to destroy all under the dangerous ever-watchful eye of SS Major Wilhelm Visser. Never giving up the fight to win the war McNamara is silently planning waiting for his moment to strike back at the enemy. A murder in the camp gives him the chance to set a risky plan in motion. With a court martial to keep Visser and the Germans distracted McNamara orchestrates a cunning scheme to escape and destroy a nearby munitions plant enlisting the unwitting help of young Lt. Tommy Hart. Together with his men McNamara uses a hero's resolve to carry out his mission ultimately forced to weigh the value of his life against the good of his country.
It's a crime what Jimmy Alto will do to get a break. Oscar winner Joe Pesci and Christian Slater are at their finest in this wildly funny look at Hollywood from acclaimed director Barry Levinson (Rain Man Bugsy). Struggling actor Jimmy Alto (Joe Pesci) can't get arrested. But the criminals that terrorize his neighbourhood are making a killing. So Jimmy makes a bold career move. With the help of his loyal but spaced-out best friend (Slater) Jimmy transforms himself into ""Jericho "" leader of a mock-vigilante group that videotapes criminals then turns them over to the police. It's the role of a lifetime but when Jimmy gets caught in a crossfire between the cops and the crooks it looks like it could be his last.
Bugsy: Benjamin Bugsy Siegel ( Warren Beatty) is the legendary power broker whose disarming charm and elegant good looks hide a violent and dangerous personality. Virginis The Flamingo Hill ( Annette Bening) is a stunning glamorous starlet with a wise guy wit and tough past. Their attraction is magnetic - together sex risk and danger to fight their underworld bosses and builds their dream of a city in the desert - Las Vegas drive them. To Die For: Suzanne Stone (Kidman) has always dreamed of being on TV - and she's dead-set on making that dream come true. But there is just one obstacle: Larry Maretto her husband (Dillon). So Suzanne convinces a love-struck teenager (Phoenix) to get Larry out of the way - for good. Circus: 'Circus' is a modern crime thriller of cross double-cross and triple-cross. Set in Brighton away from the funfair and day-trippers it is a violent and darkly humorous tale that twists like an epileptic Boa Constricter riding a helter skelter.
Escaped convicts Joe (Bruce Willis) and Terry (Billy Bob Thornton) have come up with a new way to approach to bank robbery: they will take the bank manager hostage the night before, and then accompany him or her to the bank in the morning and clear out the vaults. Amazingly, the plan works, and the pair are soon known nationwide as the notorious 'Sleepover Bandits'. But when madcap housewife Kate (Cate Blanchett) joins the gang, both men quickly fall in love with her, and their previously har...
With a voracious trio of mako sharks wreaking havoc, Deep Blue Sea dares to up the ante on Jaws, but director Renny Harlin trades the nuanced suspense of Spielberg's 1975 blockbuster for the trickery of the digital age. In other words, why build genuine terror when you can show ill-fated humans getting torn into bloody chunks? It's inevitable that Saffron Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. Space Cowboys is a slice of cornball Americana that's so much fun you'll be tempted to stand up and salute. Director and costar Clint Eastwood manages to turn what might have been ludicrous into a jubilant tribute to age and experience, and Space Cowboys succeeds as two movies in one--a comedy about retired pilots given one last shot at glory and an Apollo 13-like thriller with all the requisite heroics. Space Cowboys earns its wings, once again demonstrating Eastwood's comfort with any genre he chooses. From yet another derivative science fiction novel by Michael Crichton comes the equally derivative and flaccid movie Sphere, in which three top Hollywood stars struggle to squeeze tension and excitement out of material that doesn't match their talents. There are moments of high intensity and psychological suspense, and the stellar cast works hard to boost the talky screenplay. But it's clear that this was a hurried production (Hoffman and director Barry Levinson made Wag the Dog during an extended production delay), and as a result Sphere's look and feel is like a film that wasn't quite ready for the cameras. Though it's by no means a waste of time, it's undeniably disappointing. --Jeff Shannon, Amazon.com
