More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical, and highly enjoyable marriage of classical music and animated images. Fantasia 2000 features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death, and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story, and animation. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones, and others. --Mark Englehart
More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical and highly enjoyable marriage of classical music and animated images. Fantasia 2000, originally made for the IMAX large-screen format, features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of the Ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story and animation style. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones and others. --Mark Englehart
Disney's latest animated family feature brings "the little pink guy" centre stage for a story of friendship as the inhabitants of The Hundred Acre Wood learn that it doesn't take somebody big to do big things.
Piglet's Big Movie:It's Piglet's very first movie ... and a BIG one at that! In the grand tradition of Winnie the Pooh animated features you'll delight in PIGLET'S BIG MOVIE a wonderful story of friendship fun and appreciation in which everyone learns it doesn't take somebody big to do things! Piglet disappears into the Hundred Acre Wood after hearing he is 'just too small' to help Pooh Tigger Eeyore Roo and Rabbit with a honey-gathering scheme. To find him everyone makes a plan to work together and use Piglet's scrapbook for clues to his whereabouts. While searching they realise how big a part Piglet has played in their many adventures together. Then when Pooh finds himself in a precarious situation a superhero just the size of you - know-who shows up and with a lot of courage and a little luck...just might save the day! Pooh's Heffalump Movie:Straight from the theatres it's a grand scale animated feature that is as exciting as it is charming where friendship understanding and adventure abound as Winnie the Pooh and his friends learn that things are not always as they appear. A quiet day in the Hundred Acre Wood quickly grows mysterious when a strange sound echoes through the trees -- a sound that can only be... a Heffalump! While the friends devise Roo sets off into the Wood and discovers a Heffalump named Lumpy. To Roo's great surprise Heffalumps are quite friendly and playful. After meeting Lumpy Roo wonders why the others are so frightened and why Lumpy is so afraid of Roo's friends. Upon discovering their new friendship Roo and Lumpy's loved ones realize that Heffalumps are nothing to fear at all. Filled with humor heart and Heffalumps this warm and wonderful adventure is great fun for the entire family. The Tigger Movie:In the classic tradition of Disney's animated feature films the first Winnie the Pooh theatrical feature in twenty-three years weaves magical storytelling charming characters and memorable songs into an enchanting tale of adventure and friendship. As it happens everybody - Pooh Piglet Eeyore Roo Rabbit Owl - is busy preparing a suitable winter home for Eeyore. When everything they do seems to get undone by Tigger's exuberant bouncing Rabbit suggests Tigger goes outside and finds other tiggers to bounce with - a notion Tigger finds ridiculous because after all he's 'the onliest one!' Or is he? And so begins Tigger's amazing journey to find his family. The Tigger Movie is filled with the joy and wonder of what it means to be a family - and that families come in all shapes and sizes. Enriched with seven delightful Winnie the Pooh songs this humorous and touching film will bounce right into your heart.
More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical, and highly enjoyable marriage of classical music and animated images. Fantasia 2000 features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death, and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story, and animation. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones, and others. --Mark Englehart
More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical and highly enjoyable marriage of classical music and animated images. Fantasia 2000, originally made for the IMAX large-screen format, features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of the Ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story and animation style. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones and others. --Mark EnglehartFantasia and Fantasia 2000 are also available together in the three-disc DVD Fantasia Collection.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy