Crime thrillers following DI Tom Thorne based on the novels by Mark Billingham. Sleepyhead: Follows DI Tom Thornes investigation into a mysterious serial killer. His first three victims ended up dead. His fourth was not so fortunate. Alison Willetts is unlucky to be alive. She has survived a stroke deliberately induced by manipulation of pressure points on the head and neck. She can see hear and feel she is aware of everything going on around her but she is unable to move or communicate. In leaving Alison alive the police believe the killer's made his first mistake. Scaredy Cat: Is a second DI Tom Thorne thriller where killing becomes a team sport. The film depicts a vicious calculated murder. The killer selected his victim at Euston station followed her home and strangled her to death in front of her child. At the same time in the same way a second body is discovered at the back of Kings Cross. Thorne discovers that this is not a single serial killer he's up against but two of them.
Crime thrillers following DI Tom Thorne based on the novels by Mark Billingham. Sleepyhead: Follows DI Tom Thornes investigation into a mysterious serial killer. His first three victims ended up dead. His fourth was not so fortunate. Alison Willetts is unlucky to be alive. She has survived a stroke deliberately induced by manipulation of pressure points on the head and neck. She can see hear and feel she is aware of everything going on around her but she is unable to move or communicate. In leaving Alison alive the police believe the killer's made his first mistake. Scaredy Cat: Is a second DI Tom Thorne thriller where killing becomes a team sport. The film depicts a vicious calculated murder. The killer selected his victim at Euston station followed her home and strangled her to death in front of her child. At the same time in the same way a second body is discovered at the back of Kings Cross. Thorne discovers that this is not a single serial killer he's up against but two of them.
Lost in Karastan is a gentle black comedy about a confused, washed up British film director, Emil, who is invited by a nascent state to make a national Epic in an obscure Caucasus Republic ruled by an eccentric and corrupt dictator. When down and out Academy award winning British film director Emil Miller receives an invitation to the Embassy of the Autonomous Republic of Karastan, little does he know that he will be embarking on one of the wildest journeys of his already diverse and colourful career.
Simon Magus (1999): A magical tale from a vanished world... Simon is an outcast from his Jewish community because he claims that the devil talks to him and he has the ability to put curses on crops. When Dovid asks the 'Squire' to sell him some land so he can build a railway station a ruthless businessman from the neighbouring gentile community uses Simon to find out who wants to buy the land so he can 'persuade' him otherwise. The Nine Lives Of Tomas Katz (2000): London stands on the brink; a solar eclipse is going to darken the skies and madness begins to emerge in the populace. The odd Tomas Katz rises from the sewer and it soon becomes obvious that he is at the centre of the chaos to come. The only hope lies in a blind police commander who is deeply connected with the spirit world... An intensely strange surreal and funny series of scenes in which the absurdity of the modern world is shown to be unnervingly accurate...
The Pamir Kirghiz are a tribe of some 2000 people from the Pamir region of Central Asia. For the last 27 years they have lived in exile in Eastern Turkey. In 2005 an Anglo-Turkish film crew arrives in their village to work with the tribe to tell their story. In a series of scenes divided in to chapters we see revealing interviews with the Kirghiz see exciting and entertaining reconstructions shot on film in a variety of different cinematic styles and comic scenes of the interaction between the film crew and the community. During this process we learn how the Pamir Kirghiz' antipathy to Communism drove them from the Soviet Union then later from Maoist China and finally from the Soviet invasion of Afghanistan to their current exile. The film is part historical document part ethnographical description of a unique people part portrait of the conflict between individual and globalised culture and part comedy about the process of film making.
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