The first thing you need to know about Sleepers is that it's based on a novel by Lorenzo Carcaterra that was allegedly based on a true story. The movie repeats this bogus claim, which was attacked and determined by a wide majority to be misleading. Knowing this, Sleepers becomes problematic because it's too neat, too clean, too manipulative in terms of legal justice and dramatic impact to be truly convincing. And yet, with its stellar cast directed by Barry Levinson, it succeeds as gripping entertainment, and its tale of complex morality--despite a dubious emphasis on homophobic revenge--is sufficiently provocative. It's about four boys in New York's Hell's Kitchen district who are sent to reform school, where they must endure routine sexual assaults by the sadistic guards. Years after their release, the opportunity for revenge proves irresistible for two of the young men, who must then rely on the other pair of friends (Brad Pitt, Jason Patric), a loyal priest (Robert De Niro), and a shabby lawyer (Dustin Hoffman) to defend them in court. Despite the compelling ambiguities of the story, there's never any doubt about how we're supposed to feel, and the screenplay glosses over the story's most difficult moral dilemmas. At its best, Sleepers grabs your attention and pulls you into its intense story of friendship and the price of loyalty under extreme conditions. The movie's New York settings are vividly authentic, and Minnie Driver makes a strong impression as a long-time friend of the loyal group of guys. --Jeff Shannon, Amazon.com
More than just a pretty boy Robert Redford has consistently proven his considerable acting abilities in a number of great films over the past 5 decades. This box set features 4 of his finest hours! The Natural (Dir. Barry Levinson 1984): Nothing would stop Roy Hobbs from fulfilling his boyhood dream of baseball superstardom. Robert Redford stars in this inspiring fable that begins when 14-year-old Hobbs (Redford) fashions a powerful bat from a fallen oak tree. He soon impresses major league scouts with his ability fixing his extraordinary talent in the mind of sportswriter Max Mercy (Robert Duvall) who eventually becomes instrumental in Hobbs' career. But a meeting with a mysterious woman shatters his dreams. Years pass and an older Hobbs reappears as a rookie from the New York Knights. Overcoming physical pain and defying those who have a stake in seeing the Knights lose Hobbs with his boyhood bat has his chance to lead the Knights to the penant and to finally fufill his dream. The Way We Were (Dir. Sydney Pollack 1973): Screen legends Barbra Streisand and Robert Redford make movie magic as the captivating star-crossed lovers Katie Morosky and Hubbell Gardiner. Theirs is a classic love story sparked by the attraction of opposites played out against the backdrop of American life during times of foreign war domestic prosperity and McCarthy-era paranoia in Hollywood. Winner of two Academy Awards (Best Song 'The Way We Were' and Best Score) The Way We Were is the timeless romance that cannot be forgotten. Out of Africa (Dir. Sydney Pollack 1985): Sydney Pollack directs this sweeping romantic drama based on the memoirs of Danish writer Isak Dinesen. Meryl Streep stars as Karen Blixen the restless wife of European aristocrat and plantation owner Baron Bror Blixen (Brandauer). When Bror departs to hunt big game and chase women the running of their East African coffee plantation falls to Karen. She throws herself into this task with the same determination and spirit she brings to her passionate but sporadic affair with free-spirited British hunter Denys Finch Hatton (Robert Redford). While enduring her husband's infidelities and the eventual destruction of their beloved land she entertains Denys and befriends the workers. Hatton shares Karen's profound love for the African landscape but is unwilling to sacrifice his independence for their relationship... The Sting (Dir. George Roy Hill 1973): After the huge success of Butch Cassidy And The Sundance Kid George Roy Hill re-teamed with Hollywood stars Robert Redford and Paul Newman for this dazzlingly inventive tale about revenge in 1930s Chicago. The Sting is one of the most popular and critically acclaimed films of all time. Set in the 1930's this intricate comedy caper deals with an ambitious small time crook (Robert Redford) and a veteran con man (Paul Newman) who seeks revenge on the vicious crime lord (Robert Shaw) who murdered one of their gang. How this group of charlatans puts the sting on their enemy makes for the greatest double-crosses in movie history complete with an amazing surprise finish... The Sting was nominated for ten Oscars collecting seven on the night: Best Art Direction (Henry Bumstead James W. Payne) ; Best Costume Design (Edith Head); Best Director (George Roy Hill) ; Best Editing (William Reynolds) ; Best Score (Marvin Hamslich); Best Picture (Tony Bill Michael Phillips Julia Phillips); and Best Screenplay (David S. Ward).
Benjamin 'Bugsy' Siegel ( Warren Beatty) is the legendary power broker whose disarming charm and elegant good looks hide a violent and dangerous personality. Virginis 'The Flamingo' Hill ( Annette Bening) is a stunning glamorous starlet with a wise guy wit and tough past. Their attraction is magnetic - together sex risk and danger to fight their underworld bosses and builds their dream of a city in the desert drive them.
A comedian who hosts a news satire program decides to run for president, and a computerized voting machine malfunction gets him elected.
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