NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
The classic Eagles reunion concert in 1995 - which was meant to occur 'when hell freezes over' now available in DTS (Digital Theatre System) surround sound. Tracks include: 'Hotel California' / 'Help Me Through The Night' / 'Love Will Keep Us Alive' / 'Pretty Maids All In A Row' / 'Wasted Time' / 'New York Minute' / 'Take It Easy' / 'Desperado' / 'The Heart Of The Matter' / 'Learn To Be Still' / 'The Girl From Yesterday' / 'Life In The Fast Lane' / 'Get Over It' and 'Tequila Sunrise'.
The long-defunct, Southern Californian band regrouped for an album, an expensive tour (expensive for ticket buyers, that is) and this televised special, which features the Eagles in performance. Laid-back but sharp and even stirring during a longish acoustic set, the guys quickly get past the nostalgia element and sound truly viable. They even make it look easy: the sight of Joe Walsh wearing glasses and sitting in almost perfect repose as he effortlessly colours old hits "Tequila Sunrise" and new material such as "Learn to Be Still" may make you wonder why you ever stashed that guitar in the attic. The band eventually gets off their stools and rocks out on "Hotel California" and other Eagles standards. All in all, it's an enjoyable and mellowing show. --Tom Keogh, Amazon.com
Sensitive singer-songwriter, soft-rock poster boy, baby-boomer troubadour: James Taylor has outlived the stereotypes offered by fans and critics alike by simply staying his musical course and continuing to refine his familiar, deceptively mellifluous style. This 1998 concert displays Taylor's craftsmanship and easy rapport with both his band and his audience to satisfying effect, offering a repertoire that draws from his entire career while providing a generous selection of songs from his Grammy-winning 1997 set, Hourglass. Fans will love it, of course, but even jaded listeners can find fresh feeling and formidable expertise here.By now, Taylor's skill at low-key love songs is a given, making him an archetypal "sensitive New Age guy" on the strength of his canny mix of emotional vulnerability, romantic imagery, and understated delivery. Less obviously, Taylor has gradually transformed the shadows of disillusionment audible in his earliest songs into a nuanced acknowledgement of his own age. "Line 'Em Up," from Hourglass, typifies his skill at limning disarmingly lucid, frankly philosophical vignettes, here woven around a recollection of Richard Nixon's last hurrah, while "Jump Up Behind Me" affords a testament to self-determination ultimately as serious in theme as it is buoyant in its musical framework. Throughout, Taylor's stage band proves a thoroughbred, its accompaniment rock solid and delicately detailed, and perfectly matched to a crack backing chorus.Among the first video concerts produced with DVD in mind, Live at the Beacon Theatre has been in heavy rotation in home demonstration suites ever since its release, an achievement understandable after hearing the crystalline 5.1 mix engineered by Frank Filipetti, who shared a Grammy as co-producer on Hourglass and snagged a second award for his engineering of that album. --Sam Sutherland, Amazon.com
The best of Will Ferrell's sketches from the cult American comedy show Saturday Night Live. Relatively new to Hollywood superstardom Will Ferrell first made his name as one of Saturday Night Live's most brilliant character players and one of the few cast members ever to receive an Emmy nomination for his work on the show. Saturday Night Live - The Best Of Will Ferrell features the cream of Ferrell's comic creations including Craig the Cheerleader the Culp Brothers and the Roxbury G
Ten tracks from REM including: 'Near Wild Heaven' 'Losing My Religion' 'Radio Song' 'Belong' 'Half A World Away' and 'Country Feedback'.
The long-defunct, Southern Californian band regrouped for an album, an expensive tour (expensive for ticket buyers, that is) and this televised special, which features the Eagles in performance. Laid-back but sharp and even stirring during a longish acoustic set, the guys quickly get past the nostalgia element and sound truly viable. They even make it look easy: the sight of Joe Walsh wearing glasses and sitting in almost perfect repose as he effortlessly colours old hits "Tequila Sunrise" and new material such as "Learn to Be Still" may make you wonder why you ever stashed that guitar in the attic. The band eventually gets off their stools and rocks out on "Hotel California" and other Eagles standards. All in all, it's an enjoyable and mellowing show. --Tom Keogh, Amazon.com
The best of Adam Sandler's sketches from the cult American comedy show Saturday Night Live. This DVD sees the 'Anger Management' star assuming the roles of all his best-loved characters from Opera Man and Canteen Boy to Cajun Man and Lucy the Gap Girl as well as performing several of his most famous songs including the classic ""The Chanukah Song"". Among the many guests starring opposite Sandler are Alex Baldwin Courtney Cox David Duchovny Shannen Doherty Glenn Close and
Tribute albums and concerts come and go, but America: A Tribute to Heroes may well stand the test of time. Recorded just 10 days after the terrorist attacks of September 11, 2001, this two-hour US TV telethon has an appropriately sombre tone; it's also refreshingly unpretentious and ego-free, with no audience and no onscreen identification--of the musical artists or the actors and others who speak between songs. There are some passionate and moving performances by Bruce Springsteen, Stevie Wonder, Limp Bizkit and friends, Neil Young (the much-praised "Imagine") and several more, easily eclipsing the couple of outright turkeys (the overwrought theatrics of Enrique Iglesias and Mariah Carey). To watch the programme after the horror may have started to fade is to be reminded of the extraordinary emotions the tragic events aroused; and while pop music may be superfluous in the big picture, its power to inspire and perhaps even heal is something to behold.--Sam Graham, Amazon.com
Not as definitive as its title suggests, Britney--The Videos is a bare 30 minutes long and contains only two actual promotional videos for singles "Im a Slave 4 U" and "Dont Let Me Be the Last to Know". The only other item of interest to anyone (other than the sort of Britney Spears obsessive who is but a short step from a restraining order) is the undeniably spectacular performance of "Im a Slave 4 U" at the 2001 MTV Video Music Awards, during which a boa constrictor briefly became the most bitterly envied creature on planet earth. The rest of The Videos is naked hucksterism of which all involved should feel thoroughly ashamed. Apart from a rendition of soppy ballad "Im a Girl, Not Yet a Woman" lifted from an Australian television programme, everything else is an advertisement for other products: Pepsi, a forthcoming HBO concert special and Spears imminent movie debut. Someone is taking Britney fans for granted--and for mugs.--Andrew Mueller
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