Misery (Dir. Rob Reiner 1990): When author Paul Sheldon suffers a car accident in a blizzard he thanks his lucky stars that nurse Annie Wilkes was on hand. That is until he discovers that she's his number one fan and has no intention of ever letting him go... The Dark Half (Dir. George A. Romero 1993): Masters of horror Stephen King and George A. Romero have created a gripping creepy frightening film that thrills shocks and works us over! Featuring an intelligent screenplay and first-rate cast including Oscar winner Timothy Hutton The Dark Half will keep you captivated to the chilling end. Horror writer Thad Beaumont (Hutton) hopes to distance himself from his murder novels and from George Stark the pseudonym he has used to author them. To achieve this he cooks up a murder of his own: a publicity stunt that should lay Stark to rest forever. But when the people around him are found gruesomely slain - and his own fingerprints dot the crime scenes - Beaumont is dumbfounded until he learns that Stark has taken on a life of his own and begun a gruesome quest for vengeance... Carrie (Dir. Brian De Palma 1976): Based on the novel by Stephen King with a screenplay by Lawrence D. Cohen Carrie is the story of a young girl with telekinesis who has the power to move objects by the force of her mind. The school wallflower and the brunt of her classmates' jokes Carrie's revenge is the focus of this tense and stylish horror film. This is the film that made Sissy Spacek a star and featured John Travolta and Amy Irving in their first important screen roles. Carrie established director Brian DePalma as a new creative force in motion pictures.
In 1960 producer-director George Pal's The Time Machine reshaped HG Wells' thoughtful, ironic novel into a two-fisted action movie, but one that still appeals to children and adults immensely and deserves its classic status. Wells' themes of biological and social evolution are played down, but there is a surprisingly melancholy thread as Rod Taylor's Time Traveller keeps stopping off at future wars to find that human stupidity still persists. In the first week of 1900 a group of fussy Victorians gather in Taylor's chintzy, overstuffed parlour to hear him tell of his expedition to the future, where the world is divided between the surface-dwelling, childish, beautiful Eloi and the hideous, underground, cannibal Morlocks. Wells intended both factions to seem degenerate, the logical final evolution of the class system, but Pal has Taylor pull a Captain Kirk and side with the Eloi and teach them to fight against their oppressors. The time travel sequence remains a tour de force, with a shop window mannequin demonstrating a parade of fashions as the years fly by in seconds and charming but still-effective stop-motion effects. The future is a wonderfully coloured landscape with properly gruesome cave-dwelling monsters and a winning Eloi heroine in Yvette Mimieux. It may not be totally Wells, but it's a treat. On the DVD: The Time Machine arrives on disc in a lovely widescreen print which makes the film seem new all over again. The featurette "Time Machine: The Journey Back" combines some mild behind-the-scenes stuff about the film (and its star prop) with a moving mini-sequel reuniting stars Rod Taylor and Alan Young in a scene that actually addresses a plot point skipped over in the original. --Kim Newman
The winner of the 1950 Academy Award for Best Special Effects Destination Moon was the first major science fiction film produced in the U.S. and lifted the genre from the realm of the fantastic to the world of the believable.Co-scripted by Robert Heinlein from his novel ""Rocketship Galileo"" Destination Moon's suspenseful plot relates the saga of man's first voyage to the moon amid a series of scientific cliffhangers. It marked producer George Pal's initial association
In 1960 producer-director George Pal's The Time Machine reshaped HG Wells' thoughtful, ironic novel into a two-fisted action movie, but one that still appeals to children and adults immensely and deserves its classic status. Wells' themes of biological and social evolution are played down, but there is a surprisingly melancholy thread as Rod Taylor's Time Traveller keeps stopping off at future wars to find that human stupidity still persists. In the first week of 1900 a group of fussy Victorians gather in Taylor's chintzy, overstuffed parlour to hear him tell of his expedition to the future, where the world is divided between the surface-dwelling, childish, beautiful Eloi and the hideous, underground, cannibal Morlocks. Wells intended both factions to seem degenerate, the logical final evolution of the class system, but Pal has Taylor pull a Captain Kirk and side with the Eloi and teach them to fight against their oppressors. The time travel sequence remains a tour de force, with a shop window mannequin demonstrating a parade of fashions as the years fly by in seconds and charming but still-effective stop-motion effects. The future is a wonderfully coloured landscape with properly gruesome cave-dwelling monsters and a winning Eloi heroine in Yvette Mimieux. It may not be totally Wells, but it's a treat. On the DVD: The Time Machine arrives on disc in a lovely widescreen print which makes the film seem new all over again. The featurette "Time Machine: The Journey Back" combines some mild behind-the-scenes stuff about the film (and its star prop) with a moving mini-sequel reuniting stars Rod Taylor and Alan Young in a scene that actually addresses a plot point skipped over in the original. --Kim Newman
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