"Director: Frank Tuttle"

• Film Noir Collection | DVD | (27/03/2017) from £15.27   |  Saving you £N/A (N/A%)   |  RRP £N/A

  4 Movies Film Noir Collection Includes: Double Indemnity One of the finest films the noir genre has to offer. Double Indemnity has a bona fide Hollywood cast: Fred MacMurry is the insurance salesman led astray by Barbara Stanwyck's definitive femme fatale, Edward G Robinson investigates them. The Blue Dahlia Raymond Chandler's one and only screenplay (nominated for an Oscar®*). Alan Ladd and Veronica Lake are the leads: He is the returning GI who may or may not have been framed for murder, she is the femme fatale aiding him. The Glass Key This masterful adaption of Dasheill Hammett's tale of intrigue sees Alan Ladd and Veronica Lake positively smouldering as a henchman and politician's daughter drawn to each other. This Gun for Hire An early example of the noir genre and the first time pairing of Veronica Lake and Alan Ladd, here making his screen debut. Based on a Graham Greene novel.

• This Gun For Hire | DVD | (12/02/2007) from £11.25   |  Saving you £-1.26 (N/A%)   |  RRP £9.99

  He's dynamite with a gun or a girl. One of Hollywood's classic hard-boiled thrillers and a favorite of suspense film lovers. The picture marked the first hit pairing of tough guy Alan Ladd in the role that made him an instant star and sultry blonde bombshell Veronica Lake. Adapted from a novel by Graham Greene it's the hard-edged story of love power and betrayal set in the seamy underworld of the 1940's. Raven (Alan Ladd) is a cold-blooded professional killer who's been double-crossed by his client. Ellen (Veronica Lake) is a beautiful nightclub singer who's spying on her corrupt boss. Lt. Michael Crane (Robert Preston) is a dedicated cop who wants Ellen's love and Raven's capture. The tension mounts and before the case is wrapped up someone will pay with his life.

• Gunman in the Streets | DVD | (05/03/2012) from £8.98   |  Saving you £4.01 (30.90%)   |  RRP £12.99

  Eddie Roback (Dane Clark), an American army deserter turned criminal, is going to trial in Paris after a ten-month delay when he is sprung on his way to court in a pitched gun battle. A manhunt ensues with the police just a few paces behind, including a nicely staged scene in a department store in which Roback manages to improvise an escape, only to be standing by across the street from his intended destination as his waiting confederates are taken by the police. Investigators try to get ahead of him by reaching out his girlfriend, Denise Vernon (Simone Signoret). Feigning innocence, she makes contact with the wounded Roback, who is turned away by his former associates in his attempts to find shelter and escape. She eventually finds him a hiding place in the studio of Max Salva, a lecherous photographer with a sadistic streak, who may have given Roback up to the police. Denise tries to find him a way out of the country, with money from an American writer, Frank Clinton (Robert Duke), while the police slowly catch on to Roback's whereabouts, drawing the net ever closer. Several battles of wits unfold at once, drawing the viewer in, across intertwining, overlapping plot elements. Even nature raises its hand against Roback as a crippling fog slows his seemingly easy escape to Belgium. All of the players are drawn together for a final confrontation that is every bit as violent as anything seen in American crime films of the period.