How could there not be a Best of the Two Ronnies? After all, there isn't any worst. The only conceivable gripe anyone could have with this collection is the usual how-could-they-have-left-out-so-and-so problem that is bound to beset a comedy programme of such high quality. However, pretty much every one of the 25 items on this generously filled release is an unmitigated joy. The duo's talent for quickfire wordplay is well to the fore in such sketches as "Nuts Milord", the phonetic "Swedish Lesson" set in a restaurant ("F-U-N-E-X?" "S, V-F-X.") and in the classic "Ice Cream Parlour", in which Corbett's request for cheese and onion ice cream is met with Barker's endless list of alternatives delivered at auctioneer-like speed. They also excel at manipulating the whole concept of how dialogue works, as in "Crossed Lines" (two halves of two different telephone conversations heard at once) and "Mastermind", in which Corbett's special subject is "answering the question before last". All told this is an unmissable collection; so in the words of the St Botolph's Country Dance Group (featured in the wonderful song-and-dance finale), "Sod off, sod off, so doff your hat I pray". On the DVD: The Best of the Two Ronnies on disc is presented in 4:3 TV ratio and also includes artist profiles plus a helpful, stills-driven menu, but no other extras. --Roger Thomas
From 1971 to 1987 and over the course of 12 series and eight specials The Two Ronnie's became one of the great television comedy shows. Millions of viewers lapped up the sketches of doctors' surgeries middle-class parties government ministry broadcasts as well as the regular news headlines Ronnie Corbett monologues Ronnie Barker word-play sketches and fabulous comic songs. This selection features some of the best of these including: The Short-sighted Optician The Ministry for S
Wilde could easily have been nothing more than another well-dressed literary film from the British costume drama stable, but thanks to a richly textured performance from Stephen Fry in the title role, it becomes something deeper--a moving study of how the conflict between individual desires and social expectations can ruin lives. Oscar Wilde's writing may be justifiably legendary for its sly, barbed wit, but Wilde the film is far from a comedy, even though Fry relishes delivering the great man's famous quips. It takes on tragic dimensions as soon as Wilde meets Lord Alfred Douglas, known as Bosie, the strikingly beautiful but viciously selfish young aristocrat who wins Oscar's heart but loses him his reputation, marriage and freedom. Fry is brilliant at capturing how the intensity of Wilde's love for Bosie threw him off balance, becoming an all-consuming force he was unable to resist. Jude Law expertly depicts both Bosie's allure and his spitefully destructive side, there are subtle supporting performances from Vanessa Redgrave, Jennifer Ehle and Zoe Wanamaker, and the period trappings are lavishly trowelled on. But this is Fry's show all the way: from Oscar the darling of theatrical London to Wilde the prisoner broken on the wheel of Victorian moralism, he doesn't put a foot wrong. It feels like the role he was born to play. --Andy Medhurst
This is a strongly divisive but nonetheless effective piece of filmmaking based on a true story in which an American woman tries to escape from Iran with her daughter.... Moody is an Iranian doctor working in the U.S. On a trip home with his wife Betty and young daughter he decides that he wants to stay in his homeland. Betty refuses complaining about the treatment of women in his country but soon finds that she has no choice in the matter. With nothing and no one on her side Betty
Wilde could easily have been nothing more than another well-dressed literary film from the British costume drama stable, but thanks to a richly textured performance from Stephen Fry in the title role, it becomes something deeper--a moving study of how the conflict between individual desires and social expectations can ruin lives. Oscar Wilde's writing may be justifiably legendary for its sly, barbed wit, but Wilde the film is far from a comedy, even though Fry relishes delivering the great man's famous quips. It takes on tragic dimensions as soon as Wilde meets Lord Alfred Douglas, known as Bosie, the strikingly beautiful but viciously selfish young aristocrat who wins Oscar's heart but loses him his reputation, marriage and freedom. Fry is brilliant at capturing how the intensity of Wilde's love for Bosie threw him off balance, becoming an all-consuming force he was unable to resist. Jude Law expertly depicts both Bosie's allure and his spitefully destructive side, there are subtle supporting performances from Vanessa Redgrave, Jennifer Ehle and Zoe Wanamaker, and the period trappings are lavishly trowelled on. But this is Fry's show all the way: from Oscar the darling of theatrical London to Wilde the prisoner broken on the wheel of Victorian moralism, he doesn't put a foot wrong. It feels like the role he was born to play. --Andy Medhurst
Willem Dafoe stars as American writer T.S. Eliot in this biographical romantic drama. The story dramatises Eliot's passionate and tempestuous relationship with his first wife Vivienne Haigh-Wood (Miranda Richardson). After a brief courtship, the pair marry in 1915 but their initial happiness is short-lived and Viv eventually takes to harassing her husband. As a result of her various health issues and apparent mental instability, Tom commits Viv to a mental institution where she stays for ten years without ever seeing her famous husband again.
In 1883, Irish-born Oscar Wilde (Stephen Fry) returned to London from America, full of talent, passion and most of all, full of himself.A few years later Wilde's wit, flamboyance and creative genius were widely renowned and he and his wife Constance had two sons whom they both loved and adored.However, as Wilde finally confronted the homosexual feelings that had gripped him since his school days, his private life flew increasingly in the face of the decidedly rigid social conventions of late Victorian society. This was to lead him into a passionate and stormy relationship which would consume and ultimately destroy both him and his family.
Christina Ricci (Monster) stars in this spine-tingling supernatural thriller about an American backpacker in rural England whose life takes a turn for the worse after a car accident. During recovery she is befriended by a researcher (Stephen Dillane) studying a buried 1st Century church embedded with images of Christ's crucifixion. She begins to have horrific visions of the townspeople and their deaths. Is the town cursed or are her visions spirits from the unearthed church grasping for life? What is uncovered will shock and terrify you!
Marshall Seymour is a divorced stressed-out workaholic executive vice-president with little time for his young son Charlie. But they become much closer when a mysterious oriental skull transforms a father into his son and vice versa!
After.Life: After a horrific car accident Anna (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused terrified and feeling still very much alive Anna doesn't believe she's dead despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home with nobody to turn to except Eliot Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul (Justin Long) still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears Paul gets closer to unlocking the disturbing truth but it could be too late; Anna may have already begun to cross over the other side. The Gathering: Christina Ricci (Monster) stars in this spine-tingling supernatural thriller about an American backpacker in rural England whose life takes a turn for the worse after a car accident. During recovery she is befriended by a researcher (Stephen Dillane) studying a buried 1st Century church embedded with images of Christ's crucifixion. She begins to have horrific visions of the townspeople and their deaths. Is the town cursed or are her visions spirits from the unearthed church grasping for life? What is uncovered will shock and terrify you!
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